AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTSCENTER APRIL 1977

ALLIANCE THEATRE’S EARLY BIRD SPECIAL

Go first class next season: Fly Alliance Theatre’s Early Bird Special for an adventurous new season at fantastic savings. YxiCanlell AGood Of Boy By What Keeps Him Company Used to be you could spot one a country mile away. Getting tougher all the time though. Because the good ol' boys ain't who they used to be. Exactly. Now you're just as likely to find 'em moving and shaking in the city as hunting and fishing in the country. They're run­ ning fast and working hard, trying to change the South. But still, beneath all that "WallStreet" outside, you'll find a little Main Street inside. Maybe that's why this New South everybody's talking about is turning out to be the real South. Because a good 01' boy has the sense to keep what's good, change what's not and the wisdom to know the difference. You can even see it in his whiskey. Rebel Yell, made and sold only below the Mason-Dixon line. Rebel Yell's whisper of wheat im­ parts a smooth, luxurious flavor tailored especially for the good ol' boy in each of us. Keep company with the Host Bourbon of the South. Ask for Rebel Yell. And if you don't recognize any good ol' boys in the room, don't worry. They'll recognize you. Rebel ^11. The Good Ol’ Boys Bourbon.

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ALLIANCE THEATRE The Alliance Theatre Early Bird Is About to Take Off! And we’d like to have you on it. Early bird subscriptions are now available at tremendous savings over next fall’s season ticket prices. If you are a current subscriber you can renew now and be assured of your same seats next season. If you are not currently a subscriber, you can reserve good seats for every production next year by subscribing now. Subscribe today and go first class next season at a no frills price!

Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean A Smash Success Our new play this season, Ed Graczyk’s Come Back to the 5 and Dime Jimmy Dean. Jimmy Dean, which closed March 12, was the biggest hit in the Alliance Theatre’s history. It broke all box office records and won highest praise from audiences and critics alike: Bravo! There’s great excitement on the Alliance Stage, and it’s going to shake the Since 1908. we've been making earth and cause an explosion that should erupt right in the middle of Broadway. the women of Atlanta our busi­ The first professional production ness! View our collections of anywhere of Ohio playwright Ed Graczyk’s active, classic and pacesetting “Come Back to the 5 and Dime Jimmy Dean, sportswear separates to coordi­ Jimmy Dean” brought down the house opening night and well it should have. nate for your lifestyle. Visit any of Helen C. Smith our five stores. The Atlanta Constitution All right, all you people who complain about the lack of good original theatre in this country. DOWNTOWN. LENOX SQUARE, GREENBRIAR. Put down the paper, pick up the telephone NORTHLAKE 8 CUMBERLAND MALL and make reservations for Alliance Theatre's production of “Come Back to the 5 and THE RETURN TO ELEGANCE. Illi______

Dime Jimmy Dean, Jimmy Dean.” Sears Barbara Thomas The Atlanta Journal The best play I’ve seen in regional theatre this year. Clifford A. Ridley So many ways to The National Observer Shop at Sears Negotiations are now underway toward the possibility of opening Come Back to and SAVE! the 5 and Dime Jimmy Dean, Jimmy Dean in New York. If it is produced in New 8 BIG STORES IN ATLANTA York, remember you saw its premiere open every night and Sunday afternoons professional production on stage at the Alliance Theatre. 17 Appliance Catalog Stores all around the Atlanta area

All the Way Home 24 Hour Catalog Shopping On the Alliance Stage April 7-22 by phone from home, call 892-4242 For our fifth play of the season we are pleased to present All the Way Home. Tad Surplus and Bargain Stores Mosel’s stage adaptation of James Agee’s with closeouts from catalog and stores Pulitzer Prize-winning novel, A Death in the Family, won the New York Critics’ PLEASE SEE YOUR Award and a Pulitzer Prize in 1961 when it TELEPHONE DIRECTORY FOR MORE was produced with Colleen Dewhurst SPECIAL SERVICES INCLUDING playing the role of Mary Follet. Playing Mary Follet in the Alliance’s SEARS CARPET CLEANING production will be Dana Ivey who has call 351-4082 already won critical acclaim this season on SEARS DRAIN & SEWER SERVICE our stage as Hedda Gabler, Mona in Come call 892-6565 Back to the 5 and Dime Jimmy Dean, Jimmy Dean, and as Shaw’s beautiful SEARS DRIVING SCHOOL Polish aviatrix in Misalliance. Miss Ivey call 352-3400 will be joined in All the Way Home by another actress who won the hearts of FLOWERS BY SEARS audiences with her first performance in call 325-0337 (Atlanta) Atlanta as Chickabiddy in Misalliance, or 422-0656 (Marietta) Miss Patricia Falkenhain. All the Way Home is the story of a SEARS MEAT & FROZEN FOOD “death in the family,” but it is also the story call 325-5359 of the love and humor that preceded the SEARS RENT-A-CAR death, and that must overcome it. We call 261-6700 (Buckhead) think you and your family will find it one or 659-5010 (Downtown) of the most moving and heart-warming theatre experiences you have ever had. SEARS TERMITE & PEST CONTROL call 351-4082

Alliance Theatre Presents This year Alliance Theatre’s artistic director Fred Chappell will direct one of Shakespeare’s favorite history plays, Henry IV Part I, the story of two young men growing into manhood. Gold Rolex Watches.

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Charge Accounts Invited Bailey Banks & Biddle World Renowned Jewelers Since 1832 181 Peachtree Street, N. E. • Atlanta Greenbriar Center • South DeKalb Mall Perimeter Mall • Northlake Mall Lenox Square fin______Young Prince Hal, who will become King Henry V, spends his time carousing with Falstaff and Mistress Quickly at the Boar’s Head Tavern while his father Henry IV attends the business of state and bemoans his misfortune in not having a son like Northumberland’s son Henry Percy, surnamed Hotspur: Oh, that it could be proved That some night-tripping fairy had exchanged In cradle clothes our children where they lay, And called mine Percy, his Plantagenet! Then would I have his Harry, and he mine. Hotspur is a blunt, rash, practical young man, a fiery and impatient soldier who seems much more suited to the seriousness of ruling a country. So while Prince Hal drinks, entertains himself, and plays a waiting game, Hotspur is ambitiously establishing himself as a soldier of consequence. The contrast between the two young men creates an interesting study in personality and action, and it is an effect which Shakespeare must have considered dramatically significant, because historically the two young men portrayed in Henry IV Part I as contemporaries were of fashion for the not. Prince Hal was only fourteen when in 1403, he fought against the rebels and entire family, the home, Hotspur at the battle of Shrewsbury, and Hotspur was then thirty-nine, three years gifts and antiques too. older than Hal’s father. Henry IV Part I will be on stage at the Do stay for luncheon Alliance Theatre April 28-30, May 5-7, and or tea at our Bird Cage May 12-14. restaurant, open every ATLANTA SYMPHONY ORCHESTRA shopping day. Lord & Taylor, Activities For 1976-77 Continue While Those For 1977-78 Begin Phipps Plaza, Peachtree Season tickets for 1977-78 are now Road between Wieuca available. There are fourteen different series of season tickets from which one can and Lenox Roads. 266-0600 choose. From the regular twenty-four subscription concerts, to the new offering Monday through of three series of eight concerts on Friday or Saturday evenings, there is a series to Saturday 10:00 a.m. to suit your budget. Some offer savings of up 6:00 p.m., Monday and to 41 percent over single ticket prices, and up to ten concerts for free. Thursday evenings until

______Icontinued ) |||j 9:00 p.m. ______Here is an uncommonly classic condominium resi­ dence, priced from $53,000 to $236,000. Here is a place of incredible luxury, with a setting and view that will catch your breath. And your spirit. There are ten different models. All ready for im­ mediate occupancy. Located at 3530 Piedmont Road, N.E. Or call 262-2643. THE ALLIANCE THEATRE COMPANY DAVID BISHOP, Producing Director FRED CHAPPELL, Artistic Director

presents

by TAD MOSEL

Based on James Agee’s novel, A Death in the Family Directed by FRED CHAPPELL with MEG BRUSH DANA IVEY PETER BURNELL RORY KELLY PATRICIA FALKENHAIN PHILIP KRAUS TRAVIS L. FINE DICKSON LANE ANNE HANEY K. LYPE O’DELL CHRISTOPHER HOGENSON ALEXANDER REED MIMI HONCE MARY NELL SANTACROCE WENDY WALKER

Sets and Costumes Designed by Lights Designed by MICHAEL STAUFFER CASSANDRA HENNING Production Stage Manager Technical Director ALLEN WRIGHT ERIK MAGNUSON Production Manager BAXTER JOY

The use of recording devices or cameras during the performance is strictly prohibited. Nathalie Dupree is cooking up something wonderful!

A whole new season of cooking classes and demonstrations ... all in Rich’s Cooking School, Downtown. In the classes, you do the cooking. In the demonstrations, you watch and taste. Classes are available in basic and advanced levels. For prices, schedules and details, call 586-2525. ALL THE WAY HOME

CAST (in order of appearance) Rufus Follet ...... Travis L. Fine Jay Follet...... Philip Kraus Mary Follet...... Dana Ivey Ralph Follet ...... Rory Kelly Sally Follet ...... Wendy Walker John Henry Follet ...... Alexander Reed Jessie Follet...... Mimi. Honce Jim-Wilson ...... Christopher Hogenson Aunt Sadie Follet ...... Anne. Haney Great-Great-Granmaw Meg Brush Catherine Lynch...... Mary Nell Santacroce Aunt Hannah Lynch . .. Patricia Falkenhain Joel Lynch...... K. Lype O’Dell Andrew Lynch ...... Peter. Burnell Father Jackson...... Dickson Lane

The action takes place in and around Knoxville, Tennessee, in May of 1915.

Act 1 The first day. Act II The second day. Act III Two days later.

There will be two 10 minute intermissions.

The Alliance Theatre would like to express sincere appreciation to the following individuals and institutions for their assistance in our operations: American Eagle Antiques, Atlanta, Georgia D. B. Musical Restorations, Atlanta, Georgia Irving Lerner, Stephen’s Fabrics Adolphe Michel M. Ringel & Sons, Kennesaw, Georgia Dave Shulmann, Dux-Mixture & Hardware Company The Turnage Place, Ltd.

BIOGRAPHICAL SKETCHES MEG BRUSH is well-known by Atlanta theatre-goers for her numerous performances here, including “Charlotte” in The Cherry Orchard at the Pocket Theatre, “Sidma” in The lmmoralist and “Lady Brockhurst” in The Boy Friend, both TAOP productions presented in the Studio Theatre, and “Irma Kronkite” in the Alliance Theatre School Workshop performance of Picnic. Her film appearances include a feature role in Cockfighter, The Last Stop. The Bagel Report, and Together For Days. Mrs. Brush has been acting since 1940 when she created the part of “Tante” in the first English production of Motherly Love by August Strindberg. A native of England, Mrs. Brush has acted in theatre in London and also in California. PETER BURNELL has just appeared as “Joseph Percival” in ATC’s production of Misalliance. He received the Theatre World Award for his portrayal of “Joey” in In Praise of Love on Broadway with Rex Harrison and Julie Harris. On NBC-TV he was featured for five years as “Dr. Mike Powers” in The Doctors. Off-Broad way he has appeared as Matching ring,5575. Designed by Angela Cummings.

ATLANTA PHIPPS PLAZA Design Copyright, Tiffany & Co.

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&■' THE PRESTIGE R^CESETTER k . SINCE sit* 796WPEAHTREE t | J' PHONE 881-9900 < - --- • - ' • :Y. ______r SKETCHES (continued) “Skendal” in Dancing For the Kaiser. “Mick” in The Caretaker, and “Eglamour" in Two Gentlemen of Verona. Mr. Burnell played numerous roles in the New York Shakespeare Festival, including “Malcolm” in MacBeth and “Prince John" in Henry IV, Parts I & II. His regional theatre appearances have been at the Stowe Playhouse, Vermont, the Provincetown Playhouse in Massachusetts, and in Buffalo’s Studio Arena.

PATRICIA FALKENHAIN was “Chickabiddy" in the Alliance’s last production, Misalliance. She received the Drama Critics Award for best supporting actress as “Lady Britomart” in Shaw’s Major Barbara at Princeton’s McCarter Theatre. She has also received the Boston Theatre Award for her performance in Heartbreak House at Harvard’s Loeb Theatre and Obie Awards for her portrayals of “Doll Tearsheet” in Henry IV. Part II and the “Greenwoman" in Peer Gynt while with the Phoenix Company in New York. Miss Falkenhain performed with the New York Shakespeare Festival for four seasons and has toured nationally in After the Fall, with Peggy Wood in Chalk Garden and with Steven Boyd in Bashful Genius. Her regional theatre credits include performances at Baltimore’s Center Stage, the Drama Guild in Philadelphia and two years with San Francisco’s American Conservatory Theatre. Miss Falkenhain has previously been directed by Harold Scott in The Birthday Party.

TRAVIS L. FINE appeared last year on the Alliance stage as “John Henry West” in The Member of the Wedding. He plays the piano, sings and aspires to be an entertainer like Elton John. He is also a member of the Georgia Amateur Hockey Association and has played since the age of 4. He was the 1st place winner of the WSB-TV Silver Skates Award for 1974.

ANNE HANEY last appeared with ATC in 1973 as the “Abbess" in Comedy of Errors and as “Elvira Weir” and “Gertie Straub” in Jabberwock. At the Peachtree Playhouse, she has appeared as “Eunice” in Streetcar Named Desire with Rosemary Harris, “Nurse Ratched" in One Flew Over the Cuckoo's Nest, and “Jeannette Fisher” in Last of the Red Hot Lovers. Her favorite role is “Catherine Reardon” in the Studio Theatre production of And Miss Reardon Drinks a Little. In Chicago, at the Drury Lane Theatres, she played “Grace” in Bus Stop and “Saunders” in Fallen Angels. Mrs. Haney has toured Florida, Texas, Ohio, and Illinois, playing in dinner theatres with Robert Reed, Dorothy Lamour, and Mickey Rooney, and she has just completed a stint as “Sister Woman” in Cat on a Hot Tin Roof with Mercedes McCambridge at the Midnight Sun Dinner Theatre.

CHRISTOPHER HOGENSON is interested in model cars and how they work, and in people. He is currently attending the Saturday morning school for gifted children at Georgia State University and taking a course entitled “No One’s Perfect,” about how handicapped persons get along in this world. He has also taken courses in optics and photography, likes to read and enjoys animals, especially his family’s Irish setter. Star.

MIMI HONCE will be remembered by Alliance Theatre audiences for her role as “Mrs. Gibbs” in Our Town, “Anfisa” in 77te Three Sisters, and “Stella Livingston” in Light Up the Sky. Miss Honce has over 70 plays and musicals to her credit, including four years of repertory theatre in New York and featured roles with Jose Ferrer, Van Johnson, Shirley Jones and Tony Randall. She starred in Theatre Atlanta’s Oh What A Lovely H'urand The Pleasure of His Company, and for 12 weeks did Shirley Booth’s part of “Cissie” in the musical A Tree Grows In Brooklyn at the Pittsburgh Playhouse. Among her musical credits as a comedienne are Funny Girl. Gentlemen Prefer Blondes, and Damn Yankees. She has recently completed three films to be released in July, appearing in False Face. Remember Those Poker Playing Monkeys, and as the only female principal with Bradford Dilman in Conspiracy To Kill President Lincoln. DANA IVEY has just appeared as the unpronounceable Polish acrobat, “Lina Szczepanowska,” in the Alliance’s production of Shaw’s Misalliance. Also this season she has received critical acclaim for her portrayal of “Mona (now)” in ATC’s runaway hit, MYRNA LOY AND JEAN PIERRE AUMONT STARRING IN NEIL SIMON S BEST. BAREFOOT IN THE PARK." Evening performances Tuesday, Wednesday, Thurs­ day and Sunday, $16.00, plus tax. Friday and Saturday, $17.75, plus tax. Wednesday and Sunday matinees, $11.50, plus tax. Free parking at the Peachtree Cain Garage. American Express and other major credit cards accepted.

PeachtreeCenterAtopTheTHE MIDNIGHT Shopping SUN Gallery, DINNER For Reservations THEATREfW Call 577-7074 | 11 IT S BRAND NEW • A MUSICAL REVIEW • MONDAY AND LATE SATURDAY NIGHTS. SKETCHES (continued) Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean, and of the title role in Hedda Gabler. She will also be remembered for her brilliant portrayals of “Annie Sullivan” in last season’s The Miracle Worker and “Elizabeth Proctor” in ATC’s production of The Crucible. Miss Ivey was for several years one of Canada’s most distinguished actresses and has appeared as leading lady with major theatre companies across Canada and the U.S.A. She was Director of Drama Tech at Georgia Tech and has taught private acting classes here. For several years, she was host of “Atlanta Arts” as well as several programs of classical music on WGKA. She has worked with Forrest Tucker and Betty Garrett in Plaza Suite and has performed with Theatre Calgary and the St. Lawrence Center for the Performing Arts, as well as having appeared with Tony Randall and Jack Klugman in The Odd Couple. A classical actress who studied acting under a Fulbright Scholarship in London, Miss Ivey has also appeared on NBC with Robert Culp in the “American Odyssey” series and has also starred in six TV dramas produced in Montreal. Atlanta audiences will also remember her for her delightful roles as “Sister Woman” in Cat on a Hot Tin Roof and the “Nurse” in Romeo and Juliet. RORY KELLY was “Fleance” with Charlton Heston and Vanessa Redgrave in Peter Wood’s production of MacBeth at the Ahmanson Theatre in Los Angeles. He also performed as a horse in the national tour of Equus. Off-Broadway Mr. Kelly has appeared in We Bombed In New Haven, In Need of Care, and The Four of Them. Other roles have included “Edmund” in Long Day’s Journey into Night, “Richard” in The Lion in Winter, “Mercutio” in Romeo and Juliet, and “Prince Hal” in Henry IV, Part I.

PHILIP KRAUS was last seen on Broadway in Equus and as the “T.V. Director” in Shelter. At Cincinnati’s Playhouse in the Park he appeared in The Rivals and The Crucible and assisted artistic director Word Baker. Mr. Kraus’ roles at the Oregon Shakespeare Festival included “Hal” in Henry IV, Part I. the title role in Pericles, and “Hamm” in End Game. He was assistant director for the Cincinnati Symphony’s 1972 May Festival production of The Bernstein Mass and has recently completed filming the title role in the P.B.S. television production of Hamlet to be aired this summer; he appeared in N.E.T.’s The Boston Massacre, several daytime television series and numerous commercials. His film credits include Serpico and The American 1776.

DICKSON LANE acted and was production stage manager for two years with the Alabama Shakespeare Festival. This past fall he worked with ABC Theatres as a promotional consultant, doing advertising art work and also performing in various roles. At Maine’s Boothbay Playhouse he appeared as “George Sikowski” in That Championship Season, “The Inspector” in the world premiere of Snide, and “Waitwell / Sir Roland” in The Way of the World. In the fall, Mr. Lane plans to further his studies at the Webber Douglas Academy of Dramatic Art in London. K. LYPE O’DELL portrayed the free-thinking “John Tarleton” in ATC’s 1st production, Misalliance. He recently appeared as “The Elector” in Prince of Homburg at the Chelsea Theatre Center and in the television version which will be shown on Theatre in America this spring. Also off-Broadway he portrayed “Axel Reich” in Ice Age and “Dr. Lesch” in Our Father. He played “Cardinal Borgia” under Sir Tyrone Guthrie’s direction in the national tour of Lamp at Midnight. Other roles have included “Boss Finley” in Sweet Bird of Youth, “King Henry” in 77te Lion in Winter, “Victor” in Private Lives, “Count Almaviva” in The Marriage of Figaro, and “Marquisde Sade” in The Marat / Sade. Mr. O’Dell has been guest artist at Windham College in Putney, Vermont, since 1972.

ALEXANDER REED appeared in Atlanta last year at the Theatre of the Stars as the prosecuting attorney in Hostile Witness and as “Brother Weinand” in Luther. Last summer he played “Charles Thomson” in the bi-centennial production of 1776 in Independence Mall in Philadelphia, and he recently played “Senator Hedges” in a production of Born Yesterday, starring Broderick Crawford. On Broadway he has appeared in The Skin of Our Teeth, Lost in the Stars, A Man for All Seasons, and Hostile Witness. ALL THE IDEAS THAT ARE FASHION­ ABLY FRESH FOR SPRING 77 . . . THE BEST PART OF AN EVENING IS ALWAYS EDITED WITH THE ATLANTA LIFESTYLE IN MIND1

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4070 LaVista Road at Northlake Mall Phone 939-8515 SKETCHES (continued) MARY NELL SANTACROCE is performing on stage with her daughter, Dana Ivey, for the fifth time, the other plays being Cat on a Hot Tin Roof, The Crucible, The Miracle Worker, and Hedda Gabler. Last month she played in Equus, which starred George Maharis, and has been seen in many other TOTS productions, including A Man for All Seasons, My Fair Lady, Sound of Music, and the musical version of Gone with the Wind. She has done a variety of film work, several national commercials, was director of drama at Georgia Tech for seventeen years, is a certified speech therapist, and a member of the Speech and Drama faculty at Georgia State University.

WENDY WALKER created the role of “Anna” in the premiere performance of Salamander Terminal. She was last seen on the Alliance stage as “Miss T. Muse” and as a conventioneer in The Skin of Our Teeth. In stock and dinner theatre Miss Walker’s roles have included “Katrin Sveg" in Marriage-Go-Round. “Peggy Evans” in Come Blow Your Horn, “Antoinette” in A Shot in the Dark, “Mona Kent” in Dames at Sea, “Little Mary” in Little Mary Sunshine and “Annabelle Sims” in Wilderness Road. At the Cortland Repertory Theatre she appeared in Aesop's Fables and at Rollins College she portrayed “Billie Dawn” in Born Yesterday, the "Singer-Comedienne” in Coward Tonight and “Lulu” in The Birthday Party.

MICHAEL STAUFFER returns to Atlanta as production designer for his fourth season with the Alliance. He has designed sets, costumes or lighting for twenty productions at the Alliance including Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean, The Crucible, and The Tempest. Mr. Stauffer has served as design co-ordinator for the Guthrie Theatre, production designer for the Barter Theatre, Washington Theatre Club, Cortland Repertory Theatre, and guest designer for the Folger Theatre Group, PAF Playhouse, and The Alabama Shakespeare Festival. Mr. Stauffer has designed for a number of summer stock and dinner theatres, lectured on design in colleges and consulted on theatre space. He is a graduate of Carnegie-Mellon University.

FRED CHAPPELL, who was named ATC’s artistic director last season, directed the Alliance’s acclaimed new play of the season, Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean. For three years prior to his appointment he was resident director of the theatre and during this period directed such productions as Tobacco Road. Jacques Brel, A Midsummer Night’s Dream. The Boyfriend, The Crucible, Romeo and Juliet, The Last Meeting of the Knights of the White Magnolia. The Tempest, and The Miracle Worker. He was also the original director of Alliance’s Studio Company and has appeared as an actor in numerous ATC productions. Outside of Atlanta, he served for three years as artistic director of the Cortland Repertory Theatre in Cortland, New York, and has guest directed at numerous theatres throughout the country. Last fall he directed Don Tucker’s Same Painted Pony at PAF Playhouse.

DAVID BISHOP, a native of Macon, is in his eighth season with ATC as producing director. He came to Atlanta from Michigan, where he for three years served as managing director for the Meadow Brook Theatre. He studied at the University of South Carolina, Columbia University and the American Theatre Wing and has also studied acting with Lee Strassberg. A featured actor on television, he has performed in some seventy-five live and filmed network productions. On Broadway Mr. Bishop has acquired credits as both an actor and stage manager in such plays as The Desperate Hours. The Ponder Heart. The Happiest Millionaire, and How To Succeed in Business Without Really Trying. He has been associated with numerous off-Broadway productions, was production stage manager for the American Shakespeare Festival in Stratford, Connecticut, and the New York Shakespeare Festival and served as production supervisor for Mike Todd’s America Be Seated as well as for the Ypsilanti Greek Theatre. Life Insurance is the most personal product you'll ever buy ... make sure your agent is a professional who cares about you. Tom Flournoy,III,CLU 2 Peachtree St. Atlanta

DANCE TILL THE OUI HOURS IN THE INNER CIRCLE. The Inner Circle brings a touch of in a cozy comer. The Inner Circle is romance to the worlds tallest hotel. open from 8 PM until 2 AM Monday It's a special entertainment room with through Saturday. But the oui hours a lush, contemporary atmosphere. are the best part of anyone's day. Enjoy your favorite beverage with your favorite person. Dance the night PEACHTREE PLAZA HOTEL IN PEACHTREE CENTER away and watch our'excitina live WESTERN INTERNATIONAL "HOTELS floor shows. Or just sit and whisper Partners in travel with United Airlines ALLIANCE THEATRE COMPANY DAVID BISHOP — Producing Director FRED CHAPPELL — Artistic Director

DAVID COKER, President MRS. JOHN HARDMAN, President Board of Sponsors Alliance Theatre Guild

Administrative Staff Administrative Director...... Victoria Mooney Director of Public Relations/Advertising...... Sandra Johnson Public Relations Assistant ...... dan Cr'bbs Volunteer Co-ordinator & Liaison ...... Virginia Beattie Secretary...... JiU Bradley Box Office Manager...... Chip Murray House Manager ...... Steve Cucich Photographer ...... Charles Rafshoon Artist ...... Ken RaSan

Production Staff Production Manager...... Baxter Joy Production Stage Manager...... Allen Wright Stage Manager...... Trey Altemose Assistant Stage Manager...... Dickson Lane Production Designer ...... Michael Stauffer Associate Designer...... Philipp Jung Costumer...... Barbara Hause Technical Director...... Erik Magnuson Property Master...... Michael Berkman Master Electrician ...... Cassandra Henning Master Carpenter...... Stanley Konczynski Scenic Carpenters ...... Randolph Thrower, Lynn Van Horne

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THE TAMING OF THE TONGUE by Elaine Murray Stone. A re-issue of a life­ changing softback, which PRINTINGconger AND PUBLISHING COMPANY helps us overcome our old nature by controlling 1619 CHATTAHOOCHEE AVENUE. N W our speech. ATLANTA. GEORGIA 30318 $1.50 retail TELEPHONE (404) 352-1910 ALLIANCE THEATRE ANGELS — 1977 ANGEL CAMPAIGN (as of March 22, 1977)

BENEFACTORS Mr. and Mrs. William A Parker Mr. Simon Moughamian, Jr. Mr Allen Post Mr. A. L Mullins. Jr. William N Banks Foundation Mr. and Mrs. Paul Sanger Dr and Mrs. Carl I. Pirkle Mrs. James M. Cox. Jr Mr and Mrs. Bernard Stevens Dr and Mrs. Alan L Plummer Mr. Ed Estes Mr. and Mrs. Benjamin T White Mrs. Lillian L Rudolph A Former School Teacher Mr and Mrs. Charles R. Yates Mrs. Frank Shackelford Harry E. Ward Foundation Mr David L. Smith Mr Ray Townsend Mr Jeffrey D Travis Mr Wayne R Vason Mr Henry Hall Ware. Ill DONORS Dr and Mrs. John C. Warner. Jr PRODUCERS Mr and Mrs. Charles E Bowen Mr and Mrs. Thorne Winter. Jr Ms Martha S. Brewer Mr and Mrs. H W. Beers. Jr. Mr and Mrs. T. Hal Clarke Mr and Mrs. David L. Coker Mr. Dock H. Davis Mr. and Mrs. Robert H. Ferst Mr. and Mrs. Travis E. Halford Mr. and Mrs. Lindsey Hopkins. Jr Dr and Mrs. John B Hardman Ms. Jill W. Royce Mr. J. Winston Huff FRIENDS Mr Ben F. Johnson. Ill Mr. Henri Jova Dr Harold H Alexander Miss Linda Lane Ms. Eugenie D Battle Mr. and Mrs. Allen E. Lockerman Mr and Mrs. E Milton Bevington Mr and Mrs. Dameron Black. Ill SPONSORS Mrs. William T Rooker. Jr Mrs. Dena Gray Short Mr and Mrs. M. DeVon Bogue Mr. and Mrs. Shepard B. Ansley Mr. and Mrs. E L. Simon Mrs. Joseph Brown Dr. and Mrs. John Griffin Mrs. Eunice H. Sims Ms Anne Carole Butler Mr. and Mrs. Ronald W. Hartley Alex and Betty Smith Foundation Mrs. W. C. Campbell Mrs. Francis Storza Mrs. Vernon Crawford Mr. and Mrs. Alfred Kennedy, Jr. Ms. Cora Davis Mr. and Mrs. Louis Regenstein Mr. Donald S. Dusenbury Mr. and Mrs. Alfred M. Sperry Mrs. John Elvin Mr. and Mrs. Elwyn Tomlinson Mrs. Homer L. Entrican Mr. and Mrs. Wadleigh Winship BACKERS Dr. Elizabeth L. Feely Ms. Rosi Fiedotin Mr. and Mrs. John R Barmeyer Mrs. Leonard Haas Mr. and Mrs Arthur L. Barnett Mr. Thomas Y. Hall Mr. and Mrs. N. William Bath Mr. Stephen T. Helms PATRONS Mr. and Mrs. Robert W. Battle Mrs. Herman Heyman Mr and Mrs. George Beattie. Jr Mrs. Martin F. Hurst Mrs. Mary Blackwell Alexander Mr. and Mrs. F. M. Bird Mr and Mrs. Clarence F. Johnson Mr. and Mrs. Gerald E. Anderson Mr. and Mrs. D. B. Boldt Ms. Germaine Krysan Mrs. Kitty Anderson Ms. Ann Brooks Mr. and Mrs. Marvin H Locey Dr. Grover J. Andrews Mr. and Mrs. J. J. Burton Dr. and Mrs Donald E McGhee Mr. Kent Beals Mr. and Mrs. Dean Copeland Mr. W. E. Mosher Mrs. John G. Berg Mr. Bruce I. Crabtree, III Ms. Linda A. Mundy Mr. David Bishop Mr. and Mrs. Hugh M. Dorsey, Jr. Mr. and Mrs. Oscar N. Persons Mrs. Rita M. Bryan Miss Grace G. Fitzgerald Mrs. G. Allen Potter. Jr. Mr. Fred Chappell Mr. and Mrs. Rawson Foreman Mr. William G. Revere Mr. Wayne Drake Mr. Wyche Fowler, Jr. Mr. Robert Shulman Mr. and Mrs. Paul Ebbs Mr. and Mrs. DeJongh Franklin Mr. and Mrs. Warren H. Small. Jr. Mr. and Mrs. Robert G. Edge Dr. and Mrs. Phillip E. Gertler Mr. and Mrs B. E. B. Snowden Mr. Edward E. Elson Mr Bill Hill Mr. and Mrs. Richard A Tailman Mr L. L. Gellerstedt, Jr. Mr. and Mrs. C. Richard Hoskinson Mr. and Mrs. Scott G. Thompson Mr. and Mrs. Joseph K. Heyman Mrs. Frances R. Howell Mrs. Jack P Turner Mr. and Mrs. B. Harvey Hill, Jr. Mr. William L. Kinzer Mr. and Mrs. G. C. Williams Mr. and Mrs. Alfred D. Kennedy Dale and Elaine La Londe Dr. T. R. Williamson Dr. Leonard T. Maholick Mr. Hugh L. Latta Mr. and Mrs Kemp Mooney Mrs. Luz A. C. Levy Mr. and Mrs. Daniel Parker Miss Henrietta McArthur

The Alliance Theatre Company is conducting a direct fund raising campaign. It is called the Angel Campaign because in theatrical tradition a financial backer is referred to as an “angel.”

The Alliance Theatre’s budget for 1977-78 is $422,000. It isanticipated that ticket revenue will amount to only one-half of this figure. An allotment of funds from the Atlanta Arts Alliance, foundations, and government grants will help us greatly, but supplementary funding is a necessity. This year we will need an additional $20,000 to balance our budget.

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Thursday, Friday, Saturday, 8:30, April 7, 8, 9, 1977 EDUARDO MATA Conducting PINCHAS ZUKERMAN, Uzo/w

PROGRAM

MOUSSORGSKY A Night on Bald Mountain (completed and orchestrated by Rimsky- Korsakov, 1884-1885)

■TCHAIKOVSKY Concerto for Violin and Orchestra in D major (1931) Allegro modcrato— Andante Allegro vivacissimo ■

INTERMISSION

STRAVINSKY Le Sacre du printemps (“The Rite of Spring”) (1913)

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE-FM. 90.1. I uesday evening at 8:30.

3 he use of cameras or recording devices during concerts is strictly prohibited. DINNER AT THE CROWN ROOM: PRELUDE TO AGREAT PERFORMANCE,

Tlte perfect beginning to any per­ formance at the Atlanta Memorial Arts Center is our Pre-Performance Buffet. Dinner is from 6:00 p.m. to 10:00 p.m., and the special price of just $7.50 per person includes a lavish assortment of delicious food, plus tax, tip and a glass of wine. Parking is free with validation. Reservations are required. Please call 892-7960 and request the Pre-Performance Dinner. And let Olympic Chef Franz Eichenauer show you one great per­ formance before you cross the street for another.

Atop the Colony Square Hotel Peachtree and Fourteenth Streets

DO YOU HAVE A SCHOLAR-ATHLETE-ARTIST or an average Joe or Jane? If so, we have a program for you at

A $1,700 000 building program in progress to be completed in the school year 1977 $1,000,000 Fine Arts Center — Middle School New Library Addition — 7 New Tennis Courts New Administration Building For information on all schools and programs write or call: Admissions Director, (404) 761-8881 P. 0. Box 87190-K COLLEGE PARK, GEORGIA 30337 Woodward Academy Administers a Non-Discriminatory Admissions Policy For Boys and Girls Boarders and Day Students PROGRAM NOTES by David Hinshaw

A Night on Bald Mountain The work is scored for pairs of winds, Modest Moussorgsky (1839-1881) piccolo, four horns, two trumpets, three Of the three Russian composers on trombones, tuba, timpani, harp, tonight's program Modest Moussorgsky percussion and the normal strings. was the most nationalistic and patriotic to Czarist Russia. Concerto in D Major for Violin and For generations the men in the Orchestra. Op. 35 Moussorgsky family served in the famous Preobrazhensky Guard which had been Peter Ilitch Tchaikovsky (1840-1893) Like Moussorgsky, his contemporary, formed by Peter the Great. Despite objections from the young Moussorgsky, Tchaikovsky suffered from constant his father enrolled him in the military emotional strain. But the Violin Concerto academy where he spent more time at the was written at perhaps his happiest time. piano than at his desk studying. Following He had just escaped his ridiculous marriage and had accepted an annual graduation he entered the army where he developed his overwhelming taste for stipend from the patroness Nadezhda alcohol which plagued him till death. Filaretovna von Meek. It was because of Madam von Meek’s support that he was In 1858 he decided to risk parental able to live the life of a country gentleman. disapproval and resigned his commission. Edward Lockspeiser gives an account of a He spent the next two years travelling day in the life of Tchaikovsky. around his native Russia in order to feel the soul of his mother land. While in He rose between seven and eight, drank tea Moscow he read Byron's Manfred which, and read the Bible, then worked from half­ according to Mourssorgsky caused a nervous past nine to one o’clock, which was his breakdown. As he explained to Balakirev, dinner hour. After dinner, no matter what “I was so electrified by the suffering of that the weather, he took a solitary two-hour lofty spirit that I cried out: ‘How I wish 1 walk . . . and it was during these afternoon walks that he did most of his creative work, were Manfred!’ Fate thought fit, jotting down memoranda in innumerable apparently, to grant my wish. 1 became notebooks. . . . When he was not composing literally 'manfredized' for the time. My on his walks, he would recite aloud, usually spirit slew my flesh! Now 1 must have in French. At four o'clock he had tea. recourse to every kind of antidote." worked from five to seven; then took another walk, this time with company if any were It was during his recovery from his available, before supper at eight o’clock. malady that he made the sketches for After supper he would read or play cards — Night On Bald Mountain. He never solitaire, if alone talk or play the piano finished the orchestration of the piece. until eleven, when he retired. That was left for his friend Rimsky- Korsakov to do after Moussorgsky died. The Concerto for Violin was written in 1878. around the time when he wrote the A Night On Bald Mountain is a twelve Fourth Symphony and the Capriccio minute orchestral fantasy depicting the Italien. The solo violin introduces the Witches’ Sabbath which, according to principal theme following a short Russian legend, takes place on Bald exchange between the solo and orchestra Mountain near Kiev at the stroke of which hints at the first idea. The second midnight on St. John’s Eve. According to theme, more expressive than the first, is the score: “A subterranean din of also presented by the violin. The unearthly voices. Appearance of the development section is full of virtuoso Spirits of Darkness, followed by that of embellishments. Tchernobog, the Black God. The Black The second movement contains one of Mass. The Revelry of the Witches’ the most beautiful slow movement Sabbath, interrupted from afar by the bell melodies; presented by muted strings. A of a little church, whereupon the spirits of second melody also presented in the strings evil disperse. Dawn breaks.” are the events unfolds before the return of the first. that are musically portrayed. The third movement interrupts the 1975 Commonwealth of Puerto Rico In tonight’s martini the part of gin and vodka will be played by white rum.

White rum from Puerto Rico in a nationwide test. That’s because will finally play the role its distinctive all white rum from Puerto Rico is clarity and smoothness have so well aged for at least a year—by law. prepared it for. White rum is ready to take a In fact, white rum has already leading role in the martini. proven itself in rehearsal. It beat gin Like any new star, all it and vodka on taste and smoothness needs is a chance. PUCRTO RKRfl RUmS NOTES (continued) second with the orchestra playing a short exited. The ambassador from Austria rhythmic introduction. The soloist plays a could do nothing but convulse in laughter. short cadenza before the introduction of the The Princesse de Pourtales left screaming, principal theme which is a Russian dance “I'm sixty years old, but this is the first time similar in rhythm to the introduction. A that anyone dared to make a fool of me.” second more lyrical theme is played by the Two gentlemen with differing opinions solo. about the music got into a fist fight and The work is scored for pairs of winds, later settled their difference at a duel. four horns, two trumpets, timpani, and Maurice Ravel stood screaming “Genius” strings. over and over. A lady of high social standing who liked the piece stood and spat in the face of the demonstrators. The Le Sacre du printemps (The Rite of critic Roland-Manuel had his clothes Spring) Igor Stravinsky (1882-1971) ripped when he attempted to defend the Never in the history of music has one music. Debussy pleaded with everyone to piece of music caused such vocal cries or be quiet and listen. Stravinsky even had to polarization about modern music as hold Nijinsky from running into the Stravinsky’s Rite of Spring. Even today, audience and starting a fight. One muses sixty-four years after its premiere, critics about what the poor musicians in the pit are still arguing its worth. What cannot be were thinking during this riot scene. argued is that it set a style for many composers to imitate, and it broke from The work begins with the now famous tradition in an anarchic sense. solo bassoon playing in the extreme Stravinsky, in his Autobiography. height of its range. The Ballet of the explained the details which led to his Adolescents follows. The insistent rhythm writing this work. depicts the stamping of feet. Spring Rounds follows the wild dance introduced One day when 1 was finishing the last pages by unison clarinets with flute trills as of L’Oiseau de feu (Firebird) in St. accompaniment. The Game of the Rival Petersburg, I had a fleeting vision which Tribes is a witty section engaging the came to me as a complete surprise, my mind orchestra into competitive gymnastics. at the moment being full of other things. 1 saw in imagination a solemn pagan rite: sage The end of Part One occurs when the Sage elders, seated in a circle, watched a young appears to consecrate the soil. girl dance herself to death. They were sacrificing her to propitiate the god of The Second Part opens with a musical spring. Such was the theme of Le Sacre du picture of the pagan night. The solo flute printemps. I must confess that this vision introduces the Mysterious Circle of made a deep impression upon me. ... In Adolescents. This is evolved into a more Paris 1 told Diaghilev about it. and he was at intense dance. The intensity increases in once carried away by the idea. the Evocation of the Ancestors and Ritual of the Ancestors. The final barbaric section Diaghilev was a dilettante in the true depicts the dance to death. Frenzied chaos sense of the word. He became acquainted ends the work. with Stravinsky in 1909 when he requested that Igor make an arrangement and The score calls for flutes, piccolos, orchestration of Chopin piano pieces for oboes, english horns, olarinets, bass his newly formed Ballet Russe. Convinced clarinets, e-flat clarinets, bassoons, contra with Stravinsky’s compositional abilities bassoons, horns, Wagner tubas, trumpets, he then asked him to write an original bass trumpet, trombones, tubas, two sets ballet. Firebird was the result. One year of timpani, strings, and assorted later Petrouchka followed. percussion instruments. Neither Firebird nor Petrouchka caused the reaction that Rite of Spring did. At its premiere on May 29, 1913 Camille Saint Saens left shortly after the opening bassoon solo making bitter remarks as he mi Low price time For information on the series tickets available for next season, or details on any clock helps small of the various subscription plans, phone companies meet Ms. Dee-Dee Walters, season ticket strict requirements director at 892-3600, Ext. 253. of wage-hour law April Activities Around the Symphony April is the month of activities for many of the Atlanta Symphony’s organizations. For the Atlanta Symphony Orchestra Chamber Chorus, April 15 and 16. are the dates of the third spectacular choral special which has been scheduled for the 1976-77 season. Robert Shaw will conduct a program of “The Three B's” which will include works by the great masters of music, Bach. Beethoven, and Brahms. This is not a regular subscription LATHEM TIME RECORDER COMPANY concert, but the final choral special of the 200 Selig Dr., S.W., Atlanta, Ga. 30336 season, so be sure and purchase your Telephone 404/691-0400 tickets now at the box office. The symphony has only five regular subscription concerts left for the season before beginning their summer concerts. Aside from violinist Pinchas Zukerman, who will perform April’s first series of concerts, all of the remaining guests and Cotton States^ artists will be pianists. is* for people. Cottos £{ates e is insurance.

Horacio Gutierrez James Tocco With Robert Shaw conducting, pianists Lee Luvisi, Horacio Gutierrez, and James Tocco will help wrap up the Symphony’s spectacular 32nd subscription concert season. After their performances, one concert remains, and what finer program could be scheduled for concert number 24, than Verdi’s Requiem as performed by the nationally acclaimed Atlanta Symphony Orchestra and Chorus with soloists. At this time the soloists will be Gordon Green, tenor; John Cheek, bass-baritone; and Betty Jones, soprano. GUEST ARTISTS

EDUARDO MATA said. “ . . . Mata has his foot firmly on the Eduardo Mata is one ladder, and is surely bound for the of the world’s most heights.” sought after young, It was at the Conservatono Nacional de super-star conductors Musica in Mexico City with Carlos in the world of music Chaves, the well-known Mexican today. Critics around composer and conductor, that Mata began the world have acknow­ his studies. ledged him as “one of A dedicated student, his adherence to the best young con­ the art has earned him the reputation of ductors in the business,” and they have being a “remarkable young man,” and praised his superb control, and his ability according to the New York Daily News to inject the musicians with the spirit which “one whose abilities are easily as makes the music become real, vital and formidable as those of the distinguished palpitating. The Detroit Free Preus stated, conductor Sir Georg Solti.” Mata, ... is a formidable talent,” and the Mata’s last appearance with the Atlanta New York Daily News referred to him as Symphony Orchestra was in October of the “hero bestriding the evening’s success.” 1976 when he conducted Mahler’s Ninth Although only thirty-four years of age, Symphony. David Ogg of the Atlanta Mata is the principle conductor and Journal felt Mata to be a conductor of artistic advisor to the Phoenix, Arizona “considerable sensitivity and boundless Symphony Orchestra, and in September of technical polish.” 1977 will become, music director for the Dallas Symphony. PINCHAS ZUKERMAN Mata has already accumulated twelve Versatile indeed! years of experience as a music director. At Pinchas Zukerman is age twenty-two, he took over the known not only as a leadership of the Guadalajara Symphony, violinist, but as a following which he undertook the violist, and a conductor leadership of the University of Mexico. He as well. has been artistic director of the National With the Atlanta Symphony in Mexico City, and also served Symphony, however, as artistic director for one of Mexico’s he will perform as the major festivals, Puebla Ciudad Musical. artist whom The Times of London praised Mata’s reputation as a conductor, music as “absolutely without peer among director and musician has skyrocketed in violinists.” recent years due to his intensive guest Zukerman began his study of the violin conducting schedule. He first made an with his father at the age of seven. At eight impact in Paris with the French Radio he entered the Israel Conservatory and the Orchestra and with the Stockholm Academy of Music in Tel Aviv where he Philharmonic where, in the 1974-75 studied with Ilona Feher. season, he had two separate visits. Since When Zukerman was thirteen, Isaac that time he has conducted the Berlin Stern and the late Pablo Casals recognized Philharmonic, the BBC Orchestra, The the young man’s talent and recommended Royal Philharmonic, and in many other him for advance studies in the United orchestras throughout Europe. States. He is as popular in the U.S. as he is in Zukerman later entered Juilliard on Europe, and has worked with the National scholarship and studied with the renowned Symphony (Washington), Seattle, Denver, Ivan Galamian. In May, 1967, he won first Atlanta, and Cincinnati Orchestras to place in the Leventritt Competition, name but a few. sharing the prize with Korean violinist, His 1976 tour of Japan was Kyung-Wha Chung, who appeared this enthusiastically received by critics and past February with the Atlanta Symphony audiences. The Daily Yomiuri, Tokyo Orchestra. Guffey’s iffl______of Atlanta April at the Women's Association Atlanta’s Finest § The Junior Committee under the Clothing leadership of President, Mrs. Barry for Men Mundt and Showhouse Chairman, Mrs. DOWNTOWN: N Michael L. Lowry will be raising funds for PEACHTREE CENTER (BEHIND THE SCULPTURE) the Atlanta Symphony by sponsoring its UPTOWN: annual Decorators’ Showhouse. TOWER PLACE (AT PIEDMONT ENTRANCE) N Each year Atlanta’s finest interior designers collaborate in rejuvenating one of Atlanta’s older homes. The house is then open to the public, and the Women’s Association sets up a gift shop, a tearoom and a tavern where refreshments are sold. Proceeds are then obtained from the FAVORITES FROM THE PAST t ••• sale of admission tickets; furnishings within the home; decoupages, ceramics, specializing in ❖ needlework, etc., from the Symphony DOLLHOUSES and MINIATURES $ Shop; house and bedding plants from the greenhouse, and from the sale of CLASSES ❖ refreshments. HOURS: TUES. ■ SAT. £ This year’s house, which is known as 10-4 ❖ “Knollwood” is located at 3351 ILLUSTRATED CATALOG $ 1.00 * Woodhaven Drive N.E. It will be open to 2951 HARRIS ST., KENNESAW, GA. 30144 the public from April 16 through May 8. 427-3921 £ Hours will be from 10:00 a.m. until 4:00 p.m., Monday through Saturday, except for Tuesdays and Thursdays when the house will remain open until 9:00 p.m. Sunday hours are from 1:00 p.m. until 4:00 p.m.

BUILDS THINGS Welcome Delegates of WASO REMEMBER THAT. The Atlanta Symphony greets the delegates to the twenty-first Biennial THE PINKERTON & LAWS COMPANY Conference of the Women’s Association Member Associated General Contractors of America for Symphony Orchestras, WASO, and 1965 North Park Place welcomes them to Atlanta. Atlanta 30339/432-0171 WASO is holding their convention in Atlanta from April 25 through 29, and will attend one of the symphony’s concerts Sanin? during their stay. 1 There are about 150 delegates representing the major U.S. and Canadian ■ orchestras. These delegates are, in the main, presidents of their Women’s Associations and Junior Committees. ijatrli Most serve on their orchestra’s Board of Fondues Sponsors, and all are keenly interested in ii y every aspect of an orchestra’s vitality, Atlanta's finest JAZZ health and welfare. Jr We are particularly proud to announce UNDERGROUND ATLANTA RESERVATIONS 577-1800 . that the chairman of the Atlanta conference is Mrs. Drew R. Fuller, a ARTISTS (continued)

In 1969 he made his New York debut Zukerman is a favorite at music festivals with Leonard Bernstein and the New York throughout the world and has devoted Philharmonic. The New York Post wrote, much time to chamber appearances with “Pinchas Zukerman has a luxuriant talent. such artists as Isaac Stern, Daniel His command of the violin is so natural Barenboim and his wife, Eugenia, a flutist. and so inborn that the most difficult The last time Zukerman appeared with passages appear one after the other, each the Atlanta Symphony Orchestra was in with an easy, ‘hello,’ a succession of December of 1974. conquests.”

The broadcast of tonight's concert, which can be heard on Atlanta Public Radio, WABE-FM, 90.1, at 8:30 p.m., on Tuesday evening, is made possible by the special permission of the Atlanta Federation of Musicians, Local 148-462, the Atlanta Symphony Players’ Association and with the support of the Georgia Council for the Arts and the National Endowment for the Arts.

ATLANTA SYMPHONY ORCHESTRA LEAGUE

President Robert G. Edge Lawrence J. McEvoy, Jr. LIFE SPONSORS David Goldwasser Herbert R Elsas Tom M McLain, Jr. Mrs Frank L Burns Vice Presidents Mrs. Edward E Elson George K. McPherson, Jr. Mrs Murdock Equen Dr. Dan Burge Richard C Everett Paul E Manners Mrs. Lon Grove Bradley Currey. Jr. Washington Falk, III F W Nichols Mrs. Granger Hansell Mrs. Charles E. Watkins, Jr. Arthur G Foster H. Burke Nicholson, Jr. Byron Harris Mrs. L. Neil Williams Ms. Shirley Franklin Dr. Marvin B. Perry, Jr. Mrs Julian Hightower Secretary Mrs. Henry Geigerman. Jr. Mrs. Theophile Raphael Mrs Lewis Hirsch Paul A. Ebbs, Jr. L. L Gellerstedt. Jr Mrs. David A. Reinach * Charles Jagels Treasurer Mrs. John R Guy Mrs. William E. Schatten C K Liller Mrs. Drew R. Fuller Joseph F Haas Shouky A. Shaheen Mrs Mason Lowance Mrs John R. Hall Grant G. Simmons, Jr. Michael McDowell BOARD OF SPONSORS Dr. J Rhodes Haverty Dr. Grace B. Smith Mrs Lawrence J. McEvoy Peter Abreu Mrs. J. Rhodes Haverty H. Hamilton Smith Mrs Louis Moss A. Leigh Baier Lee H Henkel, Jr. W. Rhett Tanner Mrs Bernard Neal James E. Barnett Mrs. Jesse Hill. Jr. Mrs. Ralph K. Uhry Mrs T. Erwin Schneider John M. Bragg Samuel E Hudgins John A. Wallace G. Maynard Smith Tom M. Brumby Mrs. Bunnie Jackson L. Neil Williams Mrs Howard C Smith Mrs. Robert W. Chambers Dr Herbert Karp Murray D. Wood * Charles L Towers William F. Clark Louis Kunian Robert M. Wood * Charles R Yates Dr. B. Woodfin Cobbs, Jr. Dr. Noah Langdale, Jr Mrs. William B. Wylly Eugene Young Dr. John W. Cooledge Mrs. Elizabeth Lochridge Edward S. Croft. Jr. Frank Ratka. General Manager ‘Past Presidents

‘DON’T BE A NO-SHOW” If you cannot come to a concert in your series, please avoid leaving your seat empty. Please turn your unused ticket in to the box office for resale. You will help the Orchestra, someone else will have a chance to hear the concert, the house will be full and you will obtain a tax credit for the amount of the ticket resold To release your ticket, simply call the number below, preferably before 5 P.M on the day of the concert, and give your name and seat location. 892-2414 member of the Board of Sponsors, treasurer of the Atlanta Symphony Orchestra League, and past president of the Atlanta Symphony Women’s Association.

Southujirk Continue Support a tradition among gentlemen. The Atlanta Symphony would like to thank everyone for their support of this H. STOCKTON - ATLANTA INC. 80 Forsyth Street, N.W. Lenox Square year’s programs, and ask continued participation for the remaining concerts, and the summer season.

HIGH MUSEUM OF ART European Ceramic Series at High Museum The Ceramic Circle of Atlanta and The High Museum of Art are co-sponsoring a two-day lecture series on Eighteenth and GITTINGS early Nineteenth Century European THE PORTRAIT PHOTOGRAPHERS ceramics. Guest speaker will be John P. Cushion, recently retired Senior Research Officer in the Ceramics Department at the Victoria and Albert Museum in London. Mr. Cushion will present the following slide lectures in the Walter C. Hill Auditorium: April 4 at 10 a.m. “Meissen and Other Major German Factories,” 8 p.m. “The Porcelains of France,” April 5, l p.m., “English Ceramics,” 8 p.m., “The Life and Wares of Josiah Wedgwood and His Contemporaries.” Admission is $2.00 per lecture or $5.00 for the series.

Films About Calder Programs featuring short docu­ mentaries about Alexander Calder will be presented in the Walter Hill Auditorium on April 10 and May I. These events are A romantic'restaurant free. The Works of Calder (20 minutes, color): produced and narrated by Burgess Meredith with music by John Cage, this film presents an abstract interpretation of the artist’s work that suggests parallels to Container familiar forms and movements in nature. GOURMET FOOD • SPIRITS • GIFTS Great Sail (10 minutes, color) follows Calder as he supervises the workmen LENOX SQUARE assembling his Great Sail stabile on the behind Davison's at E. Paces Ferry campus at M.l.T. The Calder Man (15 Sun.-Thurs. Fri. & Sat. 11 a.m.—11 p.m. 11 a.m.—1 a.m. minutes, color) shows Calder at work in his 262-7872 studio at Sache, France, as well as the fabrication and installment of the 67-foot, Atlanta Symphony Orchestra

ROBERT SHAW Music Director and Conductor MICHAEL PALMER Associate Conductor and EXXON/Arts Endowment Conductor John Head Assistant Conductor John Naskiewicz Conducting Fellow

The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation

VIOLIN* FRENCH HORN William Steck Kathleen Kee Bruce Klingbeil Brice Andrus Concertmaster Principal Martin Sauser Larry LeMaster John Henigbaum Co-Concert master Nan Maddox Assistant Principal Robert Harrison Bonita Potts Paul Warner Thomas Witte Associate Concertmaster Christopher Scheufler Willard Shull BASS* TRUMPET Assistant Concertmaster Dale Schmidt David Arenz Principal John Head Principal Second Violin Jane Little Principal Oscar Pereira Associate Principal Joseph Walthall Assistant Principal Ralph Jones Assistant Principal Second Violin Assistant Principal Prin. Second Trumpet John Adams Harvey Kaufman Larry Black Frances Arm Michael Kenady TROMBONE Sharon Berenson Thomas Thoreson Piotr Haase Harry Maddox Randolph Ujcich Principal Martha Reaves Head Wiley Weaver Homer Holloway Richard Hansbery Stephen Horvath FLUTE Donald Wells Mary Jacobson Warren Little BASS TROMBONE Ruth Little Principal Karen Matthews Paul Brittan Donald Wells David Myford Assistant Principal TUBA Thomas O'Donnell Prin. Second Flute Michael Moore Alice Oglesby Angela Allen Lorentz Ottzen TIMPANI Benjamin Picone PICCOLO Paul Yancich Susan Pitard Angela Allen Principal Carol Ramirez William Wilder Juan Ramirez OBOE Assistant Principal Ronda Respess Elaine Douvas Richard Robinson Principal PERCUSSION Patricio Salvatierra Elizabeth Camus Jack Bell Edward Scruggs Assistant Principal Principal Ann Pinney Steck Prin. Second Oboe Eugene Rehm Patricia Vas Dias Patrick McFarland William Wilder Frank Walton ENGLISH HORN HARP VIOLA* Patrick McFarland Judy Beattie Robert Jones Principal CLARINET KEYBOARD Peter Bertolino Norman Baker Alice Oglesby Assistant Principal Acting Principal PERSONNEL MANAGER Ardath Cohen William Rappaport John Detrino Douglas Smith Martin Sauser Manuel Diaz PERSONNEL MGR. EMERITUS Enid Jones BASS CLARINET Marion Kent Douglas Smith Harry Robkin Haskell Marrinson LIBRARIAN Heidi Moss Nitchie BASSOON Carl Nitchie David Hinshaw Robert Parcells Stephen Horvath, Ass't. Principal CELLO* Charles Nussbaum STAGE MANAGER Robert Marsh Assistant Principal Michael Destazio Principal Prin. Second Bassoon Patrick Noon, Ass't. Edmond Basson Daniel Dowdakin Assistant Principal Jere Flint CONTRA BASSOON Kay Gardner Daniel Dowdakin 'Players Listed Alphabetically

ADMINISTRATIVE STAFF FRANK RATKA. General Manager RICHARD W. THOMPSON. Assistant Manager WILLIAM W BROWN. Director of Public Relations PETER J. STELLING, Director of Development MRS IRENE MOORE. Asst Dir of Public Relations MS DEE-DEE WALTERS. Director of Season Tickets MISS PAT PERRY, Fund Raising Coordinator ROBERT A. HOLZER, Symphony Hall Manager MS MARY WALTON, Secretary MISS NOLA FRINK. Choral Secretary MISS HILDA EVANS. Secretary MRS MARILYN HAASE. Secretary, Women's Assn. MS. JANIS SMITH. Receptionist/Secretary Illi______46-ton stabile at Expo ’67 in Montreal. Programs are as follows: April 10, “The Works of Calder" and “Great Sail,” 3 p.m.; May 1, “Great Sail” and “The Calder John Hunsinger Man,” 3 p.m. & Company Short Films From Canada Commercial and Industrial Real Estate 1819 Peachtree Road, Northeast Beginning at 8 p.m. each night, two 404.351’6813 programs of award-winning short films Chicago, Denver, San Francisco, Dallas, Tokyo, Paris from Canada will be presented in the Walter C. Hill Auditorium, April 20-23. Each 90-minute program will consist of a variety of animated, experimental, and documentary movies, many from the National Film Board of Canada. Schedule and film titles will be announced. This event is sponsored by the Canadian Consulate General of Atlanta and there is no admission charge.

The world's finest record, VAGABOND MARIONETTES stereo and music dealer Vincent Anthony’s Vagabond Marionettes opened Jungle Book March 25. It is the third and last show of this group’s season in the Studio Theatre of the Atlanta Memorial Arts Center. This Rudyard Kipling tale will run through M ay 21 with performances daily for school groups at 10 a.m. and 11:30 a.m. and Saturdays for the general public at 11 a.m., 1 p.m. and 3 p.m. Tickets are on sale at the Atlanta Memorial Arts Center box office. Reservations may be made by calling 524- Harper’s Flowers 2095 or 873-3089 for weekdays and 892- 1201 West Peachtree Street, N.E. 2414 for Saturdays. Rudyard Kipling’s 876-5766 brilliant classic Jungle Book tells the story We accept all major credit cards. of a boy found wandering alone in the jungle. As the wolves did in ancient Rome so Akela and his wolf pack adopt the little DINE AND DANCE boy and call him Mowgli. He grows up to AMONG THE STARS love and understand all his jungle friends. All except one, Shere-Kahn, a fierce tiger who vows to kill him. The unique feature of this adaptation is it’s use of the environmental approach. “The idea,” states director Vincent Anthony, “is to give the audience a feeling of being in the jungle. That mysterious land where animals and people 590 WEST communicate freely. A fantasy world atop ATLANTA HOTEL where life is young and adventurous and 590 West Peachtree Street full of unexpected joys and danger.” ATHOS MENABONI, "American Bald Eagle" 22/" x 30" • 950 edition • $100.00 plus Ga. Sales Tax A LIMITED EDITION, SIGNED AND NUMBERED. Collectors of Menaboni paintings have the means to own what they like. That they choose to add another Menaboni bird bespeaks their admiration for a genius talent, not only for the ornithological correctness in rendition, but for that profound beauty that is painting mastery. There has never been a sufficient number of original Menaboni paintings for the public to buy. His paintings are generally commissioned. It is Mr. Menaboni’s express wish that individual purchasers be given opportunity to have this quality signed and numbered reproduction. Please send------reproduction(s) of the "American Bald Eagle”. My check for $------is enclosed.

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City------—Zip------—— GALLERY PRINTS, 1619 Chattahoochee Avenue, N.W., Atlanta, Georgia 30318 % CONGER PRINTING COMPANY, INC. SINCE 1948 nn______The production staff has transformed Dine the Studio Theatre into a make-believe Nearby jungle. Jim Geoffrey has designed before the leaves, vines and all the settings. Gary Max show has created the set of hand carved at marionettes including three replicas of Mowgli to be used for different purposes 1 CROSSROADS during the show. Cassandra Henning ► At restaurant and lounge 1556 peachtree st. open every day - 875-6375

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•I' 11235 Peachtree St., N.E. — Suite 1817 Atlanta, Georgia 30303 — Alex Hitz, Jr. designed lights, Mitchell Edmonds wrote the stage adaptation and Barbara Snyder delicately created carved shadow puppets which takes us back in time. The puppeteers manipulating and creating voices for all the jungle creatures are Jan Matthews, Jim Geoffrey and Bob Ratterree.

ATLANTA CHILDREN'S THEATRE The Atlanta Children’s Theatre and the Atlanta Humane Society have joined forces this month to focus attention on the problem of endangered species, and the need for people to be more concerned about animals. A.C.T. continues its production through April 22 of Noah and the Great Auk written by company manager Bix Doughty. Doughty seeks to entertain youngsters while also moving them to be curious about what ever happened to the Auk. (Unfortunately man clubbed the bird to death a hundred years ago!) Other animals in the cast, the Lion, the Kodiak Bear, Barbary Sheep and Hyena are on the United States’ List of Endangered Fauna and are teetering upon extinction. Running concurrently with the play is an art exhibit in the Galleria of posters CALDER’S UNIVERSE created by Atlanta school children as part CALDER ILLUSTRATED BOOKS: of the humane society’s world-wide “Animals in Art” contest. The posters tell a ANIMAL SKETCHES story or convey a message on the subjects FABLES OF AESOP of proper pet care, endangered species and SELECTED FABLES rabies protection. Judges will select the winner Wednesday, April 13, and the four first place winners will compete against posters created by children of all nationalities later this summer. They also will be considered for use in various publications of the American Humane Association. Theatre-goers also will want to take a NOTE CARDS look at the pen and ink drawings of each animal in the play rendered by Steve Riggs, POSTCARDS son of A.C.T. ticket manager Carol Riggs. TOTE BAGS They are displayed inside the Alliance doors next to the photos of the people who T-SHIRTS portray the animals. Cast members are John Dance, Terry Browning, Eric Price, the museum shop Rob Zapple, Morgan Williams and THE HIGH MUSEUM OF ART Patricia Landon. master charge, bankamericard and C&S accepted ACTion Tennis Classic, one of the main fund-raising events of the A.C.T. Guild is scheduled for April 17 through May 7th. Once again it will be held at the West Paces Racquet Club with competition in the A, The Perfect B, and C level ladies and men’s singles and doubles, and mixed doubles. Gift Idea Last year 630 players entered, making it one of the largest tournaments in the country. Chairman of the event is Mrs. $5.00 plus $1 for Roderick G. Turner, Jr. For more handling information call 892-7607.

ATLANTA COLLEGE OF ART Nineteenth Century Plain Style Southern Cooking and Living Bea Nettles to Speak Ms. Bea Nettles, well-known artist­ Tullie's Receipts was compiled photographer, will show slides and speak and edited by the Kitchen Guild on her own work in room 438 of the college of the Tullie Smith House Res­ on Friday, April 1. She says of her toration of the Atlanta Histori­ cal Society, Inc.; all proceeds evocative images, “Through them I am benefit the Restoration. investigating and sharing myself, my life and the landscape that is around and Available through Your Local Dealer within me ... I attempt to make fantasies or visible.” TULLIE'S RECEIPTS Ms. Nettles has taught, shown widely Atlanta Historical Society and is included in many collections and 3099 Andrews Drive, N.VV. Atlanta, Georgia 30305 books. Illi-

Dennis Oppenheim Visits Careers in the Visual Arts Noted artist, Dennis Oppenheim will be The Atlanta College of Art will present a at the college on Wednesday, April 6, to two-day Careers in the Visual Arts seminar speak on his work and talk with students. April 21 and 23 in the college. Known for his multi-media works, Mr. Panels of well-known Atlanta artists, Oppenheim has shown widely and is designers and photographers will share included in many collections. their knowledge of career opportunities The visits of both of these artists are with students of the college and with high made possible in part by a grant from the school students, art teachers and guidance National Endowment for the Arts. counselors from Georgia and adjacent states. Bauhaus Exhibition Four panels on Visual Communication, The college has arranged, through the Fine Arts, Photography and Video and courtesy of the Goethe Institute, Atlanta, non-conventional careers in the arts will to present a documentary photographic provide career information on every aspect exhibit entitled “Bauhaus” in Gallery 413 of the visual arts. from March 31 to April 1. This seminar, open to the public, has Although it only existed for fourteen been made possible by a grant from the years before World War II, the school Union of Independent Colleges of Art known as the Bauhaus was a potent (UICA). influence on virtually everything visible to our man-made world. Teachers such as Josef Albers, Marcel Breuer, Moholy- Nagy, Kandinsky, Klee, Mies Van der Rohe and Walter Gropius created a new vision of the world. This exhibit seeks to recreate, photographically, the spirit and shape of this watershed era in the arts.

Sculpture Show A two-man special installation sculpture show will occupy Gallery 413 from April 4 to April 15 in the college. Dutch Knotts and Patrick Palanza, both seniors, will present an environmental multi-media installation at the invitation of the A.C.A. sculpture faculty, headed by Scott Gilliam. This exhibition should provide a unique visual experience. Gallery 413 is in the college on level “A” of the Atlanta Memorial Arts Center and is open to the public from 10 a.m. to 5 p.m. Monday through Friday.

Student Nominated Ms. Cheryl Scribner was selected by the faculty to represent the Atlanta College of Art in competition for the Yale-Norfolk Summer Scholarship. Ms. Renee Hanan was nominated last year, and was chosen to receive one of the prestigious scholarships in studio art. Award winning Restaurant since 1962

ACA Atlanta College HMA High Museum t of Art Art ACT: Atlanta Children's MR Member s Room Theatre PR Paneled Room AT: Alliance Theatre RH. Rehearsal Hall Coach 8c Six Restaurant ATC Alliance Theatre SH Symphony Hall 1776 Peachtree St.. N.W. 872-6666 Company ST: Studio Theatre ASO Atlanta Symphony WHA Walter Hill Orchestra Auditorium GAL Galleria Qon information, call the box office at 892-2414. For other information, call 892-3600

Concerts

THURSDAY, FRIDAY & SATURDAY 2*ARCH 31, APRIL 1 & 2 Atlanta Symphony Orchestra, 8:30, SH. Eduardo Mata conducting; Juliana Markova, pianist, Bach: Brandenburg Concerto No 3; Beethoven: Piano Concerto No. 4; Debussy: Iberia No. 2; Enesco: Roumanian Rhapsody No. 1. SUNDAY APRIL 3 Atlanta Symphony Orchestra, 2:30, SH. Same program. THURSDAY, FRIDAY & SATURDAY APRIL 7. 8 89 xxn Atlanta Symphony Orchestra, 8:30, SH Eduardo ATLANTA PICTURES Mata conducting; Pinchas Zukerman, Violinist, AND FRAMES Moussorgsky: A Night on Bald Mountain; Tchaikovsky: Violin Concerto; Stravinsky: Le Sacre du Printemps. Fine custom framing • Reproductions • Prints FRIDAY & SATURDAY Drawings and paintings • Traditional portraits APRIL 15 & 16 by appointment ASO Chamber Chorus, 8:30 p.m SH. Robert Shaw DOWNTOWN conducting. “The Three B's”: Bach: Jesu Mein two blocks northeast of the Omni International Freude, Motet No. 3: Beethoven: Mass in C Major, between Spring and Techwood Op. 86; Brahms: Schicksalslied, Op. 54; Brahms: Gesang der Parzen (Iphigenie aus Tauris). @ Atlanta Pictures and Frames 133 Nassau St. NW • Tel. 524-6028 • BenOlasov

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THURSDAY, FRIDAY & SATURDAY CONTINUING EXHIBITIONS APRIL 21, 22 & 23 Calder’s Universe, HMA, 1st and 2nd floors. A Atlanta Symphony Orchestra, 8:30, SH Robert retrospective exhibition of the works of the late Shaw conducting Lee Luvisi, pianist, Rossini: Alexander Calder. Through May 1. Overture to La Gazza Ladra; Ibert: Tropismes pour des amours; Brahms: Piano Concerto No. 2. THURSDAY, APRIL 28 Pro-Mozart Society Concert, WHA, 8:30 p.m., Angela Allen, Flautist and Sherman Lowe, Basso Profundo. THURSDAY, FRIDAY & SATURDAY APRIL 28, 29 & 30____ Atlanta Symphony Orchestra, 8:30, SH. Robert Shaw conducting; Horacio Gutierrez, pianist, Glinka: Overture to Russian and Ludmilla; Rachmaninoff: Piano Concerto No. 2; Tchaikovsky: Symphony No. 4. SUNDAY, MAY 1 Atlanta Symphony Orchestra, 2:30, SH. Same program. Lectures

Exhibitions MONDAY, APRIL 4 Ceramics lecture, WHA, John P. Cushion guest lecturer. 10:00 a.m. and 8:00 p.m. Subject: nigh Museum hours: 10:00 to 5:00 Mon. through “Meissen and Other Major German Factories" and Sat., 12:00 to 5:00 Sun., closed evenings. Art Shop “Porcelains of France.’’ Cost: $2.00 per lecture. hours: open during regular High Museum hours. TUESDAY, APRIL 5 THE CITY and Jr. Art Shop hours: 3:00 to 4:45 Mon. through Fri., 12:00 to 4:45 Sat. and Sun. Ceramics lecture, WHA, John P. Cushion, guest Donation: 25C Children, 50C Adults, Museum lecturer. 1:00 p.m. and 8:00 p.m. Subject: “English Members free. THE CITY is reserved at other Ceramics” and “The Life and Wares of Josiah hours during the week for scheduled school tours Wedgwood and His Contemporaries” Cost: $2.00 by prior arrangement only. per lecture. Gallery 413: open weekdays from 10:00 am to 5:00 p.m. The Gallery is located in the Atlanta College of Art, Level “A". Theatre OPENING APRIL 4 Environmental Multi-Media, ACA, Gallery 413. Sculpture exhibit by Dutch Knotts and Patrick FRIDAY & SATURDAY Palanza. Through April 15. APRIL 1 & 2 European Ceramics Galleries, HMA, McBurney Misalliance, 8:00, AT. By George Bernard Shaw— Gallery, third floor. A special installation of more an engagingly funny intellectual romp, directed than 350 pieces from the collections of Mr. and by Harold Scott.______Mrs. G. Ryland Scott and their families, Mr. and Mrs. Emory L. Cocke, and the Museum’s THURSDAY, FRIDAY & SATURDAY permanent collection. Sponsors: Mr. and Mrs. APRIL 7, 8 & 9 Lindsey Hopkins, Jr. andtheAtlantaArtsAlliance. All the Way Home, 8:00, AT. A Pulitzer Prize Designer: Roy P. Frangiamore, A.I.A. Ceramics winning play based on James Agee’s Pulitzer Consultant: John Austin, Colonial Wiliamsburg. Prize winning novel, A Death In the Family. Fred Photography: Kathryn Eros Green. Chappell, director. ______SUNDAY, APRIL 10 SATURDAY, APRIL 2 AH the Way Home, 2:30, AT. Law and Order, HMA Film Series, 8:00, WHA. $1 TUESDAY, WEDNESDAyTtHURSDAY Museum Members with cards, $1.50 Students with FRIDAY & SATURDAY ID's, $2 General. ______APRIL 12, 13, 14, 15 & 16 SUNDAY, APRIL 10 All the Way Home, 8:00, AT. Films on Alexander Calder, WHA, 3:00 p.m. Free. ______Sunday, april 17 WEDNESDAY, APRIL 13 All the Way Home, 2:30, AT, Anna Karenina, WHA, 8:00 p.m. $1.00 Museum TUESDAY, WEDNESDAYTTHURSDAY^ Members with cards, $1.50 Students with ID’s, $2 FRIDAY & SATURDAY General.______APRIL 19, 20, 21, 22 & 23 THURSDAYTAPRILTf All theWay Home, 8:00, AT Far From the Madding Crowd, WHA, 8:00, $1 THURSDAY, FRIDAY ^SATURDAY Museum Members with cards, $1.50 Students with ______APRIL 28, 29 & 30 ID’s, $2 General.______Henry IV, Parti, 8:30, AT. By William Shakespeare. ______FRIDAY, APRIL 15______Tom Jones, WHA, 8:00. $1 Museum Members with cards. $1.50 Students with ID's, $2 General. SATURDAY, APRIL16 Ulysses, WHA, 8:00. $1 Museum Members with cards, $1.50 Students with ID’s, $2 General. SUNDAY. APRIL 17 ~ Great Expectations, WHA, 3:00. $1 Museum Members with cards, $1.50 Students with ID’s, $2 General. __ SUNDAY, APRIL 17 Travelog, 2:30 & 5:00, SH. “Tahiti & Isles of the South Seas”—Voyage on a private yacht from the coast of Mexico to the Galapagos, French Polynesia, Tahiti, Moorea, Bora Bora, the Society, Tuamotu and Marquesa islands. A travel adventure of extraordinary beauty! WEDNESDAY, THURSDAY FRIDAY & SATURDAY APRIL 20, 21, 22 & 23 Short Films From Canada, WHA, 8:00. Free

Children

THE CITY Exhibition—for Children and Adults— in the High Museum of Art. Open to the public Mon.-Fri., 3:00-4:45; Sat. & Sun., 12:00-4:45 p.m.; Special 25C Children, 50C Adults, Free HMA Members.

______TUESDAY, APRIL 5 Opera Sampler, 8:00 p.m., SH Atlanta Music Festival Association. ______WEDNESDAY, APRIL 6______Open RehearsaiTl0:00 a.m.-12:30 p.m.. SH. SUNDAY, APRIL 24 Seed & Feed: Music For Calder, 2:00, HMA. This event is a farewell concert for Alexander Calder by Kelly s Seed & Feed Theatre, featuring the Seed & Feed Schola Cantorum and the Marching Abominable. The program will include rounds, sacred music, and circus music, to take place in the Calder exhibition, free of charge.

Films FRIDAY, APRIL 1 Jungle Book, Vagabond Marionettes, 10:00 and ______FRIDAY, APRIL 1 11:30, ST. Adapted from Rudyard Kipling’s High School, HMA Film Series, 8 00 WHA $1 classic, the children will find themselves in a Museum Members with cards, $1.50Students with fantasy jungle world with an environmental ID’s, $2.00 General. approach. Noah and the Great Auk, Atlanta Children’s Theatre, 10:00 a.m. and 12:00p.m.. AT. An original play written by Bix Doughty on the subject of endangered species. Charly Helms, Director. SATURDAY. APRIL 2 Jungle Book, Vagabond Marionettes, 11:00, 1:00 and 3:00, ST. _ MONDAY & TUESDAY7 Atlanta Arts APRIL 48. 5 Monthly magazine of the IlliAtlanta Memorial Arts Center Vagabond Marionettes, 10:00 and Jungle Book, 1280 Peachtree Street, N.E. Atlanta Georgia 30309 11:30, ST. WEDNESDAY. THURSDAY & FRIDAY APRIL. 1977 VOL. XII ISSUE 8 APRIL 6, 7 & 8 THE ATLANTA ARTS ALLIANCE Noah and the Great Auk, Atlanta Children's Charles R. Yates Theatre, 10:00 a m. and 12:00 p.m., AT. President James K. Griffeth Jungle Book, Vagabond Marionettes, 10:00 and Controller William Shippen 11:30, ST.______Facilities Manager SATURDAY. APRIL 9 ATLANTA SYMPHONY ORCHESTRA Jungle Book, Vagabond Marionettes, 11:00, 1:00 Frank Ratka General Manager and 3:00, ST. _____ Richard W. Thompson MONDAY, TUESDAY, WEDNESDAY Assistant Manager THURSDAY & FRIDAY THE HIGH MUSEUM OF ART APRIL 11, 12, 13, 14 & JIS Gudmund Vigtel Atlanta Childrens Director Noah and the Great Auk, Ms. Paula Hancock Theatre, 10:00 a.m. and 12:00 p.m., AT. Curator of Education Jungle Book, Vagabond Marionettes, 10:00 and THE ATLANTA COLLEGE OF ART William Voos 11:30, ST. ______President SATURDAY? APRIL 16 Anthony Greco Academic Dean Jungle Book, Vagabond Marionettes, 11:00, 1:00 Mrs. Guthrie Foster and 3:00, ST. Dean of Students MONDAY. TUESDAY. WEDNESDAY THE ALLIANCE THEATRE COMPANY THURSDAY & FRIDAY David Bishop APRIL 18, 19, 20, 21 & 22 Producing Director Fred Chappell Noah and the Great Auk, Atlanta Children's Artistic Director Theatre, 10:00 a.m. and 12:00 p.m., AT. THE ATLANTA CHILDREN’S THEATRE Charles L. Doughty Jungle Book, Vagabond Marionettes. 10:00 and Director 11:30, ST. PARKING FACILITIES: Center Parking garage with SATURDAY, APRIL 23 covered parking directly adjacent to Center, entrances on Jungle Book, Vagabond Marionettes, 11:00, 1:00 Peachtree and Lombardy Way; also commercial parking across from Peachtree entrance to Center, and north of and 3:00, ST.______First Presbyterian Church. MONDAY,I TUESDAY, WEDNESDAY THURSDAY & FRIDAY BOX OFFICE. (404) 892-2414. Hours: Mon. through Fri. 10-6 pm (or until curtain); Sat. noon-4:00 (or until curtain); APRIL 25, 26, 27. 28 & 29 Sun. noon-3:00. The Memorial Jungle Book, Vagabond Marionettes, 10:00 and Arts Center Box Office handles tickets for the Atlanta 11:30, ST.______Symphony, Atlanta Children’s Theatre, Alliance Theatre Company, Dance Atlanta, Theatre Atlanta Off Peachtree; ___ SATURDAY. APRIL 30 Vagabond Marionettes; Travelogue Film Series; also on night of performance, all tickets for any event scheduled in Jungle Book, Vagabond Marionettes, 11:00, 1:00 the Arts Center. and 3:00, ST. TOURS: For information on regular weekday tours or group tour arrangements, call (404) 892-3600.

RESTROOMS: Located off the Galleria Balcony across from both Symphony Hall and the Alliance Theatre. Also located adjacent to the balcony lobbies inside Symphony Hall.

OUR COVER: For tremendous savings over next fall’s season ticket prices, subscribe now for Alliance Theatre’s early bird subscriptions. Subscribe today and go first class next season at no frills price!

ATLANTA ARTS Magazine is published for the Atlanta Memorial Arts Center, by The Conger Printing Co.. Inc. in Atlanta, Georgia. All rights to Atlanta Arts are reserved by the Atlanta Memorial Arts Center. Reproduction from the magazine in whole or in part without permission is prohibited. Editorial Office, 1619 Chattahoochee Ave., N W . Atlanta 30318. Phone (404) 352-1910.

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