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. ALLIANCE THEATRE The Alliance Theatre Early Bird Is About to Take Off! And we’d like to have you on it. Early bird subscriptions are now available at tremendous savings over next fall’s season ticket prices. If you are a current subscriber you can renew now and be assured of your same seats next season. If you are not currently a subscriber, you can reserve . good seats for every production next year by subscribing now. Subscribe today and go first class next season at a no frills price!

» Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean A Smash Success . Our new play this season, Ed Graczyk’s Come Back to the 5 and Dime Jimmy Dean. Jimmy Dean, which closed March 12, was the biggest hit in the Alliance > Theatre’s history. It broke all box office records and won highest praise from audiences and critics alike: Bravo! There’s great excitement on the . Alliance Stage, and it’s going to shake the "Since 1908, we ve been making earth and cause an explosion that should erupt right in the middle of Broadway. the women of Atlanta our busi­ The first professional production ness! View our collections of anywhere of Ohio playwright Ed Graczyk’s active, classic and pacesetting “Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean" brought down the house sportswear separates to coordi­ opening night and well it should have. nate for your lifestyle. Visit any of Helen C. Smith our five stores. The Atlanta Constitution All right, all you people who complain about the lack of good original theatre in this

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Dime Jimmy Dean, Jimmy Dean.” Sears Barbara Thomas The Atlanta Journal The best play I’ve seen in regional theatre this year. Clifford A. Ridley So many ways to The National Observer Shop at Sears Negotiations are now underway toward the possibility of opening Come Back to and SAVE! the 5 and Dime Jimmy Dean, Jimmy Dean in New York. If it is produced in New 8 BIG STORES IN ATLANTA York, remember you saw its premiere open every night and Sunday afternoons professional production on stage at the Alliance Theatre. 17 ApplianceCatalog Stores all around the Atlanta area

All the Way Home 24 Hour Catalog Shopping On the Alliance Stage April 7-22 by phone from home, call 892-4242 For our fifth play of the season we are pleased to present All the Way Home. Tad Surplus and Bargain Stores Mosel’s stage adaptation of James Agee’s with closeouts from catalog and stores Pulitzer Prize-winning novel, A Death in the Family, won the New York Critics’ PLEASE SEE YOUR Award and a Pulitzer Prize in 1961 when it TELEPHONE DIRECTORY FOR MORE SPECIAL SERVICES INCLUDING ■ ■ was produced with Colleen Dewhurst playing the role of Mary Follet. Playing Mary Follet in the Alliance’s SEARS CARPET CLEANING production will be Dana Ivey who has call 351-4082 already won critical acclaim this season on SEARS DRAIN & SEWER SERVICE our stage as Hedda Gabler, Mona in Come call 892-6565 Back to the 5 and Dime Jimmy Dean, Jimmy Dean, and as Shaw’s beautiful SEARS DRIVING SCHOOL Polish aviatrix in Misalliance. Miss Ivey call 352-3400 will be joined in All the Way Home by another actress who won the hearts of FLOWERS BY SEARS audiences with her first performance in call 325-0337 (Atlanta) Atlanta as Chickabiddy in Misalliance, or 422-0656 (Marietta) Miss Patricia Falkenhain. SEARS MEAT & FROZEN FOOD All the Way Home is the story of a “death in the family,” but it is also the story call 325-5359 of the love and humor that preceded the SEARS RENT-A-CAR death, and that must overcome it. We call 261-6700 (Buckhead) think you and your family will find it one or 659-5010 (Downtown) of the most moving and heart-warming theatre experiences you have ever had. SEARS TERMITE & PEST CONTROL call 351-4082

Alliance Theatre Presents This year Alliance Theatre’s artistic director Fred Chappell will direct one of Shakespeare’s favorite history plays, Henry IV Part I, the story of two young men growing into manhood. Gold Rolex Watches.

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Charge Accounts Invited Bailey Banks & Biddle World Renowned Jewelers Since 1832 181 Peachtree Street, N. E. • Atlanta Greenbriar Center • South DeKalb Mall Perimeter Mall • Northlake Mall Lenox Square Young Prince Hal, who will become King Henry V, spends his time carousing with Falstaff and Mistress Quickly at the Boar’s Head Tavern while his father Henry IV attends the business of state and bemoans his misfortune in not having a son like Northumberland’s son Henry Percy, surnamed Hotspur: Oh. that it could be proved That some night-tripping fairy had exchanged In cradle clothes our children where they lay. And called mine Percy, his Plantagenet! Then would 1 have his Harry, and he mine. Hotspur is a blunt, rash, practical young man, a fiery and impatient soldier who seems much more suited to the seriousness of ruling a country. So while Prince Hal drinks, entertains himself, and plays a waiting game, Hotspur is ambitiously establishing himself as a soldier of consequence. The contrast between the two young men creates an interesting study in personality and action, and it is an effect which Shakespeare must have considered dramatically significant, because to come to our collections historically the two young men portrayed in Henry IV Part I as contemporaries were of fashion for the not. Prince Hal was only fourteen when in 1403, he fought against the rebels and entire family, the home, Hotspur at the battle of Shrewsbury, and Hotspur was then thirty-nine, three years gifts and antiques too. older than Hal’s father. Henry IV Part I will be on stage at the Do stay for luncheon Alliance Theatre April 28-30, May 5-7, and or tea at our Bird Cage May 12-14. restaurant, open every ATLANTA SYMPHONY ORCHESTRA shopping day. Lord & Taylor, Activities For 1976-77 Continue While Those For 1977-78 Begin Phipps Plaza, Peachtree

Season tickets for 1977-78 are now Road between Wieuca available. There are fourteen different series of season tickets from which one can and Lenox Roads. 266-0600 choose. From the regular twenty-four subscription concerts, to the new offering Monday through of three series of eight concerts on Friday or Saturday evenings, there is a series to Saturday 10:00 a.m. to suit your budget. Some offer savings of up 6:00 p.m., Monday and to 41 percent over single ticket prices, and up to ten concerts for free. Thursday evenings until

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Here is an uncommonly classic condominium resi­ dence, priced from $53,000 to $236,000. Here is a place of incredible luxury, with a setting and view that will catch your breath. And your spirit. There are ten different models. All ready for im- mediate occupancy. Located at 3530 Piedmont Road, N.E. Or call 262-2643. THE ALLIANCE THEATRE COMPANY DAVID BISHOP, Producing Director FRED CHAPPELL, Artistic Director

presents H€NPYIVi by William Shakespeare

Directed by FRED CHAPPELL with

TREY ALTEMOSE MARIANNE HAMMOCK IAN MacMILLAN DAVID BRAUCHER JEROY HANNAH GIB MANEGOLD MORRIS BROWN TED HENNING DONALD C. MOORE PETER BURNELL DANA IVEY K. LYPE O’DELL STUART CULPEPPER SONNY KNOX JIM PECK SCOTT E. DePOY PHILIP KRAUS ANTHONY SABON JAMES M. GOUGH CLAYTON LANDEY WENDY WALKER DICKSON LANE

Sets Designed By Costumes Designed By MICHAEL STAUFFER PHILIPP JUNG and MICHAEL STAUFFER Lights Designed By Properties Designed By CASSANDRA HENNING SAM BAGARELLA Production Stage Manager Technical Director ALLEN WRIGHT ERIK MAGNUSON Production Manager BAXTER JOY

The use of recording devices or cameras during the performance is strictly prohibited. Nathalie Dupree is cooking up something wonderful!

A whole new season of cooking classes and demonstrations ... all in Rich’s Cooking School, Downtown. In the classes, you do the cooking. In the demonstrations, you watch and taste. Classes are available in basic and advanced levels. For prices, schedules and details, call 586-2525. HENRY IV, Part I CAST (in order of appearance) King Henry the Fourth...... LyPe O '^'i! Henry, Prince of Wales...... • Pe‘e| Burne" Prince John of Lancaster...... antes . oug Earl of Westmorland...... Ted Henning Sir Walter Blunt...... I?"1 Peck Thomas Percy, Earl of Worcester...... Stuart Culpepper Henry Percy, Earl of Northumberland...... M°‘’rls V,rown Henry Percy, surnamed Hotspur, his son...... £ 1 *P raus Edmund Mortimer, Earl of March...... ,I]n’.,n0X Archibald, Earl of Douglas...... Ian MacMillan Owen Glendower ...... An‘h°n* Sabon Sir Richard Vernon...... • • ll" . 306

Edward Poins...... Davld B;aucber Gadshill ...... C'ayu°xn/

Bardolph ...... ••••ScottP' DeP°y Lady Percy, wife to Hotspur and sister to Mortimer...... Marianne Hammock Lady Mortimer, daughter of Glendower and wife to Mortimer...... Wen y a er Mistress Quickly, hostess of the Boar’s Head in Eastcheap ...... Dana vey Sheriff...... Trey Altemose Messenger ...... Jer0V Hannah

Scene: England

There will be one fifteen minute intermission

The Alliance Theatre would like to express sincere appreciation to the following individuals and institutions for their assistance in our operations: Brooks-Van Horn Costume Company Irving Lerner, Stephen’s Fabrics Adolphe Michel M. Ringel & Sons, Kennesaw, Georgia Dave Shulmann, Dux-Mixture and Hardware Company Total Audio-Visual Services The Turnage Place, Ltd.

BIOGRAPHICAL SKETCHES TREY ALTEMOSE makes his first appearance on the Alliance stage in Henry IV, Part I. He came to the Alliance as an apprentice during the 1975-76 season and this season is serving as stage manager for the theatre. Mr. Altemose was assistant stage manager at the Academy Festival Theatre in Lake Forest, Illinois, this past summer, working with Jose Quintero and Jason Robards, Jr. Mr. Altemose’s acting credits include “Cliff” in Cabaret and “Harpagon" in The Miser. He also designed two shows for the Studio Theatre last season Hello Out There and Here We Are.

DAVID BRAUCHER has appeared as “Julius Baker” (or the mysterious “Mr. Gunner”) in Misalliance at the Alliance and as “Carlo” in the opening production of Scapino! at ATC this season after two seasons with the Academy Theatre and its State Tour Team. He Bracelet of eighteen karat gold with diamonds set in platinum,$ 1,375. Matching ring,$575. Designed by Angela Cummings.

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v SKETCHES (continued) appeared off-off Broadway in Gene Frankel’s production of Othello and as “Hal" in Loot at the 13th St. Theatre. Atlanta audiences will recall his highly acclaimed performance as ‘Jimmy Porter” in the Trinity Players’ production of Look Back in Anger. Mr. Braucher has conducted theatre workshops at Georgia State University, and he directs plays for the Family Living Program at the Atlanta Jewish Community Center.

MORRIS BROWN played “Gonzalo” in last year’s Alliance production of The Tempest. In other Shakespeare productions he has played “Prospero,” “Duke Frederick," “Andrew Aguecheek,” “the Duke of York” in Richard II. “Edward IV” in Richard III, “the Lord Mayor of London,” “Pandarus,” and “Polonius.” A native of Atlanta, he began acting seriously with Atlanta’s Academy Theatre, but now works mostly outside Georgia.

PETER BURNELL has just appeared as “Andrew Lynch” in ATC’s All the Way Home and as “Joseph Percival” in Misalliance. He received the Theatre World Award for his portrayal of “Joey” in In Praise of Love on Broadway with Rex Harrison and Julie Harris. On NBC-TV he was featured for five years as “Dr. Mike Powers” in The Doctors. Off- Broadway he has appeared as “Skendal” in Dancing for the Kaiser, “Mick” in The Caretaker, and “Eglamour” in Two Gentlemen of Verona. Mr. Burnell played numerous roles in the New York Shakespeare Festival, including “Malcolm" in A/ac/ter/t and “Prince John” in Henry IV, Parts I & II. His regional theatre appearances have been at the Stowe Playhouse, Vermont, the Provincetown Playhouse in Massachusetts, and in Buffalo’s Studio Arena.

STUART CULPEPPER is an Atlanta born critic, director, producer, and teacher as well as an actor. His last appearance with the Alliance was as both “Antipholi” characters in Comedy of Errors. He will also be remembered by local audiences as “George” in Who’s Afraid of Virginia Woolfl, “Nickles” in J. B., “King Henry” in Lion in Winter, and “Ismael” in Moby Dick. In July he is scheduled to direct Metropolitan Opera stars Jan Peerce and Dominic Cossa in Rigoletto.

SCOTT E. DePOY was a member of the original Studio Company at the Alliance and appeared that season in Taming of the Shrew and The Three Sisters. As guest artist for three years at Sweet Briar College he appeared in Dark of the Moon, Hay Fever, Much Ado about Nothing, and American Primitive. He was seen last spring as “Injun Joe” in ACT’s Tom Sawyer and most recently as “Osmond Tunesmith” (among others) in the Vagabond Marionettes’ production of Jack and the Beanstalk.

JAMES M. GOUGH’s acting credits include Journey to Canaan, Joan of Arc, The Homecoming, and the title role in Dr. Khael. Among other Ensemble Theatre productions, all group written and performed, he composed and performed the music for Seance. On television he has appeared in the TV movie There's Got To Be a Better Way, WETV’s Magic Book Series and WGTV’s Tune-up Shop. In children’s theatre he has performed Circus and Dragons for Breakfast. Mr. Gough is currently employed as assistant choreographer at the Dance Unit.

MARIANNE HAMMOCK last appeared at the Alliance as the irrepressible “Hypatia” in Misalliance and earlier, in the season’s opener Scapino! as “Giacinta.” She received her dramatic training at the Drama Center in London, where she studied under John Blatchley, Yat Malmgren, and Christopher Fettes. Her roles in the professional theatre have been primarily classical, from “Kate” in Taming of the Shrew to “Juliet” in Romeo and Juliet. Miss Hammock was seen at the Alliance last season in The Tempest and was part of the ATC Touring Company this past fall.

JEROY HANNAH is a member of the 1977 Alliance Apprentice Group, and Henry IV, Part I marks his first appearance on the Alliance stage. He has done extensive work in the MYRNA LOY AND JEAN PIERRE AUMONT STARRING IN NEIL SIMON’S BEST. BAREFOOT IN THE PARK.” Evening performances A Tuesday, Wednesday, Thurs­ day and Sunday, Slo.OO, plus tax. Friday and Saturday, $17.75, plus tax. Wednesday and Sunday matinees, $11.50, & i plus tax. Free parking at the Peachtree Cain Garage. American Express and other major credit cards accepted. THE MIDNIGHT SUN DINNER THEATRE^ Peachtree Center AtopThe Shopping Gallery, For Reservations Call 577-7074 | | | IT S BRAND NEW • A MUSICAL REVIEW • MONDAY AND LATE SATURDAY NIGHTS. (continued) fields of both scenery and property design and construction. Mr. Hannah’s acting credits incude One Flew over the Cuckoo's Nest, The Good Woman of Setzuan, Dark of the Moon, and Firehugs.

TED HENNING was seen on Broadway in Gloria and Esperanza and off-Broadway in The Moon Dreamers, Now You See It, and Istanbol. He toured in Happy Huntingwith Vivica Lindfors, in Summer and Smoke with Eva Marie Saint, and in 1776 with Joel Gray. Stock, repertory and dinner theatre roles have included the title role in Hamlet, “Biff’ in Death of a Salesman, “Jimmy” in Look Back in Anger. “Paul” in Born Yesterday, and “Algernon” in The Importance of Being Earnest. Mr. Henning has appeared on television in From Sea to Shining Sea with Robert Culp and in the films Slaughterhouse Five, Close Encounters of the Third Kind, and Smokie and the Bandit.

DANA IVEY has studied in England, where whe was on BBC-TV show for six weeks called “Talking About Shakespeare.” She has worked with the National Shakes­ peare Company and with the Southern Shakespeare Festival, as well as with the Stratford Shakespeare Festival in Ontario.

SONNY KNOX has appeared at Atlanta’s Barn Dinner Theatre in such shows as God’s Favorite, The Odd Couple, and Come Blow Your Horn. He has had other leading roles in The Night Thoreau Spent in Jail, The Imaginary Invalid, The Visit, Lion in Winter, and The Importance of Being Earnest. Mr. Knox’s directing credits include Suddenly Last Summer, Lil’ Ahner, and How To Succeed in Business without Really Trying.

PHILIP KRAUS has just completed the role of “Jay Follet” in All the Way Home at the Alliance. He was last seen on Broadway in Equus and as the “T.V. Director” in Shelter. At Cincinnati’s Playhouse in the Park he appeared in The Rivals and The Crucible and assisted artistic director Word Baker. Mr. Kraus’s roles at the Oregon Shakespeare Festival included “Hal” in Henry IV, Part I, the title role in Pericles, and “Hamm” in End Game. He was assistant director for the Cincinnati Symphony’s 1972 May Festival production of The Bernstein Mass and has recently completed filming the title role in the P.B.S. television production of Hamlet to be aired this summer; he appeared in N.E.T.’s The Boston Massacre, several daytime television series and numerous commercials. His film credits include Serpico and The American 1776.

CLAYTON LANDEY’s credits include The Night before Thinking, Measure for Measure, and Obituary of Dreams. He will be remembered as one of the comic waiters in ATC’s Scapino! Also in Atlanta he has performed at the Atlanta Children’s Theatre in Treasure Island and as “Jolley" in Holley and the Jolley Gorilla, and at the Academy Theatre in Rhinocerous and Something in a Box. He has studied mime under John Simons and Jacques LeCoq and is presently Managing Director and performer with Sometime Partners in Mime Company in Atlanta. On television he has appeared in Wide World of Sports, The Tamiko Jones Show, and may soon be seen in PBS's The Boston Massacre Trial.

DICKSON LANE has just appeared as “Father Jackson” in ATC’s All the Way Home. He acted and was production stage manager for two years with the Alabama Shakespeare Festival. This past fall he worked with ABC Theatres as a promotional consultant, doing advertising art work and also performing in various roles. At Maine’s Boothbay Playhouse he appeared as “George Sikowski” in That Championship Season, “The Inspector” in the world premiere of Snide, and “Waitwell/Sir Roland" in The Way of the World. In the fall, Mr. Lane plans to further his studies at the Webber Douglas Academy of Dramatic Art in London. ALL THE IDEAS THAT ARE FASHION­ ABLY FRESH FOR SPRING 77 . . . THE BEST PART OF AN EVENING IS ALWAYS EDITED WITH THE ATLANTA LIFESTYLE IN MIND!

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4070 LaVista Road at Northlake Mall Phone 939 8515 SKETCHES (continued) IAN MacMILLAN has previously appeared in Henry IV, Part I at the New York Shakespeare Festival, directed by Gerald Freedman. Other off-Broadway roles have included “Private Hercules” in Left, Right, Left and “Lord Byron” in The Ariel. Off-off Broadway Mr. MacMillan has portrayed “Napoleon" in Man of Destiny, “Creon” in Antigone, and “Paul” in Barefoot in the Park. He has appeared in regional theatre and on television. In films he had the feature role of “Danny Harrigan” in Up the Down Staircase and appeared in Rapallo and Sons for United Artists. He has just completed the pilot film Traitor in the starring role of “Nick Moro.”

GIB MANEGOLD appeared in the Alliance’s season opener, Scapinol, and has recently been seen in the song and dance revue “Showboat Jubilee” at Six Flags Over Georgia and in Anything Goes with the Sarasota Players. In Atlanta he performed in musical revues at Angelo’s Cabaret and a Reader’s Theatre production of Dandelion Wine. This past summer he performed in musicals at Cortland Repertory Theatre in Cortland, New York.

DONALD C. MOORE has appeared on Broadway in Fiddler on the Roof and off- Broadway in The Deadly Delilah and As You Like It. At the PAF Playhouse he portrayed “Carlson” in Of Mice and Men and “Sir Toby Belch” in Twelfth Night. Regional theatre roles have included “Professor Willard" in Our Town at Cincinnati’s Playhouse in the Park, “The Advocate” in The Trial at Hartford Stage Company, and at Meadow Brook Theatre in Rochester, Michigan, “Sir Wilfred Robarts”in Witness for the Prosecution. Mr. Moore was guest artist with the Folger Theatre Group in Washington, D.C.; he has made numerous television appearances and was directed by John Huston in the film Independence.

K. LYPE O’DELL portrayed “Joel Lynch” in the Alliance’s last production, All the Way Home, and prior to that the free-thinking “John Tarleton” in ATC’s production of Misalliance. He recently appeared as “The Elector” in Prince of Homburg at the Chelsea Theatre Center and in the television version which will be shown on Theatre in America this spring. Also off-Broadway he portrayed “Axel Reich” in Ice Age and “Dr. Lesch” in Our Father. He played “Cardinal Borgia” under Sir Tyrone Guthrie’s direction in the national tour of Lamp at Midnight. Other roles have included “Boss Finley” in Sweet Bird of Youth, “King Henry” in The Lion in Winter, “Victor” in Private Lives, “Count Almaviva” in The Marriage of Figaro, and “Marquis de Sade” in The Marat / Sade. Mr. O’Dell has been guest artist at Windham College in Putney, Vermont, since 1972.

JIM PECK is an Atlanta-based actor and playwright. His plays, including Arthur, have been produced in Atlanta and New York and have been part of the reading program at the Long Wharf Theater in New Haven, Connecticut. He has recently completed a new full- length comedy, Kindred Cobwebs in Duck Lane. Mr. Peck is featured in a film to be released this summer, Time of the Eagle. He has also performed with major stage companies in Atlanta and throughout the Southeast and Midwest.

ANTHONY SABON received much of his training at the Berghof Studio and Joseph Papp’s New York Shakespeare Festival. Last season he appeared as “Caliban” in the Alliance Theatre production of The Tempest. He is currently serving as guest director of Drama Tech’s production of Spoon River Anthology.

WENDY WALKER created the role of “Anna” in the premiere performance of Salamander Terminal. She just appeared on the Alliance stage as “Sally” in All the Way Home and previously as “Miss T. Muse” and as a conventioneer in The Skin of Our Teeth. In stock and dinner theatre Miss Walker’s roles have included “Katrin Sveg” in Marriage- Go-Round, “Peggy Evans” in Come Blow Your Horn, “Antoinette” in A Shot in the Dark, “Mona Kent” in Dames at Sea, “Little Mary” in Little Mary Sunshine and “Annabelle Sims” in Wilderness Road. At Rollins College she portrayed “Billie Dawn” in Born Yesterday and the “Singer-Comedienne” in Coward Tonight. Life Insurance is the most personal product you'll ever buy ... make sure your agent is a professional who cares about you. Tom Flournoy,III,CLU 2 Peachtree St. Atlanta

DANCE TILL THE OUI HOURS IN THE INNER CIRCLE. The Inner Circle brings a touch of in a cozy corner. The Inner Circle is romance to the worlds tallest hotel. open from 8 PM until 2 AM Monday It's a special entertainment room with through Saturday. But the oui hours a lush, contemporary atmosphere. are the best part of anyone's day. Enjoy your favorite beverage with your favorite person. Dance the night PEACHTREE PLAZA HOTEL IN PEACHTREE CENTER away and watch our'excitinq live western international hotels floor shows. Or just sit and whisper Partners in travel with United Airlines wa JF SKETCHES (continued) CASSANDRA HENNING has .worked on, off, and off-off-Broadway. Most recently she has designed the lighting for ATC’s production All the Way Home, the Ruth Mitchell Dance Company, and Cobb Marietta Ballet Company. She is presently working on The Atlanta Arts Festival and City Center Dance Theatre. Additionally, Ms. Henning is a full- time partner in a technical services firm whose clients have included White Motor Corporation, Canada Dry, Peachtree Plaza Hotel and CBS Records.

PHILIPP JUNG has designed for LaMama and the Circle Rep in New York, as well as many off-off-Broadway productions. Regionally, he has designed the sets and costumes for Pantagleize at the Yale Dramat, Oh Dad, Poor Dad for the Princeton lntime and Three Victorian Farces at Benedictine College. Trained in England, he has also designed for the Bristol Old Vic, Leeds Playhouse and the Midlands Art Theatre. Mr. Jung was the recipient of a British Arts Council Design Bursary in 1974 and has received a National Undergraduate Costume Design Award.

MICHAEL STAUFFER returns to Atlanta as production designer for his fourth season with the Alliance. He has designed sets, costumes or lighting for seventeen productions at the Alliance including The Crucible, The Miracle Worker, and The Tempest. Mr. Stauffer has served as design co-ordinator for the Guthrie Theatre, production designer for the Barter Theatre, Washington Theatre Club, Cortland Repertory Theatre, and guest designer for the Folger Theatre Group, PAF Playhouse, and The Alabama Shakespeare Festival. Mr. Stauffer has designed for a number of summer stock and dinner theatres, lectured on design in colleges and consulted on theatre space. He is a graduate of Carnegie- Mellon University.

FRED CHAPPELL, who was named ATC’s artistic director last season, directed the Alliance’s acclaimed new play of the season, Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean. For three years prior to his appointment he was resident director of the theatre and during this period directed such productions as Tobacco Road, Jacques Brel, A Midsummer Night's Dream, The Boyfriend, The Crucible, Romeo and Juliet, The Last Meeting of the Knights of the White Magnolia, The Tempest, and The Miracle Worker. He was also the original director of Alliance’s Studio Company and has appeared as an actor in numerous ATC productions. Outside of Atlanta, he served for three years as artistic director of the Cortland Repertory Theatre in Cortland, New York, and has guest directed at numerous theatres throughout the country. Last fall he directed Don Tucker’s Same Painted Pony at PAF Playhouse.

DAVID BISHOP, a native of Macon, is now in his seventh season with ATC as producing director. He came to Atlanta from Michigan, were he for three years served as managing director for the Meadow Brook Theatre. He studied at the University of South Carolina, Columbia University and the American Theatre Wing and has also studied acting with Lee Strassberg. A featured actor on television, he has performed in some seventy-five live and filmed network productions. On Broadway Mr. Bishop has acquired credits as both an actor and stage manager in such plays as The Desperate Hours. The Ponder Heart, The Happiest Millionaire,and How To Succed in Business Without Really Trying. He has been associated with numerous off-Broadway productions, was production stage manager for the American Shakespeare Festival in Stratford, Connecticut, and the New York Shakespeare Festival and served as production supervisor for Mike Todd’s America Be Seated as well as for the Ypsilanti Greek Theatre. BUY A BOOK(Available atFROM your local book store) GEORGIA SKETCHING AND ROSWELL HISTORIC ETCHING GEORGIA HOMES AND FIFTY ETCHINGS AND LANDMARKS DRAWINGS by Ledlie A collection of drawings William Conger with text by by Ernest E. DeVane with Ruth Dunlop Conger. A text by Clarece Martin. history of antebellum Published by the Roswell homes and landmarks of Historical Society, Inc. Georgia. Hardcover with jacket Hardcover with jacket $10.00 retail $30.00 retail HISTORIC CLAYTON FURNITURE OF THE COUNTY HOME OF GONE GEORGIA PIEDMONT WITH THE WIND by Terry BEFORE 1830 by Henry D. Bakken. A charming history Green. This beautifully of Jonesboro and Clayton illustrated catalogue is a County published by bicentennial project of the Historical Jonesboro, Inc. High Museum of Art. Hardcover Quality oversized softback $9.95 retail $7.95 retail A GLIMPSE OF THE PAST GEORGIA WOMEN — A THE HISTORY OF CELEBRATION by the BullochHall American Assn, of BULLOCK HALL AND University Women. A book ROSWELL GEORGIA by from Cousaponakeesa Clarece Martin. Restored classic home built in 1840 to our twentieth century by slave labor. scientists Dr. Evangeline Quality softback Papageorge and Dr. Jane $1.50 retail Russell Wilhelmi. Quality softback $3.95 retail WINNING HIS HEART IN THE KITCHEN Recipes for FIND YOUR OWN WAY IN any woman to win her man! DOWNTOWN ATLANTA Tested and proven favorites. by Karl & Linda Woodworth. May the best cook win! A walking tour and street­ By Diana Darr. level guide to interesting Spiral softback and exciting facts about old $5.50 retail and new Atlanta. Quality softback MISSION POSSIBLE by with map Rev. Wildorf E. Goodison- $2.50 retail Orr. A meaningful message of spiritual growth is THE WEST GUINEA lovingly presented by this COAST catalogue contains well known “minister illustrations from this of love." coastal region drawn from Quality softback the outstanding African $2.00 retail art collection of William and Robert Arnett. Quality oversized softback FROCKED IN GOLD THE $5.00 retail STORY OF FRANK MACK AND HIS WORK by CAMEROON designed and Elizabeth Russell Mack. published by William S. Including 24 full color and Arnett. A highly graphic 20 black & white catalogue representative reproductions by this of the first comprehensive famous Atlanta artist. show of Cameroonian art Hardcover since the French Colonial $15.00 retail expositions in Paris and Naples in the 1930s. Quality oversized softback Complete book publishing service $6.50 retail for authors & organizations since 1910.

THE TAMING OF THE TONGUE by Elaine Murray Stone. A re-issue of a life­ changing softback, which congerPRINTING AND PUBLISHING COMPANY helps us overcome our old nature by controlling 1619 CHATTAHOOCHEE AVENUE. N.W. our speech. ATLANTA, GEORGIA 30318 $1.50 retail TELEPHONE (404) 352-1910 ALLIANCE THEATRE COMPANY DAVID BISHOP — Producing Director FRED CHAPPELL — Artistic Director

DAVID COKER, President MRS. JOHN HARDMAN, President Board of Sponsors Alliance Theatre Guild

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Thursday, Friday, & Saturday, 8:30 p.m., April 28, 29, 30, 1977 ROBERT SHAW Conducting HORATIO GUTIERREZ, Pianist

PROGRAM

GLINKA Overture to “Russian and Ludmilla” (1842)

RACHMANINOFF Concerto No. 2 in C minor for Piano and Orchestra, Op. 18 (1901) Moderato Adagio sostenuto Allegro scherzando

INTERMISSION

TCHAIKOVSKY Symphony No. 4 in F minor, Op. 36 (1877) Andante sostenuto; Moderato con anima movimento di valse Andantino in modo di canzona Pizzicato ostinato; Allegro Allegro con fuoco

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE-FM, Tuesday evening at 8:30 p.m.

The use of recording devices or cameras during concerts is strictly prohibited. DINNER AT THE CROWN ROOM: PRELUDE TOAGREAT PERFORMANCE

The perfect beginning to any per­ formance at the Atlanta Memorial Arts Center is our Pre-Performance Buffet. Dinner is from 6:00 p.m. to 10:00 p.m., and the special price of just S7.50 per person includes a lavish assortment of delicious food, plus tax, tip and a glass of wine. Parking is free with validation. Reservations are required. Please call 892-7960 and request the Pre-Performance Dinner. And let Olympic Chef Franz Eichenauer show you one great per­ formance before you cross the street for another. T^ieCibWfi cRoom Atop the Colony Square Hotel Peachtree and Fourteenth Streets

DO YOU HAVE A SCHOLAR-ATHLETE-ARTIST or an average Joe or Jane? If so, we have a program for you at

A $1,700 000 building program in progress to be completed in the school year 1977 $1,000,000 Fine Arts Center — Middle School New Library Addition — 7 New Tennis Courts New Administration Building For information on all schools and programs write or call: Admissions Director, (404) 761-8881 P. 0. Box 87190-K COLLEGE PARK, GEORGIA 30337 Woodward Academy Administers a Non-Discriminatory Admissions Policy For Boys and Girls Boarders and Day Students PROGRAM NOTES by David Hinshaw

Overture to Russian and Ludmilla all costs cure me of my apathetic condition Mihail Ivanovich Glinka (1803-1857) and achieve such results that I would again Following the success of his first opera begin to compose. Dahl had asked what Glinka was urged by his patron Prince manner of composition they desired and Chakkovsky to write Russian and had received the answer, ‘A concerto for Ludmilla. The author Pushkin consented the pianoforte,’ for this I had promised to to adapt his poem in dramatic form for the people in London and had given it up in operatic treatment. He never completed despair. Consequently, I heard the same his plans, for he was killed in a duel in hypnotic formula repeated day after day February 1837. Four other poets worked while I lay half asleep in an armchair in on the libretto before its completion. Dahl’s study. ‘You will begin to write your The music was gathered by Glinka from concerto. ... You will work with great the peasants as he travelled in Russia in facility. . . . The concerto will be of an search of singers for the Imperial Chapel excellent quality.’” Choir. The first performance took place on The cure worked. Shortly after December 10, 1842. However, it did not beginning this therapy Rachmaninoff was receive the accolades which his first opera, busily writing not only the Concerto but A Life for the Czar, did. Nonetheless it did also sketching other works. receive fifty two performances during the The first movement begins with the first following two seasons before falling into theme being stated by the piano which is obscurity for 15 years. then played by the strings over arpeggio The material used in the Overture was figures in the piano. A second theme is taken primarily from the finale which is the announced by the piano. The wedding of Russian and Ludmilla. The recapitulation is varied from the form generally follows the sonata allegro exposition. The principal theme is played type—exposition, development, by the strings against chords in the brass recapitulation, coda. and a counter-theme in the piano. The The work is scored for pairs of winds, horns then restate the second theme in contrabassoon, four horns, two trumpets, augmentation. A short coda closes the three trombones, timpani, and strings. movement. The slow movement’s main theme is Concerto No. 2 in C minor for Piano and played by the flute then the clarinet. Over Orchestra, Op. 18 pizzicato accompaniment the piano takes Sergei Vassilievich Rachmaninoff over the melody. Following the cadenza an (1873-1943) abbreviated repetition of the opening is The most familiar of Rachmaninoffs played followed by a coda. works was written following the failure of The finale starts with the piano his First Symphony. In his memoirs he tells introducing the first motive, which is of the disillusionment he felt. developed at once. Oboes and violas state “I returned to Moscow a changed man,” the second theme which is taken over by he wrote. “My confidence in myself had the piano. The tempo quickens while the received a sudden blow. Agonizing hours volume increases leading to the cadenza. A spent in doubt and hard thinking had stately maestoso closes the work. brought me to the conclusion that I ought The orchestra consists of pairs of winds, to give up composing. I was obviously four horns, two trumpets, three unfitted for it, and therefore it would be trombones, tuba, timpani, percussion and better if I made an end to it at once.” strings. A tour to London in 1898 brought him some success but not enough to raise him from his depression. He did, however, Symphony No. 4 in F minor, Op. 36 meet a Dr. N. Dahl who practiced a type of Peter Ilich Tchaikovsky (1840-1893) hypnotism. The Fourth Symphony was written “My relations had told Dr. Dahl,” during Tchaikovsky’s happiest time of Rachmaninoff continues, “that he must at life. Under the patronage of Madame von 1975 Commonwealth of Puerto Rico In tonight’s martini the part of gin and vodka will be played by white rum.

White rum from Puerto Rico in a nationwide test. That’s because will finally play the role its distinctive all white rum from Puerto Rico is clarity and smoothness have so well aged for at least a year— by law. prepared it for. White rum is ready to take a In fact, white rum has already leading role in the martini. proven itself in rehearsal. It beat gin Like any new star, all it and vodka on taste and smoothness needs is a chance. PUCRTO RICRR Rums NOTES (continued)

Meek he was free to devote full time to The scherzo is the famous pizzicato composing. movement. For 136 measures the strings In a letter to Madame he wrote of his play in plucked manner only suggesting the Fourth Symphony. “The work is patterned sound of a balalaika. Tchaikovsky wrote after Beethoven’s Fifth,” he wrote, “not as about the rest of the movement as to musical content, but as to the basic idea. “Capricious arabesques which flit through Don’t you see a program in the Fifth?” the imagination as if some wine had produced a bit of intoxication. The mood Beethoven’s program is generally is not sad, nor is it cheerful; one thinks of considered to be that of “inexorable fate.” nothing in particular, but gives free rein to Thus when Tchaikovsky begins with his the fancy of discovering new patterns. famous horn call he says, “it is the kernel, Suddenly, one remembers a drunken sailor the quintessence, the chief thought of the and a crude song. Military music is heard whole symphony. It is Fate, the fatal power passing in the background. Such are the which prevents one from attaining the goal disjointed pictures which animate the of happiness. . . .There is nothing to be sleeper’s mind. Their connection with done but submit to it and lament in vain.” reality is nil; they remain unintelligible, This mood of lamenting begins the body bizarre, fragmentary.” of the movement with what has been called The finale suggests that the unhappy “A strangled, despairing valse.” The dreamer is looking for amusement. “But” despair continues until a more hopeful and Tchaikovsky warns, “hardly have you had charming theme in the clarinet interrupts. a chance to lose yourself in the joy of others This melody is then combined with the when relentless Fate again reminds you of second subject in varying combinations of its presence. Yet the crowd pays no color and inventiveness. The “desperate” attention to your sorrows. How cheerful waltz makes itself heard in the woodwinds. they are! Why will you still claim that all The “fate” theme then makes itself heard the world is drowned in sadness? There is marking the beginning of the development still such a thing as happiness, simple and or free fantasia. This idea also marks the vigorous joy. Rejoice in the happiness of recapitulation and the coda. others, and life will still be possible for you. The second movement is also full of I can tell you no more, dear friend, about lament. Tchaikovsky wrote that it the symphony. Naturally my description is “describes suffering in another stage ... a not very clear or satisfactory. But there lies feeling of lonely melancholy. How sweet it the peculiarity of instrumental music; we is to think of the days of one’s youth!” The cannot analyze it. ‘Music begins where first sections melody is sung by the oboe. words leave off,’ as Heine has said.” The middle section contains reminders of The symphony is scored for pairs of the “fate” theme without stating it winds, piccolo, four horns, two trumpets, outright. The closing section is a return to three trombones, tuba, timpani, the first idea. percussion, and strings.

The broadcast of tonight’s concert, which can be heard on Atlanta Public Radio, WABE-FM, 90.1, at 8:30 p.m., on Tuesday evening, is made possible by the special permission of the Atlanta Federation of Musicians, Local 148-462, the Atlanta Symphony Players’ Association and with the support of the Georgia Council for the Arts and the National Endowment for the Arts. nn______Low price time For information on the series tickets available for next season, or details on any clock helps small of the various subscription plans, phone companies meet Ms. Dee-Dee Walters, season ticket strict requirements director at 892-3600. Ext. 253. of wage-hour law April Activities Around the Symphony April is the month of activities for many of the Atlanta Symphony’s organizations. For the Atlanta Symphony Orchestra Chamber Chorus, April 15 and 16, are the dates of the third spectacular choral special which has been scheduled for the 1976-77 season. Robert Shaw will conduct a program of “The Three B’s” which will include works by the great masters of music, Bach, Beethoven, and Brahms. This is not a regular subscription LATHEM TIME RECORDER COMPANY concert, but the final choral special of the 200 Selig Dr., S.W., Atlanta, Ga. 30336 season, so be sure and purchase your Telephone 404/691-0400 tickets now at the box office. The symphony has only five regular subscription concerts left for the season before beginning their summer concerts. Aside from violinist Pinchas Zukerman, who will perform April’s first series of concerts, all of the remaining guests and 1 Callon States artists will be pianists. is'for people.^

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Horacio Gutierrez James Tocco With Robert Shaw conducting, pianists Lee Luvisi, Horacio Gutierrez, and James Tocco will help wrap up the Symphony’s spectacular 32nd subscription concert season. After their performances, one concert remains, and what finer program could be scheduled for concert number 24, than Verdi’s Requiem as performed by the nationally acclaimed Atlanta Symphony Orchestra and Chorus with soloists. At this time the soloists will be Gordon Greer, tenor; John Cheek, bass-baritone; and Betty Jones, soprano. GUEST ARTIST

HORACIO GUTIERREZ The London Times the United States for gala festival wrote of Horacio appearances with the Chicago Symphony Gutierrez, “His vir­ in Ravinia, the Boston Orchestra at tuosity is of the kind Tanglewood, the Philadelphia Orchestra of which legends are at Saratoga, and the Los Angeles made.” Philharmonic at the Hollywood Bowl. Still in his twenties Born in Havana, Cuba, in 1948, Gutierrez has joined Gutierrez was guest soloist with the Ha- the stellar ranks of the vanna Symphony Orchestra at eleven years world s great pianists. In addition to his of age. In 1962 he moved to Los Angeles with appearances on major American recital his family, and became an American stages and with most of the leading citizen in 1967. That same year he took first orchestras, his tours of Europe, South prize in the San Francisco Symphony America, Israel, and the U.S.S.R. have all auditions. He was awarded the silver been critically acclaimed and have brought medal at the 1970 Tchaikovsky immediate invitations to return. Competition in Moscow, and was the only 1 his season has found Gutierrez as guest contestant to give special recitals in soloist with the orchestras in Cincinnati, Moscow and Leningrad immediately Houston, Los Angeles, Miami, Pittsburgh, following the competition. Quebec, Toledo, and Washington, D.C. Gutierrez is a graduate of the Juilliard Abroad, his schedule calls for engagements School, and is married to Patricia Asher, with the London Symphony Orchestra, the also a pianist. Royal Philharmonic Orchestra, the Martin Bernheimer, music critic of the Scottish National Orchestra, and on the Los Angeles Times, wrote succinctly, “His continent for performances in name is Horacio Gutierrez. You won’t Copenhagen, the Hague and Madrid. forget it!” During the summer, Gutierrez returns to

"DON'T BE A NO-SHOW" If you cannot come to a concert in your series, please avoid leaving your seat empty. Please turn your unused ticket in to the box office for resale. You will help the Orchestra, someone else will have a chance to hear the concert, the house will be full and you will obtain a tax credit for the amount of the ticket resold. To release your ticket, simply call the number below, preferably before 5 P.M. on the day of the concert, and give your name and seat location. 892-2414 Guffey’s nn______of Atlanta April at the Women's Association Atlanta’s Finest § The Junior Committee under the Clothing leadership of President, Mrs. Barry for Men Mundt and Showhouse Chairman, Mrs. DOWNTOWN: N Michael L. Lowry will be raising funds for PEACHTREE CENTER (BEHIND THE SCULPTURE) the Atlanta Symphony by sponsoring its UPTOWN: annual Decorators’ Showhouse. TOWER PLACE (AT PIEDMONT ENTRANCE) N Each year Atlanta’s finest interior designers collaborate in rejuvenating one of Atlanta’s older homes. The house is then open to the public, and the Women’s Association sets up a gift shop, a tearoom and a tavern where refreshments are sold. Proceeds are then obtained from the t FAVORITES FROM THE PAST* sale of admission tickets; furnishings within the home; decoupages, ceramics, ••• specializing in * needlework, etc., from the Symphony $ DOLLHOUSES and MINIATURES % Shop; house and bedding plants from the greenhouse, and from the sale of * CLASSES ❖ refreshments. * HOURS: TUES. - SAT. * This year’s house, which is known as 10-4 “Knollwood” is located at 3351 * ILLUSTRATED CATALOG $1.00 * Woodhaven Drive N.E. It will be open to 2951 HARRIS ST., KENNESAW, GA. 30144 * the public from April 16 through May 8. * 427-3921 * •’« • Hours will be from 10:00 a.m. until 4:00 * ❖ <♦ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ ❖ p.m., Monday through Saturday, except for Tuesdays and Thursdays when the house will remain open until 9:00 p.m. Sunday hours are from 1:00 p.m. until 4:00 p.m. PINKERTON & LAWS BUILDS n ft. Welcome Delegates of WASO REMEMBER HL The Atlanta Symphony greets the delegates to the twenty-first Biennial THE PINKERTON & LAWS COMPANY Conference of the Women’s Association Member Associated General Contractors of America for Symphony Orchestras, WASO, and 1965 North Park Place welcomes them to Atlanta. Atlanta 30339 / 432-0171 WASO is holding their convention in Atlanta from April 25 through 29, and will attend one of the symphony’s concerts Uantp's during their stay. i ' There are about 150 delegates Snum representing the major U.S. and Canadian A* orchestras. These delegates are, in the main, presidents of their Women’s Associations and Junior Committees. t^atrh Most serve on their orchestra’s Board of Fondues Sponsors, and all are keenly interested in n ¥ y every aspect of an orchestra’s vitality, Atlanta's finest JAZZ health and welfare. UNDERGROUND ATLANTA JTjKT We are particularly proud to announce RESERVATIONS 577-1800 that the chairman of the Atlanta conference is Mrs. Drew R. Fuller, a Atlanta Symphony Orchestra

ROBERT SHAW Music Director and Conductor MICHAEL PALMER Associate Conductor and EXXON/Arts Endowment Conductor John Head Assistant Conductor John Naskiewicz Conducting Fellow

The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation VIOLIN* Kay Gardner FRENCH HORN William Steck Kathleen Kee Brice Andrus Concertmaster Bruce Klingbeil Principal Martin Sauser Larry LeMaster John Henigbaum Co-Concertmaster Nan Maddox Assistant Principal Robert Harrison Bonita Potts Thomas Witte Associate Concertmaster Paul Warner Christopher Scheufler Willard Shull TRUMPET Assistant Concertmaster BASS* David Arenz Dale Schmidt John Head Principal Second Violin Principal Principal Oscar Pereira Jane Little Joseph Walthall Assistant Principal Associate Principal Assistant Principal Second Violin Ralph Jones Prin. Second Trumpet John Adams Assistant Principal Larry Black Jacqueline Anderson Harvey Kaufman TROMBONE Frances Arm Michael Kenady Sharon Berenson Thomas Thoreson Harry Maddox Randolph Ujcich Principal Alan Ellsworth Richard Hansbery Piotr Haase Wiley Weaver Donald Wells Martha Reaves Head FLUTE Homer Holloway Warren Little BASS TROMBONE Stephen Horvath Donald Wells Mary Jacobson Principal Ruth Little Paul Brittan TUBA Assistant Principal Karen Matthews Michael Moore David Myford Prin. Second Flute Thomas O'Donnell Angela Allen TIMPANI Alice Oglesby PICCOLO Paul Yancich Lorentz Ottzen Principal Benjamin Picone Angela Allen William Wilder Susan Pitard Assistant Principal Carol Ramirez OBOE Juan Ramirez Elaine Douvas PERCUSSION Ronda Respess Principal Jack Bell Richard Robinson Elizabeth Camus Principal Patricio Salvatierra Assistant Principal Eugene Rehm Edward Scruggs Prin. Second Oboe William Wilder Ann Pinney Steck Patrick McFarland Patricia Vas Dias HARP Frank Walton ENGLISH HORN Judy Beattie Patrick McFarland VIOLA* KEYBOARD Robert Jones CLARINET Alice Oglesby Principal Norman Baker Peter Bertolino Acting Principal PERSONNEL MANAGER Assistant Principal William Rappaport Martin Sauser Ardath Cohen Douglas Smith PERSONNEL MGR. EMERITUS John Detrino BASS CLARINET Manuel Diaz Harry Robkin Douglas Smith Enid Jones LIBRARIAN Marion Kent BASSOON David Hinshaw Haskell Marrinson Carl Nitchie Stephen Horvath, Ass't. Heidi Moss Nitchie Principal STAGE MANAGER Robert Parcells Charles Nussbaum CELLO* Assistant Principal Michael Destazio Patrick Noon, Ass't. Robert Marsh Prin. Second Bassoon Principal Daniel Dowdakin Edmond Basson CONTRA BASSOON 'Players Listed Alphabetically Assistant Principal Daniel Dowdakin Jere Flint

ADMINISTRATIVE STAFF FRANK RATKA. General Manager PETER J STELLING. Assistant Manager ROBERT A. HOLZER, Assistant Manager Audience & Concert Development Operations & Administration WILLIAM W. BROWN, Director of Public Relations MS. DEE-DEE WALTERS, Director of Season Tickets & Promotion RICHARD SABINO, Administrative Assistant MRS IRENE MOORE. Asst. Dir. of Public Relations MISS NOLA FRINK, Choral Secretary MS. PAT PERRY, Fund Raising Coordinator MRS. MARILYN HAASE, Secretary, Women’s Assn. MS MARY WALTON. Secretary MS. HILDA EVANS, Secretary MS. JANIS SMITH, Receptionist/Secretary member of the Board of Sponsors, treasurer of the Atlanta Symphony Orchestra League, and past president of the Atlanta Symphony Women’s Association.

Continue Support a tradition among gentlemen. The Atlanta Symphony would like to thank everyone for their support of this H. STOCKTON - ATLANTA INC. 80 Forsyth Street. N.W. Lenox Square year’s programs, and ask continued participation for the remaining concerts, and the summer season.

Tr HIGH MUSEUM OF ART European Ceramic Series at High Museum The Ceramic Circle of Atlanta and The High Museum of Art are co-sponsoring a two-day lecture series on Eighteenth and GITTINGS early Nineteenth Century European THE PORTRAIT PHOTOGRAPHERS ceramics. Guest speaker will be John P. OF ATLANTA Cushion, recently retired Senior Research Officer in the Ceramics Department at the Victoria and Albert Museum in London. Mr. Cushion will present the following slide lectures in the Walter C. Hill Auditorium: April 4 at IO a.m. “Meissen and Other Major German Factories,” 8 p.m. “The Porcelains of France,” April 5. I p.m., “English Ceramics," 8 p.m., “The Life and Wares of Josiah Wedgwood and His Contemporaries.” Admission is $2.00 per lecture or $5.00 for the series.

Films About Calder Programs featuring short docu­ mentaries about Alexander Calder will be presented in the Walter Hill Auditorium on April I0 and May I. These events are A romantic'restaurant free. The Works of Calder (20 minutes, color): produced and narrated by Burgess Meredith with music by John Cage, this film presents an abstract interpretation of the artist’s work that suggests parallels to Container familiar forms and movements in nature. GOURMET FOOD • SPIRITS • GIFTS Great Sail (I0 minutes, color) follows Calder as he supervises the workmen LENOX SQUARE assembling his Great Sail stabile on the behind Davison’s at E. Paces Ferry campus at M.I.T. The Calder Man (I5 Sun.-Thurs. Fri. & Sat. 11 a.m.—11 p.m. 11 a.m.—1 a.m. minutes, color) shows Calder at work in his 262-7872 studio at Sache, France, as well as the fabrication and installment of the 67-foot, ATHOS MENABONI, "American Bald Eagle" 22 lA" x $0" • 950 edition • $100.00 plus Ga. Sales Tax A LIMITED EDITION, SIGNED AND NUMBERED. Collectors of Menaboni paintings have the means to own what they like. That they choose to add another Menaboni bird bespeaks their admiration for a genius talent, not only for the ornithological correctness in rendition, but for that profound beauty that is painting mastery. There has never been a sufficient number of original Menaboni paintings for the public to buy. His paintings are generally commissioned. It is Mr. Menaboni's express wish that individual purchasers be given opportunity to have this quality signed and numbered reproduction. Please send------reproduction(s) of the "American Bald Eagle”. My check for $------is enclosed.

Name ______

A dd res s______

City------Zip------GALLERY PRINTS, 1619 Chattahoochee Avenue, N.W., Atlanta, Georgia 30318 % CONGER PRINTING COMPANY, INC. Illi______46-ton stabile at Expo ’67 in Montreal. Programs are as follows: April 10, “The Works of Calder” and “Great Sail,” 3 p.m.; May 1, “Great Sail” and “The Calder John Hunsinger Man,” 3 p.m. & Company^ Short Films From Canada Commercial and Industrial Real Estate 1819 Peachtree Road, Northeast Beginning at 8 p.m. each night, two 404 • 351*6813 programs of award-winning short films Chicago, Denver, San Francisco, Dallas, Tokyo, Paris from Canada will be presented in the Walter C. Hill Auditorium, April 20-23. Each 90-minute program will consist of a variety of animated, experimental, and documentary movies, many from the National Film Board of Canada. Schedule L^ankkn and film titles will be announced. This event is sponsored by the Canadian Consulate General of Atlanta and there is no admission charge.

VAGABOND MARIONETTES Vincent Anthony’s Vagabond Marionettes opened Jungle Book March 25. It is the third and last show of this group’s season in the Studio Theatre of the Atlanta Memorial Arts Center. This Rudyard Kipling tale will run through May 21 with performances daily for school groups at 10 a.m. and 11:30 a.m. and Saturdays for the general public at 11 a.m., 1 p.m. and 3 p.m. Tickets are on sale at the Atlanta Memorial Arts Center box office. Reservations may be made by calling 524- Harper’s Flowers 2095 or 873-3089 for weekdays and 892- 1201 West Peachtree Street, N.E. 2414 for Saturdays. Rudyard Kipling’s 876-5766 brilliant classic Jungle Book tells the story We accept all major credit cards. of a boy found wandering alone in the jungle. As the wolves did in ancient Rome so Akela and his wolf pack adopt the little DINE AND DANCE boy and call him Mowgli. He grows up to AMONG THE STARS love and understand all his jungle friends. All except one, Shere-Kahn, a fierce tiger who vows to kill him. The unique feature of this adaptation is it’s use of the environmental approach. “The idea,” states director Vincent Anthony, “is to give the audience a feeling of being in the jungle. That mysterious land where animals and people 590 WEST atop^tou^rs ATLANTA HOTEL communicate freely. A fantasy world where life is young and adventurous and 590 West Peachtree Street full of unexpected joys and danger.” WORD FROM WASHINGTON a public service of ACA/ ADVOCATES FOR THE ARTS and those who bring you this publication

The federal arts budget remains on an even keel. President Carter has kept the same fiscal ’78 budget for the National Endowment for the Arts as proposed in January by President Ford—$94.5 million, plus an added $18 million for challenge grants and $2 million for a Bicentennial Film and Photography Project. Earlier, Congress authorized more—$117.5 million for fiscal '78, plus the $20 million for the added projects. The budget is in committee hearings on Capitol Hill before going to the full Congress. NOTE: THERE IS STILL TIME FOR CONGRESS TO INCREASE FUNDING. Endowment appropriations determine size of block grants to every state, plus other grants. A statement by ACA, parent organization of Advocates for the Arts, calls for action from the new administration to speed the placement of the arts “on a par with other essential services,” hitting hard at two areas affecting the arts and the economy—employment and public construction projects. ACA notes the irony of 11 out of 22 recent recipients of the Medal of Freedom being artists while at the same time unemployment among artists Is higher than In any other professional category. ACA wants legislation aimed at putting artists to work on public construction projects—and involvement of artists from the first planning stages of Economic Development Admini­ stration projects, as in federal construction in the 30’s. And ACA urges a mandatory 1% of the total construction cost of any federal building be spent on works of art. The Comprehensive Employment and Training Act (CETA) was originally drafted with the average American worker in mind. ACA says: “CETA and Job Training legislation should be analyzed to question whether enough is being done to take advantage of the services that artists uniquely offer.” ACA wants to see painters, actors, singers, dancers and craftspeople working with citizens on projects of every description to enrich community life. Major copyright and tax packages completed by the 94th Congress did not give necessary consideration to performing and visual artists. Revision of the current copyright law to ensure the right of performing artists to receive compensation for the commercial use of their recorded works is still needed. A conference of lawyers, government officials, accountants, artists and others familiar with the unique tax problems of artists will be convened by ACA to develop an agenda for remedial legislation. ACA also pledges to support “preservation and expansion of tax provisions that encourage Individual giving”—a recognition that the arts, more than any other area, need private dollars to keep arts institutions healthy, and free of total dependence on government sponsorship. For more information, contact ADVOCATES FOR THE ARTS, 570 Seventh Avenue, NY 10018

Based on material provided by Jack Golodner Associates, consultants to ACA/Advocates for the Arts.

I CARE. Please enlist me as a member of ADVOCATES FOR THE ARTS.the membership p^ra^f ACA concerned with political, economic and legal action for the arts. I understand that as a mem one year all newsletters and special "ACTION" bulletins. Enclosed is my tax-deductible membership fee of $15.* Support over and above the membership fee will make for more effective advocacy for the arts nationally.

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1 SINCE 1948 mi______The production staff has transformed Dine the Studio Theatre into a make-believe Nearby jungle. Jim Geoffrey has designed before the leaves, vines and all the settings. Gary Max 6) show has created the set of hand carved at marionettes including three replicas of Mowgli to be used for different purposes / CROSSROADS during the show. Cassandra Henning ? A restaurant and lounge 1556 peachtree st. open every day — 875-6375

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• 235 Peachtree St., N.E. — Suite 1817 Atlanta, Georgia 30303 — Alex Hitz, Jr. designed lights, Mitchell Edmonds wrote the stage adaptation and Barbara Snyder delicately created carved shadow puppets which takes us back in time. The puppeteers manipulating and creating voices for all the jungle creatures are Jan Matthews, Jim Geoffrey and Bob Ratterree.

ATLANTA CHILDREN'S THEATRE The Atlanta Children’s Theatre and the Atlanta Humane Society have joined forces this month to focus attention on the problem of endangered species, and the need for people to be more concerned about animals. A.C.T. continues its production through April 22 of Noah and the Great Auk written by company manager Bix Doughty. Doughty seeks to entertain youngsters while also moving them to be curious about what ever happened to the Auk. (Unfortunately man clubbed the bird to death a hundred years ago!) Other animals in the cast, the Lion, the Kodiak Bear, Barbary Sheep and Hyena are on the United States’ List of Endangered Fauna and are teetering upon extinction. Running concurrently with the play is an art exhibit in the Galleria of posters CALDER’S UNIVERSE created by Atlanta school children as part CALDER ILLUSTRATED BOOKS: of the humane society’s world-wide “Animals in Art” contest. The posters tell a ANIMAL SKETCHES story or convey a message on the subjects FABLES OF AESOP of proper pet care, endangered species and SELECTED FABLES rabies protection. Judges will select the winner Wednesday, April 13, and the four first place winners will compete against posters created by children of all nationalities later this summer. They also will be considered for use in various publications of the American Humane Association. Theatre-goers also will want to take a look at the pen and ink drawings of each NOTE CARDS animal in the play rendered by Steve Riggs, POSTCARDS son of A.C.T. ticket manager Carol Riggs. TOTE BAGS They are displayed inside the Alliance doors next to the photos of the people who T-SHIRTS portray the animals. Cast members are John Dance, Terry Browning, Eric Price, the museum shop Rob Zapple, Morgan Williams and THE HIGH MUSEUM OF ART Patricia Landon. master charge, bankamericard and C&S accepted ACTion Tennis Classic, one of the main fund-raising events of the A.C.T. Guild is scheduled for April 17 through May 7th. Once again it will be held at the West Paces Racquet Club with competition in the A, The Perfect B, and C level ladies and men’s singles and doubles, and mixed doubles. Gift Idea Last year 630 players entered, making it one of the largest tournaments in the country. Chairman of the event is Mrs. $5.00 plus $1 for Roderick G. Turner, Jr. For more handling information call 892-7607.

ATLANTA COLLEGE OF ART Nineteenth Century Plain Style Southern Cooking and Living Bea Nettles to Speak Ms. Bea Nettles, well-known artist­ Tullie's Receipts was compiled photographer, will show slides and speak and edited by the Kitchen Guild on her own work in room 438 of the college of the Tullie Smith House Res­ on Friday, April 1. She says of her toration of the Atlanta Histori­ cal Society, Inc.; all proceeds evocative images, “Through them I am benefit the Restoration. investigating and sharing myself, my life and the landscape that is around and Available through Your Local Dealer within me ... 1 attempt to make fantasies or visible.” TULLIE'S RECEIPTS Ms. Nettles has taught, shown widely Atlanta Historical Society 3099 Andrews Drive, N.W. and is included in many collections and Atlanta, Georgia 30305 books. Illi______

Dennis Oppenheim Visits Careers in the Visual Arts Noted artist, Dennis Oppenheim will be The Atlanta College of Art will present a at the college on Wednesday, April 6, to two-day Careers in the Visual Arts seminar speak on his work and talk with students. April 21 and 23 in the college. Known for his multi-media works, Mr. Panels of well-known Atlanta artists, Oppenheim has shown widely and is designers and photographers will share included in many collections. their knowledge of career opportunities The visits of both of these artists are with students of the college and with high made possible in part by a grant from the school students, art teachers and guidance National Endowment for the Arts. counselors from Georgia and adjacent states. Bauhaus Exhibition Four panels on Visual Communication, The college has arranged, through the Fine Arts, Photography and Video and courtesy of the Goethe Institute, Atlanta, non-conventional careers in the arts will to present a documentary photographic provide career information on every aspect exhibit entitled “Bauhaus” in Gallery 413 of the visual arts. from March 31 to April 1. This seminar, open to the public, has Although it only existed for fourteen been made possible by a grant from the years before World War II, the school Union of Independent Colleges of Art known as the Bauhaus was a potent (U1CA). influence on virtually everything visible to our man-made world. Teachers such as Josef Albers, Marcel Breuer, Moholy- Nagy, Kandinsky, Klee, Mies Van der Rohe and Walter Gropius created a new vision of the world. This exhibit seeks to recreate, photographically, the spirit and shape of this watershed era in the arts.

Sculpture Show A two-man special installation sculpture show will occupy Gallery 413 from April 4 to April 15 in the college. Dutch Knotts and Patrick Palanza, both seniors, will present an environmental multi-media installation at the invitation of the A.C.A. sculpture faculty, headed by Scott Gilliam. This exhibition should provide a unique visual experience. Gallery 413 is in the college on level “A” of the Atlanta Memorial Arts Center and is open to the public from 10 a.m. to 5 p.m. Monday through Friday.

Student Nominated Ms. Cheryl Scribner was selected by the faculty to represent the Atlanta College of Art in competition for the Yale-Norfolk Summer Scholarship. Ms. Renee Hanan was nominated last year, and was chosen to receive one of the prestigious scholarships in studio art. Award winning APRIL Restaurant since 1962 1977

MEMORIAL ARTS CENTER

ACA Atlanta College HMA High Museum of of Art Art ACT Atlanta Childrens MR Member s Room Theatre PR Paneled Room AT: Alliance Theatre RH Rehearsal Hall Coach 8c Six Restaurant ATC: Alliance Theatre SH Symphony Hall 1776 Peachtree St., N.W. 872-6666 Company ST: Studio Theatre ASO: Atlanta Symphony WHA Walter Hill Orchestra Auditorium GAL: Galleria For ticket information, call the box office at 892-2414, For other information, call 892-3600. W lWj Kc, Concerts <4

THURSDAY, FRIDAY & SATURDAY MARCH 31. APRIL 1 & 2 Antique B •» Atlanta Symphony Orchestra, 8:30, SH. Eduardo 3300 Piedmont Rd., N.E. jjn Mata conducting: Juliana Markova, pianist, Bach: Brandenburg Concerto No. 3; Beethoven: Piano Atlanta, Ga. WJ Concerto No. 4; Debussy: Iberia No 2; Enesco: Roumanian Rhapsody No. 1. » ______SUNDAY, APRIL 3 '___ Atlanta Symphony Orchestra, 2:30, SH. Same program. THURSDAY^ FRIDAY & SATURDAY APRIL 7, 8 &9 Atlanta Symphony Orchestra. 8:30, SH. Eduardo ATLANTA PICTURES Mata conducting; Pinchas Zukerman, Violinist, AND FRAMES Moussorgsky: A Night on Bald Mountain; * Tchaikovsky: Violin Concerto; Stravinsky: Le Sacre du Printemps. Fine custom framing • Reproductions • Prints FRIDAY & SATURDAY Drawings and paintings • Traditional portraits APRIL 15 & 16 by appointment ASO Chamber Chorus, 8:30 p.m SH Robert Shaw DOWNTOWN conducting. "The Three B's”: Bach: Jesu Mein two blocks northeast of the Omni International ♦> Freude, Motet No. 3; Beethoven: Mass in C Major, between Spring and Techwood Op. 86; Brahms: Schicksalslied, Op. 54; Brahms: Gesang der Parzen (Iphigenie aus Tauris). @ Atlanta Pictures and Frames 133 Nassau St. NW • Tel 524-6028 • Ben Olasov

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THURSDAY, FRIDAY & SATURDAY CONTINUING EXHIBITIONS APRIL 21, 22 & 23______Calder’s Universe, HMA, 1st and 2nd floors. A Atlanta Symphony Orchestra, 8:30, SH. Robert retrospective exhibition of the works of the late Shaw conducting Lee Luvisi, pianist, Rossini: Alexander Calder. Through May 1. Overture toLaGazzaLadra; Ibert: Tropismes pour des amours; Brahms: Piano Concerto No. 2. THURSDAY, APRIL 28 Pro-Mozart Society Concert, WHA, 8:30 p.m., Angela Allen, Flautist and Sherman Lowe, Basso Profundo. THURSDAY, FRIDAY & SATURDAY APRIL 28, 29 & 30 Atlanta Symphony Orchestra, 8:30, SH. Robert Shaw conducting; Horacio Gutierrez, pianist, Glinka: Overture to Russian and Ludmilla; Rachmaninoff: Piano Concerto No. 2; Tchaikovsky: Symphony No. 4. SUNDAY, MAY 1 Atlanta Symphony Orchestra, 2:30, SH. Same program. Lectures

Exhibitions MONDAY, APRIL 4 ___ Ceramics lecture, WHA, John P. Cushion guest lecturer. 10:00 a.m. and 8:00 p.m. Subject: High Museum hours: 10:00 to 5:00 Mon. through “Meissen and Other Major German Factories” and Sat., 12:00 to 5:00 Sun., closed evenings. ArtShop “Porcelains of France.” Cost: $2.00 per lecture. hours: open during regular High Museum hours. TUESDAY, APrTlT THE CITY and Jr. Art Shop hours: 3:00 to 4:45 Mon. through Fri., 12:00 to 4:45 Sat. and Sun. Ceramics lecture, WHA, John P. Cushion, guest Donation: 25® Children, 50$ Adults, Museum lecturer. 1:00 p.m. and 8:00 p.m. Subject: “English Members free. THE CITY is reserved at other Ceramics" and "The Life and Wares of Josiah hours during the week for scheduled school tours Wedgwood and His Contemporaries” Cost: $2.00 by prior arrangement only. per lecture. Gallery 413: open weekdays from 10:00 am to 5:00 p.m. The Gallery is located in the Atlanta College of Art, Level “A". Theatre ______OPENING APRIL 4 Environmental Multi-Media, ACA, Gallery 413. Sculpture exhibit by Dutch Knotts and Patrick FRIDAY & SATURDAY Palanza. Through April 15. ______APRIL 1 & 2______European Ceramics Galleries, HMA, McBurney Misalliance, 8:00, AT. By George Bernard Shaw— Gallery, third floor. A special installation of more an engagingly funny intellectual romp, directed than 350 pieces from the collections of Mr. and by Harold Scott. Mrs. G. Ryland Scott and their families, Mr. and Mrs. Emory L. Cocke, and the Museum's THURSDAY, FRIDAYS SATURDAY permanent collection. Sponsors: Mr. and Mrs. ______APRIL 7, 8 S 9 Lindsey Hopkins, Jr. andtheAtlantaArtsAlliance. All the Way Home, 8:00, AT A Pulitzer Prize Designer: Roy P. Frangiamore, A.I.A. Ceramics winning play based on James Agee’s Pulitzer Consultant: John Austin, Colonial Wiliamsburg. Prize winning novel, A Death In the Family. Fred Photography: Kathryn Eros Green. Chappell, director. ______SUNDAY, APRIL 10 ______SATURDAY^ APRIL 2 All the Way Home, 2:30, AT. Law and Order, HMA Film Series, 8:00, WHA. $1 Museum Members with cards, $1.50 Students with

TUESDAY, WEDNESDAY, THURSDAY ID's, $2 General. FRIDAY & SATURDAY APRIL 12, 13, 14, 15 & 16 SUNDAY, APRIL 10 AlTthe Way Home, 8:00, AT Films on Alexander Calder, WHA, 3:00 p.m. Free SUNDAY, APRIL 17 WEDNESDAY, APRIL 13 All the Way Home, 2:30, AT.______Anna Karenina, WHA, 8:00 p.m. $1.00 Museum Members with cards, $1.50 Students with ID’s, $2 TUESDAY, WEDNESDAY, THURSDAY FRIDAY & SATURDAY General. ______APRIL 19, 20, 21, 22 & 23 ______THURSDAY, APRIL 14 All the Way Home, 8:00, AT. Far From the Madding Crowd, WHA, 8:00, $1 Museum Members with cards, $1.50 Students with

THURSDAY, FRIDAY & SATURDAY ID's, $2 General. ______APRIL 28, 29 & 30 ______FRIDAY, APRIL 15______Henry IV, Part 1,8:30, AT. By William Shakespeare. Tom Jones, WHA, 8:00. $1 Museum Members with cards. $1.50 Students with ID's, $2 General. SATURDAY, APRIL 16 Ulysses, WHA, 8:00. $1 Museum Members with cards, $1.50 Students with ID’s, $2 General. SUNDAY, APRIL 17 Great Expectations, WHA, 3:00. $1 Museum Members with cards, $1.50 Students with ID's, $2 General. SUNDAY, APRIL 17 2 Travelog, 2:30 & 5:00, SH. “Tahiti & Isles of the South Seas”—Voyage on a private yacht from the coast of Mexico to the Galapagos, French Polynesia, Tahiti, Moorea, Bora Bora, the Society, Tuamotu and Marquesa islands. A travel adventure of extraordinary beauty! WEDNESDAY. THURSDAY FRIDAY & SATURDAY APRIL 20, 21, 22 & 23 Short Films From Canada, WHA, 8:00. Free.

Children

THE CITY Exhibition—for Children and Adults— in the High Museum of Art. Open to the public Mon.-Fri., 3:00-4:45; Sat. & Sun., 12:00-4:45 p.m.; Special 25C Children, 50C Adults. Free HMA Members.

TUESDAY, APRIL 5 Opera Sampler, 8:00 p.m., SH. Atlanta Music Festival Association. WEDNESDAY? APRIL6 Open Rehearsal, 10:00 a.m.-12:30 p.m., SH. SUNDAY. APRIL 24 \ Seed & Feed: Music For Calder, 2:00. HMA. This event is a farewell concert for Alexander Calder by Kelly’s Seed & Feed Theatre, featuring the Seed & Feed Schola Cantorum and the Marching Abominable. The program will include rounds, sacred music, and circus music, to take place in the Calder exhibition, free of charge.

Films __ FRIDAY, APRIL 1 __ ___ Jungle Book, Vagabond Marionettes, 10:00 and FRIDAY, APRIL 1______11:30, ST. Adapted from Rudyard Kipling's High School, HMA Film Series, 8:00, WHA. $1 classic, the children will find themselves in a Museum Members with cards, $1.50 Students with fantasy jungle world with an environmental ID's, $2.00 General. approach. Noah and the Great Auk, Atlanta Children's Theatre, 10:00 a m. and 12:00p.m., AT. An original play written by Bix Doughty on the subject of endangered species. Charly Helms, Director. Saturday, april 2 Jungle Book, Vagabond Marionettes, 11:00, 1:00 and 3:00, ST.______MONDAY & TUESDAY Atlanta Arts APRIL 4 & 5 Monthly magazine of the IlliAtlanta Memorial Arts Center Jungle Book, Vagabond Marionettes, 10:00 and 11:30, ST. 1280 Peachtree Street, N.E. Atlanta Georgia 30309 WEDNESDAY/THURSDAY& FRIDAY APRIL, 1977 VOL. XII ISSUE 8 APRIL 6, 7 & 8 THE ATLANTA ARTS ALLIANCE Noah and the Great Auk, Atlanta Children's Charles R. Yates Theatre, 10:00 a.m. and 12:00 p.m., AT. President James K. Griffeth Jungle Book, Vagabond Marionettes, 10:00 and Controller 11:30, ST. William Shippen Facilities Manager ______SATURDAY, APRIL 9 ATLANTA SYMPHONY ORCHESTRA Jungle Book, Vagabond Marionettes, 11:00, 1:00 Frank Ratka and 3:00, ST. General Manager Richard W. Thompson MONDAY, TUESDAY, WEDNESDAY Assistant Manager THURSDAY & FRIDAY THE HIGH MUSEUM OF ART APRIL 11, 12, 13, 14 & 15______Gudmund Vigtel Noah and the Great Auk, Atlanta Children’s Director Ms. Paula Hancock Theatre, 10:00 a.m. and 12:00 p.m., AT. Curator of Education Jungle Book, Vagabond Marionettes, 10:00 and THE ATLANTA COLLEGE OF ART 11:30, ST.______William Voos President 2 SATURDAY, APRIL 16 Anthony Greco Academic Dean Jungle Book, Vagabond Marionettes, 11:00, 1:00 Mrs. Guthrie Foster and 3:00, ST. Dean of Students MONDAY, TUESDAY, WEDNESDAY THE ALLIANCE THEATRE COMPANY THURSDAY & FRIDAY David Bishop APRIL 18, 19, 20, 21 & 22 Producing Director Fred Chappell Noah and the Great Auk, Atlanta Children's Artistic Director Theatre, 10:00 a.m. and 12:00 p.m., AT. THE ATLANTA CHILDREN’S THEATRE Charles L. Doughty Jungle Book, Vagabond Marionettes, 10:00 and Director 11:30, ST. PARKING FACILITIES: Center Parking garage with SATURDAY. APRIL 23 covered parking directly adjacent to Center, entrances on Jungle Book, Vagabond Marionettes, 11:00, 1:00 Peachtree and Lombardy Way; also commercial parking across from Peachtree entrance to Center, and north of and 3:00, ST. First Presbyterian Church. MONDAY. TUESDAY. WEDNESDAY THURSDAY & FRIDAY BOX OFFICE: (404) 892-2414. Hours: Mon. through Fri. APRIL 25. 26, 27, 28 & 29 10-6 pm (or until curtain); Sat. noon-4:00 (or until curtain); Sun. noon-3:00. The Memorial Jungle Book, Vagabond Marionettes, 10:00 and Arts Center Box Office handles tickets for the Atlanta 11:30, ST. Symphony, Atlanta Children’s Theatre, Alliance Theatre Company, Dance Atlanta, Theatre Atlanta Off Peachtree: SATURDAY, APRIL 30 Vagabond Marionettes; Travelogue Film Series; also on night of performance, all tickets for any event scheduled in Jungle Book, Vagabond Marionettes, 11:00, 1:00 the Arts Center. and 3:00, ST. TOURS: For information on regular weekday tours or group tour arrangements, call (404) 892-3600.

RESTROOMS: Located off the Galleria Balcony across from both Symphony Hall and the Alliance Theatre Also located adjacent to the balcony lobbies inside Symphony Hall.

OUR COVER: For tremendous savings over next fall’s season ticket prices, subscribe now for Alliance Theatre s early bird subscriptions. Subscribe today and go first class next season at no frills price!

ATLANTA ARTS Magazine is published for the Atlanta Memorial Arts Center, by The Conger Printing Co., Inc. in Atlanta, Georgia All rights to Atlanta Arts are reserved by the Atlanta Memorial Arts Center. Reproduction from the magazine in whole or in part without permission is prohibited. Editorial Office, 1619 Chattahoochee Ave., N.W., Atlanta 30318. Phone (404) 352-1910.

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