Scanned Using Scannx OS15000 PC
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
James Dean from Wikipedia, the Free Encyclopedia
Log in / create account Article Discussion Read Edit View history Search James Dean From Wikipedia, the free encyclopedia Main page This article is about the actor. For other uses, see James Dean (disambiguation). Contents James Byron Dean (February 8, 1931 – September 30, 1955) Featured content was an American film actor.[1] He is a cultural icon, best James Dean Current events embodied in the title of his most celebrated film, Rebel Without Random article a Cause (1955), in which he starred as troubled Los Angeles Donate to Wikipedia teenager Jim Stark. The other two roles that defined his stardom were as loner Cal Trask in East of Eden (1955), and Interaction as the surly farmer, Jett Rink, in Giant (1956). Dean's enduring Help fame and popularity rests on his performances in only these About Wikipedia three films, all leading roles. His premature death in a car Community portal crash cemented his legendary status.[2] Recent changes Contact Wikipedia Dean was the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only actor to Toolbox have had two posthumous acting nominations. In 1999, the Print/export American Film Institute ranked Dean the 18th best male movie star on their AFI's 100 Years...100 Stars list.[3] Languages Contents [hide] Dean in 1955 اﻟﻌﺮﺑﻴﺔ Aragonés 1 Early life Born James Byron Dean Bosanski 2 Acting career February 8, 1931 Български Marion, Indiana, U.S. open in browser customize free license pdfcrowd.com Български 2.1 East of Eden Marion, Indiana, U.S. Català 2.2 Rebel Without a Cause Died September 30, 1955 (aged 24) Česky 2.3 Giant Cholame, California, U.S. -
James Dean: Magnificent Failure
Gay San Francisco: Eyewitness Drummer 133 James Dean: Magnificent Failure Written in 1960 and revised in September 1961, this feature essay was published in Preview: The Family Entertainment Guide, June 1962. I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 II. The feature article as published in Preview: The Family Entertainment Guide, June 1962 III. Eyewitness Illustrations I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 Revealing the Iconography of Drummer: When James Dean Met Marlon Brando, Heath Ledger, and Jake Gyllenhaal Marlon Brando: “Stella!” James Dean: “You’re tearing me apart.” Jake Gyllenhaal to Heath Ledger: “I wish I knew how to quit you.” As soon as we teenagers invented and liberated our tortured selves in the pop culture of the deadly dull 1950s, my leather bomber jacket morphed in meaning from “play clothing” to teen symbol. I was swept up by the movie Blackboard Jungle (1955) and its theme song, Bill Haley’s “Rock around the Clock,” which was played every ten minutes on the radio because no other white rock-n-roll songs yet existed. At the same instant, I found my first lover in James Dean, in his jackets, his motorcycle, his face, his attitude, his verite. When he was killed at age twenty-four on September 30, 1955, I was sixteen, a junior in high school, and stricken with grief. Even though I was in the Catholic seminary and was a sexually pure boy, art and literature and movies cancelled my chances of being paro- chial. (In 2007, it is more difficult to come out as a progressive Catholic ©Jack Fritscher, Ph.D., All Rights Reserved—posted 05-05-2017 HOW TO LEGALLY QUOTE FROM THIS BOOK 134 Jack Fritscher, Ph.D. -
Bringing the Dead Back to Life: Preparing the Estate for a Post-Mortem Acting Role
BRINGING THE DEAD BACK TO LIFE: PREPARING THE ESTATE FOR A POST-MORTEM ACTING ROLE by Ben Laney* I. INTRODUCTION ................................................................................... 350 II. HOW TO BRING THE DEAD BACK TO LIFE .......................................... 352 A. Proactive Recreation ................................................................... 352 B. Retroactive Recreation ................................................................. 354 C. Retroactive Recreation for Completely New Roles ...................... 355 1. Peter Cushing — Rogue One ................................................. 356 2. Tupac Shakur — Coachella 2012 .......................................... 357 3. Other Examples ..................................................................... 358 D. The Challenges of Bringing the Dead Back to Life ...................... 358 1. Legal Issues ........................................................................... 359 2. Artistic Issues ........................................................................ 359 III. A SYNERGY — DIGITAL IMMORTALITY COUPLED WITH LEGAL IMMORTALITY ..................................................................................... 360 A. The Right to Publicity .................................................................. 360 B. Character Versus Actor ............................................................... 362 C. The Commercial Use of a Likeness of a Dead Actor ................... 365 1. State-Based Post-mortem Rights to Publicity ....................... -
Columbus Gay Men's Chorus Presents Friday, June Nineteenth And
columbus gay men's chorus presents friday, June nineteenth and Saturday, june twentith nineteen hundred and U ninety - two seven- thirty pm ft we i g e I hall the Ohio state university through o u r voices w e celebrate our lives, through o u r lives w e celebrate o u r diversity. our mission The Columbus Gay Men's Chorus was formed to produce vocal music of the highest quality in the rich tradition of men's choral singing. The Chorus <^&AJtfa^^^ unites as a gay men's chorus to rehearse and work in an atmosphere of camaraderie and support; and secondly, to perform publicly before general audiences thus fostering increased recognition, understanding, and acceptance of gays and lesbians in society. Although the Chorus operates LAMPS • JEWELRY « RUGS within the constraints of its art form, i.e., a men's singing group, the Chorus is open to all individuals regardless of race, gender, color, religion, national POTTERY • PRINTS * MUSIC origin, disability, age, or sexual orientation. Through our voices we celebrate T-SHIRTS • CLOCKS our lives, through our lives we celebrate our diversity. \yo&L-xr<3k. of di: Handcrafted Gifts Scott H. Coffin, Secretary Martin R. Dean, Treasurer & Decorative Items Sean M. Kirkpatrick, Membership Chair Celebrating and Preserving Phil Martin, Concert Logistics Chair Our Country's Native Douglas Motz, Musical Coordination Chair American Heritage Karl Schlagheck, Fundraising Chair Val-Christopher Tekaucic, Promotions Chair LOCATED IN Volunteer Coordination courtesy Accounting Services courtsey THE MARKET AT of Bruce Glatter of Brian Delphia, CPA 486-4296 Jim Van Horn, Music Librarian advisory council CHITTENDEN WELCOME James E. -
I Owe James Dean an Apology, and Where I Went Wrong
I Owe James Dean an Apology, and Where I Went Wrong By Fearless Young Orphan My History with James Dean On June 27, 2010, I posted my review of the two James Dean movies that were on my list of Unseen Classics (Giant and Rebel Without a Cause). Their presence on my list made the films required viewing for my project, and I paired the two reviews because James Dean was in both films. I point this out because my reasons for watching the movies in the first place had really nothing to do with their being James Dean films, at least from my viewpoint. Because I don't live in a vacuum, I have been aware most of my life of Mr. Dean's legendary status, but because I'm a cynic, I tend to get a little bristly when things or people have a legendary status. So I was approaching the material with some pessimism. It certainly didn't help matters that I saw Giant first and almost hated it. I thought it was bloated, boring and vastly overrated. I took a fairly grim view of Mr. Dean's odd performance in the film. Then I watched Rebel Without a Cause and had a strange experience. I did not care for it much at first, but by the end of that movie I had formed a grudging respect for the young Mr. Dean's work. I liked Rebel more than I thought I would. It did something that movies don't often do any more: it surprised me. -
Alliance Thew5sk Fariybirp Special
ALLIANCE THEW5SK FARIYBIRP SPECIAL ■ Go first class next season: Fly Alliance Theatre’s Early Bird Special for an adventurous new season at fantastic savings. YxiCanTell AGood Ol Boy By What Keeps Him Company Used to be you could spot one a country mile away. Getting tougher all the time though. Because the good ol' boys ain't who they used to be. Exactly. Now you're just as likely to find 'em * moving and shaking in the city as hunting and fishing in the country. They're run ning fast and working hard, trying to change the South. But still, beneath all that "Wall Street" outside, you'll find a little Main Street inside. Maybe that's why this New South everybody's talking about is turning out to be the real South. Because a good ol' boy has the sense to keep what's good, change what's not and the wisdom to know the difference. You can even see it in his whiskey. Rebel Yell, made and sold only below the Mason-Dixon line. Rebel Yell's whisper of wheat im parts a smooth, luxurious flavor , tailored especially for the good ol' boy in each of us. Keep company with the Host Bourbon of the South. Ask for Rebel Yell. And if you don't recognize any 1 -f. cfour Qlkwl - . good ol' boys in the room, don't worry. They'll recognize you. Rebel ’fell The Good OFBoys Bourbon. | REBEL YELL DISTILLERY • LOUISVILLE. KENTUCKY • 90 PROOF • KENTUCKY STRAIGHT BOURBON WHISKEY j.p. Allen FASHIONS FOR WOMEN 8 CHILDREN. -
Atlanta Arts Alliance
AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTSCENTER APRIL 1977 Go first class next season: Fly Alliance Theatre’s Early Bird Special for an adventurous new season at fantastic savings. YouCanlellAGoodOfBoy By What Keeps Him Company Used to be you could spot one a ■ country mile away. Getting tougher all the time though. Because the good of boys ain't who they used to be. Exactly. Now you're just as likely to find 'em moving and shaking in the city as hunting I > and fishing in the country. They're run /REBEL ning fast and working hard, trying to ^YELL( change the South. But still, beneath all that "Wall Street" outside, you'll find a little . 69U Main Street inside. Maybe that's why this New South everybody's talking about is turning out to be the real South. Because a good or boy has the sense to keep what's good, change what's not and the . wisdom to know the difference. You can even see it in his whiskey. Rebel Yell, made and sold only below the Mason-Dixon line. Rebel Yell's whisper of wheat im parts a smooth, luxurious flavor tailored especially for the good ol' boy in each of us. Keep company with the Host Bourbon of the South. Ask for Rebel ’Rebel yell Yell. And if you don't recognize any ,r , ent c/onr OIL'/' good ol' boys in the room, don't worry. They'll recognize you. Rebel Yell. »TliED^WU1«- The Good Ol’Boys Bourbon. ■■■ REBEL YELL DISTILLERY • LOUISVILLE. KENTUCKY • 90 PROOF • KENTUCKY STRAIGHT BOURBON WHISKEY » j.p. -
It's a Family Affair
COLUMBUS GAY MEN'S CHORUS A SEASON FOR LOVERS SWINGIN' WITH OUR SISTERS IT'S A FAMILY AFFAIR BROTHERS UNITED IN SONG 19 9 2-93 SEASON MessageHex EXECUTIVE TELEMESSAGING CENTER SERVING COLUMBUS AND THE NATION FOR 32 YEARS A Quality Driven Telephone Call Center Dedicated To Being A Cut Above Traditional Answering Services" • LIVE TELE-RECEPTIONIST 0FFICES • COMPLETE VOICE MAIL EXECUTIVE OFFICE SUITES • COMPLETE SECRETARIAL SERVICES "A Cut Above Traditional Suites" • 800 NUMBER TELE-RESPONSE • ONE, TWO & THREE PERSON • IN-BOUND TELEMARKETING OFFICES • WIDE AREA PAGERS • 24 HOUR TELE-RECEPTIONIST • CALL OVERFLOW SERVICE • 24 HOUR EXECUTIVE TELE-MESSAGING • LOCAL AND 800 NUMBER SERVICE • 24 HOUR TELE-RESPONSE • TWENTY FOUR HOUR AND BUSINESS HOUR SERVICES • 24 HOUR VOICE MAIL • PAGERS • LOCAL • REGIONAL • NATIONAL • 2 CONFERENCE ROOMS R T N • 8AM-8PM SECRETARIAL SERVICES MONDAY - FRIDAY 3 CALL US TODAY 1 5 • FURNISHED/UNFURNISHED ACKERMAN ROAD • FAX • COPIERS • POSTAGE 265-7300 • LOCAL AND NATIONAL 1-800-282-0746 COURIER SERVICES I-70 OSU " • WORD PROCESSING DOWNTOWN LASER PRINTING • EASY ACCESS TO DOWNTOWN VISIT OUR NEW LOCATION 700 ACKERMAN ROAD (AT RT. 315) In the Ackerman Place Building Suite 600 FROM THE ARTISTIC DIRECTOR The Columbus Hello, and welcome to the third season of The Columbus Gay Men's Chorus! The Women's $ Chorus promises you, our wonderful audiences, the most exciting and ambitious Chorus programming we've ever produced. We're adding an additional concert this year: in ^J Celebrating the diversity of life through music March we present our first "Pops" concert featuring the splendid voices of MUSE - COMPANY Cincinnati's Women's Choir. -
2009–2010 Report
In Art with “a Heart, you get to make something you believe in your heart you can do. -2nd grade student” and participant in an IAC funded program. 2009 - 2010 Biennial Report C Marty Eby, ME Photographics www.IN.gov/arts Table of Contents Regional Arts Partner Information.....................page 22 Letter from IAC Leaders......................................page 3 Grants Alphabetically by County.................pages 23-38 About IAC Grant Programs............................pages 4-5 Adams - Bartholomew Counties......................page 23 Other IAC Programs & Partnerships.............pages 6-7 Benton - Clark Counties...................................page 24 State Overviews...............................................pages 8-9 Clay - DuBois Counties....................................page 25 Regional Overviews.....................................pages 10-21 Elkhart - Gibson Counties................................page 26 IAC Region 1................................................... page 10 (Lake, LaPorte & Porter Counties) Grant - Hendricks Counties..............................page 27 IAC Region 2....................................................page 11 Henry - Jennings Counties...............................page 28 (Elkhart, Fulton, Kosciusko, Marshall, St. Joseph, & Starke Counties) Johnson - Lake Counties.................................page 29 IAC Region 3.....................................................page12 LaPorte - Marion Counties...............................page 30 (Allen, DeKalb, Huntington, LaGrange, Miami, -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
Download Fact Sheet
Children of 1 x 52 Children of Giant unearths the deeply wrought emotions surrounding the Children of segregation of Anglos and Latinos in the small West Texas town of Marfa, before, during, and after the month-long production of George Stevens’ 1956 feature film, Giant, which tells the story of three generations of a powerful Texas ranching dynasty. Based on the controversial Edna Ferber novel of the same name, Giant 1 x 52 did not shy from the strong social issues experienced throughout post-WWII CONTACT America—it brought to the screen an unflinching look at racism, early Tom Koch, Vice President feminism, and class divisions—daring themes for movie audiences at the PBS International time. Starring Rock Hudson, Elizabeth Taylor, and James Dean, Giant was 10 Guest Street nominated for 10 Academy Awards® and it would be the last film James Boston, MA 02135 USA Dean ever made. TEL: 617-300-3893 FAX: 617-779-7900 Since its premiere in 1956, Giant has been seen in more than twenty [email protected] countries and is listed as one of the American Film Institute’s top 100 films pbsinternational.org of all time. For Latino historians, poets, and filmmakers, the appreciation for the movie Giant runs far deeper. It was one of the first Hollywood features to recognize the racial divide of Mexicans Americans in the Southwestern United States. Fifty years later, the documentary Children of Giant looks at the making of Giant—in the very town where the residents who participated and witnessed the making of this great American classic were actually living the controversial themes in the movie. -
“He'll Just Be Paul Newman Anyway”: Cinematic Continuity and the Star
University of Kentucky UKnowledge Theses and Dissertations--English English 2018 “HE’LL JUST BE PAUL NEWMAN ANYWAY”: CINEMATIC CONTINUITY AND THE STAR IMAGE William Guy Spriggs University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0002-0913-3382 Digital Object Identifier: https://doi.org/10.13023/etd.2018.423 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spriggs, William Guy, "“HE’LL JUST BE PAUL NEWMAN ANYWAY”: CINEMATIC CONTINUITY AND THE STAR IMAGE" (2018). Theses and Dissertations--English. 82. https://uknowledge.uky.edu/english_etds/82 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.