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Holiday Catalog 2015 – 2016 R Cool Pe D U V S D S
Holiday Catalog 2015 – 2016 r Cool pe D u V S D s ! S EE PAGE 7 Reading for Racers Hot New Titles Most Popular This Year A HISTORY OF AUTO RACING Brand New from Coastal 181! IN NEW ENGLAND Vol. 1 FOYT, ANDRETTI, PETTY A Project of the North East America’s Racing Trinity Motor Sports Museum by Bones Bourcier An extraordinary compendium of the rich Were A.J. Foyt, Mario Andretti, and Richard Petty the history of stock-car, open-wheel, drag and three best racers in our nation’s history? Maybe yes, road racing in New England. Full of maybe no. But in weaving together their complex personal stories of drivers and tracks illustrated with tales, and examining the social and media climates of hundreds of photos, all contributed for the benefit of the their era, award-winning author Bones Bourcier shows North East Motor Sports Museum. Hard cover, 304 pp., why their names are still synonymous with the sport they carried to 400+ B&W photos. S-1405: $34.95 new heights. If you buy one racing book as a present, this should be it! Hard Cover, 288 pp., B&W photos. S-1500: $34.95 THE PEOPLE’S CHAMP A Racing Life Back by Popular Demand! by Dave Darland with Bones Bourcier The memoir of one of Sprint Car racing’s LANGHORNE! No Man’s Land most popular and talented racers, a by L. Spencer Riggs champion in all three of USAC’s national Reprinted at last, with all the original content, this divisions—Silver Crown, Sprint Cars, and award-winning volume covers the entire history of the Midgets—and still winning! Soft cover, 192 pp., world’s toughest mile, fr om its inception in 1926 to its 32 pp. -
Coming Events
THE STYRENE SHEET VOL. 43, No.10 WWW.SVSM.ORG October 2009 A Publication of the Silicon Valley Scale Modelers, A chartered Chapter of International Plastic Modeler’s Society, USA branch. Editor’s Ravings – this month’s editor, Mick Burton Scary is as scary does. How eerily coincident that the latest issue of the IPMS/USA Journal showed up this week in my home mail, with lead editorial by Styrene Sheet Alumnus Chris Bucholtz including material which now informs my own effort here! Chris reflects on reasons not entirely obvious to many looking solely on as consumers of the Journal, as to why coverage of the recent USA Nationals in Columbus was not the main thrust of this Journal issue which does follow about two months after event occurred. Time and energy management dealing with the sheer volume of finished yet actually raw material. With a desire to produce a product of coverage at least equal in quality to that of the items in focus (namely the very lovely works in miniature and competition) Being delivered by folks who have far too much going on in their lives yet do this work too. Having been one of the crew members in the Judging and the Photography teams thus a witness to the truly monumental shoe horning of much quality effort into a tiny amount of time to deliver results, I know first hand what he was writing about. This month’s Sheet was on my responsibility roster when I left for Columbus. Seemed at the time a far away and far easier effort than it ended up, a reminder of how quickly many ever so small projects can suddenly add up to massive time/energy monsters hungry for more of both when you no longer have a bit of either to spare. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
James Dean: Magnificent Failure
Gay San Francisco: Eyewitness Drummer 133 James Dean: Magnificent Failure Written in 1960 and revised in September 1961, this feature essay was published in Preview: The Family Entertainment Guide, June 1962. I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 II. The feature article as published in Preview: The Family Entertainment Guide, June 1962 III. Eyewitness Illustrations I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 Revealing the Iconography of Drummer: When James Dean Met Marlon Brando, Heath Ledger, and Jake Gyllenhaal Marlon Brando: “Stella!” James Dean: “You’re tearing me apart.” Jake Gyllenhaal to Heath Ledger: “I wish I knew how to quit you.” As soon as we teenagers invented and liberated our tortured selves in the pop culture of the deadly dull 1950s, my leather bomber jacket morphed in meaning from “play clothing” to teen symbol. I was swept up by the movie Blackboard Jungle (1955) and its theme song, Bill Haley’s “Rock around the Clock,” which was played every ten minutes on the radio because no other white rock-n-roll songs yet existed. At the same instant, I found my first lover in James Dean, in his jackets, his motorcycle, his face, his attitude, his verite. When he was killed at age twenty-four on September 30, 1955, I was sixteen, a junior in high school, and stricken with grief. Even though I was in the Catholic seminary and was a sexually pure boy, art and literature and movies cancelled my chances of being paro- chial. (In 2007, it is more difficult to come out as a progressive Catholic ©Jack Fritscher, Ph.D., All Rights Reserved—posted 05-05-2017 HOW TO LEGALLY QUOTE FROM THIS BOOK 134 Jack Fritscher, Ph.D. -
Bringing the Dead Back to Life: Preparing the Estate for a Post-Mortem Acting Role
BRINGING THE DEAD BACK TO LIFE: PREPARING THE ESTATE FOR A POST-MORTEM ACTING ROLE by Ben Laney* I. INTRODUCTION ................................................................................... 350 II. HOW TO BRING THE DEAD BACK TO LIFE .......................................... 352 A. Proactive Recreation ................................................................... 352 B. Retroactive Recreation ................................................................. 354 C. Retroactive Recreation for Completely New Roles ...................... 355 1. Peter Cushing — Rogue One ................................................. 356 2. Tupac Shakur — Coachella 2012 .......................................... 357 3. Other Examples ..................................................................... 358 D. The Challenges of Bringing the Dead Back to Life ...................... 358 1. Legal Issues ........................................................................... 359 2. Artistic Issues ........................................................................ 359 III. A SYNERGY — DIGITAL IMMORTALITY COUPLED WITH LEGAL IMMORTALITY ..................................................................................... 360 A. The Right to Publicity .................................................................. 360 B. Character Versus Actor ............................................................... 362 C. The Commercial Use of a Likeness of a Dead Actor ................... 365 1. State-Based Post-mortem Rights to Publicity ....................... -
Enter the Zone...THE TWILIGHT ZONE West Endicott Park Ross Park (Closed for Summer 2020) Recreation Park Highland Park George W
Enter the zone...THE TWILIGHT ZONE West Endicott Park West Park Ross Recreation Park Highland Park Johnson Park George W. CF Johnson Park “Everyone has to have a hometown... (Closed for Summer 2020) Binghamton’s Mine” -Rod Serling Rod Serling (1924-1975) Enter the SERLING zone (Limited Hours for Summer 2020) Binghamton Native, Writer, Producer, Teacher Rod Serling (1924-1975) graduated from Known primarily for his role as the host of Binghamton Central HS, Class of 1943. Now television’s The Twilight Zone, Rod Serling known as Binghamton High School, it is the had one of the most exceptional and varied home of the Rod Serling School of Fine Arts. careers in television. As a writer, a producer, Visit the plaque dedicated to Serling on the and for many years a teacher, Serling constantly front lawn, see the door casing where he signed challenged the medium of television to reach for his name in 1943 while working backstage, visit loftier artistic goals. the Helen Foley Theatre named after Rod’s drama After a brief career in radio, Serling entered television in 1951, penning teacher and mentor and where he was commencement speaker in 1968, scripts for several programs including Hallmark Hall of Fame and leaf through his high school yearbook at the library, or just stroll through Playhouse 90, at a time when the medium was referred to as “The the halls that Rod passed through each school day. Appointments are Golden Age.” suggested. Please contact Lawrence Kassan, Coordinator of Special Events In 1955, Kraft Television Theatre presented Serling’s teleplay Patterns and Theatre for the Binghamton City School District at (607) 762-8202. -
Verizon Channel Lineup Custom Tv
Verizon channel lineup custom tv Continue By the mid-1960s, the participants in the traditional street scene had broken away in many directions. Some custom enthusiasts have switched to muscle cars and drag racing. Two original custom car architects, George Barris and Dean Jeffries, have been dragged into the World of Hollywood to create custom cars for television. When 20th Century-Fox and Batman producer William Dozier needed a Batmobile in 1965 (the pilot episode was supposed to premiere on ABC in January 1966), his first call went to Jeffreys, who began working on the 1959 caddy. Jeffries had to bow when he realized he couldn't meet Dozier's three-week term. Advertising custom car image Gallery Barris subsequently took the job, probably because he already owned the 1955 Lincoln Futura, a bubble-canopy concept car that Barris saved from a Ford crusher a few years ago by handing over one dollar. With a suitably low, wide chassis, as well as burning fins, a wide-mouthed grille, and a swoopy body line already in place, Futura was the Platform Barris needed to quickly deliver an outlandish, photogenic TV custom car that lived up to the manufacturer's expectations. Inside, the Futura Dash has been modified only slightly to accommodate prop gadgets such as Bat Phone, Discover-a-Scope, and Extraordinary Bat-Turn Lever. Claims about the number of Barris Batmobiles vary. Barris' crew pulled fiberglass molds from the original car to make duplicates for car show tours. Chances are four or five were made, including a drag-race race exhibition car. -
Scanned Using Scannx OS15000 PC
^uest director chosen for Otterbein Theatreei You’ll want to grab a stool and film versions, which rere- Among the other major ant director, and senior,senior. att the counter for “Come tained the same actresses as characters are Stella May, Anne Barnes is stage man-man ; Back To The Five & Dime, the trio of aging fans: Sandy (junior JoBeth Phalen), now ager for the production. Jimmy Dean, Jimmy Dean,” Dennis. Cher, and Karen a fat, married, tough-talk Tickets for “Come Back to to be presented by the Black. ing, and hard-drinking the Five & Dime, Jimmy Otterbein College Theatre, Basically, “Jimmy Dean” woman, and Edna Louise Dean, Jimmy Dean,” a play Feb. 7-10, at 8:15 p.m. in is a story about a group of (sophomore Charlotte which employs adult themes Cowan Hall. Dr. Roy Bowen, kids in a-^dried up, dusty Dougherty), now as before, and language, are available former director of theatre at Texas town in the middle of a wispy waif, although very at the Cowan Hall-box office The Ohio State University, nowhere and how the near pregnant with her seventh from 1-4:30 p^.m. weekdays, will direct. by filming of “Giant,” Dean’s child. and at the door for one hour An Otterbein graduate. last movie before he died in While the play is about preceding each perform- ' Dr. Bowen, has spent more the high-speed crash of his Dean as. the ultimate cult than 30 years in theatrical Porche in 1955, has affected figure, there are any num work in the Columbus area, their lives. -
I Owe James Dean an Apology, and Where I Went Wrong
I Owe James Dean an Apology, and Where I Went Wrong By Fearless Young Orphan My History with James Dean On June 27, 2010, I posted my review of the two James Dean movies that were on my list of Unseen Classics (Giant and Rebel Without a Cause). Their presence on my list made the films required viewing for my project, and I paired the two reviews because James Dean was in both films. I point this out because my reasons for watching the movies in the first place had really nothing to do with their being James Dean films, at least from my viewpoint. Because I don't live in a vacuum, I have been aware most of my life of Mr. Dean's legendary status, but because I'm a cynic, I tend to get a little bristly when things or people have a legendary status. So I was approaching the material with some pessimism. It certainly didn't help matters that I saw Giant first and almost hated it. I thought it was bloated, boring and vastly overrated. I took a fairly grim view of Mr. Dean's odd performance in the film. Then I watched Rebel Without a Cause and had a strange experience. I did not care for it much at first, but by the end of that movie I had formed a grudging respect for the young Mr. Dean's work. I liked Rebel more than I thought I would. It did something that movies don't often do any more: it surprised me. -
A Symposium for John Perry Barlow
DUKE LAW & TECHNOLOGY REVIEW Volume 18, Special Symposium Issue August 2019 Special Editor: James Boyle THE PAST AND FUTURE OF THE INTERNET: A Symposium for John Perry Barlow Duke University School of Law Duke Law and Technology Review Fall 2019–Spring 2020 Editor-in-Chief YOOJEONG JAYE HAN Managing Editor ROBERT HARTSMITH Chief Executive Editors MICHELLE JACKSON ELENA ‘ELLIE’ SCIALABBA Senior Research Editors JENNA MAZZELLA DALTON POWELL Special Projects Editor JOSEPH CAPUTO Technical Editor JEROME HUGHES Content Editors JOHN BALLETTA ROSHAN PATEL JACOB TAKA WALL ANN DU JASON WASSERMAN Staff Editors ARKADIY ‘DAVID’ ALOYTS ANDREW LINDSAY MOHAMED SATTI JONATHAN B. BASS LINDSAY MARTIN ANTHONY SEVERIN KEVIN CERGOL CHARLES MATULA LUCA TOMASI MICHAEL CHEN DANIEL MUNOZ EMILY TRIBULSKI YUNA CHOI TREVOR NICHOLS CHARLIE TRUSLOW TIM DILL ANDRES PACIUC JOHN W. TURANCHIK PERRY FELDMAN GERARDO PARRAGA MADELEINE WAMSLEY DENISE GO NEHAL PATEL SIQI WANG ZACHARY GRIFFIN MARQUIS J. PULLEN TITUS R. WILLIS CHARLES ‘CHASE’ HAMILTON ANDREA RODRIGUEZ BOUTROS ZIXUAN XIAO DAVID KIM ZAYNAB SALEM CARRIE YANG MAX KING SHAREEF M. SALFITY TOM YU SAMUEL LEWIS TIANYE ZHANG Journals Advisor Faculty Advisor Journals Coordinator JENNIFER BEHRENS JAMES BOYLE KRISTI KUMPOST TABLE OF CONTENTS Authors’ Biographies ................................................................................ i. John Perry Barlow Photograph ............................................................... vi. The Past and Future of the Internet: A Symposium for John Perry Barlow James Boyle -
The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT -
XIX:12) Arthur Penn NIGHT MOVES (1975, 100 Min)
November 17, 2009 (XIX:12) Arthur Penn NIGHT MOVES (1975, 100 min) Directed by Arthur Penn Written by Alan Sharp Produced by Robert M. Sherman Original Music by Michael Small Cinematography by Bruce Surtees Film Editing by Dede Allen Gene Hackman...Harry Moseby Jennifer Warren...Paula Susan Clark...Ellen Moseby Ed Binns...Joey Ziegler Harris Yulin...Marty Heller Kenneth Mars...Nick Janet Ward...Arlene Iverson James Woods...Quentin Melanie Griffith...Delly Grastner Anthony Costello...Marv Ellman John Crawford...Tom Iverson Ben Archibek...Charles Max Gail...Stud Stunts: Dean Engelhardt, Ted Grossman, Richard Hackman, Chuck Hicks, Terry Leonard, Rick Lockwood, Ernie F. Orsatti, Enemy Lines (2001), The Royal Tenenbaums (2001), Heist Chuck Parkison Jr., Betty Raymond, Ronnie Rondell Jr., Walter (2001/I), Heartbreakers (2001), The Mexican (2001), Under Scott, Fred M. Waugh, Glenn R. Wilder, Suspicion (2000), Enemy of the State (1998), Twilight (1998), Absolute Power (1997), The Chamber (1996), The Birdcage ARTHUR PENN (27 September 1922, Philadelphia, Pennsylvania, (1996), Get Shorty (1995), Crimson Tide (1995), The Quick and USA—) directed 27 film and dozens of tv episodes, among them the Dead (1995), Wyatt Earp (1994), Geronimo: An American Inside (1996), Penn & Teller Get Killed (1989), Dead of Winter Legend (1993), The Firm (1993), Unforgiven (1992), Company (1987), Target (1985), Four Friends (1981), The Missouri Breaks Business (1991), Class Action (1991), Postcards from the Edge (1976), Night Moves (1975), Little Big Man (1970), Alice's