DOCSLIB.ORG

Verizon Channel Lineup Custom Tv

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Verizon Channel Lineup Custom Tv Verizon channel lineup custom tv Continue By the mid-1960s, the participants in the traditional street scene had broken away in many directions. Some custom enthusiasts have switched to muscle cars and drag racing. Two original custom car architects, George Barris and Dean Jeffries, have been dragged into the World of Hollywood to create custom cars for television. When 20th Century-Fox and Batman producer William Dozier needed a Batmobile in 1965 (the pilot episode was supposed to premiere on ABC in January 1966), his first call went to Jeffreys, who began working on the 1959 caddy. Jeffries had to bow when he realized he couldn't meet Dozier's three-week term. Advertising custom car image Gallery Barris subsequently took the job, probably because he already owned the 1955 Lincoln Futura, a bubble-canopy concept car that Barris saved from a Ford crusher a few years ago by handing over one dollar. With a suitably low, wide chassis, as well as burning fins, a wide-mouthed grille, and a swoopy body line already in place, Futura was the Platform Barris needed to quickly deliver an outlandish, photogenic TV custom car that lived up to the manufacturer's expectations. Inside, the Futura Dash has been modified only slightly to accommodate prop gadgets such as Bat Phone, Discover-a-Scope, and Extraordinary Bat-Turn Lever. Claims about the number of Barris Batmobiles vary. Barris' crew pulled fiberglass molds from the original car to make duplicates for car show tours. Chances are four or five were made, including a drag-race race exhibition car. When William Dozier was preparing another superhero show, The Green Hornet, to launch ABC in September 1966, he returned to Jeffreys, who is now free to deal with another three-week schedule. Jeffreys-style Hornet in intimidating, gadget-packed Black Beauty cruiser from 1966 Imperial Crown hardtop sedan. He removed bumpers and other chromes, including door handles and side mirrors, and added a modified, angular nose and boxed aluminum grille. Fancy accessories included rotating license plates, green headlights, a hidden clothing closet, a back seat gun storage, and a pop-up spy scanner in the deck. The dash included a hidden phone and other devices. Shares of Imperial 440-cid V-8 and transmission remained intact. Jeffreys has built two black beauties, with the car #2 (designed for promotional duties) completed on schedule just three weeks after #1. The #1 version was a regular on the show, while the promo car appeared in only one episode, Corpse of the Year, when Hornet races after the impostor. Another show that debuted in September 1966, NBC's Monkees, brought more work for Jefferies: Pontiac GTO-based Monkeemobile. While fondly recalled by the custom car, Monkeemobile delighted Pontiac, who hoped for a marketing surge with a modestly tuned, instantly instantly Goat ragtop. Pontiac even provided a shop with conceptual drawings of a hunky, square-fendered custom that was clearly GTO. But Jeffries was not responsible to Pontiac, but to producers Bob Rafelson and Bert Schneider, so he went his own way and changed the proportions of the conceptual sketch to more outlandish sizes. Ahead, a custom car declared itself with a shark-like nose and a repositioned GTO grille sunk between the sharp spear front wings; the GTO grille icon remained. The trunk was removed and the interior was extended in the trunk to include the third row of seats. The windshield was angled upwards to suit a 1920s touring car-style convertible top. The reserve 389-seat V-8 was equipped with a supercharger and the rear a cent was a solid setup so Monkeemobile would be able to pop wheelies. The car was too powerful and unmanageable, so the blower was replaced by a light fake, which hid the carb. As with Black Beauty, two Monkeemobiles were made, one for practical use and the other for promotion. According to Jeffries, both custom cars were built within a month. These TV custom cars have been a boon to ratings and have also pulled in huge crowds at custom car shows. Soon, even more exaggerated, cartoon rods and customs were built exclusively for the show circuit, without the pretense of street control. While TV custom cars and show rods were popular with the public, they stole the spotlight from traditional street customs, pushing them further into obscurity. To learn more about custom cars and hot rods, see: The Story of Hot RodsCustom Car ProfilesHot Rod Profiles Sling TV responds to the health crisis COVID-19 by offering a line of free channels for everyone and additional free previews to pay subscribers. As part of your initiative, stay in the sling! Sling TV provides news from Cheddar News, FOX News, select local FOX affiliates and ABC News Live through a free experience - no payment is required. On-demand children's, lifestyle and entertainment programs are also available on a free basis. Sling TV offers free content during the Coronavirus pandemic To access free content, download the Sling TV app on a Roku, Amazon or Android device. It is also available on popular web browsers, just by visiting Sling.com. If you're a Sling TV payer, this free content is already available in the user interface. There are additional benefits to pay subscribers. Sling TV has added the following networks to its channel lineup at no extra cost. Free previews only for a limited time. FX Movie Channel - now through April 17 By Nat Geo WILD - now through 17 Game Show Network - now through April 30 Hallmark, Hallmark Drama, Hallmark Films and Mysteries - now through May 13 to Sundance TV - now through April 17 by CNBC - now through April 17 Cheddar News - Now until April 18 and now through April 5, the entire Sling Blue plan is free for 14 days for those new to Sling TV. It includes 45 channels. Sling TV is one of the cheapest TV streaming services. It has two skinny bundles, Sling Orange and Sling Blue, which cost $30 a month each. You can combine packages and pay $45 a month. More Clark.com stories you may like: YouTube TV is dropping Fox Regional Sports Network from its channel lineup from October 1, 2020. YouTube TV has added the NFL Network to its base plan at no extra cost. FuboTV added Disney-owned networks on August 1: ABC, Disney Channel, ESPN, SEC Networks, ACC Networks, FX and more. Before you subscribe to the streaming service, enter your zip code on the streaming TV provider's website to check out the latest list of channels, including local stations. Are you tired of overpaying for more than 100 TV channels with a cable or satellite provider when you only watch a few of them on a regular basis? You may be able to lower your monthly bill to about $50 to $65 by switching to a live TV streaming service. Streaming TV channel line-up: Compare the cheapest options! These cable and satellite alternatives offer smaller packages, so it's important that you carefully consider the channel lineup to make sure your favorite networks are included. We have two charts that will help you compare the best TV streaming services: The first chart highlights the channel lineup for YouTube TV, Hulu and Live TV, Sling TV, ATT TV Now and FuboTV. We featured their basic plans, which have a mix of sports, news and entertainment networks. Sticky: Enter your zip code on the streaming provider's website to check local stations and regional sports networks. If you don't want to pay for cable sports or local stations, scroll down to our second chart. It lists a channel bundle from Philo. To learn more about which streaming TV service is best for you, see our guide to cutting the cord. Not sure if any of these plans will work for you? Call a family meeting and all write down the channels that are most important to them and then see which bundle is best for your family. If you're viewing this article from your computer, use the search bar to quickly find certain networks that are on your list. For those who use a mobile device, scroll from left to right to view the full chart. Channel Lineup: Philo Filo: $20/month ASE AMC American Heroes Channel Animal Planet aspireTV AXS TV BBC World News BET Her Cheddar Cleo TV CMT Comedy Central Culinary Crime Channel Investigation Direction of America Channel Discovery Семья Discovery Life DIY Сеть Продовольственные сети FYI Game Show Network getTV Великая американская страна Hallmark Channel Hallmark Драма Hallmark Hallmark Opening Act 'Crime Lifetime LMN Logo MotorTrend MTV Classic MTV Live MTV Live MTV2 Newsy Nick Jr Nickelodeon Nobody Own Paramount Network PeopleTV REVOLT Science Channel Sundance TV Tastemade TeenNick TLC Travel Tv TV TV UPtv VH1 Vice We TV There's more to these TV streaming TV services than just channel lineup. You also want to consider other factors, such as being able to watch multiple threads at the same time, a cloud-based DVR, and a list of supported devices. Find out more about these services in Team Clarke's guide to the best streaming TV plans and deals! More Clark.com streaming TV content: 2020 Best Thing About Comcast's new streaming service in April, Comcast made a limited launch of its first-time streaming service, and Peacock became available nationwide in July. Like most streaming services, it has its pros and cons, but one clear winner is the SNL Vault channel, which features the best clips from the heyday of Saturday Night Live.
Load more

Recommended publications
  • Holiday Catalog 2015 – 2016 R Cool Pe D U V S D S
    Holiday Catalog 2015 – 2016 r Cool pe D u V S D s ! S EE PAGE 7 Reading for Racers Hot New Titles Most Popular This Year A HISTORY OF AUTO RACING Brand New from Coastal 181! IN NEW ENGLAND Vol. 1 FOYT, ANDRETTI, PETTY A Project of the North East America’s Racing Trinity Motor Sports Museum by Bones Bourcier An extraordinary compendium of the rich Were A.J. Foyt, Mario Andretti, and Richard Petty the history of stock-car, open-wheel, drag and three best racers in our nation’s history? Maybe yes, road racing in New England. Full of maybe no. But in weaving together their complex personal stories of drivers and tracks illustrated with tales, and examining the social and media climates of hundreds of photos, all contributed for the benefit of the their era, award-winning author Bones Bourcier shows North East Motor Sports Museum. Hard cover, 304 pp., why their names are still synonymous with the sport they carried to 400+ B&W photos. S-1405: $34.95 new heights. If you buy one racing book as a present, this should be it! Hard Cover, 288 pp., B&W photos. S-1500: $34.95 THE PEOPLE’S CHAMP A Racing Life Back by Popular Demand! by Dave Darland with Bones Bourcier The memoir of one of Sprint Car racing’s LANGHORNE! No Man’s Land most popular and talented racers, a by L. Spencer Riggs champion in all three of USAC’s national Reprinted at last, with all the original content, this divisions—Silver Crown, Sprint Cars, and award-winning volume covers the entire history of the Midgets—and still winning! Soft cover, 192 pp., world’s toughest mile, fr om its inception in 1926 to its 32 pp.
    [Show full text]
  • ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
    AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein.
    [Show full text]
  • Jessica Lange Regis Dialogue Formatted
    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.
    [Show full text]
  • Coming Events
    THE STYRENE SHEET VOL. 43, No.10 WWW.SVSM.ORG October 2009 A Publication of the Silicon Valley Scale Modelers, A chartered Chapter of International Plastic Modeler’s Society, USA branch. Editor’s Ravings – this month’s editor, Mick Burton Scary is as scary does. How eerily coincident that the latest issue of the IPMS/USA Journal showed up this week in my home mail, with lead editorial by Styrene Sheet Alumnus Chris Bucholtz including material which now informs my own effort here! Chris reflects on reasons not entirely obvious to many looking solely on as consumers of the Journal, as to why coverage of the recent USA Nationals in Columbus was not the main thrust of this Journal issue which does follow about two months after event occurred. Time and energy management dealing with the sheer volume of finished yet actually raw material. With a desire to produce a product of coverage at least equal in quality to that of the items in focus (namely the very lovely works in miniature and competition) Being delivered by folks who have far too much going on in their lives yet do this work too. Having been one of the crew members in the Judging and the Photography teams thus a witness to the truly monumental shoe horning of much quality effort into a tiny amount of time to deliver results, I know first hand what he was writing about. This month’s Sheet was on my responsibility roster when I left for Columbus. Seemed at the time a far away and far easier effort than it ended up, a reminder of how quickly many ever so small projects can suddenly add up to massive time/energy monsters hungry for more of both when you no longer have a bit of either to spare.
    [Show full text]
  • Review Reviewed Work(S): Hearts and Minds by Bert Schneider and Peter Davis Review By: Peter Biskind Source: Cinéaste, Vol
    Review Reviewed Work(s): hearts and minds by Bert Schneider and Peter Davis Review by: Peter Biskind Source: Cinéaste, Vol. 7, No. 1 (1975), pp. 31-32 Published by: Cineaste Publishers, Inc. Stable URL: https://www.jstor.org/stable/41685779 Accessed: 11-09-2019 15:10 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Cineaste Publishers, Inc. is collaborating with JSTOR to digitize, preserve and extend access to Cinéaste This content downloaded from 138.37.228.89 on Wed, 11 Sep 2019 15:10:03 UTC All use subject to https://about.jstor.org/terms the virtue of HEARTS AND MINDS that in a presumably descended from Ralph Waldo crazy-quilt of interviews, stock footage, vérité, Emerson, embody the very essence of New and film clips, it manages to breathe new life England rectitude, yet utter some of the film's Brn reviews into the worn out images of the war that passed sfllliest remarks. ("The strength of our system is from film to film until they became no longer that you can rely on President Nixon for shocking but comforting, like old friends orleadership.") Jhe mixture of foolishness, familiar faces. HEARTS AND MINDS contains intelligence, and pain in this sequence makes it the original footage of many of these scenes difficult to watch.
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • James Dean from Wikipedia, the Free Encyclopedia
    Log in / create account Article Discussion Read Edit View history Search James Dean From Wikipedia, the free encyclopedia Main page This article is about the actor. For other uses, see James Dean (disambiguation). Contents James Byron Dean (February 8, 1931 – September 30, 1955) Featured content was an American film actor.[1] He is a cultural icon, best James Dean Current events embodied in the title of his most celebrated film, Rebel Without Random article a Cause (1955), in which he starred as troubled Los Angeles Donate to Wikipedia teenager Jim Stark. The other two roles that defined his stardom were as loner Cal Trask in East of Eden (1955), and Interaction as the surly farmer, Jett Rink, in Giant (1956). Dean's enduring Help fame and popularity rests on his performances in only these About Wikipedia three films, all leading roles. His premature death in a car Community portal crash cemented his legendary status.[2] Recent changes Contact Wikipedia Dean was the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only actor to Toolbox have had two posthumous acting nominations. In 1999, the Print/export American Film Institute ranked Dean the 18th best male movie star on their AFI's 100 Years...100 Stars list.[3] Languages Contents [hide] Dean in 1955 اﻟﻌﺮﺑﻴﺔ Aragonés 1 Early life Born James Byron Dean Bosanski 2 Acting career February 8, 1931 Български Marion, Indiana, U.S. open in browser customize free license pdfcrowd.com Български 2.1 East of Eden Marion, Indiana, U.S. Català 2.2 Rebel Without a Cause Died September 30, 1955 (aged 24) Česky 2.3 Giant Cholame, California, U.S.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • September 23-29, 2019 Wheeler Opera House | Aspen Isis Theatre | Aspen Crystal Theatre | Carbondale
    September 23-29, 2019 Wheeler Opera House | Aspen Isis Theatre | Aspen Crystal Theatre | Carbondale @aspenfilm #filmfest40 aspenfilm.org 2 Filmfest 2019 Official Program Guide | aspenfilm.org welcome LIFETIME ACHIEVEMENT AWARD ASPEN FILM LIFETIME ACHIEVEMENT AWARD Hello and welcome to our 40th anniversary Filmfest! TO BOB RAFELSON FOR EXCELLENCE IN THE CINEMATIC ARTS I am gratified to be heading into my third consecutive year with Aspen Film. It is incredible that this organization has been creating inspiring cinematic experiences The tradition of Aspen Film began 40 years ago when our founder, in Aspen and beyond for four decades now. And it’s all thanks to you, our incredi- Ellen Hunt, had a vision for a small-scale but inspiring festival emphasiz- ble members, patrons and audiences. Thank you for supporting us and our mission ing an independent spirit. In its early days, Aspen Filmfest focused on to enlighten, enrich, educate and entertain through film! the work of American independent directors, but soon broadened its lineup to include the work of ground-breaking foreign directors as well. We’re incredibly proud of this year’s program, which focuses very much on family, Four decades later, we continue to showcase work from world-class artistry, perseverance and change-making, particularly in the face of adversity. independent filmmakers. The characters and subjects in our slate of 23 films are all heroes in their own To commemorate our 40th anniversary, we are presenting our first-ever right, illuminating new ways of helping, healing and enlightening a community or Aspen Lifetime Achievement Award for Excellence in the Cinematic the world in general.
    [Show full text]
  • The Monkees to Perform at Silver Creek Event Center, Four Winds New Buffalo, on Friday, March 15, 2019
    FOR IMMEDIATE RELEASE THE MONKEES TO PERFORM AT SILVER CREEK EVENT CENTER, FOUR WINDS NEW BUFFALO, ON FRIDAY, MARCH 15, 2019 Tickets go on sale Friday, November 16 NEW BUFFALO, Mich. – November 12, 2018 – The Pokagon Band of Potawatomi Indians’ Four Winds® Casinos are pleased to announce The Monkees will make a stop at Silver Creek® Event Center on Friday, March 15, 2019 at 9 p.m. Hotel and dinner packages are available on the night of the concert. Tickets can be purchased beginning Friday, November 16 at 11 a.m. ET by visiting FourWindsCasino.com, or by calling (800) 745-3000. Ticket prices for the show start at $55 plus applicable fees. Four Winds New Buffalo is offering hotel and dinner packages along with tickets to The Monkees performance. The Hard Rock option is available for $484 and includes two concert tickets, a one-night hotel stay on Friday, March 15 and a $50 gift card to Hard Rock Cafe® Four Winds. The Copper Rock option is available for $584 and includes two tickets to the performance, a one-night hotel stay on Friday, March 15 and a $150 gift card to Copper Rock Steakhouse®. All hotel and dinner packages must be purchased through Ticketmaster. The Monkees are an American rock and pop band originally active between 1966 and 1971. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was made up of Micky Dolenz (drummer, lead vocals), Michael Nesmith (guitar, vocals), Peter Tork (bass guitar, vocals) and Davy Jones (lead vocals).
    [Show full text]
  • Tvision LIVE
    Fact Sheet — TVision LIVE TVision LIVE ■ TVision Live TV: Live sports and news, including many local broadcast stations. ■ TVision Live TV+: Includes all Live TV channels as well as additional college sports channels and regional sports networks. ■ TVision Live Zone: Includes all the above plus additional Spanish-language channels and live sports. KEY FEATURES Local broadcast channels/RSNs* Cloud DVR with 100 hours of space Parental controls 10,000+ On Demand shows and Electronic program guide Up to 10 profiles movie titles Three streams Recently watched Accessibility (SAP/CC/Descriptive video service) AVAILABLE ON Smart TVs: Android TV, Fire TV Edition TV Streaming Devices: Android TV, Google TV, Apple TV, Fire TV, TVision Hub (Android TV) Phones and Tablets: Android phone, Android tablet, iPad, iPhone ACCOUNT AND SERVICE MANAGEMENT TVision LIVE is available for T-Mobile wireless customers nationwide. Services can be managed, added or removed all in My T-Mobile. Live TV Live TV+ Live Zone 30+ Channels 40+ Channels 50+ Channels $40 $50 $60 #V ABC* All TVision Live TV Channels All TVision Live & Live TV+ Channels 100 ABC News Live 101 ACC Network 117 Boomerang 118 Bravo 113 Big Ten Network 121 CNBC World 119 Cartoon Network / Adult Swim 131 ESPN College Extra 139 ESPN Deportes 120 CNBC 140 ESPNews 143 FOX Deportes 122 CNN 141 ESPNU 156 Longhorn Network*** 124 Cozi TV 151 FXM 157 MavTV 125 Disney Channel 153 Golf Channel 188 NFL RedZone 126 Disney Junior 155 Longhorn Network* 191 Outside TV 127 Disney XD 162 Nat Geo Wild 202 Universal Kids
    [Show full text]