AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTSCENTER APRIL 1977

Go first class next season: Fly Alliance Theatre’s Early Bird Special for an adventurous new season at fantastic savings. YouCanlellAGoodOfBoy By What Keeps Him Company Used to be you could spot one a ■ country mile away. Getting tougher all the time though. Because the good of boys ain't who they used to be. Exactly. Now you're just as likely to find 'em moving and shaking in the city as hunting I > and fishing in the country. They're run­ /REBEL ning fast and working hard, trying to ^YELL( change the South. But still, beneath all that "Wall Street" outside, you'll find a little . 69U Main Street inside. Maybe that's why this New South everybody's talking about is turning out to be the real South. Because a good or boy has the sense to keep what's good, change what's not and the . wisdom to know the difference. You can even see it in his whiskey. Rebel Yell, made and sold only below the Mason-Dixon line. Rebel Yell's whisper of wheat im­ parts a smooth, luxurious flavor tailored especially for the good ol' boy in each of us. Keep company with the Host Bourbon of the South. Ask for Rebel ’Rebel yell Yell. And if you don't recognize any ,r , ent c/onr OIL'/' good ol' boys in the room, don't worry. They'll recognize you. Rebel Yell. »TliED^WU1«- The Good Ol’Boys Bourbon.

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ALLIANCE THEATRE The Alliance Theatre Early Bird Is About to Take Off! And we’d like to have you on it. Early bird subscriptions are now available at tremendous savings over next fall’s season ticket prices. If you are a current subscriber you can renew now and be assured of your same seats next season. If you are not currently a subscriber, you can reserve good seats for every production next year by subscribing now. Subscribe today and go first class next season at a no frills price!

Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean A Smash Success Our new play this season, Ed Graczyk’s Come Back to the 5 and Dime Jimmy Dean. Jimmy Dean, which closed March 12, was the biggest hit in the Alliance Theatre’s history. It broke all box office records and won highest praise from audiences and critics alike: Bravo! There’s great excitement on the Alliance Stage, and it’s going to shake the Since 1908, we ve been making earth and cause an explosion that should the women of Atlanta our busi­ erupt right in the middle of Broadway. The first professional production ness’ View our collections of anywhere of Ohio playwright Ed Graczyk’s active, classic and pacesetting “Come Back to the 5 and Dime Jimmy Dean. sportswear separates to coordi­ Jimmy Dean” brought down the house opening night and well it should have. nate for your lifestyle. Visit any of Helen C. Smith our five stores. The Atlanta Constitution All right, all you people who complain about the lack of good original theatre in this DOWNTOWN, LENOX SQUARE, GREENBRIAR, country. Put down the paper, pick up the telephone NORTHLAKE & CUMBERLAND MALL and make reservations for Alliance Theatre’s production of “Come Back to the 5 and THE RETURN TO ELEGANCE. Illi______

Dime Jimmy Dean, Jimmy Dean.” Sears Barbara Thomas The Atlanta Journal The best play I’ve seen in regional theatre this year. Clifford A. Ridley So many ways to The National Observer Shop at Sears Negotiations are now underway toward the possibility of opening Come Back to and SAVE! the 5 and Dime Jimmy Dean, Jimmy Dean in New York. If it is produced in New 8 BIG STORES IN ATLANTA York, remember you saw its premiere open every night and Sunday afternoons professional production on stage at the Alliance Theatre. 17 ApplianceCatalog Stores all around the Atlanta area

All the Way Home 24 Hour Catalog Shopping On the Alliance Stage April 7-22 by phone from home, call 892-4242 For our fifth play of the season we are pleased to present A ll the Way Home. Tad Surplus and Bargain Stores Mosel’s stage adaptation of James Agee’s with closeouts from catalog and stores Pulitzer Prize-winning novel, A Death in the Family, won the New York Critics’ PLEASE SEE YOUR Award and a Pulitzer Prize in 1961 when it TELEPHONE DIRECTORY FOR MORE SPECIAL SERVICES INCLUDING was produced with Colleen Dewhurst playing the role of Mary Follet. Playing Mary Follet in the Alliance’s SEARS CARPET CLEANING production will be Dana Ivey who has call 351-4082 already won critical acclaim this season on SEARS DRAIN & SEWER SERVICE our stage as Hedda Gabler, Mona in Come call 892-6565 Back to the 5 and Dime Jimmy Dean, Jimmy Dean, and as Shaw’s beautiful SEARS DRIVING SCHOOL Polish aviatrix in Misalliance. Miss Ivey call 352-3400 will be joined in All the Way Home by another actress who won the hearts of FLOWERS BY SEARS audiences with her first performance in call 325-0337 (Atlanta) Atlanta as Chickabiddy in Misalliance, or 422-0656 (Marietta) Miss Patricia Falkenhain. SEARS MEAT & FROZEN FOOD All the Way Home is the story of a “death in the family,” but it is also the story call 325-5359 of the love and humor that preceded the SEARS RENT-A-CAR death, and that must overcome it. We call 261 -6700 (Buckhead) think you and your family will find it one or 659-5010 (Downtown) of the most moving and heart-warming theatre experiences you have ever had. SEARS TERMITE & PEST CONTROL

Alliance Theatre Presents This year Alliance Theatre’s artistic director Fred Chappell will direct one of Shakespeare’s favorite history plays, Henry IV Part I, the story of two young men growing into manhood. Gold Rolex Watches.

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Charge Accounts Invited Bailey Banks & Biddle World Renowned Jewelers Since 1832 181 Peachtree Street, N. E. • Atlanta Greenbriar Center • South DeKalb Mall Perimeter Mall • Northlake Mall Lenox Square Illi______Young Prince Hal, who will become King Henry V, spends his time carousing with Falstaff and Mistress Quickly at the Boar’s Head Tavern while his father Henry IV attends the business of state and bemoans his misfortune in not having a son like Northumberland’s son Henry Percy, surnamed Hotspur: Oh, that it could be proved That some night-tripping fairy had exchanged In cradle clothes our children where they lay. And called mine Percy, his Plantagenet! Then would I have his Harry, and he mine. Hotspur is a blunt, rash, practical young man, a fiery and impatient soldier who seems much more suited to the seriousness of ruling a country. So while Prince Hal drinks, entertains himself, and plays a waiting game, Hotspur is ambitiously establishing himself as a soldier of consequence. The contrast between the two young men creates an interesting study in personality and action, and it is an effect which Shakespeare must have considered dramatically significant, because to come to our collections historically the two young men portrayed in Henry IV Part I as contemporaries were of fashion for the not. Prince Hal was only fourteen when in 1403, he fought against the rebels and entire family, the home, Hotspur at the battle of Shrewsbury, and Hotspur was then thirty-nine, three years gifts and antiques too. older than Hal’s father. Henry IV Part I will be on stage at the Do stay for luncheon Alliance Theatre April 28-30, May 5-7, and or tea at our Bird Cage May 12-14. restaurant, open every ATLANTA SYMPHONY ORCHESTRA shopping day. Lord & Taylor, Activities For 1976-77 Continue While Those For 1977-78 Begin Phipps Plaza, Peachtree Season tickets for 1977-78 are now Road between Wieuca available. There are fourteen different series of season tickets from which one can and Lenox Roads. 266-0600 choose. From the regular twenty-four subscription concerts, to the new offering Monday through of three series of eight concerts on Friday or Saturday evenings, there is a series to Saturday 10:00 a.m. to suit your budget. Some offer savings of up 6:00 p.m., Monday and to 41 percent over single ticket prices, and up to ten concerts for free. Thursday evenings until

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Friday, and Saturday. 8:30. April 15, 4 16 ROBERT SHAW Conducting ASSISTING ARTISTS: YVONNE CIANNELLA, Soprano MARIANNA BUSCHING, Mezzo-soprano SAMUEL HAGAN, Tenor PETER HARROWER, Bass-baritone ATLANTA SYMPHONY ORCHESTRA CHORUS AND CHAMBER CHORUS

PROGRAM

BACH Cantata No. 84 “Ich bin vergniigt mit meinem Gliicke” (1731) Yvonne Ciannella, soprano Elaine Douvas. oboe William Steck, violin Robert Marsh, cello Dale Schmidt, bass Marilyn Walthall, organ and ASO Chamber Chorus BEETHOVEN Mass in C major. Op. 86 (1807) Misses Ciannella and Busching Messrs. Hagan and Harrower ASO Chamber Chorus “Kyrie” “Gloria” “Credo” “Sanctus” “Agnus Dei”

INTERMISSION

BRAHMS Choral Works of Classical Greek Inspiration: “Schicksalslied,” Op. 54 (1868-1871) (Holderlin) “Nanie,” Op. 82 (1880-1881) (Schiller) “Gesang der Parzen,” Op. 89 (1882) (from “Iphigenie auf Tauris”) (Goethe) ASO Chorus

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE-FM, 90.1, Tuesday evening at 8:30. The use of cameras or recording devices during concerts is strictly prohibited. Nathalie Dupree is cooking up something wonderful!

A whole new season of cooking classes and demonstrations ... all in Rich’s Cooking School, Downtown. In the classes, you do the cooking. In the demonstrations, you watch and taste. Classes are available in basic and advanced levels. For prices, schedules and details, call 586-2525. PROGRAM NOTES by David Hinshaw Cantata No. 84 "Ich bin vergniigt mil For Beethoven to leave the meinem Gliicke" Johann Sebastian Bach cosmopolitan Vienna and live in the (1685-1750) provincial Cassel was an idea which he did Bach wrote the cantata Ich bin vergnugt not like. However, the desire for a fixed mit meinem Glucke early in 1727 and income lured his attention for a while. performed it for the first time on February When word got around that the “prince of 9, Septuagesima Sunday. The Gospel for musicians” was considering abandoning the day, Matthew 20,1-16, tells the story of Vienna, three of his friends decided to offer an estate owner who hired workers for his him an annual subsidy if he would remain vineyard at various times during the course in Vienna. The Archduke Rudolph agreed of a morning and afternoon; when evening to 1500 florins annually. Prince Lobkowitz came, he paid those whom he hired last the gave 700 and Prince Ferdinand Johann same fee for their day’s labor that he had Kinsky gave 1800. This arrangement made agreed upon with those whom he hired Beethoven feel at long last free to work first. Bach’s librettist—possibly his without the everyday worry of from where frequent collaborator Picander, who his next meal was coming. Unfortunately published a closely related poem a year the financial free life only lasted a short later—interprets this parable as an time. Prince Lobkowitz went bankrupt. exhortation to be content with what God Prince Kinsky fell from his horse and died. provides and not envy others who have It is to Kinsky that Beethoven ultimately more. The unpretentious, gracefully dedicated his Mass in C Major. According written text consists of a pair of arias and to the manuscript, dated 1808, the recitatives followed by a hymn strophe, the dedication read “to Prince Nicholas 12th stanza of Wer weiss, wie nahe mir Esterhazy de Galantha.” The printed score mein Ende, by Amilie Julianne von (Breitkopf and Hartel, Leipzig) dated 1812 Schwarzburg-Rudolstadt. read “to Prince Kinsky.” The music of the cantata, modestly Schicksalslied Johannes Brahms scored for soprano solo, oboe, strings, and (1833-1897) continuo, with chorus in the fianl chorale, Written in 1871, Schicksalslied (Song of follows the libretto in a straightforward Destiny) is divided into three major parts. fashion. Bach composes the arias as The first section begins in the key of E- modified da capos and presents the chorale flat major. Over a repeated rhythm in the (using the melody Wer nur den lieben Gott timpani the strings sing the first melody in lasst walten, by Georg Neumark) in a octaves. An arpegiated second idea acts as simple four-part setting. As usual, a transition to the chorus entrance. The however, he fills these common molds with sopranos introduce the second major idea strongly characterized musical substance. which is derived from the first. The The first aria acheives remarkable richness remaining three voices enter quietly as the through its gracefully elaborated sopranos repeat the second subject. An contrapuntal lines and subtle rhythmic and extended developmental section follows in harmonic detail. In the second aria, the an introspective mood. The first section poet’s dactylic verses provide a ends quietly. springboard for a delicate dance-like At once the listener can identify the movement. The work as a whole seems an beginning of the second major section. No object lesson in making meh out of little — longer is the piece quiet. Loud and fast a perfect embodiment of the message strings play scale-like patterns while the conveyed by its text. brass punctuate the statement with Mass in C Major percussive chords. The chorus enters in a Ludwig van Beethoven (1770-1827) declamatory fashion. A quiet repeat of the In the autumn of 1807 Jerome major idea of this section is done in stretto Bonaparte became “King of Westphalia.” or short intimate fashion. This soon builds The twenty-two year old admirer of again to the intensity of a Brahm’s work. Beethoven invited the composer to leave After the climax there is a gradual Vienna and become Kapellmaster at his reduction in forces, rhythm, and dynamics court in Cassel. setting up the return of the first section. Matching ring,$ 575. Designed by Angela Cummings. Tiffany&Co. ATLANTA PHIPPS PLAZA Design Copyright, Tiffany & Co. NOTES (continued)

At the sound of the solo flute playing the intensity and volume. The last section is a opening melody the work enters its third recapitulation of the beginning. and final section. This is an abbreviated The last two lines of the Schiller text are: repeat of the first section. The work ends To be even a song of lament on the lips of quietly at the sound of ascending the loved one, is glory; For know, tis the woodwinds playing in thirds. common lot to go down to Orkus The work is scored for two flutes, two unsung. oboes, two clarinets, two bassoons, two Instead of ending the work on the last line Brahms chose to repeat the next to last line horns, two trumpets, three trombones, timpani, and strings. giving it a more positive feeling about death. Nanie, Op. 82 Johannes Brahms The work is scored for two flutes, two In 1864 Johannes Brahms travelled to oboes, two clarinets, two bassoons, two Baden-Baden to visit his “true love,” Clara horns, three trombones, timpani, harp and Schumann. It was during this stay that he strings. met Anselm Feuerbach, an artist. Quickly the two men became close friends. Feuerbach began a portrait of Brahms Gesang der Parzen Johannes Brahms which was not finished because of Brahm’s The next to last Brahms’s choral work, sudden return to Hamburg for the funeral Gesang der Parzen (Song of the Fates)v/&s of his mother. The friendship did continue written in 1882 and dedicated to Duke for years. In 1880 Feuerbach suddenly Georg of Saxe Meiningen. The text is passed away. Brahms decided to write a taken from Goethe’s Iphigenie AufTauris. choral work in memory of his dearly It is scored for a six-voice choir with departed friend. double alto and bass sections. Because Feuerbach’s paintings were The chorus begins stating, “In fear of the concerned with classic antiquity, Brahms Gods all mankind shall walk.” This is decided to use the Schiller poem Nanie, a stated by alternating men and women Roman funeral song. The title is taken choirs. By continuing the alternation of from “naenia”—the name the Romans men and women we are told of the god’s gave to lamentations for the dead. domination over mankind. The chorus The work, however, is not full of terror. then sings together of the wrath of the gods Brahms personally felt that death was a for those who dissent against them. Finally benevolent spirit which brought peace and the chorus returns with the opening lines, rest to those weary of life. Perhaps this “In fear of the Gods all mankind shall explains the reason why the work is set walk.” entirely in major keys. The Gesang der Parzen is one of The work is divided in three major Brahms’s most impressive shorter choral divisions. The first is primarily an works. The trampling dactylic rhythm that orchestra prelude with solos by the wind had been used many years before in Op. 17 instruments, particularly the oboe. The appears here in a far more powerful and choral material in this section is derived menacing way. Its general atmosphere is of from the orchestral material. The second a kind associated very much by Brahms section contains a hymn-like melody which with the key of D minor: intense, grim, constantly builds and diminishes in and somber.

Text for /ch bin vergnugt mil meinem Glucke Aria (Soprano) Ich bin vergnugt mit meinem Glucke I am content in my good fortune, das mir der liebe Gott beschert. which gracious God bestows upon me. Soil ich nicht reiche Fulle haben, Should I not have abundant riches, so dank ich ihm fur kleine Gaben then I will thank him for small gifts und bin auch nicht derselben wert. and am not even worthy of that. MYRNA LOY ANDJEAN PIERRE AUMONT STARRING IN NEIL SIMON’S BEST. “BAREFOOT IN THE PARK." Evening performances i- Tuesday, Wednesday, Thurs­ day ana Sunday, $16.00, plus tax. Friday and Saturday, $17.75, plus tax. Wednesday and Sunday matinees, $11.50, Wa plus tax. Free parking at the U *>A Peachtree Cain Garage. American Express and other major credit cards accepted.

Peachtree Center AtopThe Shopping Gallery, For Reservations Call 577-7074 | 11 IT’S BRAND NEW • A MUSICAL REVIEW • MONDAY AND LATE SATURDAY NIGHTS. NOTES (continued) Recitativo (Soprano) Gott ist mir ja nichts schuldig, God surely owes me nothing, und wenn er mir was gibt, and if he gives me something, so zeigt er mir, dass er mich liebt; it is to show me that he loves me; ich kann mir nichts bei ihm verdienen, I can earn nothing from him, denn was ich tu, ist meine Pflicht. because what I do is my duty: Ja! wenn mein Tun gleich noch so gut and even if my deeds seemed estimable, geschienen, I would still have accomplished nothing so had ich doch nichts Rechtes ausgericht. worthy. Doch ist der Mensch so ungeduldig, But man is so impatient dass er sich oft betrubt, that he often falls to sorrow wenn ihm der liebe Gott nicht uberflussig if gracious God does not give him gibt. abundance. Hat er uns nicht so lange Zeit Did he not feed umsonst ernaihret und gekleidt and clothe us so long for nothing, und will uns einsten seliglich and will he not finally raise in seine Herrlichkeit erhohn? our blessed souls into his glory? Es ist genug fur mich, It is enough for me dass ich nicht hungrig dart zu Bette gehn. that 1 do not have to go hungry to bed. Aria (Soprano) Ich esse mit Freuden mein weniges Brot I eat my meager bread with joy und gonne dem Nachsten von Herzen das and gladly grant my neighbor what is his: Seine, a peaceful conscience, a cheerful spirit, ein ruhig Gewissen, ein frohlicher Geist, a thankful heart that sings praises and ein dankbares Herze, das lobet und preist, glory, vermehret den Segen, versusset die Not. increases our blessings, and sweetens our sorrow. Recitativo (Soprano) Im Schweisse meines Angesichts In the sweat of my brow will ich indes mein Brot geniessen, I will still enjoy my bread, und wenn mein Lebenslauf, and when my old age mein Lebensabend wird beschliessen, brings my life to its end, so teilt mire Gott den Groschen aus, da then God will allot me the coin with steht der Himmel drauf. heaven’s stamp. O! wenn ich diese Gabe Ah, if I may have this gift zu meinem Gnadenlohne habe, as my wage of grace, so brauch ich weiter nichts. then I need nothing more. Choral Ich leb indes in dir vergnuget And so I live contentedly in thee und sterb ohn alle Kummernis, and die without any care; mir gniiget, wie es mein Gott fuget, I am happy however my God disposes: ich glaub und bin es ganz gewiss: I believe and am wholly certain that durch deine Gnad und Christi Blut by thy grace and Christ’s blood machst dus mit meinem Ende gut. thou wilt make my end a good one. Mass In C Major 1. KYRIE Chorus Kryie eleison Lord Have Mercy Soprano Solo Kryie eleison Lord Have Mercy Chorus Kyrie eleison Lord Have Mercy Christe eleison Christ have mercy ALL THE IDEAS THAT ARE FASHION­ ABLY FRESH FOR SPRING 77 . . . THE BEST PART OF AN EVENING IS ALWAYS EDITED WITH THE ATLANTA LIFESTYLE IN MIND! THE END. somethingto laugh at 5 nights a week. Atlanta's only comedy dinner showcase.

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4070 LaVista Road at Northlake Mall Phone 939 8515 NOTES (continued) Kyrie eleison Lord have mercy Soprano solo Kyrie eleison Lord have mercy Chorus Kryie eleison Lord have mercy II. GLORIA Gloria in excelsis Deo, Glory be to God on high, et in terra pax hominibus bonae voluntatis. and on earth peace to men Laudamus te, benedicimus te, of good will. We praise thee, adoramus te, glorificamus te. we bless thee, we worship thee, we glorify thee. Tenor solo Gratias agimus tibi propter We give thanks to thee for thy magnam gloriam tuam. great glory. Domine Deus, Rex coelestis, Deus O Lord God, heavenly King, God thi Pater omnipotens, Domine Fili uni- Father Almighty, O Lord, the only genite Jesu Christe altissime, Domine begotten Son, Jesus Christ, the most Deus, Agnus Dei, Filius Patris. high, Lord God, Lamb of God, Son the Father. Alto solo Qui tollis peccata mundi, Thou that takest away the sins of the miserere nobis, world, have mercy upon us, Quartet deprecationem nostram. receive our prayer. Chorus Qui sedes ad dextram Patris Thou that sittest at the right hand miserere nobis. of the Father, have mercy upon us. Quoniam tu solus sanctus, tu For thou only art holy, thou only solus Dominus, tu solus altissimus art the Lord, thou only, Christ, Jesu Christe. art most high. Cum sancto Spiritu in gloria With the Holy Ghost in the glory Dei Patris. Amen. of God the Father. Amen. III. CREDO Chorus Credo in unum Deum. I believe in one God. Patrem omnipotentem, factorem The Father Almighty, maker of coeli et terrae, visibilium heaven and earth, and of all things omnium et invisibilium. visible and invisible. Et inunum Dominum, Jesum And in one Lord, Jesus Christ, the Christum filium Dei unigentum, et only begotten Son of God, begotten expatre natum ante omnia saecula, of his Father before all worlds, Deum de Deo, lumen de lumine, God of God, light of light, Deum verum de Deo vero, genitum Very God of very God, begotten, not non factum, consubstantialem Patri, made, being of one substance with per quern omnia facta sunt, qui the Father by whom all things propter nos homines et propter were made; who for us men and for nostram salutem descendit de coelis. our salvation came down from heaven. Quartet Et incarnatus est de Spritu sancto And was incarnate by the Holy Ghost of ex Maria virgine, et homo factus est. the Virgin Mary, and was made man. Chorus and Quartet Crucifixus etiam pro nobis sub Pontio And was crucified also for us under Pilato, passus et sepultus est. Pontius Pilate, suffered and was buried Life Insurance is the most personal product you'll ever buy ... make sure your agent is a professional who cares about you. Tom Flournoy,III,CLU 2 Peachtree St. Atlanta

DANCE TILL THE OUI HOURS IN THE INNER CIRCLE. The Inner Circle brings a touch of in a cozy corner. The Inner Circle is romance to the world;s tallest hotel. open from 8 PM until 2 AM Monday It's a special entertainment room with through Saturday. But the oui hours a lush, contemporary atmosphere. are the best part of anyone's day. Enjoy your favorite beverage with your favorite person. Dance the night PEACHTREE PLAZA HOTEL IN PEACHTREE CENTER away and watch our'exciting live WESTERN INTERNATIONAL HOTELS floor shows. Or just sit and whisper Partners in travel with United Airlines NOTES (continued) Basso solo Et resurrexit tertia die secundum And the third day He rose again according scriptures, to the Scriptures, Chorus Et ascendit in coelum, sedet ad And ascended into heaven, and sitteth dexteram Dei Patris, et iterum venturus on the right hand of God the Father; est cum gloria judicare vivos et and He shall come again with glory to mortuos, cujus regni non erit judge both the quick and the dead; finis. whose kingdom shall have no end. A Ito solo Et in spiritum sanctum Dominum And (1 believe) in the Holy Ghost, et vivificantem, the Lord and Giver of Life, Tenor, Bass and Soprano solo qui ex Patre Filioque who proceedeth from the Father and the procedit qui cum Patre et Son together is worshipped and simul adoratur et conglorificatur, glorified, Chorus qui locutus est per Prophetas. who spake by the Prophets. And (I believe) Et unam sanctam catholicam et in one holy Catholic apostolicam ecclesiam. and Apostolic Church. Confiteor unum baptisma in 1 acknowledge one baptism for remissionem peccatorum. remission of sins. Et expecto resurrectionem And I look for the resurrection mortuorum, et vitam venturi of the dead, and the life of the saeculi. Amen. world to come. Amen. IV. SANCTUS Chorus Sanctus, sanctus, sanctus, Dominus Holy, holy, holy, Lord God of host, heaven Deus Sabaoth, pleni sunt coeli et and earth are full terra gloria ejus. of His glory. Hosanna in excelsis. Hosanna in the highest. Quartet with Chorus Benedictus qui venit in nomine Blessed is he who cometh in the Domini. name of the Lord. V. AGNUS DEI Chorus with Quartet Agnus Dei, qui tollis peccata O Lamb of God that takest away mundi, miserere nobis. the sins of the world, have Dona nobis pacem. mercy upon us. Grant us peace.

Text for Schicksalslied, Op. 54 Ihr wandelt droben im Licht Ye move up yonder in light Auf weichem Boden, selige Genien! on airy ground, O blessed spirits. Glainzende Gotterlufte Radiant winds etherial Ruhren Euch leicht, O’er you play light, Wie die Finger der Kunstlerin As the fingers inspired that wake Heilige Saiten. Heavenly lyre chords. Schicksallos, wie der schlafende Free From Fate, like the slumbering Saugling, atmen die Himmlischen; Suckling, breathe the immortals. Keusch bewahrt Pure unsullied. In bescheidner Knospe In bud that enfolds it BUY A BOOK(Available atFROM your local book store) GEORGIA SKETCHING AND ROSWELL HISTORIC ETCHING GEORGIA HOMES AND FIFTY ETCHINGS AND LANDMARKS DRAWINGS by Ledlie A collection of drawings William Conger with text by by Ernest E. DeVane with Ruth Dunlop Conger. A text by Clarece Martin. history of antebellum Published by the Roswell homes and landmarks of Historical Society, Inc Georgia. Hardcover with jacket Hardcover with jacket $10.00 retail $30.00 retail HISTORIC CLAYTON FURNITURE OF THE COUNTY HOME OF GONE GEORGIA PIEDMONT WITH THE WIND by Terry BEFORE 1830 by Henry D. Bakken. Acharming history Green. This beautifully of Jonesboro and Clayton illustrated catalogue is a County published by bicentennial project of the Historical Jonesboro, Inc. High Museum of Art. Hardcover Quality oversized softback $9.95 retail $7.95 retail A GLIMPSE OF THE PAST GEORGIA WOMEN — A THE HISTORY OF by the CELEBRATION BullochHall BULLOCK HALL AND American Assn, of University Women. A book ROSWELL GEORGIA by Clarece Martin. Restored from Cousaponakeesa classic home built in 1840 GEORGIA to our twentieth century WOMEN by slave labor. scientists Dr. Evangeline Quality softback Papageorge and Dr. Jane $1.50 retail Russell Wilhelmi. Quality softback $3.95 retail WINNING HIS HEART IN THE KITCHEN Recipes for FIND YOUR OWN WAY IN any woman to win her man! DOWNTOWN ATLANTA Tested and proven favorites. by Karl & Linda Woodworth. May the best cook win! A walking tour and street­ By Diana Darr level guide to interesting Spiral softback and exciting facts about old $5.50 retail and new Atlanta. Quality softback MISSION POSSIBLE by with map Rev. Wildorf E. Goodison- $2.50 retail Orr. A meaningful message of spiritual growth is AFRICAN ART THE WEST GUINEA lovingly presented by this COAST catalogue contains well known “minister illustrations from this of love.” coastal region drawn from Quality softback the outstanding African $2.00 retail art collection of William and Robert Arnett. I Quality oversized softback FROCKED IN GOLD THE The WEST GUINEA COAST $5.00 retail STORY OF FRANK MACK AND HIS WORK by CAMEROON designed and Elizabeth Russell Mack, published by William S. Including 24 full color and Arnett. A highly graphic 20 black & white catalogue representative reproductions by this of the first comprehensive famous Atlanta artist. show of Cameroonian art Hardcover since the French Colonial $15.00 retail expositions in Paris and Naples in the 1930s. Quality oversized softback Complete book publishing service $6.50 retail for authors & organizations since 1910.

THE TAMING OF THE TONGUE by Elaine Murray Stone. A re-issue of a life­ changing softback, which PRINTING AND PUBLISHING COMPANY helps us overcome our conger old nature by controlling 1619 CHATTAHOOCHEE AVENUE. NW our speech. ATLANTA, GEORGIA 30318 $1.50 retail TELEPHONE (404) 352-1910 NOTES (continued) Bluhet ewig Blooms for aye, for Ihnen der Geist, Flower of their spirit, Und die seligen Augen And the eyes of the blessed Blicken in stiller, gaze in tranquil Ewiger Klarheit. Brightness eternal. Doch uns is gegeben But to us is it given, Auf keiner Statte zu ruhn; In no abiding place to dwell; Es schwinden, es fallen We vanish, we stumble, Die leidenden Menschen We suffering mortals Blindlings von einer Blindly from one brief Stunde zur andern, Hour to another, Wie Wasser von Klippe Like water from boulder Zu Klippe geworfen, to boulder flung downward Jahrlang ins Ungewisse hinab. Year by year to the dark Unknown below Text by Friedrich Holderlin Text for Nanie Auch das Schone muss sterben! Das Even Beauty must perish: though mortals Menschen und Gotter bezwinget, and gods it have vanquished, Nicht die eherne Brust ruhrt es des Not the fast-steeled heart it moves of the stygischen Zeus. Stygian Zeus. Einmal nur erweichte die Liebe den Only once, at the pleading of Eros, the Schattenbeherrscher, Ruler of Hades relented; Und an der Schwelle noch, streng, rief er Ruthless, e’en then, he recalled from the zuruck sein Geschenk. threshold of freedom his boon. Nicht stillt Aphrodite dem schonen No balm Aphrodite could bring to the fair Knaben die Wunde, boy, sore wounded, Die in den zierlichen Leib grausam der There where his tender flesh, fierce and Eber geritzt. cruel, the wild boar had torn; Nicht errettet den gottlichen Held die Nor the mother immortal give life to her unsterbliche Mutter, god-like hero Wenn er, am skaischen Thor fallend, sein When at the gates of Troy falling, his fate Schicksal erfullt. he fulfilled. Aber sie steigt aus dem Meer mit alien But she doth rise from the sea, with all Tochtern des Nereus. the daughters of Nereus, Und die Klage hebt an um den verherrlich- And lifting her voice in lament, mourns for ten Sohn. her glorified son. Siehe, es weinen die Gotter, es weinen die See how they weep, the Immortals, see the Gottinen alle, goddesses all, they are weeping Dass das Schone vergeht, dass das For that Beauty must fade, that the Perfect Volkommene stirbt. must die! Auch ein Klaglied zu sein im Mund der To be even a song of lament on the lips of Geliebten, ist herrlich, the loved one, is glory: Denn das Gemeine geht klanglos zum For know, ’tis the common lot to go down Orkus hinab. to Orkus unsung! (Copyrighted) Text by Schiller Translation by Strettell Text for Gesang der Parzen Es fiirchte die Gotter In fear of the Gods Das Menschengeschlecht! All mankind shall walk! Sie halten die Herrschaft They hold the dominion In eqigen Handen, In hands everlasting, Und konnen sie grauchen and even as they will it, Wies ihnen gefallt Their power they can wield. Der furchte sie doppelt, That man fear him doubly, Den je sie erheben! Whom they have exalted, nutumn chace Various Home Designs with Two to Four Bedrooms from $65,000. On Barfield Rd. at Mt Vernon Hwy. Models Open Daily Ten to Six. Call 393-0114. NOTES (continued)

Auf Klippen und Wolken On cliffs and clouds Sind Stuhle bereitet Are places made ready Um goldene Tische. Round golden tables. Erhebet ein Zwist sich, If there be dissension, So sturzen die Gaste, The guests forth are hurled, Geschmaht und geschandet, with wrathful reviling, In hachtliche Tiefen, To blackness abysmal, Und harren vergebens, And vainly they wait there. Im Finstern gebunden, In thraldom and darkness, Gerechten Gerichtes. For judgement with justice. Sie aber, sie bleiben But they dwell forever In eqigen Festen Mid festal rejoicing An goldenen Tischen. at golden tables, Sie schreiten vom Berge From mountain to mountain Zu Bergen hinuber: serene they go striding: Aus Schliiden der Tiefe From Tartarus’ deep mounts Dampft ihnen der Atem Toward them the breath Erstickter Titanen, The Titans they smothered. Gleich Opfergeruchen, Like reek from the alter Ein wenden die Herrscher a light vapor floating. Es wenden die Herrscher The rulers above turn lhr segnendes Auge Their countenance gracious Von ganzen Geschlechtern, From whole generations Und meiden, im Enkel unwilling, in grandchild Die ehmals geliebten, the beloved, Still redendenZuge still mute pleading features Des Ahnherrn zu sehn. of grandsire to see So sangen die Parzen; So chanted the sisters; Es horcht der Verbannte In deeps full of darkness, In naichtlichen Hohlen, sits lone the old exile Der Alte, die Lieder, and harks to their singing, Denkt Kinder und Enkel He thinks of his children Und schuttelt das Haupt. and slow shakes his head. Text by Goethe Translation by Florence T. Jameson GUEST ARTISTS _ YVONNE CIANNELLA She has recorded on the Vox Turnabout, Soprano Yvonne Ciannella is a native RCA and Phillips labels. New Yorker who has pursued a highly Miss Ciannella appeared as soprano successful singing career on both sides of soloist in Benjamin Britten’s War Requiem the Atlantic. with the Houston Symphony conducted by A Fulbright grant for advanced study at Robert Shaw. the Mozarteum in Salzburg led to an Her last appearance as an assisting artist extended stay in Germany where she sang with the Atlanta Symphony was in May of the principal roles in thirty major operas, 1976 in another Bach, Brahms, Beethoven appeared as visiting soloist in both program. She is a member of the artistic operatic and concert performances in faculty at Florida State University. Stuttgart, Hamburg, Cologne, Frankfurt, Berlin and Vienna, and sang on West MARIANN1 BUSCHING German and Austrian radio and TV. Born in St. Paul, Minnesota, Miss She has made major concert Busching resides now in South Carolina appearances in New York City’s Town where she had been studying for a Master Hall, Carnegie Hall and Avery Fisher Hall. of Music Degree in Vocal Performance at The perfect beginning to any per­ formance at the Atlanta Memorial Arts Center is our Pre-Performance Buffet. Dinner is from 6:00 p.m. to 10:00 p.m., and the special price of just $7.50 per person includes a lavish assortment of delicious food, plus tax, tip and a glass of wine. Parking is free with validation. Reservations are required. Please call 892-7960 and request the Pre-Performance Dinner. And let Olympic Chef Franz Eichenauer show you one great per­ formance before you cross the street for another. cRoom Atop the Colony Square Hotel Peachtree and Fourteenth Streets

DO YOU HAVE A SCHOLAR-ATHLETE-ARTIST or an average Joe or Jane? If so, we have a program for you at

A $1,700 000 building program in progress to be completed in the school year 1977 $1,000,000 Fine Arts Center — Middle School New Library Addition — 7 New Tennis Courts New Administration Building For information on all schools and programs write or call: Admissions Director, (404) 761-8881 P. 0. Box 87190-K COLLEGE PARK, GEORGIA 30337 Woodward Academy Administers a Non-Discriminatory Admissions Policy For Boys and Girls Boarders and Day Students ARTISTS (continued)

Converse College, and is a student of Jane soloist for Berlioz’s Requiem which was Frazier Rolandi in Spartanburg. Miss performed October 1976. Busching’s musical training includes years of piano study and voice training. Her recent credits include performances with the Spartanburg Symphony and Chorus, PETER HARROWER Clemson Civic Choral and the Brevard Peter Harrower, a native of Atlanta, Music Center Resident Opera Company. began his musical training after graduation Last year Miss Busching presented a recital from Georgia Tech. He was a pupil of the on the Clemson University Chamber late Viennese soprano, Margaret Hecht, Music Series and won the National and spent four years in Italy and Austria as Federation of Music Club’s Young Artist the recipient of two Fulbright awards and a Award for the Oratario Division. Rockefeller grant. Included in Miss Busching’s operatic While in Europe he carved for himself an repertory are the mother in Menotti’s enviable reputation as a gifted interpreter Amahl and the Night Visitors; Zita in in both the operatic and the oratorio Puccini’s Gianni Schicchi; and La repertoire. His operatic debut at Spoleto, Princessa in Puccini’s Suor Angelica. Italy, led to appearances in many of the Ms. Busching last appeared as an leading opera houses of the Continent assisting artist with the Atlanta Symphony including those of Rome, Munich, in May of 1974 when she was Soprano (11) Stuttgart, and Vienna. He was heard as for Bach’s Mass In B Minor. soloist with the orchestras of Florence, Milan, Turin and with the Orchestra of Santa Cecilia in Rome. SAMUEL HAGAN His return to the United States has Samuel Hagan is a native of Atlanta, a brought appearances throughout the graduate of Clark College, and teaches country. He has sung with the Lyric Opera biology and chemistry at Atlanta Jr. of Chicago, the San Francisco Spring College. He is pursuing a Ph.D. in Bio­ Opera, the Cincinnati Summer Opera, the chemistry at Emory University. Houston Grand Opera, the Baltimore His musical career had its beginning Civic Opera, and for seven consecutive with selection as a finalist in the Young seasons at the Santa Fe Opera, in roles that People’s Concert Competition in 1961 run the gamut of the bass-baritone conducted by a former Atlanta Symphony repertoire. conductor, Henry Sopkin. Hagan, In the field of concert and oratorio, he is although a student of biology, attended in constant demand and is especially noted college on music scholarships. as a gifted interpreter of Bach and Haydn. He has sung numerous roles with the He has been a frequent soloist with many Emory Opera Theatre and sang ninety of the leading orchestras of the United performances as Don Jose in Carmen for States, including those of Philadelphia, the Atlanta Opera Company. He has also Cleveland, Chicago, Los Angeles, and performed a number of solo recitals in Atlanta. Atlanta. His appearances at the Cincinnati May Recently, Hagan sang in a production of Festival, the Hollywood Bowl, the Porgy and Bess with the Cleveland Caramoor Festival, and in Canada with Symphony at the Blossom Music Festival. the Toronto Symphony and the Canadian The performance was recorded for Broadcasting Company, serve to point up London Records. the broad experience of this brilliant and He performed in James Levine’s, the many-faceted artist. music director of the Metropolitan Opera His last performance with the Atlanta of New York, production of Porgy and Symphony was last spring in another Bess at the Cincinnati May Festival. Bach, Brahms, Beethoven program. He is a Hagan’s last performance with the member of the voice faculty at Georgia Atlanta Symphony Orchestra was as a State University. c 1975 Commonwealth of Puerto Rico In tonight’s martini rt of gin and vodka will be played by white rum.

White rum from Puerto Rico in a nationwide test. That’s because will finally play the role its distinctive all white rum from Puerto Rico is clarity and smoothness have so well aged for at least a year—by law. prepared it for. White rum is ready to take a In fact, white rum has already leading role in the martini. proven itself in rehearsal. It beat gin Like any new star, all it and vodka on taste and smoothness needs is a chance. PUCRTO RICRH RUIT1S ATLANTA SYMPHONY ORCHESTRA CHORUS ROBERT SHAW, Conductor MARILYN WALTHALL, Accompanist

Soprano I Soprano II Alto I Alto II Dawna Abel Ann Askew Marja Barron Carol Brown * Cheryl, Bray ' Mary Kay Burnett ’ Rita Bissell Jane Carry Jeanne Brown Sandra Burroughs • Carole Conklin Alice Cordes Penelope Byrns * Emily Clark Bette Culver Phyllis Cornwell * Elizabeth Colson * Elizabeth Dixon Dorothy Davis Lynn Cox ‘ Darlene Conrad Harriett Hardy ’ Judith Flint • Joyce Culpepper Donna Cowart ’ LuAnn Holden • Donna Foster ■ Mary Hall ' Barbara Delon ■ Betty Jo Hollon Kathryn Fraser • Rusty Harris ‘ Rosemary Dixon ■ Carol Lineberger Beverly Greene Olive Kellum * Peggy Dutton Marilyn McLeod Frances Harrold Susan McCarthy Donna Easterling Carol Myford Janet Hubler ’ Joan Maki Leanne Fjetland * Elizabeth Nesmith • JoAnn Hunsinger • Kathleen New ' Nola Frink Deborah Newman ‘ Jennifer Jung Frances Orowski * Gloria Garrett * Rowena Renn ■ Bonnie Kendrick Linda Rainey Melanie Genovese Deborah Rieck • Ai-Lien Li ■ Rise Ray Jo Grodzicki Althea Robinson Wanda Lynn ■ Elizabeth Rice ' Sara Hall Phoebe Snow Eda Mathews Carol Schwartz Elizabeth Irnig Dietre Sutton Genevieve Miller June Stewart Maryella Jackson ■ Carolyn Thomas Martha Osborne ■ Susan Stigall ‘ Rebekah Kinsey Kay Tucker Alexis Parker Mary Tewell Margaret Liu Karen Williams Lynn Prickett Alice Weisgerber Phoebe Pomeroy * Sue Williams Louise Otto ' Claudia Womack * Kelly Reece Derin Wilsden • Regina Ray Hiroko Yamashita Melissa Russell Jane Youngquist • Lisa Scarborough Pauline Shields ‘ Suzanne Shull • Edith Skinner Miyoko Tsukamoto ■ Jacquelyn Turner • Nancy Wilson

Tenor I Tenor II Bass I Bass II ■ Gary Bangstad * Douglas Carlyle ■ Buron Buffkin * Wayne Baughman John Beasley ■ John Clovis Douglas Bunker James Blackwell • Robert Brendsel ‘ Karl Day Charles Claiborne * John Cooledge ' Stephen Coffey Mike Donehoo • Rick Copeland Kevin Culver • Hugh Deen ’ Richard Felner Philip Cordes * John Currie ■ Billy Densmore ■ Ben Gatlin • Philip Craig Alan Gould Hugh deSaram Ralph Gaston • Wilkes Davis * Charles Hamilton ‘ Paul Eichner Mark Gresham Richard Flinn Delbert Hart Joseph Gegan Larry Hogan ‘ Jerry Goulding Kenneth Headley • Philip Hooper Nicholas Jones Andrew Hoeckele Dudley Hinds ■ Robert Mathis ‘ Rollin Mallernee • Robert Johns Robert Otto • Charles Redmon Ronald Markette Hampton Kicklighter ■ Edward Mallory ■ Doyle Register * Tom Roberts • Robert Lower * Charles Moon • Steven Rudy ■ Fred Schlosser ■ Wallace McLeod Robert Pulliam • Dennis Samchok ‘ James Sikes • Thomas Matthews Henry Rhodes • Amos Smith Ronald Van Hall ‘ Walter Michels David Ross ’ Robert Snead ‘ Larry Walker Roland Mouchette Ralph Roughton ' George Starke • James Robinson Mark Swanson Edward Van Horn • David Shively * Cornelius Watts James Walters ■ Kendric Smith * Ivan Woods ■ George Stansbury Mark Thomas • Lynn Thompson Thomas Underwood Donald Vann ■ Edward Watkins • Ralph Webb Kenneth Williams • Chamber Chorus Low price time For information on the series tickets available for next season, or details on any clock helps small of the various subscription plans, phone companies meet Ms. Dee-Dee Walters, season ticket strict requirements director at 892-3600. Ext. 253. of wage-hour law April Activities Around the Symphony April is the month of activities for many of the Atlanta Symphony’s organizations. For the Atlanta Symphony Orchestra Chamber Chorus, April 15 and 16, are the dates of the third spectacular choral special which has been scheduled for the 1976-77 season. Robert Shaw will conduct a program of “The Three B’s” which will include works by the great masters of music, Bach, Beethoven, and Brahms. This is not a regular subscription LATHEM TIME RECORDER COMPANY concert, but the final choral special of the 200 Selig Dr., S.W., Atlanta, Ga. 30336 season, so be sure and purchase your Telephone 404/691-0400 tickets now at the box office. TIME RECORDERS The symphony has only five regular PROGRAM TIMERS subscription concerts left for the season TIME STAMPS before beginning their summer concerts. WATCHMAN CLOCKS Aside from violinist Pinchas Zukerman, who will perform April’s first series of concerts, all of the remaining guests and artists will be pianists.

Horacio Gutierrez James Tocco With Robert Shaw conducting, pianists Lee Luvisi, Horacio Gutierrez, and James Tocco will help wrap up the Symphony’s spectacular 32nd subscription concert season. After their performances, one concert remains, and what finer program could be scheduled for concert number 24, than Verdi’s Requiem as performed by the nationally acclaimed Atlanta Symphony Orchestra and Chorus with soloists. At this time the soloists will be Gordon Greer, tenor; John Cheek, bass-baritone; and Betty Jones, soprano. Atlanta Symphony Orchestra Robert Shaw. Music Director and Conductor

Thursday. Friday, & Saturday, 8:30, April 21, 22, & 23 ROBERT SHAW Conducting LEE LUVIS1, Pianist I ” PROGRAM

ROSSINI Overture to “La Gazza Ladra” (1817)

1BERT * Tropismes pour des amours imaginaries Allegro vivace Meno lento Andante Allegro Allegro vivace Larghetto-Andante tranquillo Animato—Andante tranquillo Stesso temps « Allegro vivace

INTERMISSION N BRAHMS Concerto No. 2 in B-flat major for Piano and Orchestra, Op. 83 (1881) Allegro non troppo Allegro appassionato Andante Allegretto grazioso

* United States premiere This concert will be broadcast on a delayed basis by Atlanta Public Radio. WABE-FM, 90.1, Tuesday evening at 8:30.

The use of cameras or recording devices during concerts is strictly prohibited. Guffey’s iiii______of Atlanta April at the Women's Association Atlanta’s Finest § The Junior Committee under the Clothing leadership of President, Mrs. Barry for Men Mundt and Showhouse Chairman, Mrs. DOWNTOWN: N Michael L. Lowry will be raising funds for PEACHTREE CENTER (BEHIND THE SCULPTURE) the Atlanta Symphony by sponsoring its UPTOWN: § annual Decorators’ Showhouse. TOWER PLACE (AT PIEDMONT ENTRANCE) N Each year Atlanta’s finest interior designers collaborate in rejuvenating one of Atlanta’s older homes. The house is then open to the public, and the Women’s Association sets up a gift shop, a tearoom and a tavern where refreshments are sold. Proceeds are then obtained from the ❖ FAVORITES FROM THE FAST sale of admission tickets; furnishings within the home; decoupages, ceramics, ❖ specializing in needlework, etc., from the Symphony f DOLLHOUSES and MINIATURES Shop; house and bedding plants from the greenhouse, and from the sale of ❖ CLASSES refreshments. * HOURS: TUES. - SAT. This year’s house, which is known as * 10-4 “Knollwood” is located at 3351 f ILLUSTRATED CATALOG $1.00 Woodhaven Drive N.E. It will be open to *:* 2951 HARRIS ST., KENNESAW, GA. 30144 the public from April 16 through May 8. * 427-3921 Hours will be from 10:00 a.m. until 4:00 ••• ••• *•* *♦* *•* *•* *•* *•* ••• *♦* *♦* *•* *•* *•* *•* ••• *•* p.m., Monday through Saturday, except for Tuesdays and Thursdays when the house will remain open until 9:00 p.m. Sunday hours are from 1:00 p.m. until 4:00 p.m. PINKERTON & LAWS BUILDS THINGS. Welcome Delegates of WASO REMEMBER THAT. The Atlanta Symphony greets the delegates to the twenty-first Biennial THE PINKERTON & LAWS COMPANY Conference of the Women’s Association Member Associated General Contractors of America for Symphony Orchestras, WASO, and 1965 North Park Place welcomes them to Atlanta. Atlanta 30339 / 432-0171 WASO is holding their convention in Atlanta from April 25 through 29, and will attend one of the symphony’s concerts Santes during their stay. There are about 150 delegates Duum representing the major U.S. and Canadian orchestras. These delegates are, in the main, presidents of their Women’s Associations and Junior Committees. Most serve on their orchestra’s Board of Fondues Sponsors, and all are keenly interested in every aspect of an orchestra’s vitality, Atlanta's finest JAZZ health and welfare. We are particularly proud to announce UNDERGROUND ATLANTA RESERVATIONS 577-1800 that the chairman of the Atlanta conference is Mrs. Drew R. Fuller, a PROGRAM NOTES by David Hinshaw

Overture to "La Gazza Ladra" Hopefully we can assume that he meant Gioacchino Antonio Rossini (1792-1868) Tropismes pour des amours imaginaires For someone who was considered by (Tropisms for imaginary loves) to be Beethoven to have no talent Rossini included in that number of twenty. This managed fairly well. In fact he was able to work was his last symphonic composition retire at the age of 37 having written 40 which lay undiscovered in a cardboard box operas. until 1974. It has never been performed in At age fifty-six he was asked to advise a the United States until tonight. young composer on how to write the Tropisms is a kaleidoscope of dance overture to an opera. This is what he wrote: forms: waltz, pavane, sarabande, First general and invariable rule: Wait barcarolle, tarantelle, and saltarelle. It is for the eve of the first performance before divided into nine unifying movements: composing the overture. Nothing is Allegro vivace, Meno lento, Andante, better for inspiration than necessity, the Allegro, Allegro vivace, Larghetto- presence of a copyist waiting for your work, sheet by sheet, and the sinister Andante tranquillo, Animato-Andante spectacle of the impressario tearing his tranquillo, Stesso tempo, and Allegro hair in desperation. All true masterpieces vivace. Within each of these sections one in this form have been written thus . . . can hear the influences of American jazz, Third recipe: I wrote the overture to La Italian dance music, the German lied, and Gazza Ladra not on the eve but on the Russian romanticism. very day of the first performance, up under the roof of La Scala . . . watched Concerto for Piano and Orchestra over by four stage hands. This quartet of No. 2 In B Flat Major, Op. 83 executioners had been ordered to throw Johannes Brahms (1833-1897) my overture, phrase by phrase, out of the Always known for his modesty and window to the copyists in the courtyard understatements Brahms wrote to his close below, who then delivered the parts to the friend, Elisabet von Herzogenberg, “I first violin to rehearse. In the event of there being no music to throw into the don’t mind telling you that I have written a courtyard, the barbarians had orders to tiny, tiny pianoforte concerto with a tiny, throw me to the copyists. . . . tiny wisp of a scherzo ...The “tiny tiny” The Overture to La Gazza Ladra was concerto to which Brahms was referring completed and copied in time for its became the longest concerto in the performance. The first two productions, repertoire—forty-five minutes in length. however, were total failures. Undaunted The “tiny, tiny wisp of a scherzo” is the Rossini took it to Milan where it received powerful and lengthy second movement. the highest of accolades. The second concerto was not intended to The work begins with stereophonic be a symphony as was the case with the first snare drums followed by the march-like concerto. However, Eduard Hanslich, the main theme with its virtuosic solo sections leading pro-Brahms critic, called this for woodwinds and horns. second concerto, “a symphony with piano It is scored for piccolo, flute, two oboes, obbligato.” Also like a symphony this two clarinets, two bassoons, four horns, concerto contains four movements instead two trumpets, trombone, timpani, two of the usual three in concertos. military (snare) drums, bass drum, triangle We are given an insight into the and strings. difficulties of this work in the book, Brahms—His Life and Work by Karl Tropismes pour des amours imaginaires Geiringer: Jacques Ibert (1890-1962) This work is extremely hard to master “I have written twenty important works technically, because of its massive chords, its wide span, its passages in since Escales, but when they speak of Ibert, octaves, third and sixths, and its they talk about Escales!" So complained complicated rhythm. Greater still are the Jacques Ibert, the twentieth century demands it makes of the intellect and French composer, who indeed, to the understanding of the player. The soloist average concert goer, is known almost must not only succeed in asserting exclusively for Escales. himself; he must also share, as an equal Illi

member of the Board of Sponsors, treasurer of the Atlanta Symphony Orchestra League, and past president of the Atlanta Symphony Women’s Association.

Continue Support a tradition among gentlemen. The Atlanta Symphony would like to thank everyone for their support of this H. STOCKTON - ATLANTA INC 80 Forsyth Street. N.W. Lenox Square year’s programs, and ask continued participation for the remaining concerts, and the summer season.

HIGH MUSEUM OF ART European Ceramic Series at High Museum The Ceramic Circle of Atlanta and The High Museum of Art are co-sponsoring a two-day lecture series on Eighteenth and GITTINGS early Nineteenth Century European THE PORTRAIT PHOTOGRAPHERS ceramics. Guest speaker will be John P. OF ATLANTA Cushion, recently retired Senior Research Officer in the Ceramics Department at the Victoria and Albert Museum in London. Mr. Cushion will present the following slide lectures in the Walter C. Hill Auditorium: April 4 at 10 a.m. “Meissen and Other Major German Factories,” 8 p.m. “The Porcelains of France,” April 5, 1 p.m., “English Ceramics,” 8 p.m., “The Life and Wares of Josiah Wedgwood and His Contemporaries.” Admission is $2.00 per lecture or $5.00 for the series.

Films About Calder Programs featuring short docu­ mentaries about Alexander Calder will be presented in the Walter Hill Auditorium on April 10 and May 1. These events are A ROMANTIC'RESTAURANT free. The Works of Calder (20 minutes, color): produced and narrated by Burgess Meredith with music by John Cage, this film presents an abstract interpretation of the artist’s work that suggests parallels to Container familiar forms and movements in nature. GOURMET FOOD • SPIRITS • GIFTS Greet Sail (10 minutes, color) follows Calder as he supervises the workmen LENOX SQUARE assembling his Great Sail stabile on the behind Davison's at E. Paces Ferry campus at M.I.T. The Calder Man (15 Sun.-Thurs. Fri. & Sat. 11 am.—11 p.m. 11 a.m.—1 a.m. minutes, color) shows Calder at work in his 262-7872 studio at Sache, France, as well as the fabrication and installment of the 67-foot, NOTES (continued)

partner, with the other instruments of the The slow movement has one of the most orchestra in the development of the expressive melodies Brahms wrote. Here it work, or he must content himself with the is assigned to the solo cello. The piano role of accompanist. The piano part is replies in rich and lush harmonic structure. hardly more gratifying than that of a The middle section is one of agitation and chamber-music work, although it virtuosic activity. A return to the first idea demands the technique of a virtuoso... . begins the close of this movement. Prior to the exposition a brief prelude The last movement does not compete between the soloist and orchestra is played. with the second movement in intensity. The development section is lengthy and Instead Brahms had the good judgement to inventive. The recapitulation is marked by make it a happy, dance-like rondo. Passing the quiet return of the horn solo. through at least three ideas the first subject The scherzo is the second movement. is introduced by the woodwinds. The work It begins similarly to the finale of the first continues to introduce a second subject by concerto with fire and yet reflection. The the pizzicato strings. With these ideas the first theme is a turgid rhythmical melody. composer builds a structure so light and The second theme is a tranquil melody graceful that one hardly realizes how solid stated by high strings. The trio is marked it is, how able to withstand the buffeting of by the return of the first subject this time in familiarity and repeated exposure to ears a major key. Instead of the traditional da both curious and critical. A brisk triplet capo after the trio Brahms has used a sort rhythm brings on the coda which drives the of free recapitulation. work to its conclusion.

The broadcast of tonight's concert, which can be heard on Atlanta Public Radio, WABE-FM, 90.1, at 8:30 p.m., on Tuesday evening, is made possible by the special permission of the Atlanta Federation of Musicians, Local 148-462, the Atlanta Symphony Players’ Association and with the support of the Georgia Council for the Arts and the National Endowment for the Arts.

GUEST ARTIST

LEE LUVISI Luvisi studied there under Dwight After more than two Anderson. He then went to Philadelphia’s decades of continuous Curtis Institute of Music where upon his concert giving, Lee graduation he became the youngest faculty Luvisi, pianist, has member in the history of that institution. become one of the most In 1962 he returned to make Louisville his highly respected artists home and assumed the position of Artist in on today’s musical Residence at the University of Louisville. scene. The Cleveland He is also now chairman of the piano Press wrote, “By virtue department at the university. of his musical clarity, conviction and authority, Luvisi ranks with the best After more than two decades of pianists performing today. He is first rate continuous concert giving, he is one of the in every respect.” most highly respected artists on today’s The integrity of Luvisi’s music-making musical scene. The integrity of Luvisi’s has won him not only the public’s music-making has won him not only the admiration, but more uncommonly that of public’s admiration, but more uncom­ his colleagues in the profession. monly that of his colleagues in the Born in Louisville, Kentucky, in 1937, profession. Illi______

46-ton stabile at Expo ’67 in Montreal. Looking For A Business Home? Programs are as follows: April 10, “The Works of Calder” and “Great Sail,” 3 p.m.; May 1, “Great Sail” and “The Calder John Hunsinger Man,” 3 p.m. & Company Short Films From Canada Commercial and Industrial Real Estate 1819 Peachtree Road, Northeast Beginning at 8 p.m. each night, two 404 • 351 *6813 programs of award-winning short films Chicago, Denver, San Francisco, Dallas, Tokyo, Paris from Canada will be presented in the Walter C. Hill Auditorium, April 20-23. Each 90-minute program will consist of a variety of animated, experimental, and documentary movies, many from the ./tonkin National Film Board of Canada. Schedule and film titles will be announced. This event is sponsored by the Canadian Consulate General of Atlanta and there is ”"s?DITIu/k no admission charge.

The world's finest record, VAGABOND MARIONETTES stereo and music dealer Vincent Anthony’s Vagabond Marionettes opened Jungle Book March 25. It is the third and last show of this group’s season in the Studio Theatre of the Atlanta Memorial Arts Center. This Rudyard Kipling tale will run through May 21 with performances daily for school groups at 10 a.m. and 11:30 a.m. and Saturdays for the general public at 11 a.m., 1 p.m. and 3 p.m. Tickets are on sale at the Atlanta Memorial Arts Center box office. Reservations may be made by calling 524- Harper’s Flowers 2095 or 873-3089 for weekdays and 892- 1201 West Peachtree Street, N.E. 2414 for Saturdays. Rudyard Kipling’s 876-5766 brilliant classic Jungle Book tells the story accept all major credit cards. of a boy found wandering alone in the jungle. As the wolves did in ancient Rome so Akela and his wolf pack adopt the little DINE AND DANCE boy and call him Mowgli. He grows up to AMONG THE STARS love and understand all his jungle friends. All except one, Shere-Kahn, a fierce tiger who vows to kill him. The unique feature of this adaptation is it's use of the environmental approach. “The idea,” states director Vincent Anthony, “is to give the audience a feeling of being in the jungle. That mysterious land where animals and people 590 WEST atop<5to«^w-i ATLANTA HOTEL communicate freely. A fantasy world where life is young and adventurous and 590 West Peachtree Street full of unexpected joys and danger.” Atlanta Symphony Orchestra

ROBERT SHAW Music Director and Conductor MICHAEL PALMER Associate Conductor and EXXON/Arts Endowment Conductor John Head Assistant Conductor John Naskiewicz Conducting Fellow

The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation

VIOLIN* FRENCH HORN William Steck Kathleen Kee Brice Andrus Concertmaster Bruce Klingbeil Principal Martin Sauser Larry LeMaster John Henigbaum Nan Maddox Co-Concertmaster Assistant Principal Robert Harrison Bonita Potts Thomas Witte Associate Concertmaster Paul Warner Christopher Scheufler Willard Shull BASS* TRUMPET Assistant Concertmaster Dale Schmidt David Arenz John Head Principal Principal Principal Second Violin Jane Little Oscar Pereira Joseph Walthall Associate Principal Assistant Principal Assistant Principal Ralph Jones Second Violin Assistant Principal Prin. Second Trumpet John Adams Harvey Kaufman Larry Black Frances Arm Michael Kenady TROMBONE Sharon Berenson Thomas Thoreson Piotr Haase Harry Maddox Randolph Ujcich Principal Martha Reaves Head Wiley Weaver Homer Holloway Richard Hansbery Stephen Horvath FLUTE Donald Wells Mary Jacobson Warren Little BASS TROMBONE Ruth Little Principal Karen Matthews Paul Brittan Donald Wells David Myford Assistant Principal TUBA Thomas O'Donnell Prin. Second Flute Michael Moore Alice Oglesby Angela Allen Lorentz Ottzen TIMPANI Benjamin Picone PICCOLO Paul Yancich Susan Pitard Angela Allen Principal Carol Ramirez William Wilder Juan Ramirez OBOE Assistant Principal Ronda Respess Elaine Douvas Richard Robinson Principal PERCUSSION Patricio Salvatierra Elizabeth Camus Jack Bell Edward Scruggs Assistant Principal Principal Ann Pinney Steck Prin. Second Oboe Eugene Rehm Patricia Vas Dias Patrick McFarland William Wilder Frank Walton ENGLISH HORN HARP VIOLA* Patrick McFarland Judy Beattie Robert Jones Principal CLARINET KEYBOARD Peter Bertolino Norman Baker Alice Oglesby Assistant Principal Acting Principal PERSONNEL MANAGER Ardath Cohen William Rappaport John Detrino Douglas Smith Martin Sauser Manuel Diaz PERSONNEL MGR. EMERITUS Enid Jones BASS CLARINET Marion Kent Douglas Smith Harry Robkin Haskell Marrinson LIBRARIAN BASSOON Heidi Moss Nitchie David Hinshaw Robert Parcells Carl Nitchie Stephen Horvath, Ass't. Principal CELLO* Charles Nussbaum STAGE MANAGER Robert Marsh Assistant Principal Michael Destazio Principal Prin. Second Bassoon Patrick Noon, Ass't. Edmond Basson Daniel Dowdakin Assistant Principal CONTRA BASSOON Jere Flint * Players Listed Alphabetically Kay Gardner Daniel Dowdakin

ADMINISTRATIVE STAFF FRANK RATKA, General Manager PETER J. STELLING, Assistant Manager ROBERT A. HOLZER, Assistant Manager Audience & Concert Development Operations & Administration WILLIAM W. BROWN, Director of Public Relations MS. DEE-DEE WALTERS. Director of Season Tickets & Promotions RICHARD SABINO, Administrative Assistant MRS. IRENE MOORE, Asst. Dir. of Public Relations MISS NOLA FRINK. Choral Secretary MS. PAT PERRY, Fund Raising Coordinator MRS. MARILYN HAASE, Secretary, Women’s Assn. MS. MARY WALTON, Secretary MS. HILDA EVANS, Secretary MS. JANIS SMITH, Receptionist/Secretary SINCE 1948 HU______The production staff has transformed Dine the Studio Theatre into a make-believe Nearby jungle. Jim Geoffrey has designed before the leaves, vines and all the settings. Gary Max $ show has created the set of hand carved at marionettes including three replicas of Mowgli to be used for different purposes 1 CROSSROADS during the show. Cassandra Henning 21 restaurant and lounge 1556 peachtree st. open every day — 875-6375

Tours and Cruises ... by Air and Steamship

ATLANTA TRAVEL AGENCY |l" I 235 Peachtree St., N.E. — Suite 1817 Atlanta, Georgia 30303 — Alex Hitz, Jr. designed lights, Mitchell Edmonds wrote the stage adaptation and Barbara Snyder delicately created carved shadow puppets which takes us back in time. The puppeteers manipulating and creating voices for all the jungle creatures are Jan Matthews, Jim Geoffrey and Bob Ratterree.

ATLANTA CHILDREN'S THEATRE The Atlanta Children’s Theatre and the Atlanta Humane Society have joined forces this month to focus attention on the problem of endangered species, and the need for people to be more concerned about animals. A.C.T. continues its production through April 22 of Noah and the Great Auk written by company manager Bix Doughty. Doughty seeks to entertain youngsters while also moving them to be curious about what ever happened to the Auk. (Unfortunately man clubbed the bird to death a hundred years ago!) Other animals in the cast, the Lion, the Kodiak Bear, Barbary Sheep and Hyena are on the United States’ List of Endangered Fauna and are teetering upon extinction. Running concurrently with the play is an art exhibit in the Galleria of posters CALDER’S UNIVERSE created by Atlanta school children as part CALDER ILLUSTRATED BOOKS: of the humane society’s world-wide “Animals in Art” contest. The posters tell a ANIMAL SKETCHES story or convey a message on the subjects FABLES OF AESOP of proper pet care, endangered species and SELECTED FABLES rabies protection. Judges will select the winner Wednesday, April 13, and the four first place winners will compete against posters created by children of all nationalities later this summer. They also will be considered for use in various publications of the American Humane Association. Theatre-goers also will want to take a NOTE CARDS look at the pen and ink drawings of each animal in the play rendered by Steve Riggs, POSTCARDS son of A.C.T. ticket manager Carol Riggs. TOTE BAGS They are displayed inside the Alliance doors next to the photos of the people who T-SHIRTS portray the animals. Cast members are John Dance, Terry Browning, Eric Price, the museum shop Rob Zapple, Morgan Williams and THE HIGH MUSEUM OF ART Patricia Landon. master charge, bankamericard and C&S accepted ACTion Tennis Classic, one of the main fund-raising events of the A.C.T. Guild is scheduled for April 17 through May 7th. Once again it will be held at the West Paces Racquet Club with competition in the A, B, and C level ladies and men’s singles and doubles, and mixed doubles. Last year 630 players entered, making it one of the largest tournaments in the country. Chairman of the event is Mrs. Roderick G. Turner, Jr. For more information call 892-7607.

ATLANTA COLLEGE OF ART Nineteenth Century Plain Style Southern Cooking and Living Bea Nettles to Speak Ms. Bea Nettles, well-known artist­ Tullie's Receipts was compiled photographer, will show slides and speak and edited by the Kitchen Guild on her own work in room 438 of the college of the Tullie Smith House Res­ toration of the Atlanta Histori­ on Friday, April 1. She says of her cal Society, Inc.; all proceeds evocative images, “Through them I am benefit the Restoration. investigating and sharing myself, my life and the landscape that is around and Available through Your Local Dealer within me ... I attempt to make fantasies or visible.” TULLIE'S RECEIPTS Ms. Nettles has taught, shown widely Atlanta Historical Society 3099 Andrews Drive, N.VV. and is included in many collections and Atlanta, Georgia 30305 books. Illi______

Dennis Oppenheim Visits Careers in the Visual Arts Noted artist, Dennis Oppenheim will be The Atlanta College of Art will present a at the college on Wednesday, April 6, to two-day Careers in the Visual Arts seminar speak on his work and talk with students. April 21 and 23 in the college. Known for his multi-media works, Mr. Panels of well-known Atlanta artists, Oppenheim has shown widely and is designers and photographers will share included in many collections. their knowledge of career opportunities The visits of both of these artists are with students of the college and with high made possible in part by a grant from the school students, art teachers and guidance National Endowment for the Arts. counselors from Georgia and adjacent states. Bauhaus Exhibition Four panels on Visual Communication, The college has arranged, through the Fine Arts, Photography and Video and courtesy of the Goethe Institute, Atlanta, non-conventional careers in the arts will to present a documentary photographic provide career information on every aspect exhibit entitled “Bauhaus” in Gallery 413 of the visual arts. from March 31 to April 1. This seminar, open to the public, has Although it only existed for fourteen been made possible by a grant from the years before World War II, the school Union of Independent Colleges of Art known as the Bauhaus was a potent (UICA). influence on virtually everything visible to our man-made world. Teachers such as Josef Albers, Marcel Breuer, Moholy- Nagy, Kandinsky, Klee, Mies Van der Rohe and Walter Gropius created a new vision of the world. This exhibit seeks to recreate, photographically, the spirit and shape of this watershed era in the arts.

Sculpture Show A two-man special installation sculpture show will occupy Gallery 413 from April 4 to April 15 in the college. Dutch Knotts and Patrick Palanza, both seniors, will present an environmental multi-media installation at the invitation of the A.C.A. sculpture faculty, headed by Scott Gilliam. This exhibition should provide a unique visual experience. Gallery 413 is in the college on level “A” of the Atlanta Memorial Arts Center and is open to the public from 10 a.m. to 5 p.m. Monday through Friday.

Student Nominated Ms. Cheryl Scribner was selected by the faculty to represent the Atlanta College of Art in competition for the Yale-Norfolk Summer Scholarship. Ms. Renee Hanan was nominated last year, and was chosen to receive one of the prestigious scholarships in studio art. L Award winning APRIL Restaurant since 1962 1977

MEMORIAL ARTS CENTER

ACA Atlanta College HMA High Museum o< of Art Art ACT: Atlanta Children's MR Member s Room Theatre PR Paneled Room Coach 8c Six Restaurant 5*. AT: Alliance Theatre RH. Rehearsal Hall 1776 Peachtree St.. N.W. 872-6666 ATC Alliance Theatre SH Symphony Hall Company ST: Studio Theatre ASO Atlanta Symphony WHA Walter Hill Orchestra Auditorium GAL Galleria For ticket information, call the box office at 892-2414. For other information, call 892-3600.

Concerts

THURSDAY, FRIDAY & SATURDAY MARCH 31. APRIL 1 & 2 Atlanta Symphony Orchestra, 8:30, SH. Eduardo Mata conducting; Juliana Markova, pianist, Bach: Brandenburg Concerto No. 3: Beethoven: Piano Concerto No. 4; Debussy: Iberia No 2; Enesco: Roumanian Rhapsody No. 1. ______SUNDAY, APRIL 3 Atlanta Symphony Orchestra, 2:30, SH. Same program THURSDAY, FRIDAY & SATURDAY mim APRIL 7,8 &9 ATLANTA PICTURES Atlanta Symphony Orchestra, 8:30, SH. Eduardo Mata conducting; Pinchas Zukerman, Violinist, AND FRAMES Moussorgsky: A Night on Bald Mountain; Tchaikovsky: Violin Concerto; Stravinsky: Le 0 Sacre du Printemps. Fine custom framing • Reproductions • Prints Drawings and paintings • Traditional portraits FRIDAY & SATURDAY by appointment APRIL 15 & 16 ASO Chamber Chorus. 8:30 p.m. SH. Robert Shaw DOWNTOWN conducting "The Three B's": Bach: Jesu Mein two blocks northeast of the Omni International * Freude, Motet No. 3; Beethoven: Mass in C Major, between Spring and Techwood Op. 86; Brahms: Schicksalslied, Op. 54; Brahms: (s) Atlanta Pictures and Frames Gesang der Parzen (Iphigenie aus Tauris). 133 Nassau St. NW • Tel 524-6028 • Ben Olasov

ofratlanta Open a Presto today!

THURSDAY, FRIDAY & SATURDAY ______CONTINUING EXHIBITIONS______APRIL 21, 22 & 23 Calder’s Universe, HMA, 1st and 2nd floors. A Atlanta Symphony Orchestra, 8:30, SH. Robert retrospective exhibition of the works of the late Shaw conducting Lee Luvisi, pianist, Rossini: Alexander Calder. Through May 1. Overture toLaGazza Ladra; lbert:Tropismespour des amours; Brahms: Piano Concerto No. 2. THURSDAY, APRIL 28 Pro-Mozart Society Concert, WHA, 8:30 p.m., Angela Allen, Flautist and Sherman Lowe, Basso Profundo. THURSDAY, FRIDAY & SATURDAY APRIL 28, 29 & 30 Atlanta Symphony Orchestra, 8:30, SH. Robert Shaw conducting; Horacio Gutierrez, pianist, Glinka: Overture to Russian and Ludmilla; Rachmaninoff: Piano Concerto No. 2; Tchaikovsky: Symphony No. 4. SUNDAY, MAY 1 Atlanta Symphony Orchestra, 2:30, SH. Same program. Lectures

Exhibitions MONDAY, APRIL 4 Ceramics lecture, WHA, John P. Cushion guest lecturer. 10:00 a.m. and 8:00 p.m. Subject: High Museum hours: 10:00 to 5:00 Mon. through “Meissen and Other Major German Factories” and Sat., 12:00 to 5:00 Sun., closed evenings. Art Shop "Porcelains of France." Cost: $2.00 per lecture. hours: open during regular High Museum hours. THE CITY and Jr. Art Shop hours: 3:00 to 4:45 TUESDAY, APRIL S Mon. through Fri., 12:00 to 4:45 Sat. and Sun. Ceramics lecture, WHA, John P. Cushion, guest Donation: 254 Children, 50

Children

THE CITY Exhibition—for Children and Adults— in the High Museum of Art. Open to the public Mon.-Fri., 3:00-4:45: Sat. 4 Sun., 12:00-4:45 p.m.; Special 254 Children, 504 Adults, Free HMA Members.

JTUESDAY, APRIL 5 Opera Sampler, 8:00 p.m., SH. Atlanta Music Festival Association. WEDNESDAY, APRIL (F Open Rehearsal, 10:00 a.m.-12:30 p.m., SH. __ SUNDAY.APRIL 24 Seed 4 Feed: Music For Calder, 2:00, HMA. This event is a farewell concert for Alexander Calder by a Kelly's Seed 4 Feed Theatre, featuring the Seed 4 Feed Schola Cantorum and the Marching Abominable. The program will include rounds, sacred music, and circus music, to take place in the Calder exhibition, free of charge.

Films FRIDAY, APRIL 1______Jungle Book, Vagabond Marionettes, 10:00 and ______FRIDAY, APRIL 1 11:30, ST. Adapted from Rudyard Kipling’s High School, HMA Film Series, 8:00, WHA $1 classic, the children will find themselves in a a Museum Members with cards, $1.50 Students with fantasy jungle world with an environmental > ID’s, $2.00 General. approach. Noah and the Great Auk, Atlanta Children’s Theatre, 10:00 a.m. and 12:00 p.m., AT. An original play written by Bix Doughty on the subject of endangered species. Charly Helms, Director. SATURDAY. APRIL 2 Jungle Book, Vagabond Marionettes, 11:00, 1:00 and 3:00, ST. MONDAY & TUESDAY Atlanta Arts APRIL 4 & 5__ Monthly magazine of the IlliAtlanta Memorial Arts Center Jungle Book. Vagabond Marionettes. 10:00 and 11:30, ST. 1280 Peachtree Street. N.E. Atlanta Georgia 30309 WEDNESDAY, THURSDAY & FRIDAY APRIL. 1977 VOL. XII ISSUE 8 APRIL 6, 7 & 8 THE ATLANTA ARTS ALLIANCE Noah and the Great Auk, Atlanta Children’s Charles R. Yates Theatre, 10:00 a.m. and 12:00 p.m., AT. President James K. Griffeth Jungle Book, Vagabond Marionettes. 10:00 and Controller William Shippen 11:30, ST.______Facilities Manager SATURDAY, APRIL 9 ATLANTA SYMPHONY ORCHESTRA Jungle Book, Vagabond Marionettes, 11:00, 1:00 Frank Ratka General Manager and 3:00, ST.______Richard W. Thompson MONDAY. TUESDAY, WEDNESDAY Assistant Manager THURSDAY & FRIDAY THE HIGH MUSEUM OF ART APRIL 11, 12, 13, 14 & 15 Gudmund Vigtel Director Noah and the Great Auk, Atlanta Children's Ms. Paula Hancock Theatre, 10:00 a m. and 12:00 p.m., AT. Curator of Education Jungle Book, Vagabond Marionettes, 10:00 and THE ATLANTA COLLEGE OF ART William Voos 11:30, ST.______President SATURDAY. APRIL 16 Anthony Greco Academic Dean Jungle Book, Vagabond Marionettes, 11:00, 1:00 Mrs. Guthrie Foster and 3:00, ST. Dean of Students MONDAY. TUESDAY. WEDNESDAY THE ALLIANCE THEATRE COMPANY THURSDAY & FRIDAY David Bishop APRIL 18, 19, 20, 21 & 22 Producing Director Fred Chappell Noah and the Great Auk, Atlanta Children’s Artistic Director Theatre, 10:00 a.m. and 12:00 p.m., AT. THE ATLANTA CHILDREN’S THEATRE Charles L. Doughty Jungle Book. Vagabond Marionettes, 10:00 and Director 11:30, ST.______PARKING FACILITIES: Center Parking garage with SATURDAY. APRIL 23 covered parking directly adjacent to Center, entrances on Jungle Book, Vagabond Marionettes, 11:00, 1:00 Peachtree and Lombardy Way; also commercial parking across from Peachtree entrance to Center, and north of and 3:00, ST. First Presbyterian Church. MONDAY, TUESDAY, WEDNESDAY THURSDAY & FRIDAY BOX OFFICE: (404) 892-2414. Hours: Mon. through Fri. APRIL 25, 26, 27. 28 & 29 10-6 pm (or until curtain); Sat. noon-4:00 (or until curtain); Sun. noon-3:00. The Memorial Jungle Book, Vagabond Marionettes, 10:00 and Arts Center Box Office handles tickets for the Atlanta 11:30, ST.______Symphony, Atlanta Children’s Theatre, Alliance Theatre Company. Dance Atlanta, Theatre Atlanta Off Peachtree: SATURDAY. APRIL 30 Vagabond Marionettes; Travelogue Film Series; also on night of performance, all tickets for any event scheduled in Jungle Book, Vagabond Marionettes. 11:00, 1:00 the Arts Center. and 3:00, ST. TOURS: For information on regular weekday tours or group tour arrangements, call (404) 892-3600.

RESTROOMS: Located off the Galleria Balcony across from both Symphony Hall and the Alliance Theatre, Also located adjacent to the balcony lobbies inside Symphony Hall.

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ATLANTA ARTS Magazine is published for the Atlanta Memorial Arts Center, by The Conger Printing Co.. Inc. in Atlanta, Georgia. All rights to Atlanta Arts are reserved by the Atlanta Memorial Arts Center, Reproduction from the magazine in whole or in part without permission is prohibited. Editorial Office, 1619 Chattahoochee Ave., N.W., Atlanta 30318. Phone (404) 352-1910.

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