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ATLANTA COLLEGE OF ART New U.I.C.A. Program As the only southern member of the Union of Independent Colleges of Art, the Atlanta College of Art is proud to be a part of the U.I.C.A.’s new Individualized ■ Degree Program. Supported by grants from the National Endowment for the Arts and the Rockefeller Brothers Fund this program offers students enrolled in all nine U.I.C.A. colleges a unique opportunity. Included in the U.I.C.A. consortium, in addition to the Atlanta College of Art are the California College of Arts and Crafts, Cleveland Institute of Art, Kansas City Art Institute, Maryland Institute, College of Art, Minneapolis College of Art and Design, Philadelphia College of Art, School of the Art Institute of Chicago and the San Francisco Art Institute. With faculty guidance, students can plan » learning paths that may lead them to several member colleges in the course of earning their four-year Bachelor of Fine Arts Degree. Students with interdisciplin­ ary interests can thus draw on the unique individual strengths of each college’s "Since 1908, we've been making curriculum to create a very personalized the women of Atlanta our busi­ course of study, corresponding to their ness? View our collections of interests and talents. Admissions, course­ active, classic and pacesetting credit acceptance, financial aid sportswear separates to coordi­ arrangements and graduation at all nine nate for your lifestyle. Visit any of U.I.C.A. institutions have been analyzed our five stores. and the feasibility of this innovative program confirmed. For a student committed to a career in the visual arts

this Individualized Degree Program DOWNTOWN. LENOX SQUARE. GREENBRIAR. represents perhaps the richest, most varied NORTHLAKE & CUMBERLAND MALL and flexible Baccalaureate Degree program ever offered in this country. MUSE’S PROUDLY ANNOUNCES" THE RETURN TO F“ ELEGANCE. F

THE «**G rm______December Candidates for Sears Graduation A baker’s dozen of the Class of ’78 completed their studio and academic requirements last semester. Gene Allcott, Catherine Allen, C. Roger Brown, Renee So many ways to Hanan, Elizabeth Hart, Guy Johnson and Shop at Sears their classmates Laura Langley, William Powell, Abby Schuster, Steven Smith, and SAVE! Cathy Todd, Jocelyn Whipple and Debra Jean Williams will participate in the 8 BIG STORES IN ATLANTA annual Senior Show held in the Galleria open every night and Sunday afternoons and will receive their Bachelor of Fine Arts Degrees with approximately thirty other 17 Appliance Catalog Stores seniors. This is expected to be one of the all around the Atlanta area largest graduating classes in the college’s forty-nine year history. The Senior Show, 24 Hour Catalog Shopping reflecting the creative diversity of these by phone from home, call 892-4242 young artists, will be open to the public in the Galleria from April 19 through May 6. Surplus and Bargain Stores New Lead for Library with closeouts from catalog and stores

The college library, one of the finest PLEASE SEE VOL/R visual arts resources in the Southeast, TELEPHONE DIRECTORY FOR MORE announces the appointment of Mr. Gary SPECIAL SERVICES INCLUDING Sipe, M.L.S. as Head Librarian. An undergraduate degree in Art History and a SEARS CARPET CLEANING Master’s Degree in Library Science from call 351-4082 Indiana University specializing in SEARS DRAIN & SEWER SERVICE audiovisual aspects of the field make him call 892-6565 exceptionally well qualified for his new position. Mr. Sipe has travelled widely in SEARS DRIVING SCHOOL both Europe and South America and is call 352-3400 fluent in Rumanian, Italian and Portuguese. Responsible for many rare FLOWERS BY SEARS and valuable editions as well as the art call 325-0337 (Atlanta) books, slides and arts periodicals which or 422-0656 (Marietta) comprise the greater part of the library, SEARS MEAT & FROZEN FOOD Mr. Sipe plans to build on the foundation call 325-5359 of the present collection and increase library services to students at the College. SEARS RENT-A-CAR call 261-6700 (Buckhead) A.C.A. Extension Program or 659-5010 (Downtown) Inaugurating its spring semester on SEARS TERMITE & PEST CONTROL January 10, the college offered a wide call 351-4082 range of studio art courses for adults as well as a High School Workshop for teenagers. Classes will continue through May 6. If you weren’t ready for spring this early, a call to the college office at 892- 3600 Ext. 233 will put you on the mailing list for their Summer Session. A brochure [Bailey Banks & Biddle World Renowned Jewelers Since 1832 5------>

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HIGH MUSEUM OF ART Calder's Universe Exhibition to open at High Museum March 5 This exhibition is a retrospective of the works of the late Alexander Calder, who is widely regarded as America’s foremost sculptor. Calder’s Universe, based on the book of the same name, will occupy the first and second floors of the Museum. The retrospective presents the rich variety of works from all stages of Calder’s long career and contains some 200 pieces, including toys, animals from the famous Circus, paintings, gouaches, graphics, tapestries and rugs, theatrical projects, household objects, jewelry, bronzes, wood sculpture, wire sculpture, mobiles, stabiles, and models of his painted jet planes, as well as an actual BMW racing car decorated by Calder. to come to our collections Calder's Universe was organized by the Whitney Museum of American Art—Jean of fashion for the Lipman (author of the catalogue) and Richard Marshall of the Whitney’s staff. entire family, the home, The exhibition is sponsored by Champion gifts and antiques too. International Corporation and is being presented in Atlanta through the Do stay for luncheon generosity of the Members Guild of The High Museum of Art and grants from the or tea at our Bird Cage National Endowment for the Arts and the City of Atlanta. restaurant, open every shopping day. Lord & Taylor, Three Rivers of Nigeria: An Exhibition of Works in the William and Robert Phipps Plaza, Peachtree Arnett Collection Road between Wieuca More than 200 works from the Niger, Cross and Benue River regions of south­ and Lenox Roads. 266-0600 eastern Nigeria comprise a major Monday through exhibition of selections from this private Atlanta collection to be seen beginning Saturday 10:00 a.m. to March 19 on the Museum’s third floor. The art of such principal groups as the Ibo, 6:00 p.m., Monday and Ibibio, Ogoni, and Ijo is seen in examples of masks, figures and other ritual objects. Thursday evenings until

______(continued) Illi 9:00 p.m. ______... Lcst^inaymfujuc'

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presents MISALLIANCE A Debate In One Sitting

by GEORGE BERNARD SHAW

Directed by HAROLD SCOTT

with

DAVID BRAUCHER DANA IVEY PETER BURNELL RICHARD LODER PATRICIA FALKENHAIN K. LYPE O’DELL MARIANNE HAMMOCK RENO ROOP WILLIAM TROTMAN

Sets Designed By Costumes Designed By PHILIPP JUNG MARTHA KELLY Lights Designed By Technical Director MICHAEL STAUFFER ERIK MAGNUSON Production Stage Manager Production Manager ALLEN WRIGHT DAN B. SEDGWICK

The use of recording devices or cameras during the performance is strictly prohibited. Nathalie Dupree is cooking up something wonderful!

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CAST (in order of appearance) John Tarleton, Jr...... Reno Roop Bentley Summerhays .., ...... Richard Loder Hypatia Tarleton...... Marianne Hammock Mrs. Tarleton...... Patricia Falkenhain Lord Summerhays____ .. William Trotman John Tarleton...... K. Lype O’Dell Joseph Percival...... Peter Burnell Lina Szczepanowska ...... Dana Ivey Julius Baker (“Gunner”) .... David Braucher

PLACE: The House of John Tarleton, of Hindhead, Surrey TIME: May 31, 1909

The play will have one 15 minute interval.

The Alliance Theatre would like to express sincere appreciation to the following individuals and institutions for their assistance in our operations:

Ellen Hoenig Irving Lerner, Stephen’s Fabrics Adolphe Michel M. Ringel & Sons, Kennesaw, Georgia Dave Shulmann, Dux-Mixture & Hardware Company Carol Rogers

BIOGRAPHICAL SKETCHES

DAVID BRAUCHER appeared as “Carlo” in ATC’s opening production of Scapino! this season after two seasons with the Academy Theatre and its State Tour Team. He appeared off-off Broadway in Gene Frankel’s production of Othello. Atlanta audiences have recently enjoyed him as “Jimmy Porter” in the Trinity Players’ production of Look Back in Anger.

PETER BURNELL received the Theatre World Award for his portrayal of “Joey” in In Praise of Love on Broadway with Rex Harrison and Julie Harris. On NBC-TV he was featured for five years as “Dr. Mike Powers” in The Doctors. Off-Broadway he has appeared as “Skendal” in Dancing For the Kaiser, “Mick” in The Caretaker, and “Eglamour” in Two Gentlemen of Verona. Mr. Burnell played numerous roles in the New York Shakespeare Festival, including “Malcolm” in Mac Beth and “Prince John” in Henry IV, Parts 1 & II. His regional theatre appearances have been at the Stowe Playhouse, Vermont, the Provincetown Playhouse in Massachusetts, and in Buffalo’s Studio Arena.

PATRICIA FALKENHAIN has just received the Drama Critics Award for best supporting actress as “Lady Britomart” in Shaw’s Major Barbara at Princeton’s McCarter Theatre. She has also received the Boston Theatre Award for her performance in Heartbreak House at Harvard’s Loeb Theatre and Obie Awards for her portrayals of “Doll Tjarsheet” in Henry IV, Part II and the “Greenwoman” in Peer Gynt while with the Phoenix Company in New York. Miss Falkenhain performed with the New York Shakespeare Festival for four seasons and has toured nationally in After the Fall, with Peggy Wood in Chalk Garden and with Steven Boyd in Bashful Genius. Her regional theatre credits include performances at Baltimore’s Center Stage, the Drama Guild in Philadelphia and two years with San Francisco’s American Conservatory Theatre. Miss Falkenhain has previously been directed by Harold Scott in The Birthday Party. ELSA’S MINI-PENDANTS Elsa Peretti's mini-pendants with 15" chains, come in sterling silver or eighteen karat gold. Cross: Sterling,$ 15. Eighteen karat, *52. Heart: Sterling,$ 19. Eighteen karat,* 79. Bean: Sterling,* 19. Eighteen karat,5110. Bird: Sterling,* 15. Eighteen karat,*59. & Co. ATLANTA PHIPPS PLAZA • (404) 261-0075 • Design ©T. & Co.

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______r SKETCHES (continued)

MARIANNE HAMMOCK won critical compliments for her portrayal of “Giacinta” in the Alliance’s season opener, Scapino! She received her dramatic training at the Drama Center in London, where she studied under John Blatchley, Yat Malmgren, and Christopher Fettes. Her roles in the professional theatre have been primarily classical, from “Kate”in Taming of the Shrew to “Juliet” in Romeo and Juliet. Miss Hammock was seen at the Alliance last season in The Tempest and was part of the ATC Touring Company this past fall.

DANA IVEY has just received critical acclaim for her portrayal of “Mona (now)” in ATC’s new runaway hit, Come Back To the 5 and Dime Jimmy Dean, Jimmy Dean. Prior to that she played the title role in Hedda Gabler and she will also be remembered for her brilliant portrayals of “Annie Sullivan” in last season’s The Miracle Worker and “Elizabeth Proctor” in ATC’s production of The Crucible. Miss Ivey was for several years one of Canada’s most distinguished actresses and has appeared as leading lady with major theatre companies across Canada and the U.S.A. She was Director of Drama Tech at Georgia Tech and has taught private acting classes here. For several years, she was host of “Atlanta Arts” as well as several programs of classical music on WGKA. She has worked with Forrest Tucker and Betty Garrett in Plaza Suite and has performed with Theatre Calgary and the St. LawrenceCenter for the Performing Arts, as well as having appeared with Tony Randall and Jack Klugman in The Odd Couple. A classical actress who studied acting under a Fulbright Scholarship in London, Miss Ivey has also appeared on NBC with Robert Culp in the “American Odyssey” series and has also starred in six TV dramas produced in Montreal. Atlanta audiences will also remember her for her delightful roles as “Sister Woman” in Cat on a Hot Tin Roof.and the “Nurse” in Romeo and Juliet.

RICHARD LODER has just appeared as “Joe” in the Alliance Theatre’s new play of the season, Come Back To the 5 and Dime Jimmy Dean. Jimmy Dean. He also recently played “Marchbanks” in Candida for the Evanston Theatre Company. His credits include “Young Martin” in The Royal Hunt of the Sun for the Trinity Square Repertory Company, “Grumio” in The Taming of the Shrew for the Washington Shakespeare Festival, “Hamlet” in Hamlet and “Faukland” in The Rivals for the Cincinnati Playhouse in the Park, the title role in Short Eyes, “Jamie” in The Hot L Baltimore, and “Leo” in Room Service for the Hartford Stage Company, as well as a season with the Milwaukee Repertory Company.

K. LYPE O’DELL most recently appeared as “The Elector” in Prince of Homburg at the Chelsea Theatre Center and in the television version which will be shown on Theater in America this spring. Also off-Broadway he portrayed “Axel Reich” in Ice Age and “Dr. Lesch” in Our Father. He played “Cardinal Borgia” under SirTyrone Guthrie’s direction in the national tour of Lamp at Midnight. Other roles have included “Boss Finley” in Sweet Bird of Youth, “King Henry” in The Lion In Winter, “Victor” in Private Lives, “Count Almaviva” in The Marriage of Figaro, and “Marquis de Sade” in The Marat / Sade. Mr. O’Dell has been guest artist at Windham College in Putney, Vermont, since 1972. MYRNA LOY AND JEAN PIERRE AUMONT STARRING IN NEIL SIMON'S BEST “BAREFOOT IN THE PARK.” Evening performances Tuesday, Wednesday, Thurs­ day and Sunday, $16.00, plus tax. Friday and Saturday, $17.75, plus tax Wednesday and Sunday matinees, $11.50, plus tax Free parking at the Peachtree Cain Garage. American Express and other major credit cards accepted. THE MIDNIGHT SUN DINNER THEATRE rt Peachtree Center AtopThe Shopping Gallery, For Reservations Call 577-7074 | |* SKETCHES (continued)

RENO ROOP appeared as “George Tesman” in ATC’s production of Hedda Gabler this season. He was Deborah Kerr’s husband in Souvenir last season in Los Angeles. On Broadway he has appeared in The Emperor Henry IV with Rex Harrison and The Freedom of the City with Kate Reid. He played “Guildenstern” to Stacy Reach’s Hamlet and “Flavius” to Shepperd Strudwick’s Timon of Athens for the New York Shakespeare Festival. A graduate of Chicago’s Goodman Theatre, he was a member of its repertory company for two seasons. In summer theatres he has co-starred with Sylvia Miles in The Owl and the Pussycat, Blythe Danner in Barefoot in the Park, and Nancy Coleman in Butterflies Are Free. On television he was featured in the P.B.S. Bicentennial series The Adams Cronicles.

WILLIAM TROTMAN will be remembered by Atlanta audiences for his portrayal of the C.I.A. Chief in Theatre Atlanta’s Red, White and Maddox, here and on Broadway. Also with Theatre Atlanta he played in Beyond the Fringe and as the “Old Actor” in The Fantasticks. Mr. Trotman has extensive experience as an actor, director, and set designer. Among his favorite roles are “Deputy Governor Danforth” in The Crucible with the Carolina Playmakers, “Lt. Commander Challee” in Caine Mutiny Court-Martial at the Barn Theatre, Augusta, Michigan, “Luigi” in Darkness at Noon and “Harpagon” in The Miser with the Erie Playhouse in Pennsylvania, the “Duke” in The Cave Dwellers with Eugenie Leontovich, “Corvino” in Volpone and “Horatio” in Hamlet at the Alley Theatre in Houston, Texas. For television Mr. Trotman has appeared in numerous commercials and has played the “Director” in Six Characters In Search Of An Author, National Educational Television, and “Poseidon” and “Menelaus” in The Trojan Romen for David Susskind’s Esso Repertory Theatre.

HAROLD SCOTT has just concluded assignments as guest director of The Beaux’ Stratagem for the Loretto-Hilton Repertory Theatre in St. Louis and Stop the Parade at Playwrights Horizons in New York. He made his Broadway debut in Robert Rosen’s production of The Cool World, which won him the Variety Critic’s Poll as “the most promising new actor on Broadway.” Off-Broadway appearances include The Blacks, The Boys in the Band, and Deathwatch, for which he won off-Broadway’s highest honor, the Obie Award. Mr. Scott’s teaching/directorial assignments include Harvard, Brandeis, the University of Connecticut, and the University of North Carolina. He has been affiliated as actor and director for six years with the National Playwrights Conference of the Eugene O’Neill Theatre Center. In 1972 he received the New England Theatre Conference “Special Award” for outstanding achievement in the Theatre. During his two years as artistic director of Cincinnati’s Playhouse in the Park, Mr. Scott directed the premiere of Monkey Monkey Bottle of Beer, How Many Monkeys Have We Here by Martha Sheiness, which he also directed for PBS’s “Theatre in America” series, receiving an award from the Exxon Corporation for “representing a selection of the most innovative plays staged by a leading regional theatre group in America.” He has also been guest director at the Seattle Repertory Theatre, for the Folger Theatre Group, and he directed his own first play, A Dream Deferred, for the Chelsea Theatre Center.

PHILIPP JUNG has designed for LaMama and the Circle Rep in New York, as well as many off-off Broadway productions. Regionally, he has designed the sets and costumes for Pantagleize at the Yale Dramat, Oh Dad, Poor Dad for the Princeton Intime and Three Victorian Farces at Benedictine College. Trained in England, he has also designed for the Bristol Old Vic, Leeds Playhouse and the Midlands Arts Theatre. Mr. Jung was the recipient of a British Arts Council Design Bursary in 1974 and has received a National Undergraduate Costume Design Award. ALL THE IDEAS THAT ARE FASHION- I ABLY FRESH FOR SPRING 77 . . . I THE BEST PART OF AN EVENING IS ALWAYS EDITED WITH THE ATLANTA I LIFESTYLE IN MIND! g Regensteiri$ THE END. Something to laugh at 5 nights a week. Atlanta's only comedy dinner showcase.

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This long awaited book commemorates remarkable women in Georgia and celebrates their imposing contributions to mankind everywhere—in fields ranging from politics and civil rights to education, medicine, law, social work, acting, folk art and athletics. Many names will be familiar: Juliette Gordon Low, Henrietta Dull, Wyomia Tyus-Simberg, Margaret Mitchell, Celestine Sibley. But do you recall Cousaponakeesa (Mary Musgrove), who played an important part in establishing Georgia as a British Colony? Or Regina Rambo Benson of Marietta who was the first woman to drive an automobile around the state in a contest to promote good roads—and won! This book was researched and authored by members of the Atlanta branch of the American Association of University Women. The first Bicentennial edition will be given to libraries of all public schools in Georgia. A second edition of the book is for sale through your local dealer. SKETCHES (continued)

MARTHA KELLY comes to the Alliance as costume designer from New York City. Her draping credits include several Broadway shows, the Joffrey Ballet, productions at the Juilliard School and the San Francisco Opera. Regional theatre has taken her as far as Canada, where she worked in Halifax, Ottawa and Winnipeg. In the U.S., Ms. Kelly has designed for the Barter Theatre, Circle Rep, McCarter Theatre, Wayside Theatre, Hayloft Dinner Theatre, Coachlight Dinner Theatre and several touring companies.

MICHAEL STAUFFER returns to Atlanta as production designer for his fourth season with the Alliance. He has designed sets, costumes or lighting for seventeen productions at the Alliance including The Crucible, The Miracle Worker, and The Tempest. Mr. Stauffer has served as design co-ordinator for the Guthrie Theatre, production designer for the Barter Theatre, Washington Theatre Club, Cortland Repertory Theatre, and guest designer for the Folger Theatre Group PAF Playhouse, and The Alabama Shakespeare Festival. Mr. Stauffer has designed for a number of summer stock and dinner theatres, lectured on design in colleges and consulted on theatre space. He is a graduate of Carnegie- Mellon University.

ERIK MAGNUSON, technical director, is in his fifth season with ATC. In addition, he is a full-time partner in a technical services firm whose industrial clients have included the Georgia World Congress Center, the Peachtree Plaza Hotel, CBS Records, Canada Dry and others. He has recently completed a show for White Motor Lines. His film work includes the TV series From Sea to Shirting Sea and public service commercials for the Georgia Department of Corrections. Mr. Magnuson holds a B.A. degree in classics from New York University.

FRED CHAPPELL, who was named ATC’s artistic director last season, has just directed the Alliance’s acclaimed new play of the season, Come Back to the 5 and Dime Jimmy Dean, Jimmy Dean. For three years prior to his appointment he was resident director of the theatre and during this period directed such productions as Tobacco Road, Jacques Brel, A Midsummer Night’s Dream, The Boyfriend, The Crucible, Romeo and Juliet, The Last Meeting of the Knights of the White Magnolia, The Tempest, and The Miracle Worker. He was also the original director of Alliance’s Studio Company and has appeared as an actor in numerous ATC productions. Outside of Atlanta, he served for three years as artistic director of the Cortland Repertory Theatre in Cortland, New York, and has guest directed at numerous theatres throughout the country. Last fall he directed Don Tucker’s Same Painted Pony at PAF Playhouse.

DAVID BISHOP, a native of Macon, is beginning his seventh season with ATC as producing director. He came to Atlanta from Michigan, where he for three years served as managing director for the Meadow Brook Theatre. He studied at the University of South Carolina, Columbia University and the American Theatre Wing and has also studied acting with Lee Strassberg. A featured actor on television, he has performed in some seventy-five live and filmed network productions. On Broadway Mr. Bishop has acquired credits as both an actor and stage manager in such plays as The Desperate Hours, The Ponder Heart, The Happiest Millionaire, and How To Succeed In Business Without Really Trying. He has been associated with numerous off-Broadway productions, was production stage manager for the American Shakespeare Festival in Stratford, Connecticut, and the New York Shakespeare Festival and served as production supervisor for Mike Todd’s America Be Seated as well as for the Ypsilanti Greek Theatre. the museum shop THE HIGH MUSEUM OF ART Life Insurance is the most personal product you'll Special Sale ever buy ... make sure beginning on your agent is a professional who Sunday March 13 cares about you. for two weeks only Tom Flournoy,III,CLU every piece of 2 Peachtree St. Porcelain & Glassware Atlanta will be on sale

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249 Peachtree at Harris, N.E. Phone 522 2150

2950 S. Hwy 41, next to Cumberland Mall Phone 435 2361

4070 LaVista Road at Northlake Mall Phone 939-8515 ALLIANCE THEATRE ANGELS — 1977 ANGEL CAMPAIGN (as of March 1, 1977)

BENEFACTORS Mr. and Mrs. Alfred Kennedy, Sr. Mrs. Frances R. Howell Dr. Leonard T. Maholick Mr. William L. Kinzer William N. Banks Foundation Mr. and Mrs. Kemp Mooney Dale and Elaine La Londe Mrs. James M. Cox, Jr. Mr. and Mrs. Daniel Parker Mr. Hugh L. Latta Mr. Ed Estes Mr. and Mrs. William A. Parker Mrs. Luz A. C. Levy A Former School Teacher Mr. Allen Post Miss Henrietta McArthur Harry E. Ward Foundation Mr. and Mrs. Paul Sanger Mr. Simon Moughamian, Jr. Mr. and Mrs. Bernard Stevens Mr. A. L. Mullins, Jr. Mr. and Mrs. Benjamin T. White Dr. and Mrs. Carl I. Pirkle Mr. and Mrs. Charles R. Yates Mrs. Lillian L. Rudolph Mrs. Frank Shackelford PRODUCERS Mr. Ray Townsend Mr. Jeffrey D. Travis Mr. and Mrs. H. W. Beers, Jr. Mr. Wayne R. Vason Mr. and Mrs. David L. Coker DONORS Dr. and Mrs. John C. Warner, Jr. Mr. and Mrs. Thorne Winter, Jr. Mr. and Mrs. Robert H. Ferst Mr. and Mrs. Charles E. Bowen Mr. and Mrs. Lindsey Hopkins, Jr. Ms. Martha S. Brewer Ms. Jill W. Royce Mr. and Mrs. T. Hal Clarke Mr. and Mrs. Travis E. Halford FRIENDS Dr. and Mrs. John B. Hardman Mr. J. Winston Huff Mr. Ben F. Johnson, III Ms. Eugenie D. Battle SPONSORS Mr. Henri Jova Mr. and Mrs. E. Milton Bevington Miss Linda Lane Mr. and Mrs. Dameron Black, III Mr. and Mrs. Shepard B. Ansley Mr. and Mrs. Allen E. Lockerman Mrs. Joseph Brown Dr. and Mrs. John Griffin Mrs. William T. Rooker, Jr. Ms. Anne Carole Butler Mr. and Mrs. Ronald W. Hartley Mrs. Dena Gray Short Mrs. W. C. Campbell Mr. and Mrs. Alfred D. Kennedy, Jr. Mrs. Eunice H. Sims Mrs. Vernon Crawford Mr. and Mrs. Louis Regenstein Alex and Betty Smith Foundation Ms. Cora Davis Mr. and Mrs. Alfred M. Sperry Mrs. Francis Storza Mr. Donald S. Dusenbury Mr. and Mrs. Wadleigh Winship Mrs. John Elvin Dr. Elizabeth L. Feely Ms. Rosi Fiedotin Mrs. Leonard Haas Mr. Thomas Y. Hall BACKERS Mr. Stephen T. Helms PATRONS Mrs. Herman Heyman Mr. and Mrs. John R. Barmeyer Mrs. Martin F. Hurst Mrs. Mary Blackwell Alexander Mr. and Mrs. N. William Bath Mr. and Mrs. Clarence F. Johnson Mr. and Mrs. Gerald E. Anderson Mr. and Mrs. Robert W. Battle Ms. Germaine Krysan Mrs. Kitty Anderson Mr. and Mrs. George Beattie, Jr. Dr. and Mrs. Donald E. McGhee Dr. Grover J. Andrews Mr. and Mrs. D. B. Boldt Mr. W. E. Mosher Mr. Kent Beals Mr. and Mrs. J. J. Burton Mr. and Mrs. Oscar N. Persons Mrs. John G. Berg Mr. and Mrs. Dean Copeland Mr. G. Allen Potter, Jr. Mr. David Bishop Mr. Bruce I. Crabtree, III Mr. William G. Revere Mrs. Rita M. Bryan Mr. and Mrs. Hugh M. Dorsey, Jr. Mr. Robert Shulman Mr. Fred Chappell Mr. and Mrs. Rawson Foreman Mr. and Mrs. Warren H. Small, Jr. Mr. Wayne Drake Mr. Wyche Fowler, Jr. Mr. and Mrs. B. E. B. Snowden Mr. and Mrs. Paul Ebbs Mr. and Mrs. DeJongh Franklin Mr. and Mrs. Richard A. Tailman Mr. and Mrs. Robert G. Edge Dr. and Mrs. Phillip E. Gertler Mr. and Mrs. Scott G. Thompson Mr. L. L. Gellerstedt, Jr. Mr. Bill Hill Mrs. Jack P. Turner Mr. and Mrs. Joseph K. Heyman Mr. and Mrs. C. Richard Mr. and Mrs. G. C. Williams Mr. and Mrs. B. Harvey Hill, Jr. Hoskinson Dr. T. R. Williamson

The Alliance Theatre Company is conducting a direct fund raising campaign. It is called the Angel Campaign becausein theatrical tradition a financial backer is referred to as an “angel.”

The Alliance Theatre’s budget for 1977-78 is $422,000. It is anticipated that ticket revenue will amount to only one-half of this figure. An allotment of funds from the Atlanta Arts Alliance, foundations, and government grants will help us greatly, but supplementary funding is a necessity. This year we will need an additional $20,000 to balance our budget.

We hope you will help us by making a contribution this year. Through your contribution we will continue to add to the city’s cultural heritage and bring to Atlanta those productions which are so important for its cultural environment. Your contribution is tax-deductible.

Mail to: Alliance Theatre Company, 1280 Peachtree St., NE, Atlanta, Ga. 30309 BUY A BOOK(Available atFROM your local book store) GEORGIA SKETCHING AND ROSWELL HISTORIC ETCHING GEORGIA HOMES AND FIFTY ETCHINGS AND LANDMARKS DRAWINGS by Ledlie A collection of drawings William Conger with text by by Ernest E. DeVane with Ruth Dunlop Conger. A text by Clarece Martin. history of antebellum Published by the Roswell homes and landmarks of Historical Society, Inc. Georgia. Hardcover with jacket Hardcover with jacket $10.00 retail $30.00 retail HISTORIC CLAYTON FURNITURE OF THE COUNTY HOME OF GONE GEORGIA PIEDMONT WITH THE WIND by Terry BEFORE 1830 by Henry D. Bakken. A charming history Green. This beautifully of Jonesboro and Clayton illustrated catalogue is a County published by bicentennial project of the Historical Jonesboro, Inc. High Museum of Art. Hardcover Quality oversized softback $9.95 retail $7.95 retail A GLIMPSE OF THE PAST

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THE TAMING OF THE TONGUE by

Ti. £ Elaine Murray Stone. TAMING 3 A re-issue of a life­ changing softback, which I TONGXtE K PRINTINGconger AND PUBLISHING COMPANY helps us overcome our old nature by controlling 1619 CHATTAHOOCHEE AVENUE. N.W our speech. ATLANTA. GEORGIA 30318 $1.50 retail TELEPHONE (404) 352-1910 ALLIANCE THEATRE COMPANY DAVID BISHOP — Producing Director FRED CHAPPELL — Artistic Director

DAVID COKER, President MRS. JOHN HARDMAN, President Board of Sponsors Alliance Theatre Guild

Administrative Staff Administrative Director...... Victoria Mooney Director of Public Relations/Advertising...... Sandra Johnson Administrative Associate...... Baxter Joy Public Relations Assistant ...... Jan Cribbs Volunteer Co-ordinator & Liaison ...... Virginia Beattie Box Office Manager...... Chip Murray House Manager ...... Steve Cucich Photographer ...... Charles Rafshoon Artist ...... Ken Ragan

Production Staff Production Manager...... Dan B. Sedgwick Production Stage Manager...... Allen Wright Assistant Stage Managers...... Trey Altemose, Dickson Lane Production Designer...... Michael Stauffer Associate Designer...... Philipp Jung Costume Designer ...... ■...... Martha Kelly Assistant to the Costume Designer ...... Barbara Hause Technical Director...... Erik Magnuson Property Master...... Michael Berkman Master Electrician ...... Cassandra Henning Master Carpenter ...... Stanley Konczynski Scenic Carpenters...... Randolph Thrower, Lynn Van Horne

TECHNICAL APPRENTICES Lorraine Crane Jeroy Hannah Ed Dixon Liz Lee Jeffery Glave Lisa Miller The perfect beginning to any per­ formance at the Atlanta Memorial Arts Center is our Pre-Performance Buffet. Dinner is from 6:00 p.m. to 10:00 p.m., and the special price of j ust $7.50 per person includes a lavish assortment of delicious food, plus tax, tip and a glass of wine. Parking is free with validation. Reservations are required. Please call 892-7960 and request the Pre-Performance Dinner. And let Olympic Chef Franz Eichenauer show you one great per­ formance before you cross the street for another.

GRoom Atop the Colony Square Hotel Peachtree and Fourteenth Streets

PRIZED POSSESSION JEWELRY, ANTIQUES AND OBJECTS d’ART

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the perfect fashions for any Spring Fling! CAINS MILLS LTD. 56 EAST ANDREWS DRIVE, N.W. davison's ATLANTA, GEORGIA 30305 Atlanta Symphony Orchestra Robert Shaw, Music Director and Conductor

Thursday, Friday, Saturday, 8:30 p.m., March 17, 18, 19, 1977 ROBERT SHAW Conducting LEONARD PENNARIO Pianist

PROGRAM

GRIFFES “The White Peacock,” Op. 7, No. 1 from Roman Sketches (1917)

GRIEG Concerto for Piano in A minor, Op. 16 (1868) Allegro molto moderato Adagio Allegro moderato molto e marcato

INTERMISSION

SHOSTAKOVICH *Symphony No. 5, Op. 47 (1937) Moderato Allegretto Largo Allegro non troppo

♦First performance by the Atlanta Symphony Orchestra.

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE-FM, 90.1, Tuesday evening at 8:30.

The use of cameras or recording devices during concerts is strictly prohibited. Knox Jewelers takes pride in saluting the magnificent Atlanta Symphony and its brilliant music director and conductor, Robert Shaw.

Sandy Springs Roswell Road at 285 252-2256

■ 7//ma)'/'

DO YOU HAVE A SCHOLAR-ATHLETE-ARTIST or an average Joe or Jane? If so, we have a program for you at

A $1,700 000 building program in progress to be completed in the school year 1977 $1,000,000 Fine Arts Center — Middle School New Library Addition — 7 New Tennis Courts New Administration Building For information on all schools and programs write or call: Admissions Director, (404) 761-8881 P. 0. Box 87190-K COLLEGE PARK, GEORGIA 30337 Woodward Academy Administers a Non-Discriminatory Admissions Policy For Boys and Girls Boarders and Day Students PROGRAM NOTES by David Hinshaw

"The White Peacock," from Roman Perhaps it was this speech which Sketches, Op. 7. No. 1 subconsciously controlled the fifteen year Charles Griffes (1884-1920) old composer/pianist as he entered the As a young man of nineteen Griffes was structured studies of the Leipzig traveling and studying in Europe. A trip to Conservatory. His life there was as the Berlin Zoological Gardens made an repressing as his earlier public school days. impression on him that he was never to He was always lamenting the practicing of forget. On September 1, 1903, he wrote, the Czerny exercises and composing in a “Among the peacocks was a pure white style more German than Norwegian. one—very curious.” From that day on Back in Norway in 1864 Grieg, along whenever he saw a picture of a white with his close friend Richard Nordaak, peacock he would cut it out and save it. founded the “Euterpe” Society to study, Twelve years later he discovered perform, and recreate the folk music of William Shap’s poem, The White Peacock. Norway. It was due to Nordaak that Grieg Griffes immediately set about writing a felt, “as if the scales fell from my eyes. piano piece keeping the poem on the piano From Nordaak 1 learned for the first time at all times. The orchestral version was what the Norwegian folk song was, and made later thanks to Stokawski’s urgings. learned to know my own nature.” It was from this point on that the one­ time “stupid student” went on to become a Concerto in A Minor for Piano and national hero—climaxing with his funeral Orchestra Edvard Grieg (1843-1907) which was attended by more than 400,000 The first fourteen years of the greatest countrymen. Norwegian composer were spent in The Concerto in A Minor was written indolence, truancy, laziness, and boredom. early in the career of Grieg. Composed in In fact, in his autobiographical notes Grieg 1868 it did not receive recognition until was later to recall of his school days, “the 1869 when Franz Liszt played this one and school seemed to me nothing but an only piano concerto of Grieg and unmitigated nuisance. 1 could not proclaimed its greatness. This concerto understand in what respect all the torments soon found its way into the repertoire of connected with it were to a child’s many famous pianists and because of its advantage. Even today I have not the least familiarity is often thought by modern doubt that the school developed only what audiences to be a “light” concerto. Yet was bad in me and left the good consider the words of Hans von Bulow, the untouched.” famous German conductor who was It was in 1858 that the great Norwegian instrumental in the public acceptance of violinist and composer, Ole Bull, Wagner, Tchaikovsky, and Brahms. discovered during a visit to his friends, the “Grieg,” he once proclaimed, “is the parents of Grieg, their son’s aptitude and Chopin of the North.” love for music. After persuading Gesine and Alexander Grieg to send their son off Symphony No. 5, Op. 47 to study music. Bull arranged for him to Dmitri Shostakovich (1906-1975) attend the Leipzig conservatory. Prior to With the recent turmoil over the Russian his departure Bull was reputed to have dissident artists, one looks historically to been struck by the boy’s potential capacity Dmitri Shostakovich, a composer who was for the “Soul of Norway.” The master born in Imperialist Russia and whose called the boy aside and said, “Do you see career was once compared best with a ride the fjords over there—the lakes and on the “Great Scream Machine.” In fact streams, the valleys and forests, and the Nicholas Slonimsky, editor of the blue sky over all? They have made my proclaimed Baker’s Biographical music—not I. Frequently when I am Dictionary of Musicians, stated that playing it seems to me as if 1 merely made Shostakovich was, “the barometer of mechanical motions and were only a silent political current in Soviet music. listener while the soul of Norway sings in Whenever the line changes, Shostakovich my soul.” is made the prime target of either praise or 1975 Commonwealth of Puerto Rico In tonight’s martini the part of gin and vodka will be played by white rum.

White rum from Puerto Rico in a nationwide test. That’s because will finally play the role its distinctive all white rum from Puerto Rico is clarity and smoothness have so well aged for at least a year—by law. prepared it for. White rum is ready to take a In fact, white rum has already leading role in the martini. proven itself in rehearsal. It beat gin Like any new star, all it and vodka on taste and smoothness needs is a chance. i NOTES (continued)

vehement denunciation.” Unlike most of then evolve a more placid melody over the the Soviet artists of today, Shostakovich, recurring first motive’s rhythm. The when attacked by the press, would always entrance of the woodwinds signifies the make a public apology. transition to the second major theme presented, after a dissonant climax, by the As a graduation piece from the Moscow violas over an insistent ostinato in the Conservatory, he wrote his First cellos and basses. The entry of the horns Symphony which according to the over the piano and lower strings’ Moscow Evening Radio was a symphony rhythmical figure signifies the beginning of “which reflected all that a composition can the development section. Through cross give of the most important in the artist.” rhythms and increased tempos the With this semi-governmental approval movement grows to an exciting climax of Shostakovich entered the professional octave playing. The concluding section of world. For the next three symphonies and the movement establishes, by a flute and other assorted works he began his ride horn duet, a sense of calm and sobriety. down the tracks of governmental disapproval. For his music to Lady The second section as Milton Cross Macbeth of the District of Mtzensk, writes, “is dance music in Shostakovich’s Pravda editorialized that Shostakovich most ingratiating satiric vein. A vigorous was a “Disciple of foreign modernists and a theme in waltz time is presented loudly by propagandist of morbid naturalism.” cellos and double basses. Another waltz Pravda went on to describe his music as melody is infectiously introduced by the “crude, primitive, vulgar.” woodwinds. Various delightful episodes follow, each brief and pleasingly lyrical.” Yet one year later the critics praised his Fifth Symphony as “an example of true The third movement is perhaps one of Soviet art, classical in formal design, lucid Shostakovich’s most inspired sections. in its melodic and harmonic procedures, Through the use of divided strings he and optimistic in its philosophical achieves a sense of tragedy while remaining connotations.” The connotations of the basically consonant in his harmonic Symphony are documented by the vocabulary. A second theme appears in the composer in the preface to the score; “The flutes with harp accompaniment. The theme of my Symphony is the stabilization plaintive cry of the oboe sounds yet a third of a personality. In the center of this idea. After a cathartic climax the composition—conceived lyrically from introspective softness of the opening closes beginning to end—I saw a man with all his this movement. experiences. The finale resolves the The finale is a wild, powerful, tragically tense impulses of the earlier unmistakable Russian March. A more movement into optimism and the joy of subdued middle section recalls some of the living.” ideas of the earlier movement, but gives The opening of the first movement is an way to the opening march melody which antiphonal presentation of a broad theme closes the symphony with a burst of energy by the low and high strings. The violins and grandeur.

The broadcast of tonight’s concert, which can be heard on Atlanta Public Radio, WABE-FM, 90.1, at 8:30 p.m., on Tuesday evening, is made possible by the special permission of the Atlanta Federation of Musicians, Local 148-462, the Atlanta Symphony Players’ Association and with the support of the Georgia Council for the Arts and the National Endowment for the Arts. il______Low price time ALLIANCE THEATRE COMPANY clock helps small Fannie Flagg and Dana Ivey In

companies meet Come Back to the 5 and Dime, strict requirements Jimmy Dean, Jimmy Dean of wage-hour law The Alliance Theatre Company is committed to produce at least one new play each year. This season on the Alliance stage, Ed Graczyk’s Come Back To The 5 and Dime, Jimmy Dean. Jimmy Dean is receiving its first major production. Coming together for their first reunion in twenty years, some present and former residents of drought-ridden McCarthy, Texas, gather to commemorate the death of their idol James Dean. The time between the present hot Texas summer and

LATHEM TIME RECORDER COMPANY the summer of 1955 collapses, and the 200 Selig Dr., S.W., Atlanta, Ga. 30336 women who meet at the H. L. Kressmont 5 Telephone 404/691-0400 and Dime return to that summer twenty years ago when one of their number was an extra in James Dean’s last movie, Gianl. Fannie Flagg is appearing with the ATC for the first time, portraying “Sissy.” As “Sissy,” Miss Flagg is playing a role which demands not only her considerable comic talent, but the ability to grapple with death Cotton States and tragic self-reckoning, as well. As the former extra, Dana Ivey changes is for people. pace considerably from her last appearance as the proud and haughty “Hedda Gabler” and portrays “Mona,” the woman who still worships James Dean and claims to be the mother of his son. To witness this extraordinary reunion gather with the Disciples of James Dean in the H. L. Kressmont 5 and Dime, now located in the Alliance Theatre through March 12.

Misalliance at the Alliance To properly celebrate St. Patrick’s Day, Irish-born George Bernard Shaw’s Misalliance will appear on the Alliance stage, beginning March 17. In the irreverent playwright’s best style, States Misalliance is a comedy that tickles the brain as well as the funnybone. The question is, when eight different marriages tempt seven people in one afternoon, which of them would be a Misalliance1! Come hold your sides at the Alliance as GUEST ARTIST

LEONARD PENNARIO the Philadelphia Orchestra, the Chicago In one season Leonard Symphony, the New York Philharmonic, Pennario tallied an the Atlanta Symphony, and countless almost incredible others. record. He played Pennario’s career began when he gave fifteen different con­ his first public performance at eight years certos with twenty- of age. Two years later he appeared as a three orchestras, plus guest on Bing Crosby’s NBC program, twenty-five recitals and “Kraft Music Hall.” Then, at twelve he two telecasts. made his professional concert debut as As a soloist with virtually all of the soloist with the Dallas Symphony, and at world’s major symphony orchestras, as a fifteen, he topped three hundred other recitalist of extraordinary popularity, and contestants in the annual Young Artists as a recording artist whose albums have Contest and earned an invitation to play been considered best-sellers, Leonard with the San Francisco Symphony under Pennario has achieved a list of triumphs Pierre Monteux. that is highly impressive. On the national Finally in 1943 he made his debut with level, he has the distinction of having the New York Philharmonic, and since performed in each of the fifty states, and in that time he has been astounding audiences much of the civilized world he has elicited and critics around the nation and the highest praise from critics and audiences world. alike. Reviews such as, “A brilliantly gifted His lengthy tours of America and virtuoso,” “A sensationally brilliant Europe have established him as an pianist,” “A phenomenon,” and “. . . the international celebrity in the grand soloist’s wizard pianism” have all been tradition. The imposing list of European used to portray Pennario. orchestras with which he has appeared Perhaps the Atlanta Journal best includes the Berlin Philharmonic, the described him after a previous concert Philharmonic of London (indeed all eight with the Atlanta Symphony, “He of Great Britain’s leading orchestras), the embedded his kingly personality and Paris Conservatory Orchestra, the Vienna consummate artistry in the hearts of his Symphony, the Hague Philharmonic, etc. listeners. The audience went into ecstatic Pennario’s list of performances with applause, yelling ‘bravos’ and recalling him American orchestras is as equally to the footlights seven times. Mr. Pennario impressive. He has been acclaimed by is gifted with a phenomenal technique, that audiences and critics for his concert with of the genuine virtuoso.”

ATLANTA SYMPHONY ORCHESTRA LEAGUE

President Robert G. Edge Lawrence J. McEvoy, Jr. LIFE SPONSORS David Goldwasser Herbert R. Elsas Tom M. McLain, Jr. Mrs. Frank L. Burns Vice Presidents Mrs. Edward E. Elson George K. McPherson, Jr. Mrs. Murdock Equen Dr. Dan Burge Richard C. Everett Paul E. Manners Mrs. Lon Grove Bradley Currey, Jr. Washington Falk, III F. W. Nichols Mrs. Granger Hansell Mrs. Charles E. Watkins, Jr. Arthur G. Foster H. Burke Nicholson, Jr. Byron Harris Mrs. L. Neil Williams Ms. Shirley Franklin Dr. Marvin B. Perry, Jr. Mrs. Julian Hightower Secretary Mrs. Henry Geigerman, Jr. Mrs. Theophile Raphael Mrs. Lewis Hirsch Paul A. Ebbs, Jr. L. L. Gellerstedt, Jr. Mrs. David A. Reinach * Charles Jagels Treasurer Mrs. John R. Guy Mrs. William E. Schatten C. K. Liller Mrs. Drew R. Fuller * Joseph F. Haas Shouky A. Shaheen Mrs. Mason Lowance Mrs. John R. Hall Grant G. Simmons, Jr. Michael McDowell BOARD OF SPONSORS Dr. J. Rhodes Haverty Dr. Grace B. Smith Mrs. Lawrence J. McEvoy Peter Abreu Mrs. J. Rhodes Haverty H. Hamilton Smith Mrs. Louis Moss A. Leigh Baier Lee H. Henkel, Jr. W. Rhett Tanner Mrs. Bernard Neal James E. Barnett Mrs. Jesse Hill, Jr. Mrs. Ralph K. Uhry Mrs. T. Erwin Schneider John M. Bragg Samuel E. Hudgins John A. Wallace G. Maynard Smith Tom M. Brumby Mrs. Bunnie Jackson L. Neil Williams Mrs. Howard C. Smith Mrs. Robert W. Chambers Dr. Herbert Karp Murray D. Wood * Charles L. Towers William F. Clark Louis Kunian Robert M. Wood * Charles R. Yates Dr. B. Woodfin Cobbs, Jr. Dr. Noah Langdale, Jr. Mrs. William B. Wylly Eugene Young Dr. John W. Cooledge Mrs. Elizabeth Lochridge Edward S. Croft, Jr. Frank Ratka, General Manager *Past Presidents Guffey’s of Atlanta the question of Misalliance is solved, Atlanta’s Finest § March 17 through April 2. And remember, Clothing following the first Sunday matinee for Men performance on March 20, the audience DOWNTOWN: N will be invited to remain for an informal PEACHTREE CENTER (BEHIND THE SCULPTURE) discussion with the director and actors in UPTOWN: the company. The introduction of these TOWER PLACE 6 “First Sunday” discussions is proving (AT PIEDMONT ENTRANCE) lively and thought-provoking entertainment for all involved, something you won’t want to miss. They will be held after the first Sunday matinee of each production throughout the season. FAVORITES FROM THE FAST ATLANTA SYMPHONY ORCHESTRA specializing in Individual Gifts Campaign Continues DOLLHOUSES and MINIATURES Even though the official closing date for CLASSES the Symphony’s Individual Gifts * HOURS: TUES. - SAT. Campaign was February 28, contributions * 10-4 are still being accepted, and Symphony * ILLUSTRATED CATALOG $1.00 supporters are still being encouraged to 2951 HARRIS ST., KENNESAW, GA. 30144 contribute. t 427-3921 It takes a great deal of support to raise the $ 115,000 which is the goal of this year’s Individual Gifts Campaign. Anyone wishing to make a contribution should phone the Atlanta Symphony, 892- 3600; or send a tax deductible contribution to the Atlanta Symphony, 1280 Peachtree St. N.E., Atlanta, Ga. 30309.

Looking into The Symphony's Next Season THE PINKERTON & LAWS COMPANY March is the month for looking forward Member Associated General Contractors of America because it is time for all season ticket 1965 North Park Place holders to renew their tickets for next year, Atlanta 30339/ 432-0171 and time for all those who would like to be season ticket holders to purchase their Symphony tickets. iantr's On Thursday, Friday and Saturday, March 17, 18, and 19; and on Sunday, Dintni April 3, the Symphony will be conducting its annual “Renewal Concerts.” During these concerts, members of the Women’s Association will be encouraging season Fondues ticket holders to renew their season tickets, *) as well as encouraging those who do not Atlanta’s finest JAZZ have season tickets to purchase them, now. On April 15 and 16 at 8:30 p.m. in UNDERGROUND ATLANTA RESERVATIONS 577-1800 Symphony Hall, Maestro Shaw and the ASO Chamber Chorus will perform Atlanta Symphony Orchestro

ROBERT SHAW Music Director and Conductor MICHAEL PALMER Associate Conductor and EXXON/Arts Endowment Conductor John Head Assistant Conductor John Naskiewicz Conducting Fellow

The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation

VIOLIN* FRENCH HORN Kathleen Kee William Steck Brice Andrus Concertmaster Bruce Klingbeil Larry LeMaster Principal Martin Sauser John Henigbaum Nan Maddox Co-Concertmaster Assistant Principal Robert Harrison Bonita Potts Paul Warner Thomas Witte Associate Concertmaster Christopher Scheufler Willard Shull BASS* Assistant Concertmaster TRUMPET David Arenz Dale Schmidt Principal John Head Principal Second Violin Jane Little Principal Oscar Pereira Associate Principal Joseph Walthall Assistant Principal Ralph Jones Assistant Principal Second Violin Assistant Principal Prin. Second Trumpet John Adams Harvey Kaufman Larry Black Jaqueline Anderson Michael Kenady TROMBONE Frances Arm Thomas Thoreson Shalom Ben-Uri Randolph Ujcich Harry Maddox Sharon Berenson Wiley Weaver Principal Piotr Haase Richard Hansbery Martha Reaves Head FLUTE Donald Wells Stephen Horvath Warren Little BASS TROMBONE Ruth Little Principal Karen Matthews Paul Brittan Donald Wells David Myford Assistant Principal TUBA Thomas O'Donnell Prin. Second Flute Michael Moore Alice Oglesby Angela Allen Lorentz Ottzen TIMPANI Benjamin Picone PICCOLO Paul Yancich Susan Pitard Angela Allen Principal Carol Ramirez William Wilder Juan Ramirez OBOE Assistant Principal Ronda Respess Elaine Douvas Richard Robinson Principal PERCUSSION Patricio Salvatierra Elizabeth Camus Jack Bell Edward Scruggs Assistant Principal Principal Ann Pinney Steck Prin. Second Oboe Eugene Rehm Patricia Vas Dias Patrick McFarland William Wilder Frank Walton HARP VIOLA* ENGLISH HORN Judy Beattie Robert Jones Patrick McFarland Principal CLARINET KEYBOARD Peter Bertolino Norman Baker Alice Oglesby Assistant Principal Acting Principal PERSONNEL MANAGER Ardath Cohen William Rappaport John Detrino Douglas Smith Martin Sauser Manuel Diaz Enid Jones BASS CLARINET PERSONNEL MGR. EMERITUS Marion Kent Douglas Smith Harry Robkin Haskell Marrinson LIBRARIAN Heidi Moss Nitchie BASSOON Robert Parcells Carl Nitchie David Hinshaw Principal Stephen Horvath, Ass't. CELLO* Charles Nussbaum STAGE MANAGER Robert Marsh Assistant Principal Michael Destazio Principal Prin. Second Bassoon Patrick Noon, Ass't. Edmond Basson Daniel Dowdakin Assistant Principal Jere Flint CONTRA BASSOON Kay Gardner Daniel Dowdakin *Players Listed Alphabetically

ADMINISTRATIVE STAFF FRANK RATKA, General Manager RICHARD W. THOMPSON, Assistant Manager WILLIAM W. BROWN, Director of Public Relations PETER J. STELLING, Director of Development MRS. IRENE MOORE, Asst. Dir. of Public Relations MS. DEE-DEE WALTERS, Director of Season Tickets MISS PAT PERRY, Fund Raising Coordinator ROBERT A. HOLZER, Symphony Hall Manager MS. MARY WALTON, Secretary MISS NOLA FRINK, Choral Secretary MISS HILDA EVANS, Secretary MRS. MARILYN HAASE, Secretary, Women's Assn. MRS. DONNIS COLLINS, Receptionist/Secretary ilii______another choral spectacular—“The Three B’s.” This program will include pieces by three of musics greatest masters: Bach, Beethoven, and Brahms. The following works will be performed: Bach, “Jesu Meine Freude,” Motet No. 3; Beethoven, Mass in C Major, Brahms, “Schick- salslied,” and “Gesang der Parzen.” April also brings the return of guest conductor, Eduardo Mata, who premiered Mahler’s Symphony No. 9 during his last performance with the Symphony in October of 1976. This time Mata will be performing with guest artists: Juliana Markova, pianist, on March 31. April l, 2, and 3; and Pinchas Zukerman, violinist, on SOCIETY STATIONERS April 7, 8, and 9.

, 3irwna tfcngrnvinn 'lo. Decorators' Show House Opens April 16 At Knollwood The Jr. Committee of the Women’s 1824 BRIARWOOD INDUSTRIAL COURT. N.E . ATLANTA Association, Atlanta Symphony Orchestra 325-7513 is thrilled to announce that the 1977 Decorators’ Show House will be held at “Knollwood,” 3351 Woodhaven Drive, N.W. The lovely Georgian mansion was designed by Philip T. Shutze for the late Mr. and Mrs. William H. Kiser. The original estate extended approximately 17 acres and was originally part of the Robert F. Maddox property. It derived its name from the fact that it was built high on a knoll, nestled in the woods. The home was later owned by Dr. Bernard Wolff and subsequently the late Florence C. Horton.

A ROMANTIC RESTAURANT

Container GOURMET FOOD • SPIRITS • GIFTS LENOX SQUARE behind Davison’s at E. Paces Ferry The stately mansion will be decorated by Sun.-Thurs. Fri. & Sat. 11 a.m.—11 p.m. 11 a.m.—1 a.m. many of Atlanta’s finest interior designers. 262-7872 TRAVELOGS

SYMPHONY HALL SUNDAY, MARCH 20 2:30 P.M.

Bill Herring's WORLD TRAVEL FILMS present This Is Paris! Produced and presented in person by ROBIN WILLIAMS

Two well-known French Customs are the “outdoor cafe” and the “boulevard promenade.” Our film story of Paris begins with the most famous promenade of all . . . the Champs Elysees. From here, we explore the Arch of Triumph, and the colorful history of Napoleon unfolds. The world-famous monuments of Paris are clearly explained by showing the originals in Rome and how they were copied for Paris. A walk along the LEFT BANK where we visit Luxembourg Gardens and student life in St. Germaine. The avant-garde in outdoor cafes, as the famous DEUX MAGGOTS and CAFE DE FLORE, lead to FRENCH FASHIONS on Jacques Esterel. In France, bread is named for its shape. We visit a typical neighborhood bakery and see the entire baking process of the ever-popular BAGUETTE, and how it is transported upstairs to the shop, to be sold to the Parisians. A look at the President of France, and the historical REPUBLICAN GUARD at HOTEL DE PARIS. To the Bois de Boulogne and the elegant race course, LONGCHAMPS. Speaking of racing, we must include the most popular automobile race in all of Europe ... THE TWENTY-FOUR HOURS AT LE M ANS ... the history, as well as the race itself. After the excitement of LE MANS we retreat to an underground restaurant on the ISLE ST. LOUIS.

INTERMISSION

We climb the stairs of Montmartre to prowl the cobblestone alleyways, and turn back the pages of time to “live” the life of the Impressionists and Expressionists. We see Van Gogh’s window overlooking Avenue Lepic, and the cafe where he would argue with friends about technique. The paintings of Renoir and Cezanne take us to the 1900’s—ART NOUVEAU on the PARIS METRO. To the LOUVRE and the Venus de Melos. Winged Victory of Samothrace and a WORD FROM WASHINGTON . .. a public service of ADVOCATES FOR THE ARTS and those who bring you this publication

THE ARTS AND THE EXECUTIVE BRANCH Rumor has it that President Ford’s budget for the balance of Fiscal 77 and for 78 to be unveiled in late January will ask for 12 and 18 million dollars for a new challenge grant program that is good news for the nation’s major arts organizations. However Ford will not ask for additional program money to supplement this year’s already appropriated $85 million (even though Congress has approved a ceiling of $103.5 million). And what’s worse, he will only ask for a less than inflationary additional $2 million in program money for next year. President-elect Carter will give Congress his budget ideas in mid-February but it is not too early now to write to him to urge him to improve on the Ford request.

THE ARTS AND THE NEW CONGRESS The 95th Congress will have 67 new Representatives and 18 new Senators. These changes in personnel and resulting changes in Congressional leadership could have a major impact on the fortunes of arts-related legislation. On the Senate side, 5 of the 18 new Senators have compiled voting records favorable to the arts as former Members of Con­ gress. On the House side of Capitol Hill, the election of Reps. O’Neill (D—MA) as Speaker, Wright (D—TX) as Majority Leader, and Brademas (D—IN) as Majority Whip insures that the sizeable Democratic majority will be led by three supporters of the Arts Endowment.

PUBLIC WORKS PROJECT OVERSUBSCRIBED: IF CARTER BEEFS IT UP, WILL ARTS BE READY? Nearly $24 billion worth of plans for public works construction flooded the offices of the Economic Development Administration (EDA) last fall as state and local governments vied for $2 billion in aid that Congress authorized. Among the 24,997 applications seeking assistance from states, counties, school districts and other units of government were requests for some arts projects. They included a multi-use theater space in Atlanta, libraries, a primate building for the Bronx Zoo as well as the usual sports stadiums, storm sewers and municipal office buildings. The need for this type of federal help as demonstrated by the number of applications and continuing high unemployment rates has led to speculation that Carter may ask Congress to expand the program. If this occurs, funds could be made available for publicly owned theaters, museums and similar facilities. Arts leaders wanting to know how the program works should contact their regional offices of the EDA, which is part of the Commerce Department. For more information, contact ADVOCATES FOR THE ARTS, 570 Seventh Ave., NY 10018 Material provided by Jack Golodner Associates, consultants to ACA / Advocates for the Arts.

I CARE. Please enlist me as a member of ADVOCATES FOR THE ARTS, the first national constituency of citizens who support legal, public and economic action for the arts. I understand that as a member I will receive for one year all newsletters and special ‘ ACTION'- bulletins. Enclosed is my tax-deductible membership fee of $15.* Support over and above the membership fee will make for more effective advocacy for the arts nationally.

Name ______

St reet ______

City.______State______Zip______• Make checks payable to: ACA and mail to Advocates for the Arts, 570 Seventh Avenue, New York, NY 10018 fascinating story of Da Vinci’s MONA LISA. One of the more dramatic stories of French history is that of MARIE ANTOINETTE. We are introduced to this drama through her Petit Trianon, her TEMPLE OF LOVE, her MUSIC SALON, as well as her petit farm at VERSAILLES, her trial in the CONC1ERGERIE, procession thru the streets of Paris to REVOLUTIONARY SQUARE . . . now PLACE CONCORDE. One of the biggest complaints of the Parisians is the Americanization of their city. A look at the new suburbs and the modern apartments now a part of MONTPARNASSE, as well as the NEW SKYSCRAPER. Corinne, a pretty Parisienne, takes us on a walk to the 800-year-old cathedral of NOTRE DAME and The RIVER SIENNE. She leads us to a park where she points out the life cycle of a typical Parisian. An exciting conclusion is the largest AIR SHOW in the world at AIRDROME LE BOURGET, where Lindbergh landed in 1927. The acrobatics of the French, British and Italian teams are beautiful, breathtaking performances.

Introducing . . . ROBIN WILLIAMS Robin comes from a family traditionally known for its world-wide adventures, and is far from the average world traveler ... he is descended from a long line of Welsh sea captains. Robin’s grandfather Eugene Williams an adventurer and a professor of languages, science and mathematics at Stanford University, was lost on the Amazon River with a party of scientists in 1916. His father David Williams, one of the most widely traveled men of his day, completed some fifty-odd trips around the world . . . crossed the Khyber Pass, from Afghanistan to India, wearing the saffron robes of a holy man. Journeying to Russia, he mastered the Russian language and studied cinematography at the Institute of Cinema Research ... was the first American to film Central Asia and remote, bandit-ridden, Afghanistan. He authored the widely read book The World Is My Oyster. Robin was born in London, England, was reared in California, and like his ancestors, has traveled the world. He is ably assisted in film producing by his wife Michele, a Parisian born international traveler. Together they research and select the most unusual and historical aspects of countries and cities to film for travelogs. Robin’s mastery in the art of telling a story with camera is undeniable—challenged only by his ability to narrate his films with an ease and clarity that captivates audiences.

Next month . . . the final Travelog of the season

TAHITI and ISLANDS of the SOUTH SEAS Philip Walker’s film and commentary will take us on a voyage aboard a private sailing yacht from the coast of Mexico to the Galapagos, French Polynesia, Tahiti, Moorea, Bora Bora, the Society, Tuamotu and Marquesa islands. A travel adventure of extra­ ordinary beauty.

Management: Bill Herring’s World Travel Films, Box 1390, Atlanta 30324 (404) 872-2679 Illi______It will be open to the public from April 16 “Looking For Investments?” through May 8, 1977. Tickets are $3.00 if purchased before April 16 and $4.00 at the door. For tickets, John Hunsinger please call Mrs. Thomas Fullilove, 394- & Company^ 0435. Reminders from The Women's Commercial and Industrial Real Estate Association 1819 Peachtree Road, Northeast 404 *351-6813 As always the Women’s Association is Chicago, Denver, San Francisco, Dallas, Tokyo, Paris planning several upcoming events which symphony attendants should mark on their calendars as “must-to-attend.” On Wednesday, March 9 at 7:30 p.m., and on Wednesday, April 6 from 10:00 jfanldin a.m. to 12:30 p.m., the WA is sponsoring “Open Rehearsals” in Symphony Hall. These rehearsals are open to the public. General admission is $ 1.00, but all Atlanta Symphony Orchestra League members are "SfITIu/k admitted without charge. On March 12, the Intermezzo The world’s finest record, Committee is sponsoring an After Concert stereo and music dealer Party in the Galleria Balcony. All are invited to attend.

Guest artists Juliana Markova, pianist, on left; and ’ Pinchas Zukerman, violinist, on right. Harpers Flowers Thursdays, March 17 and April 7, are 1201 West Peachtree Street, N.E. the dates of the last two Meet the Artists 876-5766 Luncheons. The guests at the March 17 We accept all major credit cards. luncheon will be Robert Shaw, Music Director and Conductor of the Atlanta Symphony, and Leonard Pennario, DINE AND DANCE pianist. The April 7 luncheon will honor AMONG THE STARS Eduardo Mata, guest conductor, and Pinchas Zukerman, violinist. The Meet the Artists Luncheons are at 12:30 p.m. in the Members’ Room. For reservations phone, Mrs. William Nash at 252-6507. A Note of Thanks The Atlanta Symphony thanks all those 590 WEST symphony supporters and volunteers who atop Stouffers ATLANTA HOTEL have helped and are still helping with the 590 West Peachtree Street 1976-77 Individual Gifts Campaign. Award winning ATLANTA CHILDREN'S THEATRE Restaurant since 1962 Noah and the Great Auk opens March 9 with John Dance and Terry Browning in r the lead roles of this original production. Bix Doughty, company manager of A.C.T., wrote the script for the play which is set on the Ark, but which deals with the subject of endangered species. Much of the dialogue is written in verse which Doughty Coach 8c Six Restaurant describes as “a mix of Shakespeare’s 1776 Peachtree St., N.W. 872-6666 favorite iambic pentameter and children’s favorite, Dr. Seuss’ sing songy lyrical style.”

Bix Doughty wrote the script for Noah and the Great Auk.

Dance will portray Noah. He has appeared in numerous A.C.T. productions. Terry Browning, will play the Auk, a bird which most theatre-goers will find unfamiliar since it now is extinct. Playing the Lion will be Eric Price, an actor, singer and dancer who appeared in a ATLANTA PICTURES national tour with the Agnes deMille AND FRAMES American Heritage Dance Theatre before coming to Atlanta. Rob Zapple, the Fine custom framing • Reproductions • Prints Drawings and paintings • Traditional portraits clumsy policeman and the back end of the by appointment dancing horse in Punch and Judy has been DOWNTOWN cast as the Hyena, the scheming animal two blocks northeast of the Omni International that attempts to start a mutiny on the Ark. between Spring and Techwood The Bear will be played by Morgan @ Atlanta Pictures and Frames Williams, whose most recent credit is the 133 Nassau St. NW • Tel 524-6028 • BenOlasov role of Leandro in the Alliance Theatre production of Scapino. Patricia Landon, El who played the professor who literally lost her head in Punch and Judy, is cast as the Ewe. i Charly Helms will direct the production, Ruth Ann Maddux is production designer, Reid Pierce is technical director, Bill Duncan is lighting designer and Rene Wolfe is head of the costume staff. Give Show times are 10 a.m. and 12 noon Monday through Friday for school groups AMERICAN7#* CANCER SOCIETY and Saturday matinees open to the public are scheduled for March 12, 19 and 26 at 2:30 p.m. Tickets are $2.25 for adults and children and can be reserved at the box SINCE 1948 liii______office, 892-2414. For information on Dine group rates for birthday parties, scout Nearby groups or other organizations call 892- before the 7607. show DANCE ATLANTA at Two Rudolf Nureyev Films / CROSSROADS Dance Atlanta and Bill Herring’s World I*' yl restaurant and lounge Films are joining forces in presenting a 1556 peachtree st. mini-series of two Rudolf Nureyev ballet open every day — 875-6375 film classics, An Evening With the Royal Ballet and Don Quixote. Only one performance of each film will be offered: An Evening With the Royal Tours and Cruises ... Ballet at 3 P.M. Sunday, March 13, and Don Quixote at 3 P.M. Sunday, May 15. by Air and Steamship Both will be in Symphony Hall, Atlanta Memorial Arts Center. Those desiring tickets to both films may save by subscribing in advance to the mini­ series. Single tickets are $5, $4, and $3; ATLANTA TRAVEL AGENCY series tickets are $9, $7, and $5, plus 25c for postage and handling. Tickets may be 1 235 Peachtree St., N.E. — Suite 1817 ordered now from World Films/Dance Atlanta, Georgia 30303 — Alex Hitz, Jr. Atlanta, 15-16th Street, N.E., Atlanta, Georgia 30309, and will go on public sale at the Atlanta Memorial Arts Center box office February 21. For further information call 872-2679. Hn MARCH 1977

MEMORIAL ARTS CENTER

ACA: Atlanta College HMA: High Museum < of Art Art ACT: Atlanta Children's MR: Member's Room Theatre PR: Paneled Room AT: Alliance Theatre RH: Rehearsal Hall ATC: Alliance Theatre SH: Symphony Hall Company ST: Studio Theatre ASO: Atlanta Symphony WHA: Walter Hill Orchestra Auditorium GAL: Galleria For ticket information, call the box office at 892-2414. For other information, call 892-3600.

Concerts

Tuesday, Wednesday, Thursday & Friday March 1, 2, 3 & 4 Atlanta, Georgia 30305 Young People’s Concerts, 10:40 a m. and 12:20 p.m., SH. Michael Palmer conducting: The Growth of the Orchestra. THURSDAY, FRIDAY & SATURDAY MARCH 10, 11 & 12 Atlanta Symphony Orchestra, 8:30, SH. Robert Shaw conducting; Joyce Johnson, pianist, Atlanta ^TheSpotlight Symphony Chorus, Borodin: Prince Igor, Overture, Polovetsian Dances; LaMontaine: Piano isontbe Concerto; Vaughn Williams: Dona Nobis Pacem. MONDAY. MARCH 14 cBrotherscJwo Young People's Concerts, 10:40 a m. and 12:20 p.m.,SH. Michael Palmer conducting; The Growth of the Orchestra. too! THUR SDAY, F Rl D AY & SATURDAY ______MARCH 17, 18 & 19______Atlanta Symphony Orchestra, 8:30, SH. Robert ...and our new Shaw conducting; Leonard Pennario, pianist, Griffes: The White Peacock; Grieg: Piano after theatre menu Concerto; Shostakovich; Symphony No. 5. MONDAY & TUESDAY & free MARCH 21 & 22 Young People’s Concerts, 10:40 a m. and 12:20 underground p.m., SH. Michael Palmer conducting; Fantasy In Music. parking in TUESDAY, MARCH 29 Chuck Mangione in concert. 8:30, SH. Colony Square. THURSDAY, FRIDAY & SATURDAY MARCH 31, APRIL 1 & 2 Atlanta Symphony Orchestra, 8:30, SH Eduardo Mata conducting; Juliana Markova, pianist, Bach: Brandenburg Concerto No. 3; Beethoven: Piano Concerto No. 4; Debussy: Iberia No. 2; Enesco: Roumanian Rhapsody No. 1. SUNDAY, APRIL 3 Atlanta Symphony Orchestra, 2:30, SH. Same program.

Food & Beverage

______SATURDAY, MARCH 12______ASO After Concert Party, Galleria. Hosted by the Intermezzo Committee. _ THURSDAY. MARCH 17 ASO Meet-the-Artist Luncheon, 12:30, Members' Room. $3.75. For reservations call 252-6507. THURSDAY & FRIDAY MARCH 4 & 5 Barber Shop Quartet Society, 8:00, SH. WEDNESDAY, MARCH 9 ASO Open Rehearsal, 7:30 p.m , SH. Atlanta Symphony Orchestra Admission $1.00. All ASOL Members Free. cBrotiierscTvvo Exhibitions Restaurant and Rub Open til 2 a.m. High Museum hours: 10:00 to 5:00 Mon. through Sat., 12:00 to 5:00 Sun., closed evenings. Art Shop 100 Colony Square Bldg, hours: open during regular High Museum hours. (red level) THE CITY and Jr. Art Shop hours: 3:00 to 4:45 Mon. through Fri., 12:00 to 4:45 Sat. and Sun. 14th & Peachtree Donation: 25® Children, 50C Adults, Museum Atlanta Members free. THE CITY is reserved at other hours during the week for scheduled school tours 892-1975 by prior arrangement only. People Who Care About People Care About Gittings Colour Portraits

THE PORTRAIT PHOTOGRAPHERS OF ATLANTA

PHIPPS PLAZA 261-5550 J

Gallery 413: open weekdays from 10:00 am to 5:00 Subject: "Monet: Impressions of a Floating pm. The Gallery is located in the Atlanta College World." Cost for the series: $6.50 HMA Members, of Art, Level “A". $8.50 Students with ID’s, $10 General Public. OPENING MARCH 5 WEDNESDAY, MARCH 16 Calder's Universe, HMA, second and third floor. HMA Re-Viewing the Masters Lecture Series, This exhibition is a retrospective of the work of the WHA, 10:00 and 8:00. Catherine Evans, lecturer. late Alexander Calder, who is widely regarded as Subject: “Degas: Variations on the Dance.” Cost America’s foremost sculptor. for the series: $6.50 HMA Members, $8.50 OPENING MARCH~19 Students with ID's, $10 General Public. WEDNESDAY, MARCH 23 Three Rivers of Nigeria: An Exhibition of Works in the William and Robert Arnett Collection, HMA, HMA Re-Viewing the Masters Lecture Series, third floor. More than 200 works from the Niger, WHA, 10:00 and 8:00. Catherine Evans, lecturer. Cross and Benue River regions of southeastern Subject: “Van Gogh: Expressions 'Through Red Nigeria from this private Atlanta collection. and Green.’ " Cost for the series: $6.50 HMA CONTINUING EXHIBITIONS ~ Members, $8.50 Students with ID's, $10 General Public.______The City, HMA. Junior Gallery. Discover the city as a place made up of color, line, space, shapes ______WEDNESDAY, MARCH 30______and texture—the elements of design. Award­ HMA Re-Viewing the Masters Lecture Series, winning exhibition designed by Heery & Heery WHA, 10:00 and 8:00. Catherine Evans, lecturer. Architects and Engineers. Admission fee to non­ Subject: “Gauguin: The Patterns of Pont-Aven.” Members. Cost for the series: $6.50 HMA Members, $8.50 Students with ID’s, $10 General Public. The William and Robert Arnett Collection of Antique Chinese Jades. HMA. McBurney Galleries, third floor. Continuing on extended loan. European Ceramics Galleries, HMA, McBurney Films Gallery, third floor. A special installation of more than 350 pieces from the collections of Mr. and Mrs. G. Ryland Scott and their families, Mr. and Mrs. Emory L. Cocke, and the Museum's SUNDAY, MARCH 6 permanent collection. Sponsors: Mr. and Mrs. Travelog, 2:30 & 5:00, SH. "Around The Bay of Lindsey Hopkins, Jr. and the Atlanta Arts Alliance. Naples”—From the churches and museums of Designer: Roy P. Frangiamore, A.I.A. Ceramics Naples to Santa Lucia, the mineral baths at Consultant: John Austin, Colonial Williamsburg. Castellammare di Stabia, the daily ritual of Photography: Kathryn Eros Green. Passagiata, Monte Faito, Sorrento, Capri, Herculaneum, Ischia, Paestum, Ravello—a rich and sensitive documentary. FRIDAY, MARCH 11 The War Game and The Gladiators, HMA Film Series, 8:00, WHA. $1 Museum Members with Lectures cards, $1.50 Students with ID's, $2 General Public. SATURDAY, MARCH 12 The War Game and The Gladiators, HMA Film WEDNESDAY, MARCH 2 Series, 8:00, WHA. $1 Museum Members, with HMA Re-Viewing the Masters Lecture Series, cards, $1.50 Students with ID's, $2 General Public. WHA, 10:00 and 8:00. Catherine Evans, lecturer. SUNDAY, MARCH 13 Subject: “Manet: Japan and Paris.” Cost for the series: $6.50 HMA Members, $8.50 Students with Dance Atlanta/World Films, 3:00, SH. "Evening ID's, $10 General Public. with the Royal Ballet.” The program of four major ballet sequences, Les Sylphides, the Pas de Deux WEDNESDAY, MARCH 9 from Le Corsaire, La Valse and Aurora's Wedding, HMA Re-Viewing the Masters Lecture Series, provides a showcase for the extensive capabilities WHA, 10:00 and 8:00. Catherine Evans, lecturer. of the dancers. FRIDAY, MARCH 18 Reel Images—independent films and videotapes submitted to juried festival, 3:00 to 11:00, WHA. SATURDAY, MARCH 19 Reel Images—screenings of independent films MAN and videotapes submitted to juried festival, 3:00 to 11:00, WHA.______SHALL NOT SUNDAY, MARCH 20 Southern Independent Film Circuit: Ed Emshwiller will show and discuss his films, 3:30, WHA.______LIVE BY "SUNDAY, MARCH 20 Travelog, 2:30 & 5:00, SH. This /s Paris. HOMEMADE THURSDAY, MARCH 24 Edvard Munch, HMA Film Series, 8:00, WHA. $1.50 HMA Members with cards, $2.00 Students with BREAD ID's. $2.50 General Public. FRIDAY, MARCH 25^ Edvard Munch, HMA Film Series, 8:00, WHA. $1.50 ALONE. HMA Members with cards. $2.00 Students with ID's, $2.50 General Public. Turn your next dinner into a cele­ SATURDAY, MARCH 26 bration at Atlanta’s loveliest Edvard Munch, HMA Film Series, 2:00, 5:00, 8:00, WHA. $1.50 HMA Members with cards, $2.00 restaurant—and treat yourself, Students with ID’s, $2.50 General Public. before or afterwards, to light SUNDAY. MARCH 27 Edvard Munch, HMA Film Series, 4:00, WHA. $1.50 piano classics and a delightful HMA Members with cards, $2.00 Students with selection of drinks at The French ID's, $2.50 General Public. THURSDAY, MARCH 31 Bar. We re in the magnificent 5J4 Titicut Follies, Fred Wiseman Documentary, 8:00, acre Omni International mega­ WHA. $1 HMA Members with cards, $1.50 Students with ID's, $2 General Public. structure, in the heart of down­ town. at Marietta Street and Techwood Drive. And yes. our Dance bread is homemade. In our own bakery. For reservations, please SATURDAY^MARCH 26 call: 659-0000. Dance Atlanta, 8:00, SH. Alwin Nikolais Dance Theatre

Theatre

TUESDAY, WEDNESDAY, THURSDAY, FRIDAY & SATURDAY MARCH 1, 2, 3, 4 & 5 Come Back To The 5 and Dime, Jimmy Dean, Jimmy Dean, 8:00. AT. Alliance Theatre Company. A new play by a new playwright, Ed Graczyk. At a hauntingly funny reunion, the disciples of James Dean relive the past. Fred Chappell, director. TUESDAY, WEDNESDAY. THURSDAY FRIDAY & SATURDAY ______MARCH 8, 9, 10, 11 & 12 Come Back To The 5 and Dime, Jimmy Dean, Jimmy Dean, 8:00, AT. "THURSDAY, FRIDAY & SATURDAY MARCH 17, 18 & 19 Misalliance, 8:00. AT. Alliance Theatre Company. Shaw at his wittiest—a Polish aviatrix drops from the sky into one of the stately homes of England, destroying a greenhouse and several long- Now serving until midnight. cherished middle-class illusions. An engagingly funny intellectual romp. Harold Scott, director. SUNDAY, MARCH 20 Misalliance, 2:30, AT TUESDAY, WEDNESDAY, THURSDAY FRIDAY & SATURDAY ______MARCH 22, 23, 24, 25 & 26_____ Misalliance, 8:00, AT. SUNDAY MARCH 27 722 Atlanta Arts Misalliance, 2:30, AT. Monthly magazine of the IlliAtlanta Memorial Arts Center _ TUESDAY, WEDNESDAY, THURSDAY 1280 Peachtree Street, N.E. Atlanta Georgia 30309 ______MARCH 29, 30 & 31______Misalliance, 8:00, AT MARCH, 1977 VOL. XII ISSUE 7

THE ATLANTA ARTS ALLIANCE Charles R. Yates President James K. Grlffeth Controller William Shippen Children Facilities Manager ATLANTA SYMPHONY ORCHESTRA Frank Ratka General Manager Richard W. Thompson THE CITY Exhibition—for Children and Adults— Assistant Manager in the High Museum of Art. Open daily 3:00-5:00 p.m. and weekdays 12:00-5:00 p.m. Admission 250 THE HIGH MUSEUM OF ART Gudmund Vigtel Children, 500 adults, Free HMA Members. Director TUESDAY. WEDNESDAY, THURSDAY, FRIDAY Ms. Paula Hancock ______MARCH 1, 2, 3 & 4______Curator of Education Jack and the Beanstalk, Vagabond Marionettes, THE ATLANTA COLLEGE OF ART 10:00 and 11:30, ST. William Voos President SATURDAY, MARCH 5 Anthony Greco Academic Dean Jack and the Beanstalk, Vagabond Marionettes, Mrs. Guthrie Foster 11:00. 1:00 and 3:00, ST. Dean of Students WEDNESDAY, THURSDAY & FRIDAY THE ALLIANCE THEATRE COMPANY MARCH 9, 10 & 11 David Bishop Producing Director Noah and the Great Auk, Atlanta Children's Fred Chappell Theatre, 10:00 and 12:00, AT. An original Artistic Director production written by Bix Doughty on the subject THE ATLANTA CHILDREN’S THEATRE of endangered species. Charly Helms, director. Charles L. Doughty SATURDAY, MARCH 12 Director Noah and the Great Auk, Atlanta Children's PARKING FACILITIES: Center Parking garage with Theatre, 2:30, AT.______covered parking directly adjacent to Center, entrances on Peachtree and Lombardy Way; also commercial parking WEDNESDAyTtHURSDAY & FRIDAY across from Peachtree entrance to Center, and north of MARCH 16. 1_7 & 18 First Presbyterian Church.

Noah and the Great Auk, Atlanta Children's BOX OFFICE: (404) 892-2414. Hours: Mon. tnrough Fri. Theatre, 10:00 and 12:00, AT.______10-6 pm (or until curtain); Sat. noon-4:00 (or until curtain); SATURDAY, MARCH 19 Sun. noon-3:00. The Memorial Arts Center Box Office handles tickets for the Atlanta Noah and the Great Auk, Atlanta Children's Symphony, Atlanta Children’s Theatre, Alliance Theatre Theatre, 2:30, AT. Company, Dance Atlanta, Theatre Atlanta Off Peachtree; Vagabond Marionettes; Travelogue Film Series; also on MONDAY, TUESDAY, night of performance, all tickets for any event scheduled in WEDNESDAY & THURSDAY the Arts Center. MARCH 21, 22, 23 & 24___ TOURS: For information on regular weekday tours or Noah and the Great Auk, Atlanta Children's group tour arrangements, call (404) 892-3600. Theatre, 10:00 and 12:00, AT. RESTROOMS: Located off the Galleria Balcony across FRIDAY. MARCH 25 72 from both Symphony Hall and the Alliance Theatre. Also located adjacent to the balcony lobbies inside Symphony Jungle Book, Vagabond Marionettes. Come into Hall. the jungle of India and meet the young hero of this Rudyard Kipling tale. 10:00 and 11:30, ST. OUR COVER: The Atlanta College of Art, a fully accredited 7 SATURDAY, MARCH 26 independent college, offers a Bachelor of Fine Arts degree in seven areas: drawing, painting, sculpture, printmaking, Jungle Book, Vagabond Marionettes, 11:00, 1:00 visual communication, photography, and video. and 3:00, ST. ATLANTA ARTS Magazine is published for the Atlanta Noah and the Great Auk, Atlanta Children's Memorial Arts Center, by The Conger Printing Co., Inc. in Theatre, 2:30, AT,______Atlanta, Georgia. All rights to Atlanta Arts are reserved by the Atlanta Memorial Arts Center. Reproduction from the MONDAY, TUESDAY. WEDNESDAY magazine in whole or in part without permission is THURSDAY & FRIDAY prohibited. Editorial Office, 1619 Chattahoochee Ave., MARCH 28, 29, 30 & APRIL 1 N.W., Atlanta 30318. Phone (404) 352-1910. Noah and the Great Auk, Atlanta Children's L. W. CONGER, JR. SANDRA HAISTEN Theatre, 10:00 and 12:00, AT. Publisher Editor Jungle Book, Vagabond Marionettes, 11:00, 1:00 COCO CONGER ERNEST DeVANE and 3:00, ST. Advertising Director Art Director If you're a smoker who has been thinking about vtar' and nicotine, here's why you might consider smoking Now. Now has the lowest 'tar' and nico­ tine levels available to you in a ciga­ rette, king-size or longer 2 mg. ’tar,' .2 mg. nicotine. It comes in both filter and menthol. Now also gives you real smoking satisfaction. The flavor is mild and pleasant. Now draws tree and easy for a cigarette so low in 'tar' and nicotine. Compare 'tar' numbers. You'll see that 2 mg. is the lowest of all king- size cigarettes. When is a good time to switch to Now? There’s no better time than right now

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