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The Imlay Foundation Recipient List
THE IMLAY FOUNDATION RECIPIENT LIST 100 Black Men of Atlanta, Inc. ArtsNOW, Inc. Automotive Training Center 3Keys, Inc. (fka Project Ashantilly Center Inc. Ayrshire Cancer Support (Scotland) Interconnections) Asian American Resource Center The Bachelor’s Club & 51st Highland Division Trust Assistance League of Atlanta Souter Cottage ABF The Soldier’s Charity Association for the Protection of BackPack Blessings, Inc. Abbotsford Trust Rural Scotland (UK) Ballethnic Dance Company, Inc. Aberlour Child Care Trust Atlanta Ballet Baruch College Fund Access at Ardgowen Atlanta Botanical Garden BDSRA (Batten Disease ACF Stakeholders Atlanta Celebrates Photography Support & RA) Achievement Rewards College Atlanta Center for Self Sufficiency Bearings Bike Shop, Inc. Scientists (fka Samaritan House Atlanta) Bethany Christian Trust (Scotland) Action Discipleship Ministries Atlanta Chamber Players Bield Housing Trust Action Ministries Atlanta Children’s Shelter, Inc. Big Brothers/Big Sisters Action on Hearing Loss Atlanta College of Art Biggar Museum Trust (Scotland) Action for Sick Children Atlanta Committee for the Olympic Blaze Sports America Actor’s Express Inc. Games (ACOG) Bloom Our Youth ADAPSO Foundation Atlanta Community Food Bank Blue Skies Ministries The Adaptive Learning Center Atlanta Community Tool Bank, Inc. Bobby Dodd Institute Advertising Council, Inc. Atlanta Concert Band Bobby Jones Golf Course and Park Agape Community Center Atlanta Contemporary Art Center Boys & Girls Clubs Agnes Scott College Atlanta Day Shelter for Women Boys & Girls Foundation AHMEN Housing Atlanta Girls’ School Boy Scouts of America - Pack 509 Ahimsa House Atlanta Habitat for Humanity Brain Injury Association of Georgia AID Atlanta Atlanta History Center Breakthru House Airborne Initiative (Scotland) Atlanta Hospital Hospitality House Brenau University Albert T. -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
Archives Alive!
ARCHIVES ALIVE! An Introduction to Primary Sources: Art in the Archives TARGET GRADE RANGE: 6-12 OVERVIEW By looking closely at artworks from the City of Savannah Municipal Archives’ collections, students will learn the basic tools for analyzing artistic images using description and reflection in order to improve visual literacy, as well as to identify the strengths and weaknesses of using art as a historical tool. Students will create a brief story, journal entry, or art piece reflecting on the subjects of the images. What is a Primary Source? A primary source is a first-hand, original account or record about a person, place, object, or an event. Oral histories, objects, photographs, and documents such as newspapers, census records, diaries, and journals are primary sources. Secondary sources are accounts, records, or evidence derived from original or primary sources. Textbooks are secondary sources. Objectives: After completing this learning activity, students will be able to: Describe the subjects of artworks and place them in a historical context Understand the components of an in-depth visual analysis Time Required: 1 hour Topic/s: Social Studies, Art, Creative Writing Standards: VA6.RE.1 VA7.RE.1 VA8.RE.1 Reflect on the context of personal works of art in relation to community, culture, and the world. a. Identify how the issues of time, place, and culture are reflected in selected works of art. b. Interpret works or art considering themes, ideas, moods, and/or intentions. c. Define where and how we encounter images in our daily lives and how images influence our view of the world. -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, General Electric Company
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 Application of Comcast Corporation, ) General Electric Company and NBC ) Universal, Inc., for Consent to Assign ) MB Docket No. 10-56 Licenses or Transfer Control of ) Licenses ) COMMENTS AND MERGER CONDITIONS PROPOSED BY ALLIANCE FOR COMMUNICATIONS DEMOCRACY James N. Horwood Gloria Tristani Spiegel & McDiarmid LLP 1333 New Hampshire Avenue, N.W. Washington, D.C. 20036 (202) 879-4000 June 21, 2010 TABLE OF CONTENTS 1. PEG PROGRAMMING IS ESSENTIAL TO PRESERVING LOCALISM AND DIVERSITY ON BEHALF OF THE COMMUNITY, IS VALUED BY VIEWERS, AND MERITS PROTECTION IN COMMISSION ACTION ON THE COMCAST-NBCU TRANSACTION .2 II. COMCAST CONCEDES THE RELEVANCE OF AND NEED FOR IMPOSING PEG-RELATED CONDITIONS ON THE TRANSFER, BUT THE PEG COMMITMENTS COMCAST PROPOSES ARE INADEQUATE 5 A. PEG Merger Condition No.1: As a condition ofthe Comcast NBCU merger, Comcast should be required to make all PEG channels on all ofits cable systems universally available on the basic service tier, in the same format as local broadcast channels, unless the local government specifically agrees otherwise 8 B. PEG Merger Condition No.2: As a merger condition, the Commission should protect PEG channel positions .,.,.,.. ., 10 C. PEG Merger Condition No.3: As a merger condition, the Commission should prohibit discrimination against PEG channels, and ensure that PEG channels will have the same features and functionality, and the same signal quality, as that provided to local broadcast channels .,., ., ..,.,.,.,..,., ., ., .. .,11 D. PEG Merger Condition No.4: As a merger condition, the Commission should require that PEG-related conditions apply to public access, and that all PEG programming is easily accessed on menus and easily and non-discriminatorily accessible on all Comcast platforms ., 12 CONCLUSION 13 EXHIBIT 1 Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. -
Metro Atlanta Cultural Assessment FINAL REPORT
metro atlanta cultural assessment FINAL REPORT table of contents acknowledgements. .3 executive summary. .4 cultural inventory cultural inventory summary. .8 creative industries revenue & compensation. 10 creative industries businesses & employment. 12 nonprofit cultural organizations. 27 cultural facilities. .40 where audiences originate. 53 cultural plans, programs, policies & ordinances cultural plans, programs & policies overview. 58 cultural affairs departments, plans, ordinances & policies. .59 regional planning agencies with cultural components. 63 regional cultural agencies. .65 examples of cultural plans. .67 cultural planning funding sources. .70 cultural forums cultural forums overview. 72 key findings, issues & opportunities. 73 all findings. 87 minutes Cherokee. 84 Clayton. 87 Cobb. 93 DeKalb. .98 Douglas. 105 North Fulton. 112 South Fulton. 120 Gwinnett. .127 Henry. .135 Rockdale. .142 City of Atlanta. 148 external appendices appendix A: cultural industries revenue and compensation technical codes appendix B: cultural industries employment and businesses technical codes appendix C: nonprofit cultural organizations technical codes appendix D: list of nonprofit cultural organizations by county appendix E: list of cultural facilities by county 2 | METRO ATLANTA CULTURAL ASSESSMENT FINAL REPORT acknowledgements This report would not have been possible without the strong support of the Boards of Directors of both the Atlanta Regional Commission and the Metro Atlanta Arts and Culture Coalition. Atlanta Regional Commission Board Members Tad Leithead (ARC Chair), Buzz Ahrens, W. Kerry Armstrong, Julie K. Arnold, Eldrin Bell, Kip Berry, C. J. Bland, Mike Bodker, Dennis W. Burnette, John Eaves, Burrell Ellis, Todd E. Ernst, Bill Floyd, Herbert Frady, Rob Garcia, Gene Hatfield, Bucky Johnson, Doris Ann Jones, Tim Lee, Liane Levetan, Lorene Lindsey, Mark Mathews, Elizabeth “BJ” Mathis, Randy Mills, Eddie L. -
Oxford College
EMORY BOLD LIBERAL ARTS IS PLUS FEARLESS RESEARCH A DIVERSE, INVOLVED COMMUNITY IN ATLANTA, A CITY RICH WITH OPPORTUNITY PREPARING STUDENTS TO CHANGE THE WORLD PAGE 1 l EMORY UNIVERSITY ACADEMICS AT EMORY, undergraduates benefit from an unusual combi- OUR FACULTY—leading scholars, teachers, and experts— nation—the strong teaching and personal connections of a set the tone in our intellectual community, where learning liberal arts college, paired with the resources and expertise extends into after-class conversations and mentoring, and of a top research university. students gain inspiration from their enthusiasm. This combination makes a difference. Students gain access Emory offers an unusual number of academic choices, from to groundbreaking ideas and minds, explore with a vast undergraduate colleges to majors to preprofessional paths, array of tools, and make creative and interdisciplinary giving students many ways to find their right fit. And learning collaborations. across majors is enriched by the city of Atlanta, where students can gain experience and begin to set their sights on the future. INTERNSHIPS 2,000 available in Atlanta and APPLYING KNOWLEDGE 10,000+ Emory students are using what they learn in the class- beyond room to make a difference in the world. Through research, internships, and off-campus study, our students contribute of students do research with to discoveries, tackle difficult issues, and gain a global under- a faculty member across the standing. After graduation, they have experience to build on 55% sciences, -
High Museum of Art Premieres North American Tour of Iris Van Herpen’S Innovative Haute Couture Designs
FOR IMMEDIATE RELEASE HIGH MUSEUM OF ART PREMIERES NORTH AMERICAN TOUR OF IRIS VAN HERPEN’S INNOVATIVE HAUTE COUTURE DESIGNS Major exhibition to feature recent works, including imaginative sculptural designs crafted using 3D-printing technology ATLANTA, Nov. 5, 2015 – The High Museum of Art is the first U.S. museum to present a major exhibition of work by visionary Dutch fashion designer Iris van Herpen, a cutting-edge artist inspired by diverse influences in the arts, sciences, music and philosophy. Marking the High’s first presentation of fashion design, “Iris van Herpen: Transforming Fashion” features one-of-a-kind haute couture—acclaimed for its combination of traditional craftsmanship and futuristic, innovative techniques—and includes some of the world’s first examples of 3D-printed fashion. The exhibition is co-organized with the Groninger Museum (the Netherlands) and debuts at the High, where it will be on view from Nov. 7, 2015, through May 15, 2016, before continuing on a North American tour. “Iris van Herpen’s work is an incredible fusion of artistic expression, craftsmanship and creativity,” said Sarah Schleuning, curator of decorative arts and design at the High. “The marriage of traditional, handcrafted designs and 21st-century technology makes her work innovative, dynamic and a signifier of a bold, new future for fashion design. With this presentation, the High continues to champion the outstanding visionaries who design the world around us.” Iris van Herpen has garnered international acclaim for her couture designs, which interweave traditional handwork with groundbreaking 3D-printing technology, computer modeling and engraving constructed in collaboration Iris van Herpen (Dutch, born with architects, engineers and digital design specialists. -
2011 FESTIVAL GUIDE Acpinfo.Org Welcome to the Atlanta Celebrates Photography Festival 2011, Our 13Th Year of Celebrating Photography Across the Metro-Atlanta Area!
2011 FESTIVAL GUIDE ACPinfo.org Welcome to the Atlanta Celebrates Photography Festival 2011, our 13th year of celebrating photography across the Metro-Atlanta area! During the ACP festival, Atlanta will be transformed by photography. Hundreds of venues, from your favorite museum to your local coffee- shop, will be infused with the creative efforts of local photographers to internationally-known artists; you might even see snapshots from your Atlanta friends and neighbors! From inspiration to education, ACP 2011 delivers the best in photography, from enlightening exhibitions at participating galleries, to provocative public art installations on the streets of Atlanta. To get the most out of the Festival, grab a highlighter and spend a few minutes discovering your favorites in the Festival Guide. Highlight events that look interesting to you, then indicate your favorites on the calendar at the front of the guide (there is also an index of artists and venues to assist your search for a particular event). Then you’ll have an easy schedule that can guide your month-long photography experience! With so much to choose from, we know it can be a bit overwhelming! There are far too many events and exhibitions for one person to attend, so don’t get discouraged. There’s something for everyone; try starting with ACP’s featured events (pgs 14 - 21) and join us as we explore where photography meets contemporary art and culture. We look forward to seeing you in the coming weeks, and again, we’d love to hear about your Festival experience. Let us know, by sending an email to: [email protected] Cover Art: Emmet Gowin, Edith, Chincoteague, Virginia, 1967 Disclaimer: The listings compiled in this guide are submitted by companies and individuals, and are considered as advertisements. -
Raise the Curtain
JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood. -
1 Spring 2021 Founded by the Cherokee Garden Club In
GARDEN SPRING 2021 CITINGS FOUNDED BY THE CHEROKEE GARDEN CLUB IN 1975 A LIBRARY OF THE KENAN RESEARCH CENTER AT THE ATLANTA HISTORY CENTER 1 TABLE OF CONTENTS 04 THE EARTH IN HER HANDS: 75 EXTRAORDINARY WOMEN WORKING IN THE WORLD OF PLANTS 06 DIRECTOR & EDITOR NEW BOOKS, OLD WISDOM Staci L. Catron ASSOCIATE EDITORS 10 Laura R. Draper Louise S. Gunn Jennie Oldfield SNOWFLAKES IN SPRING FOUNDING PRESIDENT Anne Coppedge Carr 14 (1917–2005) HEAD, HEART, HANDS, HEALTH, AND HISTORY CHAIR Tavia C. McCuean 18 WELCOME INCOMING ADVISORY BOARD MEMBERS ADVISORY BOARD C. Duncan Beard Wright Marshall 22 Helen Mattox Bost Tavia C. McCuean Jeanne Johnson Bowden Raymond McIntyre THE AMERICAN CHESTNUT ORCHARD AT ATLANTA HISTORY CENTER Sharon Jones Cole Ann James Offen Jennifer Cruse-Sanders Caye Johnson Oglesby Elise Blitch Drake Nancy Roberts Patterson Laura Rains Draper Betsy Wilkins Robinson Lee C. Dunn Claire McCants Schwahn 26 Ginger Dixon Fasy T. Blake Segars Kinsey Appleby Harper Melissa Stahel Chris Hastings Martha Tate GIFTS & TRIBUTES TO THE CHEROKEE GARDEN LIBRARY ANNUAL FUND Dale M. Jaeger Yvonne Wade James H. Landon Jane Robinson Whitaker Richard H. Lee Melissa Furniss Wright 34 BOOK, MANUSCRIPT, AND VISUAL ARTS DONATIONS ON COVER Plate 2 from Jane Loudon’s The Ladies’ Flower-Garden of Ornamental Bulbous Plants (London: William Smith, 1841), Cherokee Garden Library Historic Collection. THE EARTH IN HER HANDS: 75 EXTRAORDINARY WOMEN WORKING IN THE WORLD OF PLANTS JENNIFER JEWELL The Earth in Her Hands: 75 Extraordinary CHEROKEE GARDEN LIBRARY UPCOMING Women Working in VIRTUAL TALK WEDNESDAY MAY 12, 2021 the World of Plants 7:00pm Join us on May 12th for a conversation with Jennifer Jewell—host of public radio’s award-winning program and podcast Cultivating Place—as she introduces 75 inspiring women featured in her book, The Earth in Her Hands: 75 Extraordinary Women Working in the World of Plants. -
STEPHANIE SMITH Stephanie [email protected]
STEPHANIE SMITH [email protected] www.stephaniesmithart.com EDUCATION 1997 Master of Fine Art, With Distinction, Printmaking, University of Georgia, Athens, Georgia, Graduate Assistant 1990 Bachelor of Fine Art, Printmaking, Atlanta College of Art, Atlanta, Georgia TEACHING EXPERIENCE 2018-Present Senior Lecturer, University of West Georgia, Carrollton, GA Introduction to Printmaking, Advanced Printmaking, Screenprinting, Book Arts & Letterpress, 2D Composition, Drawing, Gallery Director 2009-2018 Lecturer, University of West Georgia, Carrollton, GA Introduction to Printmaking, Relief Printmaking, 2D Composition, Drawing, Screenprinting, Gallery Director 2005-2008 Temporary Full-Time Instructor, University of West Georgia, Carrollton, GA 2001-2004 Part-Time Instructor, University of West Georgia, Carrollton, GA Introduction to Printmaking, Relief Printmaking, 2D Composition, Drawing, Gallery Coordinator 1998-2005 Adjunct Instructor, The Atlanta College of Art, Atlanta, Georgia. Relief Printmaking, Screen Printing I & II, Drawing 101,102 2001-2006 Instructor, Chastain Art Center, Atlanta Printmaking and Bookbinding 1998-2006 Instructor, The Atlanta College of Art Continuing Education Department. Papermaking, Book Binding, Book Arts, Letterpress, Printmaking and Basic Drawing. 1999-2005 Instructor, Pre-College Program, The Atlanta College of Art. Sketchbook and Journal keeping, Monotype Printmaking HONORS/ AWARDS/ GRANTS 2014 Decatur Seed Grant, Decatur Arts Alliance Grant Recipient, SRAP grant for education outreach/gallery assistant -
Connect. Learn. Grow. WELCOME
WELCOME TO UNLIMITED OPPORTUNITIES Connect. Learn. Grow. WELCOME Welcome to Atlanta, Georgia for the 68th Annual Conference & Expo for GWA: The Association of Garden Communicators. I am excited you are here for what promises to be our best and most memorable event yet! We encourage you to take part in all the different networking and educational opportunities that are available over the next four days. Each of our education sessions and roundtables were selected by the Educational Program Committee for its educational value and real-world application, and we are confident you will leave Atlanta with new ideas and renewed passion for your work. Between garden tours and receptions, there is plenty of time to connect with old friends and to grow new relationships. I encourage you to speak to at least one new person during each break, and to not sit by the same person on the buses. You never know who you will meet that may spark a new idea for you or open a door to a new opportunity! Don’t forget your business cards. It’s a perfect way to easily be remembered by a new acquaintance. I’d like to close by thanking our sponsors, exhibitors, the Conference Committee, and especially the staff for all of the time and dedication they’ve put into making the Annual Conference the experience you have come to expect from GWA. Enjoy the Annual Conference & Expo. Enjoy Atlanta. BECKY HEATH GWA Vice President Brent and Becky’s Bulbs TABLE OF CONTENTS Schedule of Events .........................................................................................