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David Pevsner SAG-AFTRA / AEA http://www.davidpevsner.com/ FILM 300: RISE OF AN EMPIRE Supporting Warner Bros. / Dir. Noam Murro WAITING IN THE WINGS: THE MUSICAL Supporting Dir. Jenn Page SCROOGE & MARLEY Lead Dir. Richard Knight Jr. JOSHUA TREE, 1951: A PORTRAIT OF JAMES DEAN Supporting Dir. Matthew Mishory LOVE AND TELEPORTATION Supporting Dir. Troy McGatlin ROLE/PLAY Lead Dir. Rob Williams LITTLE CONSEQUENCES (short) Lead Dir. C. Jay Cox THE PLAYFUL COACH (short) Lead Dir. Lorne Raimi MYOPIA (short) Lead Dir. Mark Dashnaw PORNOGRAPHY – A THRILLER Supporting Dir. David Kittredge THE FLUFFER Supporting Dir. Wash West/Richard Glatzer TELEVISION RAKE (Pilot) Co-Star FOX / Dir. Sam Raimi MODERN FAMILY Co-Star ABC / Dir. Ryan Case LIZ & DICK (MOW) Co-Star LIFETIME / Dir. Lloyd Kramer GREY’S ANATOMY Recurring Co-StarABC / Dir. Chandra Wilson LAW & ORDER: LOS ANGELES Co-Star NBC / Dir: Jean De Segonzac THE YOUNG AND THE RESTLESS Day Player CBS / Dean Lamont GENERAL HOSPITAL Recurring ABC LAS VEGAS Co-Star NBC / Dir. Paul Michael Glaser CRIMINAL MINDS Co-Star CBS / Dir. Adam Davidson DESPERATE HOUSEWIVES Recurring ABC /Arlene Sanford/David Grossman ALLY MCBEAL Co-Star FOX / Dir. David Semel NYPD BLUE Co-Star ABC / Dir. Mark Tinker ANNIE (Disney MOW) Co-Star Dir. Rob Marshall WEB THE LXD (Prod: John Chu) Supporting Dir. Ryan Landels OLD DOGS AND NEW TRICKS Lead Dir. Arvin Bautista THE DISORGANIZED ZONE Lead Dir. Judy Norton THEATER IT MUST BE HIM Louie Wexler Edgemar Theater INTO THE WOODS The Baker Lucid by Proxy F*CKING MEN Jack Celebration Theatre FIDDLER ON THE ROOF w/Topol Mendel, Motel Broadway/Gershwin Theater SOUTH PACIFIC w/Robert Goulet Professor National Tour CHICAGO Billy Flynn Hudson Backstage -- MTLA CORPUS CHRISTI Philip Zephyr (LA), Rattlestick (NY), Edinburgh TO BITTER AND BACK (LA Weekly Nom. Best Solo) David (& Writer) Tamarind Theater WHEN PIGS FLY (Orig Cast NY, LA) David Fairbanks/Coronet PARTY (Orig Cast NY) Kevin Fairbanks Theater FALSETTOS Marvin Skylight Opera Theater RAGS (Off B’way Revival) Saul/Nathan American Jewish Theatre JEFFREY (Carbonell Nom, Best Actor) Jeffrey Colony Theatre (Miami) TRAINING Carole D’Andrea BFA Carnegie-Mellon University – Dept. of Drama, Music, and Dance AGENT: Brianna Ancel/Scot Reynolds / Phone: 818-509-0121 / Fax: 818-509-7729 10950 Ventura Blvd, Studio City, CA 91604 / [email protected] .

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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
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Log in / create account Article Discussion Read Edit View history Search James Dean From Wikipedia, the free encyclopedia Main page This article is about the actor. For other uses, see James Dean (disambiguation). Contents James Byron Dean (February 8, 1931 – September 30, 1955) Featured content was an American film actor.[1] He is a cultural icon, best James Dean Current events embodied in the title of his most celebrated film, Rebel Without Random article a Cause (1955), in which he starred as troubled Los Angeles Donate to Wikipedia teenager Jim Stark. The other two roles that defined his stardom were as loner Cal Trask in East of Eden (1955), and Interaction as the surly farmer, Jett Rink, in Giant (1956). Dean's enduring Help fame and popularity rests on his performances in only these About Wikipedia three films, all leading roles. His premature death in a car Community portal crash cemented his legendary status.[2] Recent changes Contact Wikipedia Dean was the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only actor to Toolbox have had two posthumous acting nominations. In 1999, the Print/export American Film Institute ranked Dean the 18th best male movie star on their AFI's 100 Years...100 Stars list.[3] Languages Contents [hide] Dean in 1955 اﻟﻌﺮﺑﻴﺔ Aragonés 1 Early life Born James Byron Dean Bosanski 2 Acting career February 8, 1931 Български Marion, Indiana, U.S. open in browser customize free license pdfcrowd.com Български 2.1 East of Eden Marion, Indiana, U.S. Català 2.2 Rebel Without a Cause Died September 30, 1955 (aged 24) Česky 2.3 Giant Cholame, California, U.S.
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James Dean: Magnificent Failure
Gay San Francisco: Eyewitness Drummer 133 James Dean: Magnificent Failure Written in 1960 and revised in September 1961, this feature essay was published in Preview: The Family Entertainment Guide, June 1962. I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 II. The feature article as published in Preview: The Family Entertainment Guide, June 1962 III. Eyewitness Illustrations I. Author’s Eyewitness Historical-Context Introduction written July 29, 2007 Revealing the Iconography of Drummer: When James Dean Met Marlon Brando, Heath Ledger, and Jake Gyllenhaal Marlon Brando: “Stella!” James Dean: “You’re tearing me apart.” Jake Gyllenhaal to Heath Ledger: “I wish I knew how to quit you.” As soon as we teenagers invented and liberated our tortured selves in the pop culture of the deadly dull 1950s, my leather bomber jacket morphed in meaning from “play clothing” to teen symbol. I was swept up by the movie Blackboard Jungle (1955) and its theme song, Bill Haley’s “Rock around the Clock,” which was played every ten minutes on the radio because no other white rock-n-roll songs yet existed. At the same instant, I found my first lover in James Dean, in his jackets, his motorcycle, his face, his attitude, his verite. When he was killed at age twenty-four on September 30, 1955, I was sixteen, a junior in high school, and stricken with grief. Even though I was in the Catholic seminary and was a sexually pure boy, art and literature and movies cancelled my chances of being paro- chial. (In 2007, it is more difficult to come out as a progressive Catholic ©Jack Fritscher, Ph.D., All Rights Reserved—posted 05-05-2017 HOW TO LEGALLY QUOTE FROM THIS BOOK 134 Jack Fritscher, Ph.D.
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^uest director chosen for Otterbein Theatreei You’ll want to grab a stool and film versions, which rere- Among the other major ant director, and senior,senior. att the counter for “Come tained the same actresses as characters are Stella May, Anne Barnes is stage man-man ; Back To The Five & Dime, the trio of aging fans: Sandy (junior JoBeth Phalen), now ager for the production. Jimmy Dean, Jimmy Dean,” Dennis. Cher, and Karen a fat, married, tough-talk Tickets for “Come Back to to be presented by the Black. ing, and hard-drinking the Five & Dime, Jimmy Otterbein College Theatre, Basically, “Jimmy Dean” woman, and Edna Louise Dean, Jimmy Dean,” a play Feb. 7-10, at 8:15 p.m. in is a story about a group of (sophomore Charlotte which employs adult themes Cowan Hall. Dr. Roy Bowen, kids in a-^dried up, dusty Dougherty), now as before, and language, are available former director of theatre at Texas town in the middle of a wispy waif, although very at the Cowan Hall-box office The Ohio State University, nowhere and how the near pregnant with her seventh from 1-4:30 p^.m. weekdays, will direct. by filming of “Giant,” Dean’s child. and at the door for one hour An Otterbein graduate. last movie before he died in While the play is about preceding each perform- ' Dr. Bowen, has spent more the high-speed crash of his Dean as. the ultimate cult than 30 years in theatrical Porche in 1955, has affected figure, there are any num work in the Columbus area, their lives.
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Views on Happiness in the Television Series Ally Mcbeal: the Philosophy of David E
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