Man's Remains Eaten by Lizards
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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
George Jackson Brigade
CREATING A MOVEMENT WITH TEETH A Documentary History of the George Jackson Brigade edited by Daniel Burton-Rose Creating A Movement With Teeth: A Documentary History Of The George Jackson Brigade Edited by Daniel Burton-Rose This edition © PM Press 2010 ISBN: 978-1-60486-223-2 Library of Congress Control Number: 2010927765 Cover design by Josh MacPhee/Justseeds.org Interior design by Josh MacPhee/Justseeds.org 10987654321 PM Press PO Box 23912 Oakland, CA 94623 www.pmpress.org Printed in the USA on recycled paper. Contents Permissions 8 Acknowledgments 9 Preface, Ward Churchill 11 Introduction, Daniel Burton-Rose 17 Conventions 25 I. PROFILES OF THE GEORGE JACKSON BRigADE 27 i. Law Enforcement Perspectives Federal Bureau of Investigation, Freedom of Information Act Document, “Domestic Security” 34 Seattle Police Department Intelligence Division, “George Jackson Brigade” 35 Federal Bureau of Investigation, “RE: GEORGE JACKSON BRIGADE,” January 4, 1978 38 ii. Difficult to Digest: The Corporate Media on the George Jackson Brigade Walter Wright, “Ed Mead: Two Faces of a Dangerous Man” 47 Walter Wright, “Pages in the Life of Bruce Seidel: Two Sides of a Revolutionary” 51 Neil Modie, “Janine and Jori: The Two Faces of a Jackson Brigade Suspect” 54 Community Response: Chris Beahler et al., “Open Letter To Dr. Jennifer James” 57 John Arthur Wilson, “Sherman—‘Ready When the Time Comes’” 59 iii. Invisible People: A Working Class Black Man and a White Dyke Michelle Celarier, “Does the State Conspire? The Conviction of Mark Cook” 65 rita d. brown, “a short autobiography” 71 II. COMMUNIQUÉS 75 Olympia Bombing, June 1, 1975 77 Capitol Hill Safeway, September 18, 1975 “We Cry and We Fight” 80 Community Response: Left Bank Collective 83 New Year, 1976 84 Communiqué Fragment, “On the Weather Underground . -
Is There Life on Europa? Theses That Allow South African Runner Oscar Pistorius to Compete with Able-Bodied Athletes — Are Left to Later Sections
OPINION NATURE|Vol 457|22 January 2009 Superman born of a 1930s United States adopting eugenic practices, to the nuclear- powered Spider-Man of the cold-war era and the psychologically disturbed Batman incar- nations of the therapy-obsessed 1980s and 1990s, every generation has its super people. Those portrayed in Heroes are the genetically enhanced Generation X of the superhero world — too busy to save the world because their own lives are in perpetual turmoil. Societies get the superheroes they need most. Human Futures and The Science of Many of the ‘superpowers’ portrayed in the television series Heroes are no longer science fiction. Heroes give a tantalizing glimpse of how science might make this a reality in a future but misplaced essay on ‘evidence dolls’, the powers, such as the ability to steal memory, are human existence. And given Carts-Powell’s creation of designers Anthony Dunne and already with us in the form of drugs that help talent for explaining the science, perhaps an Fiona Raby. The plastic miniatures are a victims of trauma to forget. army of her clones will take over high-school hypothetical future product in which to store Historically, superheroes are a snapshot of education. ■ sperm and hair samples of prospective repro- the relationship between science and society Arran Frood is a science writer based in the NBC UNIVERSAL PHOTO ductive partners. The dolls are personified by at any one time, based on their powers and United Kingdom. four women, who reveal how knowledge of how they obtained them. From the perfect e-mail: [email protected] their partner’s genes might influence their sexual and reproductive lifestyles. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Labyrinths & Lizards Module
Labyrinths & Lizards Page !1 Labyrinths & Lizards and the Egg or Irrgarten Introduction 3 meta-Character Creation 3 meta-Classes 3 meta-Health 4 meta-Spells 4 meta-Items 5 meta-Name 5 A fnal note about notes. 5 Deep in the Labyrinth... 6 Room 1 10 Room 2 12 Room 3 15 NEXT CHALLENGE 18 Smashing the Harness Engine 20 Once it is all over 20 End of the game 20 Plunder Chart 21 meta-NPCs 22 Prerolled meta-Characters 23 Lolinda 23 MoonDaze 23 Capt. Cheese 23 Trizz 23 Acknowledgements 24 IMPORTANT NOTE: Tis game was designed to play with the Tales from the Loop RPG core book. Request it at your local game store or visit their sight, you will not be disappointed. http://frialigan.se/en/ Labyrinths & Lizards Page !2 Introduction Labyrinths & Lizards is a module I created to help my new players with transitioning from a fantasy hack-n-slash style to a more story building-mystery based RPG like Tales from the Loop. The idea came from my experiences joining an after school RPG club back in my early teens (in the 80s that actually was). This was around the same age an time period of Tales from the Loop so I felt it was a perfect idea to help introduce the players. In Labyrinths & Lizards, their player-characters travel to the North Street Rec Center and play a mini meta-RPG with an NPC named Joshua (who later became a major NPC in our campaign). Players will use their Tales from the Loop PCs skills to roll the dice for their meta-Characters., and each room is designed to help them learn and understand their STATS & SKILLS for the Tales from the Loop game. -
(12) United States Patent (10) Patent No.: US 7,318,241 B2 Morrow (45) Date of Patent: *Jan
USOO7318241 B2 (12) United States Patent (10) Patent No.: US 7,318,241 B2 Morrow (45) Date of Patent: *Jan. 15, 2008 (54) PADDED SPORTS GLOVE HAVING (56) References Cited IMPROVED FLEXBILITY AND BREATHABILITY U.S. PATENT DOCUMENTS (75) Inventor: David Morrow, Metamora, MI (US) 4,103,362 A 8, 1978 Blakeman ................... 2,161.1 4.779,289 A * 10/1988 Prouty ............................. 2/16 (73) Assignee: Warrior Lacrosse, Inc., Warren, MI 5,390,372 A * 2, 1995 Hashimoto et al. .......... 2,161.2 (US) 5,697,104 A * 12/1997 Welton .......................... 2,159 5,787,506 A * 8/1998 Wilder et al. ... ... 2/161.1 (*) Notice: Subject to any disclaimer, the term of this 5,867,830 A : 2, 1999 Chen - - - - - - - - - - - - - ... 2,161.1 patent is extended or adjusted under 35 6,085354 A 72000 Wilder et al. ... ... 2/161.1 U.S.C. 154(b) by 0 days. 6,122,769 A * 9/2000 Wilder et al. .................... 2/16 6,427.247 B1 8/2002 Suk ............................ 2,161.2 This patent is Subject to a terminal dis- 6,550,069 B1 * 4/2003 Morrow ...................... 2,161.1 claimer. 6,643,844 B2 * 1 1/2003 Morrow et al. .............. 2/161.1 6,813,780 B2 * 1 1/2004 Morrow ............ ... 2,161.1 (21) Appl. No.: 11/521, 184 7,062,791 B2 * 6/2006 Gold .......................... 2,161.6 7,117,540 B2 * 10/2006 Morrow ...................... 2,161.1 (22) Filed: Sep. 14, 2006 * cited by examiner (65) Prior Publication Data Primary Examiner Katherine Moran US 2007/OO17OO2 A1 Jan. -
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THE ANXIETY OF ROSE DA SILVA IN SILENT HILL MOVIE: A PSYCHOANALYTIC APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirement for Getting Bachelor Degree in English Department by: DWI PRASETYO A. 320 020 071 ENGLISH DEPARTMENT SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2008 1 CHAPTER I INTRODUCTION A. Background of the Study One of the real problems in human’s daily life is anxiety. Anxiety can include many aspects of life such as social, economic, religious and cultural aspect. Everyone ever has anxiety in his life. Commonly people does not like problem because they tend to get pleasure in their life. When human gets problem in his life and cannot solve it, he tries as far as he can to avoid it. But human cannot escape from this problem. By avoiding it, human will get anxiety in his life. Problem cannot be avoided. Human must overcome it and handle his problem because it can reduce the anxiety. As one of the psychoanalytic principles, anxiety is part of psychology study. The foremost investigator of the psychoanalytic is Vienna neurologist and psychologist Sigmund Freud. Freud (in Feist, 1985: 25) theorized that the root of human problems was psychological, not physical. He divides the psyche into three parts: id, ego, and superego. In literature, human problem sometimes become the interesting things to explore. The problem is sometimes pictured by an author. The problem is then developed by an author to create a story of his own. An author blends it in a story that becomes one of work of arts. -
Ontario Lacrosse Magazine Is the Primary Source of Information for Ontario Lacrosse Players, Parents, Coaches and Officials
SPRING 2009 | $4.95 HEADING SOUTH Ontarians making an impact at U.S. colleges Josh Sanderson, What life is like Calgary Roughnecks playing in the NLL Major Series Lacrosse raring to go CPM Agreement #40752539 www.ontariolacrossemagazine.com Spring 2009 • Volume 1 • Issue 2 // CONTENTS Photo: Danny Musser FEATURES DEPARTMENTS 8 Photo: Graig Abel Photography WHERE SERIOUS PLAYERS SHOP NEWS & NOTES 18 Profiles of several power lax retailers 4 New direction for OLRA • The return of wood • CLA introduces standard net design WEEKEND WARRIORS 20 What life is like playing and coaching TECHNICAL TOOLBOX in the NLL 9 Pre-season stick maintenance HEADING SOUTH RULE BOOK 28 Although a great accomplishment, 12 Goalie equipment & behind the net goals playing lacrosse at a U.S. college is no doubt a challenge for every Remembering Jammer NATIONALS REPORT student-athlete 14 A look at Toronto’s new professional field lacrosse team UNBRIDLED ENTHUSIASM 36 34 OLA Junior ‘A’ League pumped for BAGGATAWAY another season 16 The greatest franchises in Senior ‘A’ history STAR POWER 44 EQUIPMENT BAG 36 Q&A with Jim Brady, commissioner Gloves of Major Series Lacrosse ROAD TRIP 38 St. Andrew’s College hops on a bus ON THE COVER for some team bonding and pre-season Josh Sanderson, competition Photo: Martin Allinson Anthony Cosmo, Brampton Excelsiors www.ontariolacrossemagazine.com Spring 2009 | Ontario LACROSSE 3 NEWS & NOTES Ontario Lacrosse magazine is the primary source of information for Ontario lacrosse players, parents, coaches and officials. Published quarterly (Winter, Spring, Summer, Fall), Ontario Lacrosse is mailed directly to more than 10,000 members of the Ontario Lacrosse Association. -
Heroes Act: Revenue Provisions
Heroes Act: Revenue Provisions Updated October 26, 2020 Congressional Research Service https://crsreports.congress.gov R46358 Heroes Act: Revenue Provisions ongress continues to consider proposals intended to alleviate the economic effects associated with the Coronavirus Disease 2019, or COVID-19, pandemic. One such Cproposal, the Health and Economic Recovery Omnibus Emergency Solutions (HEROES) Act (H.R. 6800), was introduced in the House on May 12, 2020, and passed by the House on May 15, 2020.1 To date, the Senate has not considered H.R. 6800. A revised version of The Heroes Act (H.R. 8406) was introduced on September 29, 2020. The House adopted the revised version of the Heroes Act on October 1, 2020, as a House amendment to the Senate amendment to H.R. 925. Division F of H.R. 8406 (adopted as H.R. 925), or the COVID-19 Tax Relief Act of 2020, contains a number of individual and business tax provisions, including a one-time direct payment to eligible individuals; enhanced benefits and/or expanded eligibility for the earned income tax credit (EITC), child tax credit, and child and dependent care tax credit, and suspension of the limitation on the deduction for state and local taxes paid; expanded utilization options for certain employee health and dependent care benefits; expansions of tax credits for paid sick leave and paid family leave; tax benefits for businesses and employers, including tax credits for employers retaining and hiring employees in businesses subject to COVID-19-related interruptions and deductibility of expenses financed by forgiven Paycheck Protection Program loans; and a permanent limitation on using noncorporate business losses to offset nonbusiness income, and reduced ability to carry back recent net operating losses. -
The Symbionese Liberation Army (SLA)
This article was downloaded by: [University of Helsinki] On: 14 November 2013, At: 12:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Critical Studies on Terrorism Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rter20 Survival on a shoestring: the Symbionese Liberation Army (SLA) revisited Leena Malkki a a Network for European Studies , University of Helsinki , Helsinki, Finland Published online: 12 Aug 2010. To cite this article: Leena Malkki (2010) Survival on a shoestring: the Symbionese Liberation Army (SLA) revisited, Critical Studies on Terrorism, 3:2, 313-327, DOI: 10.1080/17539153.2010.491346 To link to this article: http://dx.doi.org/10.1080/17539153.2010.491346 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.