DOCSLIB.ORG

Iiet Catálogo Fonográfico Colección Isabel Aretz Á

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Iiet Catálogo Fonográfico Colección Isabel Aretz Á G O B I E R N O D E L A C I U D A D D E B U E N O S A I R E S MINISTERIO DE CULTURA DIRECCIÓN GENERAL DE ENSEÑANZA ARTÍSTICA Archivo Sonoro del Instituto de Investigación en Etnomusicología – IIEt Catálogo Fonográfico Colección Isabel Aretz Área Técnica: Mg. Carlos Balcázar y Dra. Berenice Corti Actualización a la fecha agosto de 2019 1 CATALOGO FONOGRAFICO DE LA COLECCIÓN ISABEL ARETZ DISPONIBLE EN EL IIET Nivel de Descripción MON Titulo Música folklórica nicaragüense de Masaya Lugar Chicago Sello Flying fish records Fecha 1988 Descripción 1 disco 33rpm Descriptores FOLKLORE Descriptores NICARAGUA Descriptores MASAYA Biblioteca IMM Ubicación VIN1 Inventario F1 Fecha alta 23/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Domínguez, Teófilo Titulo Teófilo Domínguez en el recuerdo. Lugar Caracas Sello Guarura Fecha 1979 Número LP105 Descripción 1 disco 33rpm. Descriptores FOLKLORE Descriptores VENEZUELA Descriptores YARACUY Biblioteca IIM Ubicación VIN2 Inventario F2 Fecha alta 23/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Otehortúa, Blas Emilio Intérpretes Montaña, Gentil Título Musica de la época de la independencia. Sello Patronoato colombiano de artes y ciencias Descripción 1 disco 33rp. Descriptores COLOMBIA Descriptores MUSICA COLONIAL Instrumentos GUITARRA Biblioteca IIM Ubicación VIN3 Inventario F3 Fecha alta 26/04/2004 Nivel de Descripción MON Autor personal Gavitt Feguson, Walter 2 Intérpretes Gavitt Ferguson, Walter Título Calipsos del Caribe de Costa Rica. Lugar San José de Costa Rica Sello OEA Fecha 1986 Descripción 1 disco 33rp. Descriptores CALIPSO Descriptores COSTA RICA Descriptores CARIBE Instrumentos GUITARRA Biblioteca IIM Ubicación VIN4 Inventario F4 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal List, George, ed. Título Cantos costeños; folksongs of the atlantic coastal region of Colombia. Lugar New York Sello Anthology record and tape corporation Fecha 1973 Número EST8003 Descripción 1 disco 33rpm Descriptores COLOMBIA Biblioteca IMM Ubicación VIN5 Inventario F5 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Subía, Kike Titulo Sabor panameño. Sello Luna Número LU1006 Descripción 1 disco 33rpm. Descriptores PANAMA Descriptores FOLKLORE Biblioteca IMM Ubicación VIN155 Inventario F181 Fecha alta 26/04/2004 Nivel de Descripción MON Autor personal Roldán, Amdadeo Intérpretes Orquesta sinfónica nacional de Cuba Intérpretes Coro nacional de Cuba Titulo Amadeo Roldán Lugar La Habana Sello Areito Número LD4131 3 Descriptores CUBA Descriptores TOQUES Instrumentos ORQUESTA SINFONICA Instrumentos CORO Biblioteca IMM Ubicación VIN6 Inventario F6 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal León, Argelis Intérpretes Fernández, Frank Intérpretes Casanova, Nancy Intérpretes Orquesta sinfónica nacional de Cuba Titulo En homenaje a un amigo para un ejecutante y tres fuentes tímbricas. Hoy canto a mi patria sobre aquella sangre heroica vertida en el Moncada. Lugar La Habana Sello Egrem Número LD4134 Descripción 1 disco 33rpm. Descriptores CUBA Instrumentos PIANO Instrumentos ORQUESTA SINFONICA Biblioteca IMM Ubicación VIN7 Inventario F7 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Gramatges, Harold Intérpretes Calzadilla, Ramón Intérpretes Duchezne Cuzán, Manuel Intérpretes Orquesta sinfónica nacional de Cuba Titulo Oda martiniana. In memorian Frank Paris. Lugar La Habana Sello Egrem Número LD4219 Descripción 1 disco 33rpm. Descriptores CUBA Instrumentos BARITONO Instrumentos ORQUESTA SINFONICA Biblioteca IMM Ubicación VIN8 Inventario F8 Fecha alta 26/04/2004 Causa alta DON 4 Nivel de Descripción MON Autor personal García Caturla, Alejandro Titulo Alejandro García Caturla Lugar La Habana Sello Areito Número LD4129 / LD4130 Descripción 2 discos 33rpm. Descriptores CUBA Biblioteca IMM Ubicación VIN91/2 Inventario F9/F10 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Chávez Martínez, Luis Felipe Autor corporativo Grupo aires de Pubenza Popayán Cauca. Intérpretes Grupo aires de Pubenza Popayán Cauca Titulo Tradiciones fuerza dedicación. Lugar Medellín Sello Industria electro sonora Fecha 1987 Descripción 1 disco 33rpm. Descriptores COLOMBIA Biblioteca IMM Ubicación VIN10 Inventario F11 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción: MON Autor personal Antôio, Chico Autor personal Paulírio Intérpretes Antôio, Chico Intérpretes Paulírio Titulo Chico Antônio no balanço do ganza. Lugar Sao Joa del Rei Sello Tacape Fecha 1982 Número T006 Descripción 1 disco 33rpm. Descriptores BRASIL Descriptores FOLKLORE Biblioteca IMM Ubicación VIN11 Inventario F12 Fecha alta 26/04/204 Causa alta DON Nivel de Descripción MON 5 Titulo Cururu e outros cantos das festas religiosas MT. Lugar Rio de Janeiro Sello Instituto nacional do folclore Fecha 1988 Número INF45 Descripción 1 disco 33rpm. Descriptores BRASIL Descriptores FIESTAS RELIGIOSAS Descriptores FOLKORE Biblioteca IMM Ubicación VIN12 Inventario F13 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Orquesta sinfónica de la universidad de Chile Titulo Antología de la música chilena. Número AMC01 Descripción 2 discos 33rpm. Descriptores CHILE Instrumentos ORQUESTA SINFONICA Biblioteca IMM Ubicación VIN13 Inventario F14/F15 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Terzian, Alicia Intérpretes Orquesta sinfónica del estado de Armenia Intérpretes Mogatzian, Willy Titulo Concierto para violín y orquesta. Lugar Buenos Aires Sello Instituto Lucchelli Bonadeo Número ILP3001 Descripción 1 disco 33rpm. Descriptores ARGENTINA Descriptores CONCIERTO Instrumentos VIOLIN Instrumentos ORQUESTA SINFONICA Biblioteca IMM Ubicación VIN14 Inventario F16 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Vate, Nancy van de Autor personal Strunk, Steven 6 Autor corporativo Lifchitz, Max Intérpretes Nort/South consonance ensemble Intérpretes Lifchitz, Max Titulo Nine preludes. Quartet IV. Transformations nº1. Transformation nº2, Lugar Maine Sello Opus one Número STEREO MUNBER118 Descripción 1 disco 33rpm. Descriptores MUSICA CONTEMPORANEA Descriptores ESTADOS UNIDOS Biblioteca IMM Ubicación VIN15 Inventario F17 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Nobre, Marlos Intérpretes Szidon, Roberto Titulo Roberto Szidon interpreta Marlos Nobre. Sello Deutsche grammophon Fecha 1977 Número 2584 016 Descripción 1 disco 33rpm. Descriptores BRASIL Descriptores MUSICA CONTEMPORANEA Instrumentos PIANO Biblioteca IMM Ubicación VIN16 Inventario F18 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Los mensajeros del Paraguay Titulo Los mensajeros del Paraguay. Lugar Washington Sello OEA Unidad técnica de música Fecha 1976 Número OEA006 Descripción 1 disco 33rpm. Descriptores PARAGUAY Descriptores FOLKLORE Instrumentos ARPA Instrumentos GUITARRA Instrumentos VOZ Biblioteca IIM Ubicación VIN17 Inventario F19 Fecha alta 26/04/2004 7 Causa alta DON Nivel de Descripción MON Intérpretes Moerdijk, MarieCécilie Titulo Songs for the millons. Sello Philips Número STEREO 6410086 Descripción 1 disco 33rpm. Instrumentos VOZ Biblioteca IMM Ubicación VIN18 Inventario F20 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Lecuna, Juan Vicente Intérpretes Taborda, Evelia Intérpretes Bujanda, Antonio Titulo Sonata para arpa. Sonatas de Altagracia. Lugar Caracas Sello Asociación Vicente Emilio Sojo Número 82037 Descripción 1 disco 33 rpm. Descriptores SONATA Descriptores VENEZUELA Instrumentos ARPA Instrumentos PIANO Biblioteca IMM Ubicación VIN19EJ1/2 Inventario F21/F22 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Laya, José Clemente Titulo Obras de José Clemente Laya Sello Asociación Vicente Emilio Sojo Número 83051 Descripción 1 disco 33rpm. Descriptores VENEZUELA Descriptores MUSICA CONTEMPORANEA Biblioteca IMM Ubicación VIN20EJ.1/2 Inventario F23/F44 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Nobre, Marlos 8 Titulo Mosaico para orquesta. Rhythmetron para percussoes. O canto multiplicado. Biosfera. Sello Philips Número 6833177/8 Descripción 2 DISCOS 33rpm. Descriptores BRASIL Descriptores MUSICA CONTEMPORANEA Biblioteca IMM Ubicación VIN21 Inventario F24F25 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Un solo pueblo Titulo La música de Un solo pueblo. Lugar Caracas Sello Promus Fecha 1977 Número LPPS20168 Descripción 1 disco 33rpm. Descriptores VENEZUELA Descriptores FOLKLORE Biblioteca IMM Ubicación VIN22 Inventario F26 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Armstrong, Louis Titulo Armstrong very special old phonography. v.VI Lugar Caracas Sello Odeon Número OLP274 Descripción 1 disco 33rpm. Descriptores JAZZ Instrumentos TROMPETA Biblioteca IMM Ubicación VIN23 Inventario F27 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Autor personal Mendoza, Carlos Titulo Los instrumentos de la orquesta sinfónica. Fecha 1980 Número LPCS0001/2 9 Descripción 2 discos 33rpm. Descriptores DIDACTICA Instrumentos ORQUESTA SINFONICA Biblioteca IMM Ubicación VIN24 Inventario F28/F29 Fecha alta 26/04/2004 Causa alta DON Nivel de Descripción MON Intérpretes Young Tuxedo brass band Titulo Lazz begins; sound of New Orleans streets: funeral and parade music. Lugar New York Sello Atlantic Número 1297 Descripción 1 disco 33rpm. Descriptores JAZZ Descriptores NEW ORLEANS
Load more

Recommended publications
  • Go Forbaroque Program This Evening's Guest Artists
    The Plantation Foundation Meet the presents Jacksonville Symphony Orchestra String Quintet Melissa Pierson Barrett, violin, Associate Concertmaster of the JSO since 1990, is also a chamber musician with Chamber Music Hilton Head. She has also played with the Houston Grand Opera, Savannah Symphony Orchestra and at the Aspen, Boulder, Lake George Opera, Sandpoint, Banff, and Sarasota summer festivals Annie Morris, violin, a member of JSO since 1990, has played with the New World, Charleston, Savannah, and Delaware Symphonies, the Philharmonic Orchestra of Florida, Naples Philharmonic, Texas Opera Theater, and the Houston Grand Opera. GoMUSIC forBaroque SOIREE AND BACHTAIL PARTY Summer performances include the Lancaster, Spoleto Festival (US and Italy), Aims, and Heidelberg festivals. Colin Kiely, viola, a member the JSO since 1996 and Acting Assistant Principal Viola in 2006, has performed with the Miami String Quartet and was featured in the University of North Florida’s “Music For Our Time” program . He has performed in Carnegie Hall, Avery Fischer Hall, the Kennedy Center, and at Teatro Colon. Betsy Federman, cello, a JSO member since 1994, has previously played with the New World Symphony, the Naples Philharmonic, and at the Aspen Music Festival, the Colorado Music Festival and the Utah Festival Opera. Baroque Music John Wieland, bass, has been a member of the Jacksonville Symphony Orchestra for Harpsichord, since 1989. John has performed with numerous orchestras as principal bass, Recorder, Guitar including the Virginia Symphony, Oklahoma Symphony, Orquestra Sinfonia de Mineria, and the Colorado Music Festival. He has also been a faculty member at and String Quintet. Stetson University since 1995.
    [Show full text]
  • Abraham Abreu Clavencista
    00234 LA BmtlOTECA IOIS· ANGEl. ABANGO DEL BANCO DE LA BEPUBJJCA Presenla en su SALA DE CONCIERTOS ABRAHAM ABRE'U CLAVECINISTA EOGOTA, D. E., MIEHCOLES 19 DI~ ABRIL DE 1972 HUfa : v :-1j ) .• 1. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ABRAHAM ABREU Nació en Caracas en 1939. Después de haber completado es­ tudios en Filosofía y Letras y el 8 9 año de piano, viajó a Estados Unidos becado por la Fundación Creole. Durante 4 años estudió en la Universidad de Vale donde obtuvo los grados de Bachelor of Music y Master of Music. Fueron sus profesores: E. Jorge Vix, Moisés Moleiro, Keith Wilson, Arthur Hague, Ward Davenny, Mel Powell, Albert Ferber, etc. Desde ei año 1962 es alunlno de la eminente pedagoga norte­ americana Harriet Serr. A su regreso a Venezuela ingresó como profesor a la Universidau Central donde fundó el Centro de Es­ tudios Musicales. Fue director de éste hasta el año 1969. En la actualidad es profesor de lnúsica en la Universidad Simón Bolívar y ejecutante de celesta en la Orquesta Sinfónica de Venezuela. Además realiza programas regulares por la Radio Nacional de Venezuela. Es ampliamente conocido COIllO conferencista, clave­ cinista y pianista. En 1968 publicó un curso de apreciación musical en diez dis­ cos y en 1971 la Fundación Mito Juan editó su primer disco de clave. \' Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA 1 TOCCATA DECIMA J ohanu J akob Froberger SUITE N? 1 Allemande Courante Sarabande DOS SONATAS K. 18 K.84 Domenico Scarlatti FANTASIA Giles Farnaby VING-SEPTIEME ORDRE Frant;ois Couperin Le Graad L'Exquise Les Pavots Les Chinois Saillie INTERMEDIO II PARTITA IV Johann Sebastian Bach Ouverture Allemande Courante Aria Sarabande Minuet Gigue FANTASIA CROMATICA y FUGA J ohann Sebastian Bach Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia.
    [Show full text]
  • GV May Get Automatic Teller
    Grand Valley State University ScholarWorks@GVSU Volume 22 Lanthorn, 1968-2001 3-16-1988 Lanthorn, vol. 22, no. 24, March 16, 1988 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol22 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 22, no. 24, March 16, 1988" (1988). Volume 22. 24. http://scholarworks.gvsu.edu/lanthorn_vol22/24 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 22 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. N t ’ W S 1 .1 p S U I t ((pinion Calvin and Hope ,Sports Sen p. S for the Vol.22 Issue No.24 March 16, 1988 yorey (Clads Grand Valley State Universiy, Allendale, Ml News Room Advertising Manager (616) 895-3120 (616) 895-3608 Eberhard Center Open For Class This Spring^ By Kurt Ogrodzinski News Writer Classes have been scheduled for the new L.V. Eberhard Center, downtown. The nine- story center will offer classes in computer science, engineering, education and business, among others. Enrollment is now being accepted for the Spring/Summer term. "Classes are already more than filled at night," said Provost for GVSU, Glenn Niemeyer. "The bulk of the classes at the new center will be offered at night from 6 to 9:00 p.m. There will not be a lot of classes run during the day and there will be a select few on Saturday.” Though the building boasts nine stories, only 25 rooms will be used as actual classrooms.
    [Show full text]
  • Meeting Notes
    SEATTLE RECORDER SOCIETY Recorder Notes April 2014 Vol. XLV, No. 7 From the Music Director SRS MEETING (Peter Seibert) Friday, Our April meeting will start with the Annual Meeting, which April 4th, 2014 has been moved from the May meeting in order to allow more time @ 7:30 p.m. for the Members’ Night program. An important order of business will be the ratification of the new set of by-laws. Those have not been changed since our official incorporation in 1978, and it is time for Opening Activity them to reflect our current needs as a society. Annual business meeting Following the Annual Meeting, Sally Mitchell’s crew will remain with us for the entire playing session. During the year, they Playing Session have worked on the Francisco Guerrero Magnificat primi toni, and (Peter Seibert) our combined groups join together to play this fine music. This interesting work for SATB employs the chant melody in some of Music of Guerrero the movements. and Handel We’ll end the evening by playing several movements from the Backroom Gang Handel Water Music, Suite 1, for full recorder orchestra. Many of us (Sally Mitchell) played this new arrangement in St. James Cathedral as part of the International Handel Festival in 2011. This will be the final group Staying with playing session of our season. the large group tonight Get your act together for Members’ Night! Members’ Night Is Coming Up Soon! SRS By-laws (Kathleen Arends) to be Updated! Members’ Night is Friday, May 2nd! To see the proposed Please send your name or ensemble name (including names of all by-laws, check members) with the title and composer of the piece you’re performing to the SRS website under the [email protected] to reserve your spot! April 4th meeting notes.
    [Show full text]
  • Manuel Verdeguer Beltrán (1908-1988) Trayectoria Musical Y Aportaciones a La Escuela Moderna Del Contrabajo
    Doctorado en Arte: Producción e Investigación Manuel Verdeguer Beltrán (1908-1988) Trayectoria musical y aportaciones a la escuela moderna del contrabajo TESIS DOCTORAL Autor: Francisco Ruiz Zanón Directores: Antonio Ripollés Mansilla y Vicente Llimerá Dús Tutor: Vicente Barón Linares Valencia, febrero 2020 Agradecimientos Agradezco la inestimable ayuda de Francisco Verdeguer, sobrino del maestro Verdeguer residente actualmente en Valencia, que nos ha ofrecido la oportunidad de investigar sobre la vida de este gran artista, sin duda una de las grandes figuras del patrimonio musical valenciano. Agradecimiento a Manuel Verdeguer, hijo de Manuel Verdeguer Beltrán que reside en Sarasota (Estado de Florida). Agradezco los sabios consejos y el apoyo de mis directores de tesis el Dr. Antonio Ripollés Mansilla y el Dr. Vicente Llimerá Dús. Agradecimiento y dedicatoria de esta tesis a mis profesores de contrabajo Emilio Maravella, Gérard Massat, Jean Ané y Thierry Barbé. Mi agradecimiento a la Universitat Politècnica de València por su apoyo para que esta Tesis Doctoral viera la luz. En especial a la Dra. Teresa Cháfer, Coordinadora del Programa de Doctorado en Arte: Producción e Investigación, por su inestimable ayuda y a mi Tutor el Dr. Vicente Barón Linares por su gestión y buen hacer en los trámites para su defensa. 2 Resumen Manuel Verdeguer Beltrán es el contrabajista español más relevante del siglo XX, con un gran reconocimiento en el continente americano. Nacido en 1908 en Valencia, comenzó tocando el violoncello y posteriormente se consagró como solista y pedagogo del contrabajo, elogiado, entre otros por los maestros Lamote de Grignon y Joaquín Turina. El estudio de la época en la que desarrolló su carrera artística en España nos ha permitido descubrir la crisis económica causada a los intérpretes por la desaparición del cine mudo, así como en el conocimiento del reglamento que regía las condiciones laborales de los músicos.
    [Show full text]
  • Simon Gollo 2100 North Line St
    Simon Gollo 2100 North Line St. I 201, Lansdale, PA 19446 Cell: (267) 815-8916 Email: [email protected] Website: www.daliquartet.com Education 2005 Soloist Diploma in Violin Performance (Master Degree in Violin Performance) Conservatoire Supérieur et Académie de Musique Tibor Varga, Sion, Switzerland. Primary teachers: Gyula Stuller, Gabor Takacs. 2002 Virtuosity Diploma in Violin Performance Conservatoire de Musique, Genève, Switzerland Primary teacher: Patrick Genet. 1995 Violin Performance and Pedagogy Studies Conservatoire de Musique, Neuchatel, Switzerland. Primary teacher: Anne Bauer. Current positions 2012 – Present Dali Quartet, Lansdale, PA, USA 1st Violin – International Touring String Quartet. The Dali Quartet is represented by Jonathan Wentworth Associates, LLC and has around 30 engagements per season on average including concerts and master classes. 2012 – Present ArCoNet The Arts & Community Network, Lansdale, PA, USA Professor of Violin and Chamber Music Conductor of the Chamber Orchestra 2014 Casita Maria Center for Arts and Education, New York City, NY, USA Musician in Residence Casita Maria Center for Arts & Education’s mission is to empower youth and their families by creating a culture of learning through high quality social, cultural, and educational opportunities. 2014 – Present WHIN Music Project, New York, NY, USA Member of the board WHIN Music is a venezuelan “El Sistema” inspired project that offers a new platform of inclusion for at-risk youth that strengthens their cognitive abilities & life skills, improves academic achievement, builds community, lifts the horizon of hope & ambition, & points them toward success. Current positions, cont. 2000 – Present Festival y Academia del Nuevo Mundo “Nuevo Mundo Festival and Summer Academy”. Maracaibo, Venezuela Founder, Artistic Director, and Professor The Nuevo Mundo Festival and Academy has held more than 200 summer concerts, 25 Music and Art Conferences, 1 Opera, 2 Violin competitions and 2 Art Exhibitions.
    [Show full text]
  • Winter 2014 V Ol
    winter 2014 ol. LV, No. 4 • www.americanrecorder.org V Published by the American Recorder Society, Editor’s ______Note ______ ______ ______ ______ Volume LV, Number 4 Winter 2014 Features ver my last couple of decades, as ARS Executive Director and then AR edi- Playing for Keeps: tor,O I’ve penned pieces mentioning research Alzheimer’s can’t rob musician of her talent . 11 that links musical activity with improved brain function in advancing years .Thus I By Rebecca Hutchinson was intrigued to learn of a short DVD about 6 Buna Fletcher and how her Alz heimer’s is Departments held at bay when she plays the recorder . After discovering that Buna’s longtime Advertiser Index . 40 neighbor was writer Rebecca Hutchinson, it became possible to expand a simple Compact Disc Reviews . 25 announcement of a DVD’s availability into Kathryn Bennets and Peter Bowman explore a full-length article (page 11) . It’s personal— the Antarctic and other places about Buna and her faithful friend Doortje Shover —yet research-based . It is of interest Chapters, Consorts & Recorder Orchestras . 38 10 to all of us who hope not to die young! More 2014 birthdays I want to offer my thanks to those responsible for my receiving the Presidential Education . 23 Special Honor Award—not only the ARS Gustavo de Francisco continues his series on tuning Board, who awarded it to me, but also many Music Reviews . 29 people worldwide who are willing to give of themselves to help the ARS and AR .The Music of the 18th century and beyond solitary nature of my work as AR editor President’s Message .
    [Show full text]
  • U:\WPWIN\Music Archives Project
    CANADIAN MUSIC COUNCIL CONSEIL CANADIEN DE LA MUSIQUE MUS 153 (a) Prepared By: John L. Jung Date: April 20, 1990 TABLE OF CONTENTS Introduction............................................1 Boxes Index............................................. 2 List of Abbreviations Used..............................3 Restricted Documents.................................... 5 2.0 CMCouncil Board Office 2.1 Board Office Meetings.......................7 2.2 Board of Directors..........................7 3.0 Meetings of CMCouncil 3.1 Annual Meetings.............................9 3.3 Correspondence.............................10 4.0 CMCouncil Conferences 4.2 Conference Documents.......................12 4.3 Conference Papers..........................13 4.5 Financial Statements.......................14 4.6 Correspondence.............................14 4.8 Miscellaneous..............................16 4.9 Translation and Interpretation.............17 4.10 Concerts...................................18 6.0 General Correspondence 6.1 National Correspondence....................20 6.2 International Correspondence...............23 7.0 CMCouncil Accounts 7.1 Financial Statements.......................27 7.2 Accounts Payable and Receivable............28 7.4 Financial Books............................32 8.0 CMCouncil Publications 8.2 Canadian Music Journal.....................34 8.4 Musicanada.................................34 9.0 CMCouncil Awards 9.1 Correspondence.............................45 9.2 Official Documents.........................45 9.3 Press Releases
    [Show full text]
  • Pedro Eustache CV
    Pedro Eustache pedroflute.com [email protected] Main Activity I am a creative solo flautist, reed player, world-woodwinds, wind synthesist, and composer with a unique, eclectic, multi-dimensional voice. My musical language is the result of many years of extensive study and professional experience in Western European classical, African- American, world (from a wide range of cultures), popular, folk, and computer/electronic musics. Although I have been careful to learn the traditional techniques and styles of these musics, in order to be able to perform them in an authentic, traditional manner to the best of my ability when it is appropriate to do so, I have also experimented extensively with melding techniques and styles in numerous new ways. Education JAZZ B.F.A. and M.F.A. in Jazz Performance, California Institute of the Arts (Valencia, California), 1988-1991, under the direction of James Newton, Paul Novros, David Roitstein, and Charlie Haden WESTERN EUROPEAN CLASSICAL MUSIC Flute, Music Theory, Music History, and Aesthetics Studies, Juan Manuel Olivares Music School, Juan José Landaeta Music Conservatory (Caracas, Venezuela), 1972-1976 Choral Conducting, Musical Analysis, and Musical Arrangement Studies, Lino Gallardo Music School (Caracas, Venezuela), 1975-1977 Flute and Piccolo Studies, Diploma, Venezuelan National Youth Symphony Orchestra Music Academy (Caracas, Venezuela), under the direction of J. A. Naranjo and G. Egner, 1977-1980 Héctor Berlioz Conservatoire, Double Diploma in Classical Flute Performance (Paris, France),
    [Show full text]
  • El Grupo Onkora, Que Cumple Este Año 17 Años De Fundado, Ha
    Durante 20 años, el Grupo Onkora ha centrado su labor en la creación y divulgación de un repertorio de música popular instrumental venezolana. A lo largo de su historia, este quinteto ha logrado un depurado ensamble con un estilo muy particular, en el cual se combinan diversos colores por el aporte de instrumentos como el cuatro, la guitarra, el tiple, el contrabajo, la mandolina, la bandola, las maracas, las flautas traversas y el palo e’lluvia. El papel de Onkora, es proponer un nuevo lenguaje en el ámbito de la música popular venezolana, para atraer al público que ha ido en búsqueda de otras tendencias y géneros musicales. En un contexto más amplio, el Grupo Onkora pretende acercar nuestra música popular a los gustos de otras culturas, a través de la incorporación de elementos internacionales. Cumplir ambos objetivos, forman parte de un sueño mayor: lograr un sonido venezolano con proyección universal. El contar con tres producciones discográficas y la nominación al "Premio Nacional La Casa del Artista como Grupo Revelación del Año 1998" son motivo de orgullo y prueba de que el camino seguido ha sido el correcto. Onkora es: Luis Freites- contrabajo Marco Celi - tiple, cuatros Andrés Eloy Rodríguez – flautas, piccolo Christian Martín - guitarra Lester Paredes - mandolina, bandola, flauta, saxo, palo’e lluvia, maracas Producciónes discográficas: "Con el Tiempo" "Segundo Movimiento" "Grupo Onkora 15 años" Grabado en Bremen/Alemania, Grabado en Caracas/Venezuela, Grabado en Caracas/Venezuela, Nov-Dic. 94 Dic. 97 Ago. 00 P r e s e n t a
    [Show full text]
  • Ricardo Lorenz: a Post-Colonial/Modern Latin(O) American Composer
    Ricardo Lorenz: A Post-Colonial/Modern Latin(o) American Composer Hermann Hudde This article examines Venezuelan composer Ricardo Lorenz (b. 1961), whose music and writing both focus around the concept of transcultura- tion. First used by Fernando Ortiz ([1947] 1995) to describe the cultural evolution of Cuba in the mid-twentieth century, transculturation is under- stood by Lorenz as the phenomenon of two mutually influential musical cultures; it “entails the circulation of ideas in both directions, resulting in an interdependent network of mutual influences” (Lorenz 2000a, 93). This article explores the role of transculturation in Lorenz’s work, putting it in the context of his relocation from Venezuela to the United States in the 1980s, as well as his own writings on the subject. Even though Ricardo Lorenz has an outstanding career as a contemporary composer, his works and artistic persona still remain under-explored in musicology. This ar- ticle seeks to establish groundwork for further scholarly study of Ricardo Lorenz’s music; at the same time, it aims to demonstrate the contributions of Latin American/Latino composers to Western art music, which they have accomplished by bringing forth a subtle universe of sounds shaped by its cultural history. 1 Venezuela, Latin American Art Music, and the United States The Venezuelan cultural mestizaje (inter-ethnicity/ethnic integration)—a more complex and extended phenomenon than the basic race mixture among indigenous, Europeans and West Africans because it also includes Asia and the Middle East—has created distinct layers of subtle cultural webs in the country (Hu-DeHart and López 2008). This socio-cultural fea- ture has molded the music-making process in Venezuela by incorporating complex subcultural layers of communities, identities, beliefs, genres, and styles.
    [Show full text]
  • Maria Guinand: Conductor, Teacher, and Promoter of Latin American Choral Music Angel M
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Maria Guinand: Conductor, Teacher, and Promoter of Latin American Choral Music Angel M. Va#squez-Ramos Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MARIA GUINAND: CONDUCTOR, TEACHER, AND PROMOTER OF LATIN AMERICAN CHORAL MUSIC By ANGEL M. VAZQUEZ-RAMOS A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 The members of the committee approve the dissertation of Angel M. Vázquez-Ramos defended on August 4, 2010. _________________________________ André J. Thomas Professor Directing Dissertation _________________________________ Michelle Stebleton University Representative _________________________________ Judy K. Bowers Committee Member _________________________________ Kevin A. Fenton Committee Member Approved: ________________________________________ Don Gibson, Dean, College of Music The Graduate School has verified and approved the above-named committee members. ii I dedicate this to my wife, Jody, for her unconditional love and support. And to my daughter Lucia Isabel. iii ACKNOWLEDGEMENTS I would like to express my thanks to the members of my committee for their assistance throughout this process, and for all the lessons they have taught me directly and indirectly during the last twelve years. To Dr. André J. Thomas for sharing with me his skills, knowledge, passion and love for making music with others. To Dr. Kevin A. Fenton for his kindness and positive approach to teaching. To Dr. Judy K. Bowers for empowering me to be the skilled and passionate music educator I have always wanted to be.
    [Show full text]