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1St International Piano Competition 2020 Online
MusicAlive 1st International Piano Competition 2020 Online THE COMPETITION JURY Anna Kijanowska - founder, artistic director - Poland/USA Agnieszka Lasko - co-founder, managing director - Poland Chantal Balestri - Italy/Switzerland Sara Davis Buechner - USA Mia Elezović - Croatia Mirta Gómez - Cuba/USA Aleksandra Hałat - Poland Agata Hołdyk - Poland János Kéry - Hungary Agnieszka Kopińska - APPLICATION Poland DEADLINE Grzegorz Niemczuk - Poland June 30, 2020 Jay Pengjie Sun - USA/Taiwan Jelena Simonović-Kovačević - Serbia Ana Telles - Portugal Maria Yefimova - Russia/USA Anna Kijanowska FOUNDER/ARTISTIC DIRECTOR JURY MEMBER M U S I C A L I V E 1 S T I N T E R N A T I O N A L P I A N O C O M P E T I T I O N 2 0 2 0 O N L I N E Anna Kijanowska, WPTA-Polska President, Anna Kijanowska has established herself as a multi faceted musician, smoothly transitioning among her roles as a performing and recording artist, pedagogue, coach, and advocate of contemporary classical music around the world. She has performed and taught in North and South America, Asia, Europe, New Zealand, Africa and Australia. As an internationally recognized music educator, Kijanowska has been invited to present master classes, recitals and lectures at leading universities and conservatories around the world, including the Central Conservatory and the the Chinese Conservatory in Beijing, Yong Siew Toh Conservatory of Music at the National University of Singapore, LaSalle College of Arts in Singapore, Frankfurt University of Music and Performing Arts in Germany, Liszt Academy in Budapest, the Sydney Konservatorium, New Zealand School of Music in New Zealand, Yale and Harvard University in Cambridge, among others. -
Go Forbaroque Program This Evening's Guest Artists
The Plantation Foundation Meet the presents Jacksonville Symphony Orchestra String Quintet Melissa Pierson Barrett, violin, Associate Concertmaster of the JSO since 1990, is also a chamber musician with Chamber Music Hilton Head. She has also played with the Houston Grand Opera, Savannah Symphony Orchestra and at the Aspen, Boulder, Lake George Opera, Sandpoint, Banff, and Sarasota summer festivals Annie Morris, violin, a member of JSO since 1990, has played with the New World, Charleston, Savannah, and Delaware Symphonies, the Philharmonic Orchestra of Florida, Naples Philharmonic, Texas Opera Theater, and the Houston Grand Opera. GoMUSIC forBaroque SOIREE AND BACHTAIL PARTY Summer performances include the Lancaster, Spoleto Festival (US and Italy), Aims, and Heidelberg festivals. Colin Kiely, viola, a member the JSO since 1996 and Acting Assistant Principal Viola in 2006, has performed with the Miami String Quartet and was featured in the University of North Florida’s “Music For Our Time” program . He has performed in Carnegie Hall, Avery Fischer Hall, the Kennedy Center, and at Teatro Colon. Betsy Federman, cello, a JSO member since 1994, has previously played with the New World Symphony, the Naples Philharmonic, and at the Aspen Music Festival, the Colorado Music Festival and the Utah Festival Opera. Baroque Music John Wieland, bass, has been a member of the Jacksonville Symphony Orchestra for Harpsichord, since 1989. John has performed with numerous orchestras as principal bass, Recorder, Guitar including the Virginia Symphony, Oklahoma Symphony, Orquestra Sinfonia de Mineria, and the Colorado Music Festival. He has also been a faculty member at and String Quintet. Stetson University since 1995. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Abraham Abreu Clavencista
00234 LA BmtlOTECA IOIS· ANGEl. ABANGO DEL BANCO DE LA BEPUBJJCA Presenla en su SALA DE CONCIERTOS ABRAHAM ABRE'U CLAVECINISTA EOGOTA, D. E., MIEHCOLES 19 DI~ ABRIL DE 1972 HUfa : v :-1j ) .• 1. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ABRAHAM ABREU Nació en Caracas en 1939. Después de haber completado es tudios en Filosofía y Letras y el 8 9 año de piano, viajó a Estados Unidos becado por la Fundación Creole. Durante 4 años estudió en la Universidad de Vale donde obtuvo los grados de Bachelor of Music y Master of Music. Fueron sus profesores: E. Jorge Vix, Moisés Moleiro, Keith Wilson, Arthur Hague, Ward Davenny, Mel Powell, Albert Ferber, etc. Desde ei año 1962 es alunlno de la eminente pedagoga norte americana Harriet Serr. A su regreso a Venezuela ingresó como profesor a la Universidau Central donde fundó el Centro de Es tudios Musicales. Fue director de éste hasta el año 1969. En la actualidad es profesor de lnúsica en la Universidad Simón Bolívar y ejecutante de celesta en la Orquesta Sinfónica de Venezuela. Además realiza programas regulares por la Radio Nacional de Venezuela. Es ampliamente conocido COIllO conferencista, clave cinista y pianista. En 1968 publicó un curso de apreciación musical en diez dis cos y en 1971 la Fundación Mito Juan editó su primer disco de clave. \' Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA 1 TOCCATA DECIMA J ohanu J akob Froberger SUITE N? 1 Allemande Courante Sarabande DOS SONATAS K. 18 K.84 Domenico Scarlatti FANTASIA Giles Farnaby VING-SEPTIEME ORDRE Frant;ois Couperin Le Graad L'Exquise Les Pavots Les Chinois Saillie INTERMEDIO II PARTITA IV Johann Sebastian Bach Ouverture Allemande Courante Aria Sarabande Minuet Gigue FANTASIA CROMATICA y FUGA J ohann Sebastian Bach Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. -
GV May Get Automatic Teller
Grand Valley State University ScholarWorks@GVSU Volume 22 Lanthorn, 1968-2001 3-16-1988 Lanthorn, vol. 22, no. 24, March 16, 1988 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol22 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 22, no. 24, March 16, 1988" (1988). Volume 22. 24. http://scholarworks.gvsu.edu/lanthorn_vol22/24 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 22 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. N t ’ W S 1 .1 p S U I t ((pinion Calvin and Hope ,Sports Sen p. S for the Vol.22 Issue No.24 March 16, 1988 yorey (Clads Grand Valley State Universiy, Allendale, Ml News Room Advertising Manager (616) 895-3120 (616) 895-3608 Eberhard Center Open For Class This Spring^ By Kurt Ogrodzinski News Writer Classes have been scheduled for the new L.V. Eberhard Center, downtown. The nine- story center will offer classes in computer science, engineering, education and business, among others. Enrollment is now being accepted for the Spring/Summer term. "Classes are already more than filled at night," said Provost for GVSU, Glenn Niemeyer. "The bulk of the classes at the new center will be offered at night from 6 to 9:00 p.m. There will not be a lot of classes run during the day and there will be a select few on Saturday.” Though the building boasts nine stories, only 25 rooms will be used as actual classrooms. -
Meeting Notes
SEATTLE RECORDER SOCIETY Recorder Notes April 2014 Vol. XLV, No. 7 From the Music Director SRS MEETING (Peter Seibert) Friday, Our April meeting will start with the Annual Meeting, which April 4th, 2014 has been moved from the May meeting in order to allow more time @ 7:30 p.m. for the Members’ Night program. An important order of business will be the ratification of the new set of by-laws. Those have not been changed since our official incorporation in 1978, and it is time for Opening Activity them to reflect our current needs as a society. Annual business meeting Following the Annual Meeting, Sally Mitchell’s crew will remain with us for the entire playing session. During the year, they Playing Session have worked on the Francisco Guerrero Magnificat primi toni, and (Peter Seibert) our combined groups join together to play this fine music. This interesting work for SATB employs the chant melody in some of Music of Guerrero the movements. and Handel We’ll end the evening by playing several movements from the Backroom Gang Handel Water Music, Suite 1, for full recorder orchestra. Many of us (Sally Mitchell) played this new arrangement in St. James Cathedral as part of the International Handel Festival in 2011. This will be the final group Staying with playing session of our season. the large group tonight Get your act together for Members’ Night! Members’ Night Is Coming Up Soon! SRS By-laws (Kathleen Arends) to be Updated! Members’ Night is Friday, May 2nd! To see the proposed Please send your name or ensemble name (including names of all by-laws, check members) with the title and composer of the piece you’re performing to the SRS website under the [email protected] to reserve your spot! April 4th meeting notes. -
ROBERTO MONTENEGRO Conductor
ROBERTO MONTENEGRO Conductor Born in Uruguay, Roberto Montenegro is internationally recognized as a conductor of exceptional quality, as well as a highly demanded pedagogue. He is invited annually to be part of the International Jurors of Young Concert Artist of New York, selecting the artists that will make his debut in that city. He has given Masterclasses of Orchestral Conducting at the Universidad del Litoral (Argentina), with the Algarve Orchestra in Portugal and as an assistant to Maestro Aldo Ceccato at the Music School of the European Economic Community in Saluzzo (Italy), Santiago de Compostela (Spain) and International Courses in Bergamo (Italy). Roberto Montenegro studied with Guido Santórsola in Uruguay and advised by conductor Igor Markevitch he then moved to Germany, where he studied at the Hochschule für Musik und Theater in Hamburg, with Aldo Ceccato and Sergiu Celibidache. With the latter, he also followed a course of Phenomenology of Music at the Guttemberg Universität in Mainz. He made his debut as Assistant Conductor of the Music Academy of the West in Santa Barbara, California. He was selected by Maestro Robert Shaw to prepare Brahms Ein Deutsches Requiem, on the Centennial of Carnegie Hall of New York. From 1990 to 1994, he was Music Director and Chief Conductor of the Uruguay Radio Symphony Orchestra (SODRE), repeating as Chief Conductor in 2004-2005. From 2009 to 2013 he was the Music Director of the Santa Fe Symphony Orchestra in Argentina, being honoured the title of Conductor Emeritus in 2013. Highly regarded as an excellent interpreter of the Latin American composers (Astor Piazzolla, Alberto Ginastera, Heitor Villa- Lobos) and of the Czech music (Antonin Dvorak, Bedrich Smetana), Roberto Montenegro has conducted almost all the major Czech orchestras, including Prague Radio Symphony Orchestra, Czech National Orchestra, Prague Chamber Orchestra, Czech Philharmonic Chamber Orchestra, Brno Philharmonic, Olomouc Moravian Philharmonic, North Czech Philharmonic Teplice. -
Manuel Verdeguer Beltrán (1908-1988) Trayectoria Musical Y Aportaciones a La Escuela Moderna Del Contrabajo
Doctorado en Arte: Producción e Investigación Manuel Verdeguer Beltrán (1908-1988) Trayectoria musical y aportaciones a la escuela moderna del contrabajo TESIS DOCTORAL Autor: Francisco Ruiz Zanón Directores: Antonio Ripollés Mansilla y Vicente Llimerá Dús Tutor: Vicente Barón Linares Valencia, febrero 2020 Agradecimientos Agradezco la inestimable ayuda de Francisco Verdeguer, sobrino del maestro Verdeguer residente actualmente en Valencia, que nos ha ofrecido la oportunidad de investigar sobre la vida de este gran artista, sin duda una de las grandes figuras del patrimonio musical valenciano. Agradecimiento a Manuel Verdeguer, hijo de Manuel Verdeguer Beltrán que reside en Sarasota (Estado de Florida). Agradezco los sabios consejos y el apoyo de mis directores de tesis el Dr. Antonio Ripollés Mansilla y el Dr. Vicente Llimerá Dús. Agradecimiento y dedicatoria de esta tesis a mis profesores de contrabajo Emilio Maravella, Gérard Massat, Jean Ané y Thierry Barbé. Mi agradecimiento a la Universitat Politècnica de València por su apoyo para que esta Tesis Doctoral viera la luz. En especial a la Dra. Teresa Cháfer, Coordinadora del Programa de Doctorado en Arte: Producción e Investigación, por su inestimable ayuda y a mi Tutor el Dr. Vicente Barón Linares por su gestión y buen hacer en los trámites para su defensa. 2 Resumen Manuel Verdeguer Beltrán es el contrabajista español más relevante del siglo XX, con un gran reconocimiento en el continente americano. Nacido en 1908 en Valencia, comenzó tocando el violoncello y posteriormente se consagró como solista y pedagogo del contrabajo, elogiado, entre otros por los maestros Lamote de Grignon y Joaquín Turina. El estudio de la época en la que desarrolló su carrera artística en España nos ha permitido descubrir la crisis económica causada a los intérpretes por la desaparición del cine mudo, así como en el conocimiento del reglamento que regía las condiciones laborales de los músicos. -
1999 Highlights
from the 1999 Annual Report HIGHLIGHTS OF THE YEAR The research and education programs at the Laboratory remain strong and vibrant. The recruitment of the first students in the Watson School of Biological Sciences and the com- pletion of their intensive core courses highlighted progress this year. The DNA Learning Center introduced new, Web-based educational tools, and the meetings and courses pro- grams at the main campus and the Banbury Center continued to provide a valuable service to the scientific community. Significantly, the Laboratory Press saw the continued develop- ment of its exciting textbook-publishing program as part of the Laboratory’s goal to promote innovative teaching programs for graduate students and senior undergraduate students. These educational programs occur in the surrounding of a strong research environment, with research and education braided together in a common enterprise. Research Neuroscience Roberto Malinow and Karel Svoboda have continued to push the limits of brain imaging by observing the changes that occur in individual neurons as they respond to electrical stimuli. Combining their expertise in electrophysi- ology and high-resolution imaging of the brain, they study the cellular events that underlie “synaptic plasticity”—the ability of brain neurons to reorganize their connections in response to experience, such as during learning and consolidation of memories. In particular, Roberto and Karel are exploring the mechanisms involved in long-term potentiation (LTP), the strengthening of Roberto Malinow synaptic connections between nerve cells in response to trained stimuli. Their studies focus on a region of the brain involved in learning and memory called the hip- pocampus, a region required for a form of memory called declarative memory, or the con- scious memory of learned events. -
Winter 2014 V Ol
winter 2014 ol. LV, No. 4 • www.americanrecorder.org V Published by the American Recorder Society, Editor’s ______Note ______ ______ ______ ______ Volume LV, Number 4 Winter 2014 Features ver my last couple of decades, as ARS Executive Director and then AR edi- Playing for Keeps: tor,O I’ve penned pieces mentioning research Alzheimer’s can’t rob musician of her talent . 11 that links musical activity with improved brain function in advancing years .Thus I By Rebecca Hutchinson was intrigued to learn of a short DVD about 6 Buna Fletcher and how her Alz heimer’s is Departments held at bay when she plays the recorder . After discovering that Buna’s longtime Advertiser Index . 40 neighbor was writer Rebecca Hutchinson, it became possible to expand a simple Compact Disc Reviews . 25 announcement of a DVD’s availability into Kathryn Bennets and Peter Bowman explore a full-length article (page 11) . It’s personal— the Antarctic and other places about Buna and her faithful friend Doortje Shover —yet research-based . It is of interest Chapters, Consorts & Recorder Orchestras . 38 10 to all of us who hope not to die young! More 2014 birthdays I want to offer my thanks to those responsible for my receiving the Presidential Education . 23 Special Honor Award—not only the ARS Gustavo de Francisco continues his series on tuning Board, who awarded it to me, but also many Music Reviews . 29 people worldwide who are willing to give of themselves to help the ARS and AR .The Music of the 18th century and beyond solitary nature of my work as AR editor President’s Message . -
2019 Professional Guest Artist Series
Duncan Theatre presents 2018 – 2019 PROFESSIONAL GUEST ARTIST SERIES Friday & Saturday Night Modern Dance Series JESSICA LANG DANCE Fri. & Sat., January 11 & 12, 2019 @ 8PM | $45 Jessica Lang, Juilliard graduate and former member of Twyla Tharp’s company, THARP!, is widely recognized as one of the most talented choreographers of her generation. The New York-based Jessica Lang Dance was founded in 2011 and makes its Duncan Theatre debut this season. Recipient of the 2014 Bessie Award and 2017 Arison Award, Jessica is also known for her work outside of JLD. Her choreography has been performed by prominent companies around the world, from original compositions for American Ballet Theater and the National Ballet of Japan, to her work on the production of Aida directed by Francesca Zambello for the San Francisco and Washington National Opera companies. HUBBARD STREET DANCE CHICAGO Fri. & Sat., February 1 & 2, 2019 @ 8PM | $45 Hubbard Street Dance Chicago, among the world’s top contemporary dance companies and a global cultural ambassador, demonstrates fluency in a wide range of techniques and forms, and deep comprehension of abstract artistry and emotional nuance. The company is critically acclaimed for its exuberant and innovative repertoire, featuring works by master American and international choreographers and features a superlative ensemble of virtuosity and versatility. VIVA MOMIX – THE GREATEST HITS TOUR Fri. & Sat., March 1 & 2, 2019 @ 8PM | $45 Momix transports audiences from their everyday lives to a fantasy world through its trademark use of magical lighting and imagery. Momix has thrilled fans in over 22 countries and has been featured on stage, screen and television. -
U:\WPWIN\Music Archives Project
CANADIAN MUSIC COUNCIL CONSEIL CANADIEN DE LA MUSIQUE MUS 153 (a) Prepared By: John L. Jung Date: April 20, 1990 TABLE OF CONTENTS Introduction............................................1 Boxes Index............................................. 2 List of Abbreviations Used..............................3 Restricted Documents.................................... 5 2.0 CMCouncil Board Office 2.1 Board Office Meetings.......................7 2.2 Board of Directors..........................7 3.0 Meetings of CMCouncil 3.1 Annual Meetings.............................9 3.3 Correspondence.............................10 4.0 CMCouncil Conferences 4.2 Conference Documents.......................12 4.3 Conference Papers..........................13 4.5 Financial Statements.......................14 4.6 Correspondence.............................14 4.8 Miscellaneous..............................16 4.9 Translation and Interpretation.............17 4.10 Concerts...................................18 6.0 General Correspondence 6.1 National Correspondence....................20 6.2 International Correspondence...............23 7.0 CMCouncil Accounts 7.1 Financial Statements.......................27 7.2 Accounts Payable and Receivable............28 7.4 Financial Books............................32 8.0 CMCouncil Publications 8.2 Canadian Music Journal.....................34 8.4 Musicanada.................................34 9.0 CMCouncil Awards 9.1 Correspondence.............................45 9.2 Official Documents.........................45 9.3 Press Releases