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A Canadian Concept and Practice
ARCHIVED - Archiving Content ARCHIVÉE - Contenu archivé Archived Content Contenu archivé Information identified as archived is provided for L’information dont il est indiqué qu’elle est archivée reference, research or recordkeeping purposes. It est fournie à des fins de référence, de recherche is not subject to the Government of Canada Web ou de tenue de documents. Elle n’est pas Standards and has not been altered or updated assujettie aux normes Web du gouvernement du since it was archived. Please contact us to request Canada et elle n’a pas été modifiée ou mise à jour a format other than those available. depuis son archivage. Pour obtenir cette information dans un autre format, veuillez communiquer avec nous. This document is archival in nature and is intended Le présent document a une valeur archivistique et for those who wish to consult archival documents fait partie des documents d’archives rendus made available from the collection of Public Safety disponibles par Sécurité publique Canada à ceux Canada. qui souhaitent consulter ces documents issus de sa collection. Some of these documents are available in only one official language. Translation, to be provided Certains de ces documents ne sont disponibles by Public Safety Canada, is available upon que dans une langue officielle. Sécurité publique request. Canada fournira une traduction sur demande. IVERSION: CANADIAN CONCEPT AND PRACTICE Report on the First National Conference on Diversion October 23-26, 1977, Quebec City KE 8813 N3 1977r c.2 "Let us acknowledge that we are taking an old practice and that we're breeding new dimensions into it. -
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Document generated on 09/27/2021 7:30 p.m. Circuit Musiques contemporaines Catalogue des oeuvres commandées par la smcq Solenn Hellégouarch Souvenirs du futur : pour les 50 ans de la smcq Volume 27, Number 2, 2017 URI: https://id.erudit.org/iderudit/1040877ar DOI: https://doi.org/10.7202/1040877ar See table of contents Publisher(s) Circuit, musiques contemporaines ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Hellégouarch, S. (2017). Catalogue des oeuvres commandées par la smcq. Circuit, 27(2), 53–66. https://doi.org/10.7202/1040877ar Tous droits réservés © Circuit, musiques contemporaines, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Catalogue des œuvres commandées par la smcq Solenn Hellégouarch Ce catalogue présente les œuvres commandées (ou co-commandées) par la Société de musique contemporaine du Québec (smcq) entre 1968 et 2017. Les œuvres sont classées par année de création, puis par date de création1. La 1. Dès lors, seules les œuvres créées présence d’un astérisque indique que la commande a reçu l’aide du Conseil ont été retenues dans le présent catalogue. des arts du Canada (cac). 1968 § *Gilles Tremblay, Souffles (Champs II) (1968), 2 flûtes (et piccolo), hautbois, clari- nette, cor, 2 trompettes en si bémol (et trompettes en do), 2 trombones, piano, 2 per- cussions et contrebasse. -
1Er Février 2015 — 15 H Salle De Concert Bourgie Prixopus.Qc.Ca
e 18 GALA1er février 2015 — 15 h Salle de concert Bourgie prixOpus.qc.ca LE CONSEIL QUÉBÉCOIS DE LA MUSIQUE VOUS SOUHAITE LA BIENVENUE À LA DIX-HUITIÈME ÉDITION DU GALA DES PRIX OPUS 14 h : accueil 15 h : remise des prix 17 h 30 : réception à la Galerie des bronzes, pavillon Michal et Renata Hornstein du Musée des beaux-arts de Montréal Écoutez l’émission spéciale consacrée au dix-huitième gala des prix Opus, animée par Katerine Verebely le lundi 2 février 2015 à 20 h sur les ondes d’ICI Musique (100,7 FM à Montréal) dans le cadre des Soirées classiques. Réalisation : Michèle Patry La Fondation Arte Musica offre ses félicitations à tous les finalistes et aux lauréats des prix Opus de l’an 18. La Fondation est fière de contribuer à l’excellence du milieu musical québécois par la production et la diffusion de concerts et d’activités éducatives, à la croisée des arts. Au nom de toute l’équipe du Musée des beaux-arts de Montréal et de la Fondation Arte Musica, je vous souhaite un excellent gala ! Isolde Lagacé Directrice générale et artistique sallebourgie.ca 514-285-2000 # 4 Soyez les bienvenus à cette 18e édition du gala des prix Opus. Votre fête de la musique. Un événement devenu incontournable au fil des ans ! Le gala des prix Opus est l’occasion annuelle de célébrer l’excellence du travail des interprètes, compositeurs, créateurs, auteurs et diffuseurs. Tout au long de la saison 2013-2014, ces artistes ont mis leur talent, leur créativité et leur ténacité au service de la musique de concert. -
Bc Historic News
British Columbia Journal of the British Columbia Historical Federation | Vol.39 No. 4 | $5.00 This Issue: Tribute to Anne Yandle | Fraser Canyon Park | Bells | and More British Columbia History British Columbia Historical Federation Journal of the British Columbia Historical A charitable society under the Income Tax Act Organized 31 October 1922 Federation Published four times a year. ISSN: print 1710-7881 online 1710-792X PO Box 5254, Station B., Victoria BC V8R 6N4 Under the Distinguished Patronage of Her Honour British Columbia History welcomes stories, studies, The Honourable Iona Campagnolo. PC, CM, OBC and news items dealing with any aspect of the Lieutenant-Governor of British Columbia history of British Columbia, and British Columbians. Honourary President Please submit manuscripts for publication to the Naomi Miller Editor, British Columbia History, John Atkin, 921 Princess Avenue, Vancouver BC V6A 3E8 Officers e-mail: [email protected] President Book reviews for British Columbia History, Patricia Roy - 602-139 Clarence St., Victoria, BC, V8V 2J1 Please submit books for review to: [email protected] Frances Gundry PO Box 5254, Station B., Victoria BC V8R 6N4 First Vice President Tom Lymbery - 1979 Chainsaw Ave., Gray Creek, BC, V0B 1S0 Phone 250.227.9448 Subscription & subscription information: FAX 250.227.9449 Alice Marwood [email protected] 8056 168A Street, Surrey B C V4N 4Y6 Phone 604-576-1548 Second Vice President e-mail [email protected] Webb Cummings - 924 Bellevue St., New Denver, BC, V0G 1S0 Phone 250.358.2656 [email protected] -
The Limits to Influence: the Club of Rome and Canada
THE LIMITS TO INFLUENCE: THE CLUB OF ROME AND CANADA, 1968 TO 1988 by JASON LEMOINE CHURCHILL A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2006 © Jason Lemoine Churchill, 2006 Declaration AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This dissertation is about influence which is defined as the ability to move ideas forward within, and in some cases across, organizations. More specifically it is about an extraordinary organization called the Club of Rome (COR), who became advocates of the idea of greater use of systems analysis in the development of policy. The systems approach to policy required rational, holistic and long-range thinking. It was an approach that attracted the attention of Canadian Prime Minister Pierre Trudeau. Commonality of interests and concerns united the disparate members of the COR and allowed that organization to develop an influential presence within Canada during Trudeau’s time in office from 1968 to 1984. The story of the COR in Canada is extended beyond the end of the Trudeau era to explain how the key elements that had allowed the organization and its Canadian Association (CACOR) to develop an influential presence quickly dissipated in the post- 1984 era. The key reasons for decline were time and circumstance as the COR/CACOR membership aged, contacts were lost, and there was a political paradigm shift that was antithetical to COR/CACOR ideas. -
The Cary Bulletin Issue 2 the FRIENDS of GOVERNMENT HOUSE GARDENS SOCIETY May 2015
Since 1993 Volume 24 The Cary Bulletin Issue 2 THE FRIENDS OF GOVERNMENT HOUSE GARDENS SOCIETY May 2015 Spring, A New Beginning In May, another royal princess was born and so the In 1926, the Royal Family cycle of birth and new beginnings continues. welcomed a new princess - Here in the gardens of Government House, new one who would grow up to beginnings are bursting out all over and the gardens become Queen Elizabeth II. are looking spectacular as they welcome each glorious In a few months Her Majesty spring day. Volunteers have been busy far earlier than will become the longest usual thanks to the spectacular spring weather we have reigning monazch in British been enjoying. history. Down in the Mews, they have their own new begin- Born on April 21, 1926, Elizabeth nings with new displays and new additions to both Alexandra Mary was given the buildings and personnel. So take some time to come names of her mother, grandmother and explore the grounds of Government House, and and great-grandmother, all of see for yourself all the new beginnings we have to offer. whom were Queen consorts. This little baby grew up to be Queen in her own right - In This Issue HRH Queen Elizabeth II 1. Spring, A New Beginning 2. From the Library Shelf 3. Message From Government House 4. Message From Your President, 2014 Awards HRH Prince William and HH Catherine, Duchess of 5. A Transformative Donation, Help Needed Cambridge proudly present 6. Volunteer Spotlight their new born daughter HRH Princess Charlotte Elizabeth 7. -
Faculty of Music Directory
Faculty of Music Calendar Contents Dean’s Welcome Statement 2 Schedule of Dates 3 Faculty of Music Staff Listing 4 Undergraduate Admission Information 9 Programs of Study 11 Degree Programs Diploma Programs Degree Course Requirements 13 Bachelor of Music in Education Bachelor of Music in History, Culture & Theory Bachelor of Music in Composition Bachelor of Music in Comprehensive Studies Bachelor of Music in Performance Artist Diploma Program Requirements 26 ACP Program Requirements 30 Undergraduate Course Offerings 31 Advanced Certificate in Performance Course Offerings 47 Opera Division 49 Financial Assistance 52 Bursaries and Scholarships Student Services & Resources 64 Counselling, Advice and Help Rules and Regulations 67 Important Notices Course Enrolment & Canceling Registration Course Marks Final Examinations Academic Standing & Grading Regulations Fees 74 University Policies 76 Appendix: Program Charts for students admitted prior 77 to the 2017-18 academic year 1 From the Dean Welcome to UofT Music 2019–2020. The 2018–2019 season marked the 100th anniversary of Music as a Faculty in the University of Toronto. An innovative ensemble of performers, composers, scholars, and educators, UofT’s Faculty of Music has long been a Canadian leader. We are excited to have you join as we step forward together into our second century. The Faculty has just passed the midpoint in the implementation of its Strategic Academic Plan 2016–2021, which can be found on the Faculty website. The Plan articulates our Mission of commitment “to being an internationally significant institution for artistic and academic excellence in music creation, performance, education, and research.” At UofT Music, “we affirm the transculturally transformative power of music in human experience and the capacity of the arts to build healthier societies. -
University of Minnesota
THE UNIVERSITY OF MINNESOTA Announces Its ;Uafclt eommellcemellt 1961 NORTHROP MEMORIAL AUDITORIUM THURSDAY EVENING, MARCH 16 AT EIGHT-THIRTY O'CLOCK Univcrsitp uf Minncsuta THE BOARD OF REGENTS Dr. O. Meredith Wilson, President Mr. Laurence R. Lunden, Secretary Mr. Clinton T. Johnson, Treasurer Mr. Sterling B. Garrison, Assistant Sccretary The Honorable Ray J. Quinlivan, St. Cloud First Vice President and Chairman The Honorable Charles W. Mayo, M.D., Rochester Second Vice President The Honorable James F. Bell, Minneapolis The Honorable Edward B. Cosgrove, Le Sueur The Honorable Daniel C. Gainey, Owatonna The Honorable Richard 1. Griggs, Duluth The Honorable Robert E. Hess, White Bear Lake The Honorable Marjorie J. Howard (Mrs. C. Edward), Excelsior The Honorable A. I. Johnson, Benson The Honorable Lester A. Malkerson, Minneapolis The Honorable A. J. Olson, Renville The Honorable Herman F. Skyberg, Fisher As a courtesy to those attending functions, and out of respect for the character of the building, be it resolved by the Board of Regents that there be printed in the programs of all functions held in Cyrus Northrop Memorial Auditorium a request that smoking be confined to the outer lobby on the main floor, to the gallery lobbies, and to the lounge rooms, and that members of the audience be not allowed to use cameras in the Auditorium. r/tis Js VOUf UnivcfsilU CHARTERED in February, 1851, by the Legislative Assembly of the Territory of Minnesota, the University of Minnesota this year celebrated its one hundred and tenth birthday. As from its very beginning, the University is dedicated to the task of training the youth of today, the citizens of tomorrow. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Go Forbaroque Program This Evening's Guest Artists
The Plantation Foundation Meet the presents Jacksonville Symphony Orchestra String Quintet Melissa Pierson Barrett, violin, Associate Concertmaster of the JSO since 1990, is also a chamber musician with Chamber Music Hilton Head. She has also played with the Houston Grand Opera, Savannah Symphony Orchestra and at the Aspen, Boulder, Lake George Opera, Sandpoint, Banff, and Sarasota summer festivals Annie Morris, violin, a member of JSO since 1990, has played with the New World, Charleston, Savannah, and Delaware Symphonies, the Philharmonic Orchestra of Florida, Naples Philharmonic, Texas Opera Theater, and the Houston Grand Opera. GoMUSIC forBaroque SOIREE AND BACHTAIL PARTY Summer performances include the Lancaster, Spoleto Festival (US and Italy), Aims, and Heidelberg festivals. Colin Kiely, viola, a member the JSO since 1996 and Acting Assistant Principal Viola in 2006, has performed with the Miami String Quartet and was featured in the University of North Florida’s “Music For Our Time” program . He has performed in Carnegie Hall, Avery Fischer Hall, the Kennedy Center, and at Teatro Colon. Betsy Federman, cello, a JSO member since 1994, has previously played with the New World Symphony, the Naples Philharmonic, and at the Aspen Music Festival, the Colorado Music Festival and the Utah Festival Opera. Baroque Music John Wieland, bass, has been a member of the Jacksonville Symphony Orchestra for Harpsichord, since 1989. John has performed with numerous orchestras as principal bass, Recorder, Guitar including the Virginia Symphony, Oklahoma Symphony, Orquestra Sinfonia de Mineria, and the Colorado Music Festival. He has also been a faculty member at and String Quintet. Stetson University since 1995. -
Fast Policy Facts
Fast Policy Facts By Paul Dufour In collaboration with Rebecca Melville - - - As they appeared in Innovation This Week Published by RE$EARCH MONEY www.researchmoneyinc.com from January 2017 - January 2018 Table of Contents #1: January 11, 2017 The History of S&T Strategy in Canada ........................................................................................................................... 4 #2: January 18, 2017 Female Science Ministers .................................................................................................................................................... 5 #3: February 1, 2017 AG Science Reports ................................................................................................................................................................ 6 #4: February 8, 2017 The deadline approaches… ................................................................................................................................................. 7 #5: February 15, 2017 How about a couple of key moments in the history of Business-Education relations in Canada? .............. 8 #6: February 22, 2017 Our True North ........................................................................................................................................................................ 9 #7: March 8, 2017 Women in Science - The Long Road .............................................................................................................................. 11 #8: March 15, 2017 Reflecting on basic -
970 Canada Year Book 1980-81 the Senate
970 Canada Year Book 1980-81 The Hon. Charles Ronald McKay Granger, The Hon. Monique Begin, September 15,1976 September 25, 1967 TheHon. Jean-Jacques Blais, September 15, 1976 The Hon. Bryce Stuart Mackasey, February 9, 1968 The Hon. Francis Fox, September 15, 1976 The Hon. Donald Stovel Macdonald, April 20, The Hon. Anthony Chisholm Abbott, September 1968 15,1976 The Hon. John Can- Munro, April 20, 1968 TheHon. lonaCampagnolo, September 15, 1976 The Hon. Gerard Pelletier, April 20, 1968 The Hon. Joseph-Philippe Guay, November 3, The Hon. Jack Davis, April 26, 1968 1976 The Hon. Horace Andrew (Bud) Olson, July 6, The Hon. John Henry Horner, April 21,1977 1968 The Hon. Norman A, Cafik, September 16, 1977 The Hon. Jean-Eudes Dube, July 6, 1968 The Hon, J. Gilles Lamontagne, January 19, 1978 The Hon. Stanley Ronald Basford, July 6, 1968 The Hon. John M. Reid, November 24, 1978 The Hon. Donald Campbell Jamieson, July 6, 1968 The Hon. Pierre De Bane, November 24, 1978 The Hon. Eric William Kierans, July 6, 1968 The Rt. Hon. Jutes Leger, June 1, 1979 The Rt. Hon. Joe Clark, June 4, 1979 The Hon. Robert Knight Andras, July 6, 1968 The Hon. Walter David Baker, June 4, 1979 The Hon. James Armstrong Richardson, July 6, The Hon. Flora MacDonald, June 4, 1979 1968 The Hon James A. McGrath, June 4, 1979 The Hon. Otto Emil Lang, July 6, 1968 The Hon, Erik H. Nielsen, June 4, 1979 The Hon. Herbert Eser Gray, October 20, 1969 The Hon. Allan Frederick Lawrence, June 4, 1979 The Hon.