An Evening of New Canadian and American Music
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Document generated on 09/27/2021 7:30 p.m. Circuit Musiques contemporaines Catalogue des oeuvres commandées par la smcq Solenn Hellégouarch Souvenirs du futur : pour les 50 ans de la smcq Volume 27, Number 2, 2017 URI: https://id.erudit.org/iderudit/1040877ar DOI: https://doi.org/10.7202/1040877ar See table of contents Publisher(s) Circuit, musiques contemporaines ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Hellégouarch, S. (2017). Catalogue des oeuvres commandées par la smcq. Circuit, 27(2), 53–66. https://doi.org/10.7202/1040877ar Tous droits réservés © Circuit, musiques contemporaines, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Catalogue des œuvres commandées par la smcq Solenn Hellégouarch Ce catalogue présente les œuvres commandées (ou co-commandées) par la Société de musique contemporaine du Québec (smcq) entre 1968 et 2017. Les œuvres sont classées par année de création, puis par date de création1. La 1. Dès lors, seules les œuvres créées présence d’un astérisque indique que la commande a reçu l’aide du Conseil ont été retenues dans le présent catalogue. des arts du Canada (cac). 1968 § *Gilles Tremblay, Souffles (Champs II) (1968), 2 flûtes (et piccolo), hautbois, clari- nette, cor, 2 trompettes en si bémol (et trompettes en do), 2 trombones, piano, 2 per- cussions et contrebasse. -
1Er Février 2015 — 15 H Salle De Concert Bourgie Prixopus.Qc.Ca
e 18 GALA1er février 2015 — 15 h Salle de concert Bourgie prixOpus.qc.ca LE CONSEIL QUÉBÉCOIS DE LA MUSIQUE VOUS SOUHAITE LA BIENVENUE À LA DIX-HUITIÈME ÉDITION DU GALA DES PRIX OPUS 14 h : accueil 15 h : remise des prix 17 h 30 : réception à la Galerie des bronzes, pavillon Michal et Renata Hornstein du Musée des beaux-arts de Montréal Écoutez l’émission spéciale consacrée au dix-huitième gala des prix Opus, animée par Katerine Verebely le lundi 2 février 2015 à 20 h sur les ondes d’ICI Musique (100,7 FM à Montréal) dans le cadre des Soirées classiques. Réalisation : Michèle Patry La Fondation Arte Musica offre ses félicitations à tous les finalistes et aux lauréats des prix Opus de l’an 18. La Fondation est fière de contribuer à l’excellence du milieu musical québécois par la production et la diffusion de concerts et d’activités éducatives, à la croisée des arts. Au nom de toute l’équipe du Musée des beaux-arts de Montréal et de la Fondation Arte Musica, je vous souhaite un excellent gala ! Isolde Lagacé Directrice générale et artistique sallebourgie.ca 514-285-2000 # 4 Soyez les bienvenus à cette 18e édition du gala des prix Opus. Votre fête de la musique. Un événement devenu incontournable au fil des ans ! Le gala des prix Opus est l’occasion annuelle de célébrer l’excellence du travail des interprètes, compositeurs, créateurs, auteurs et diffuseurs. Tout au long de la saison 2013-2014, ces artistes ont mis leur talent, leur créativité et leur ténacité au service de la musique de concert. -
Perusal Score
P e r u s a l October‘ poem for dayes end for alto flute Donald Steven ISMN: 979-0-706080-74-1 CP094 Program Note by the Composer October is the first work in the central part of the triptych Floating Verses1, a set of pieces written for four woodwind players (alto flute, clarinet, bassoon and shakuhatchi), harp, percussion, viola, cello, piano, and recorded material. Traditional music comes to us through the generations primarily via the oral tradition. While some of this music undoubtedly remains remarkably true to its origins, due to its important cultural role and the rigor of the transmission process from one generation to the next, much traditional music has mutated countless times. A significant aspect of this repetitive/regenerative process, particularly in improvised blues, is the adoption or transmigration of lyrics from one song to another, a process sometimes referred to as floating verses, floating lyrics, or maverick stanzas. In this triptych, a similar process unfolds, as specific moments, mostly of limited scope, reappear from one piece to another, in different contexts though not in dissimilar spirit. The seed for this reflective unfolding is the use, in the opening and closing of October, of the Epitaph of Seikilos, which is generally acknowledged as the oldest surviving complete musical composition. The inscription on the epitaph is taken from Plato’s Meno, quoting Socrates and inviting us to wonder about the possibility that the soul may be reborn and to take from that sense how we ought to strive to live our time on earth ‘in perfect holiness.’ October is written for alto flute, though I can see no reason beyond practical considerations, why it could not be beautifully realized on other instruments — including traditional instruments — that have the range and ability to speak to the intimacy of the work. -
Commencement1982.Pdf (5.469Mb)
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1982 ORDER OF PROCESSION MARSHALS Paul R. Daniels Peter Newman Sidney S. Forrest Dennis A. Powers Carol J. Gray Henry M. Seidel Richard L. Higgins Carl E. Taylor William H. Huggins Mack Walker Joseph L. Katz Charles R. Westgate Warner E. Love Ira William Zartman THE GRADUATES MARSHALS David S. Olton Saul Roseman THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES MARSHALS Matthew A. Crenson Paul R. Olson THE FACULTIES CHIEF MARSHAL Isaiah Frank THE CHAPLAINS THE HONORARY DEGREE CANDIDATES THE PROVOST OF THE UNIVERSITY THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY ORDER OF EVENTS STEVEN MULLER President of the University, presiding PRELUDE La Mourisque TlELMAN SUSATO ( -1561) Sonata from Die Bankelsangerlieder Anonymous PROCESSIONALS The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. Marches from Belshazzar, Floridante, Ezio, Judas Maccabaeus, Saint Cecilia's Day and Rinaldo Georg Frederich Handel (1685-1759) THE PRESIDENT'S PROCESSION Fanfare Walter Piston (1894-1976) March from Scipione Georg Frederich Handel (1685-1759) INVOCATION CHESTER L. WICKWIRE Chaplain, The Johns Hopkins University * THE NATIONAL ANTHEM * GREETINGS ROBERT D. H. HARVEY Chairman of the Board of Trustees PRESENTATION OF NEW MEMBERS OF THE SOCIETY OF SCHOLARS Maurice M. Bursey Elizabeth D. Hay J. Michael Criley Gordon L. Kane Carlos E. Eyzaguirre David M. Kipnis Hans Fuchtbauer Carl Kupfer Robert S. Gordon, Jr. Leonard T. -
Paul Pedersen Collection Finding
Paul Pedersen Collection A Finding Aid to the Collection in the Marvin Duchow Music Library Prepared by Michaela Dickey Edited by Cynthia A. Leive Marvin Duchow Music Library Schulich School of Music, McGill University Montreal, Quebec Finding Aid URL: http://www.mcgill.ca/library/library-findinfo/subjects/music/special/paul-pedersen Latest Revision: July 2012 Collection Summary Title: Paul Pedersen Collection Span Dates: 1955-2005 Creator: Pedersen, Paul, b. 1935. Language: Collection material in English, French, German and Swedish. Repository: Marvin Duchow Music Library, Schulich School of Music, McGill University, Montréal, Québec, Canada. Abstract: The Paul Pedersen Collection, at 18 linear feet, contains approximately 8200 items, organized into 29 boxes within 10 different series. The collection consists of compositions and sketches, as well as teaching materials, university administration documents, published and unpublished writings, information about special projects and consultations, concert programmes, clippings, reviews, photographs and audio/visual materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library’s online catalogue. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. 1 Administrative Information Provenance Gift; Paul Pedersen; 2009. Accruals Currently, no further accruals are expected. Processing History The Paul Pedersen Collection was processed in 2012 by Michaela Dickey. This Finding Aid was prepared with Microsoft Word, MAC 2008. Copyright Status The status of copyright on the materials of the Paul Pedersen Collection is governed by the Copyright Law of Canada. Restrictions The Paul Pedersen Collection is open to research. Researchers are advised to contact the Marvin Duchow Library prior to visiting. -
Jules Léger Prize | Prix Jules-Léger
Jules Léger Prize | Prix Jules-Léger Year/Année Laureates/Lauréats 2020 Kelly-Marie Murphy (Ottawa, ON) Coffee Will be Served in the Living Room (2018) 2019 Alec Hall (New York, NY) Vertigo (2018) 2018 Brian Current (Toronto, ON) Shout, Sisyphus, Flock 2017 Gabriel Turgeon-Dharmoo (Montréal, QC) Wanmansho 2016 Cassandra Miller (Victoria, BC) About Bach 2015 2015 Pierre Tremblay (Huddersfield, UK) Les pâleurs de la lune (2013-14) 2014 Thierry Tidrow (Ottawa, ON) Au fond du Cloître humide 2013 Nicole Lizée (Lachine, QC) White Label Experiment 2012 Zosha Di Castri (New York, NY) Cortège 2011 Cassandra Miller (Montréal, QC) Bel Canto 2010 Justin Christensen (Langley, BC) The Failures of Marsyas 2009 Jimmie LeBlanc (Brossard, QC) L’Espace intérieur du monde 2008 Analia Llugdar (Montréal, QC) Que sommes-nous 2007 Chris Paul Harman (Montréal, QC) Postludio a rovescio 2006 James Rolfe (Toronto, ON) raW 2005 Linda Catlin Smith (Toronto, ON) Garland 2004 Patrick Saint-Denis (Charlebourg, QC) Les dits de Victoire 2003 Éric Morin (Québec, QC) D’un château l’autre 2002 Yannick Plamondon, (Québec, QC) Autoportrait sur Times Square 2001 Chris Paul Harman (Toronto, ON) Amerika Canada Council for the Arts | Conseil des arts du Canada 1-800-263-5588 | canadacouncil.ca | conseildesarts.ca 2000 André Ristic (Montréal, QC) Catalogue 1 (bombes occidentales) 1999 Alexina Louie (Toronto, ON) Nightfall 1998 Michael Oesterle (Montréal, QC) Reprise 1997 Omar Daniel (Toronto, ON) Zwei Lieder nach Rilke 1996 Christos Hatzis (Toronto, ON) Erotikos Logos 1995 John Burke (Toronto, ON) String Quartet 1994 Peter Paul Koprowski (London, ON) Woodwind Quintet 1993 Bruce Mather (Montréal, QC) YQUEM 1992 John Rea (Outremont, QC) Objets perdus 1991 Donald Steven (Montréal, QC) In the Land of Pure Delight 1989 Peter Paul Koprowski (London, ON) Sonnet for Laura 1988 Michael Colgrass (Toronto, ON) Strangers: Irreconcilable Variations for Clarinet, Viola and Piano 1987 Denys Bouliane (Montréal, QC) À propos.. -
Catalogue Des Oeuvres Commandées Par La Smcq Solenn Hellégouarch
Document generated on 09/28/2021 6:51 p.m. Circuit Musiques contemporaines Catalogue des oeuvres commandées par la smcq Solenn Hellégouarch Souvenirs du futur : pour les 50 ans de la smcq Volume 27, Number 2, 2017 URI: https://id.erudit.org/iderudit/1040877ar DOI: https://doi.org/10.7202/1040877ar See table of contents Publisher(s) Circuit, musiques contemporaines ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Hellégouarch, S. (2017). Catalogue des oeuvres commandées par la smcq. Circuit, 27(2), 53–66. https://doi.org/10.7202/1040877ar Tous droits réservés © Circuit, musiques contemporaines, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Catalogue des œuvres commandées par la smcq Solenn Hellégouarch Ce catalogue présente les œuvres commandées (ou co-commandées) par la Société de musique contemporaine du Québec (smcq) entre 1968 et 2017. Les œuvres sont classées par année de création, puis par date de création1. La 1. Dès lors, seules les œuvres créées présence d’un astérisque indique que la commande a reçu l’aide du Conseil ont été retenues dans le présent catalogue. des arts du Canada (cac). 1968 § *Gilles Tremblay, Souffles (Champs II) (1968), 2 flûtes (et piccolo), hautbois, clari- nette, cor, 2 trompettes en si bémol (et trompettes en do), 2 trombones, piano, 2 per- cussions et contrebasse. -
At 32, Heather Schmidt Has Accomplished More Than Many Musicians Twice Her Age
At 32, Heather Schmidt has accomplished more than many musicians twice her age. She credits Albertan musical institutions and teachers as vital formative forces. 40 ALBERTA VIEWS se P te M ber 2 0 0 6 feAture profile one of our own Heather Schmidt is a product of Alberta’s outstanding musical culture—and the world is taking notice. By george fenwick Heather Schmidt is a rarity in the musical world. Most musicians would consider themselves fortunate to build a successful career as a performer or as a composer. Schmidt is in demand throughout North America and in Europe in both capacities. “It’s only in the recent century that the two roles A have become separate,” she says. “As a performer I find that I AT First THE MUsiC SParKles with energy, the orchestra perform with a composer’s insights, and likewise music that I generating dazzling colours and frenetic movement. The solo write is affected by my experience as a performer. They’re really pianist inscribes razor-sharp chords, echoed by fluttering intertwined.” gestures in the high wind instruments. The majesty of the At 32, Schmidt has accomplished more than many musicians entire orchestra is unleashed. twice her age. She has performed in solo recitals and with Then the instruments subside, and the piano descends into major symphony orchestras throughout North America, and its lowest register. The deepest, darkest tones of the solo tuba recently toured Northern Europe with cellist Shauna Rolston. indicate that the phoenix, the mythical bird whose story has In addition to her four piano concertos and a cello concerto been told since ancient Egyptian times, has reached the end written for Rolston, Schmidt has written several works for of its 500-year life cycle. -
1975-76-Annual-Report.Pdf
19th Annual Report The Canada Council 1975-1976 Honorable Hugh Faulkner Secretary of State of Canada Ottawa, Canada Sir, I have the honor to transmit herewith the Annual Report of the Canada Council, for submission to Parliament, as required by section 23 of the Canada Council Act (5-6 Elizabeth 11, 1957, Chap. 3) for the fiscal year ending March 31, 1976. I am, Sir, Yours very truly, Gertrude M. Laing, O.C ., Chairman June 1,1976 The Canada Council is a corporation created by an Act of This report is produced and distributed by Parliament in 1957 "to foster and promote the study and Information Services, enjoyment of, and the production of works in, the arts, The Canada Council, humanities and the social sciences." It offers a broad 151 Sparks Street, range of grants and provides certain services to individuals Ottawa, Ontario and organizations in these and related fields. It is also re- sponsible for maintaining the Canadian Commission for Postal address: Unesco. Box 1047, Ottawa, Ontario K1 P 5V8 The Council sets its own policies and makes its own deci- Telephone: sions within the terms of the Canada Council Act. It re- (613) 237-3400 ports to Parliament through the Secretary of State and appears before the Standing Committee on Broadcasting, Films and Assistance to the Arts. The Canada Council itself consists of a Chairman, a Vice- Chairman, and 19 other members, all of whom are ap- pointed by the Government of Canada. They meet four or five times a year, usually in Ottawa where the Council of- fices are located. -
La Création Musicale À Montréal De 1966 À 2006 Vue Par Ses Institutions
Collection dirigée par Sophie Stévance La collection Recherches en musique souhaite rassembler la diversité de la recherche en musique – nous sommes tous et toutes des chercheurs ayant comme objet d’étude la musique, quelles que soient les disciplines et les approches adoptées pour mieux la comprendre : musicologie, pédagogie musicale, éducation musicale, histoire de la musique, ethnomusicologie, sociologie de la musique, philosophie de la musique, psychologie, etc. Comité scientifique Serge Lacasse, Francis Dubé, Jean-Philippe Desprès, Ariane Couture, Nicolas Darbon, Valerie Peters, Paul-André Dubois, Monique Desroches Titre paru : Stévance, Sophie (dir.), Serge Lacasse (dir.), Martin Desjardins (dir.), Pour une éthique partagée de la recherche-création en milieu universitaire, 2018. La création musicale à Montréal de 1966 à 2006 vue par ses institutions III La création musicale à Montréal de 1966 à 2006 vue par ses institutions ARIANE COUTURE Nous remercions le Conseil des arts du Canada de son soutien. We acknowledge the support of the Canada Council for the Arts. Les Presses de l’Université Laval reçoivent chaque année du Conseil des Arts du Canada et de la Société de développement des entreprises culturelles du Québec une aide financière pour l’ensemble de leur programme de publication. Illustration de couverture : Odile Côté-Rousseau, Désir, 2016, acrylique sur toile, 30 × 40 pouces, Québec, https://www.odile-rousseau-artiste.com/ Maquette de couverture : Laurie Patry Mise en pages : Danielle Motard ISBN papier : 978-2-7637-4656-2 ISBN pdf : 9782763746579 © Les Presses de l’Université Laval Tous droits réservés. Imprimé au Canada Dépôt légal 4e trimestre 2019 Les Presses de l’Université Laval www.pulaval.com Toute reproduction ou diffusion en tout ou en partie de ce livre par quelque moyen que ce soit est interdite sans l’autorisation écrite des Presses de l’Université Laval. -
Erall Texture of the Piece Consists of Sustained Tones, Repeated Aleatory Cells, and Isolated Events, Much in the Manner One Would Experience a Typical Soundscape
University of Alberta Forest in the City by Trifon Heney A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Music Department of Music ©Trifon Heney Spring 2014 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without sthe author's prior written permission. Abstract Forest in the City is a soundscape composition for string orchestra (5/4/3/2/2), divided into two concentric circles consisting of inner and outer groups, and electronics. Spatialization of string orchestra, loudspeakers, and audience is a major focus of Forest in the City, as essential as dynamics and orchestration. The electronics are controlled by a laptop performer via software created in Max 5, a real-time graphical object programming environment for music, that allows the computer to function as a musical instrument under the guidance of the conductor. The first chapter deals with the overview of acoustic ecology and soundscape, and how Forest in the City is situated within the rubric of soundscape composition. -
Violet Archer. Canadian Composers Portraits. Toronto: Centrediscs, 2002
Violet Archer. Canadian Composers Portraits. Toronto: Centrediscs, 2002. CMCCD 8502. $20.00. Two compact discs. Disc 1: Documentary produced and presented by Eitan Cornfield (4&:26). Disc 2: Sinfonietta (CBC Vancouver Chamber Orchestra, John Avison, conductor) (16:OO); Trio no. 2 (The Hertz Trio) (1357); String Quartet no. 3 (University of Alberta String Quartet) (2055); The Bell (CBC Chorus and Orchestra, Geoffrey Waddington, conductor) (2 1:5 1). Montreal-born composer, performer and her student days at Yale; Trio no. 2 (1956- teacher Violet Archer (1 9 13-2000) had a 57), from her professional years in the tremendous impact on musical life in United States; Sinfonietta (1968) fkom her Canada, an impact that has been University of Alberta years; and String acknowledged widely: among other Quartet no. 3 (198 1) completed after her special awards and distinctions, she was retirement. While Archer herself suggests recipient of several honorary doctorates in the liner notes that the Sinfonietta, (McGill, University of Windsor, and performed capably by the CBC Vancouver University of Calgary) and the Order of Chamber Orchestra, "may possibly be Canada (1983). Most recently, she was classified as neo-classic," the selected as one of the fist ten composers straightforward metric, phrase and formal to be represented in the Canadian Music organization places it certainly in that camp. Centre's Centredisc Portraits series. Perhaps most noteworthy is how Archer's eight-year experience as percussionist in the The sound quality and the quality of Montreal Women's Symphony, founded in performances on the Violet Archer 1940 by conductor Ethel Stark, reveals itself Portrait is somewhat mixed.