TMS 3-1 Pages Couleurs

Total Page:16

File Type:pdf, Size:1020Kb

TMS 3-1 Pages Couleurs ISSUE 08 www.scena.org Spring 2005 • Vol. 3.3 $4.95 Peter Oundjian & Gary Kulesha on New Creations Will Crutchfield on Bel Canto Classical Concert Spring Picks Southern Ontario Winnipeg Calgary Edmonton Vancouver Victoria Valery Gergiev Maestro in Motion Youth: Canada’s Rising Stars • Music Camps • Careers The Music Scene Spring 2005 Vol. 3.3 La Version PDF is made available free of charge to visitors of This low resolution PDF<http://www.scena.org>. version As a web magazine, this version is Scena Musicale Online not printable. is available on yearly subscription for A high resolution printable PDF version $15 CDN (10 issues of La Scena Musicale PDF and The Music Scene PDF). Every month PDF paid subscribers will be sent by email the link to the high resolution ver- sion. Contact [email protected] to subscribe. http://www.scena.org TMS3-3cover4 2005-03-15 12:05 Page 1 ISSUE 08 www.scena.org Spring 2005 • Vol. 3.3 $4.95 Peter Oundjian & Gary Kulesha on New Creations Will Crutchfield on Bel Canto Classical Concert Spring Picks Southern Ontario Winnipeg Calgary Edmonton Vancouver Victoria Valery Gergiev Maestro in Motion Youth: Canada’s Rising Stars • Music Camps • Careers TMS3-3cover4 2005-03-15 13:32 Page 2 tms3-3_AC p03-11 3/11/05 10:07 PM Page 3 tms3-3_AC p03-11 3/11/05 10:11 PM Page 4 tms3-3_AC p03-11c 2005-03-16 14:17 Page 5 Help Promote Classical Music in Canada. Make a Donation to La Scena Musicale / The Music Scene Support Direct your gift: _____ General operations “I believe in The Music Scene and _____ Circle of Friends _____ Website La Scena Musicale's mission to promote classical music; that is All donations of $10 and above will be gratefully acknowledged, and a tax receipt will be issued. why I support their activities by being a member of LSM/TMS's Circle of Friends.” name ............................................................................................. address ....................................................................................... – Daniel Taylor, countertenor, director, Theatre of Early Music city ................................................................................................ La Scena Musicale/The Music Scene Ambassador province ....................................................................................... country ......................................................................................... postal code .................................................................................. Circle of Friends phone ............................................................................................ La Scena Musicale/The Music Scene's Circle of Friends email ............................................................................................ consists of donors of $100 or more. amount ......................................................................................... Donations of any amount will be gratefully acknowledged. Credit Card nº ......................................................................................... (Visa, Mastercard, Amex accepted) exp. ......... / ......... 2004-2005 Members to date signature ...................................................................................... Madame Pauline Price & M. Katsumori Hizawa • Madame Lise Tremblay • Dr. André Bandrauk • Maria Ignatow • Dr. Roger Avery • Reverend George Lagodich & Madame Nina Logodich • Daniel Taylor • Alain Lefèvre • Send to: Nathalie Paulin • John Mac Master • Christopher Jackson • Pierrette Fondrouge • Wah Keung Chan • Sandro Scola • Joseph Rouleau • Lucie La Scène Musicale / The Music Scene Vallier Vincent • Michel Marsolais • Anonymous 5409 Waverly, Montréal (Québec) H2T 2X8 Tel.: (514) 948-2520 Fax: (514) 274-9456 [email protected] Send Donations to: Circle of Friends, La Scena Musicale, 5409 Waverly, Montréal, QC H2T 2X8 * Gifts are tax deductible for both Canadian & US returns. Charitable Tax No. 141996579 RR0001. No d’organisme charitable / Charitable Tax No 141996579 RR0001 Spring 2005 5 tms3-3_AC p06-07B.2 2005-03-14 16:11 Page 6 Contents 26 Valery Gergiev Maestro in Motion NEWS & PERFORMANCE MUSICIAN’S CORNER: YOUTH 7 Notes 10 VYSO: Baking their Cake and Eating it Too 24 Will Crutchfield: New Life for Bel Canto 11 Jan Simons: a Life of Teaching 30 Francesca Caccini’s Opus to Woman Power 12 Musical Camps Directory 31 Who’s Afraid of Classical Concerts? 16 How Music Camp Changed my Life 40 Preview: 18 Canadian Rising Stars Southern Ontario, Winnipeg, Edmonton, 20 Ones to Watch Calgary, Vancouver, Victoria 22 Careers 43 Toronto New Creations Festival JAZZ REVIEWS 48 Crossing Borders 34 CD Reviews 49 Jazz CD Reviews 38 Rick’s Picks NEXT ISSUE - SUMMER 2005 Summer Festivals Guide Street Date: June 2005 Deadline for Advertising: May 17, 2005. Visit ads.scena.org for details. The Music Scene The Music 6 Spring 2005 tms3-3_AC p03-11c 2005-03-16 16:35 Page 7 th Editorial cene n Monday, May 2, primary and secondary school students across the country will head outdoors. They will gather in courtyards and school grounds to share their Spring 2005 Vol. 3.3 Opassion for music and music education by playing A Little Music, a song written by Canadian composer and musician Chris Tait. The first annual event, dubbed “Music Publisher La Scène Musicale / The Music Scene Monday,” is an initiative of the Coalition for Music Education in Canada (CMEC), and aims Directors Wah Keung Chan (pres.), Sandro Scola, Dean to emphasize the crucial role played by music students and educators in ensuring Canada’s Jobin-Bevans musical future. Editor Wah Keung Chan Assistant Editor Réjean Beaucage CD/Books Editor Réjean Beaucage This issue of The Music Scene also celebrates young people and music. As the future of clas- Contributors Kenna Burima, Marc Chénard, John Defayette, Danielle Dubois, Sasha M. Dyck, W.S. Habington, Kyle Irving- sical music, young people are its greatest ambassadors. And as our profiles on Canada’s Moroz, Robert Jordan, Norman Lebrecht, Gaétan Martel, Gordon Morash, Rick Phillips, Peter Phoa, Isabelle Picard, Paul Rising Stars demonstrate (p. 18), they are clearly rising to the challenge. This summer, thou- Serralheiro, Joseph K. So, Andrew Thompson, Bess sands of youngsters will head to Canada’s woods and lakes for musical inspiration. We are Vasilakopoulos Cover Photo Marco Borggreve happy to present our second annual Music Camp Directory (p. 12) to help them find it. Translators Danielle Dubois Despite this great love for music-making, youth attendance at classical concerts has been Proofreaders Danielle Dubois, Sasha M. Dyck declining for decades. On page 31, our British correspondent Norman Lebrecht explores Graphics WKC, Albert Cormier, Eric Ginestier, Sasha M. Dyck Illustrations Martin L’Allier ways to make concert-going a more appealing and rewarding experience. The article on the Website Normand Vandray, Mike Vincent, Linda Lee Admin. Assistant Sasha M. Dyck, Johanne Poirier, Antoine Vancouver Youth Symphony Orchestra (p. 10) looks at the parental opposition experienced Letendre by some young people hoping to translate their passion for music into a living. For youth hop- Regional Calendar Eric Legault Accounting Joanne Dufour ing to study music (and perhaps for their parents as well), our Musical Careers feature on Bookkeeper Kamal Ait Mouhoub page 22 is a must-read. This feature also introduces the latest addition to The Music Scene Volunteers Maria Bandrauk-Ignatow, Wah Wing Chan, John Defayette, Dean Jobin-Bevans, Lilian Liganor, Stephen Lloyd, team, musicologist and radio host Rick Phillips. Every issue, Rick will offer his picks of the best Renée Rouleau new classical CDs, starting with page 38 of this magazine. Lastly, we hope you will be Distribution Southern Ontario, Winnipeg, Calgary, Edmonton, inspired by our cover interview with Valery Gergiev (p. 26). For decades he has stayed true Vancouver & Victoria to his humanist and musical ideals while making music for the pure love of it. A better role Printer Calgary Colorpress model is hard to find. Address 5409 Waverly St., Montreal Quebec, Canada H2T 2X8 Three years ago, CMEC Executive Director Ingrid Whyte had a vision of Canadians joining Tel.: (514) 948-2520 / Fax: (514) 274-9456 in music: “I remember thinking, ‘wouldn’t it be wonderful to have a day where everybody Editorial (514) 274-1128 comes out and is unified through song?’” she told me. Music Monday is the realization of Advertising Bernadette Lacroix-Bjornson (514) 935-3781 that vision, a vision that The Music Scene is proud to share. Just as Ingrid wants students Mike Webber (514) 287-7668 to make A Little Music their own – apparently students in Newfoundland have already come Gillian Pritchett (514) 948-2520 National Sales (non-musical) up with a bluegrass version of the piece – we also want you to consider The Music Scene Relations Media (450) 661-8200 yours. Let us know what you’d like to see more (or less) of, and we’ll make it happen. [email protected] • Web : www.scena.org production – artwork : [email protected] The Music Scene is the English Canada sister publication of See you on May 2. I’m sure we’ll be hearing from you! La Scena Musicale. It is dedicated to the promotion of classical music. It is published four times per year. Inside, readers will find arti- cles, interviews and reviews. TMS is published by La Scène Musicale/The Music Scene, a registered non-profit organiza- tion. La Scena Musicale is Italian for The Music Scene. Subscriptions Surface mail subscriptions (Canada) cost $20/yr or $35/2 yrs (taxes included)
Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • William Bruneau and David Gordon Duke Jean Coulthard: a Life in Music
    150 Historical Studies in Education / Revue d’histoire de l’éducation BOOK REVIEWS / COMPTES RENDUS William Bruneau and David Gordon Duke Jean Coulthard: A Life in Music. Vancouver: Ronsdale, 2005. 216 pp. William J. Egnatoff She “made sense of life by composing.” (p. 146) “My aim is simply to write music that is good . to minister to human welfare . [A] composer’s musical language should be instinctive, personal, and natural to him.” (p. 157) Bruneau and Duke’s illuminating guide to the life and music of Vancouver composer Jean Coulthard (“th” pronounced as in “Earth Music” (‘cello, 1986) or “Threnody” (various choral and instrumental, 1933, 1947, 1960, 1968, 1970, 1981, 1986) con- tributes substantially and distinctively in form and detail to the growing array of biographical material on internationally-known Canadian composers of the twen- tieth century. Coulthard (1908–2000) began writing music in childhood and con- tinued as long as she could. Composition dates in the 428-page catalogue of the Coulthard manuscripts which can be found at the Web page http://www.library. ubc.ca/archives/u_arch/2007.06.27.cat.pdf, and was prepared by the authors to accompany the posthumous third accession to the composer’s archives, range from 1917 to 1997. The catalogue is housed at the University of British Columbia at the Web site http://www.library.ubc.ca/archives/u_arch/coulth.html. Her works span all forms from delightful graded pieces for young piano students, through choral and chamber music, to opera and large orchestral scores. The book addresses students of Canadian classical music, women’s issues, and the performing arts.
    [Show full text]
  • [email protected] N
    FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No.
    [Show full text]
  • FEATURE | Pondering the Direction of Canadian Classical Music by Jennifer Liu on February 4, 2017
    FEATURE | Pondering The Direction Of Canadian Classical Music By Jennifer Liu on February 4, 2017 150 Years of History, Another Good 150 of Innovation: A commemoration of classical music in Canada. [excerpt: see full article here: http://www.musicaltoronto.org/2017/02/04/feature-pondering-the-question- of-canadian-classical-music/] Step into the future, and we see pianist Darren Creech stepping on stage in tropical short shorts, glittery hair and a big grin on his face. But in fact, as his audiences from Montreal to Toronto have witnessed, Darren has already pulled off the dress code to rave reviews, including for his Master’s graduation recital (to which a jury panelist gushed “LOVE those legs!”) How does Darren project his many identities through music — from his Mennonite heritage, to identifying as queer, to experiences from his eclectic childhood on three continents? Darren was born in Ottawa before his family went on the move — first to Texas, then to France, then to Dakar, Senegal. There on the African continent, Darren sought out a local piano teacher who had studied with the venerable pedagogue Alfred Cortot. Thus Darren gained his entry into the authentic classical tradition: through his teachers in Dakar and eventually in Canada, he is the direct heir to the musical lineages of Chopin and Beethoven. But how does a disciple carry out their legacy for today’s audiences, whether in Africa or in North America? Here Darren counters with a question: “Why perpetuate classical music in the context of social disparity. What is its relevance?” That was the probing sentiment that instilled his spirit to search for answers — and self-made opportunities.
    [Show full text]
  • Knut Skram, Baritone Meryl Ettelson, Piano ·
    The Shepherd School of Music · The Royal Consul General of Norway .. l in cooperation with The Norwegian Society of Texas present Knut Skram, baritone Meryl Ettelson, piano · ~~iit~-- . - ~-- sh[.:; ;_.--§ezPadoNi~ L4wJJeJ&K_ ~§ - -12fa =~~~~~~::-- ~ = :::-~ ---=== 8:30P.M. Hamman HaZ.l RICE UN-IVERSITY Samuel Jones, Dean SSM 7:8. .. 2 . 25 :RCG :I & II' TAPE I PROGRAM ~.$n 4ie Mitsik Franz Schubert Dir_ Forelle Fischerweise Du bist die Ruh _.Fi'om 'J:Song§ Of ·rrtl.vil ,-:;_ Ralph Vaughn Williams The Vqgabond The Roadside ~Fire In Dreams Whi-ther must 1 wander( Don Quiohotte a Dulcinee Maurice Ravel Chanson Romanesque Chanson Epique Chanson a Boire Intermission T'' ~E I I S tambogsrim Edvard Grieg En Svane Ved Rondarne Eit Syn' Langs ei Aa Fyremaal Finch ha_n dai vina from "Don Giovann{n W. A. Mozart -Deh--vieni alla finestra from "Don Giovanni" ·.se: vuol ballare from ''Le nozze di Figaro"' Der VQgelfo:nger from JiDie Zauberflote'' KNUT SKRAM was born in 193/ ~t Sunnmorer Norway. After completing pre-university studies, he went to -the United States where he attended Montana State Un!versity for five years Fe studying archite~tu.re, in which he received a.Bachelor's D_egree. He also took vocal lessons, and--he appeared as soloist in numerous concerts and opera performances, both at the univers-ity and on tours. He also sang with the Chautau_qua Opera Company in New-York. Mr. Skram returned to Norway in 1963 and continued his3voca"i studies. After receiving the Wollenberg Grant, he studied with Pr.ofesso,r Paul Lohmann in Wiesbaden and later, with a grant from the Norwegian Government, with Maestro Luigi Ricci in Rome.
    [Show full text]
  • The Ukrainian Weekly 1987
    ТаІИНPublishtd by tht Ukrainian National A5sociation Inc.. a fraternal non-profit associationу| Vol. LV No.9 THE UKRAINIAN WEEKLY SUNDAY, MARCH 1.1987 25 cent5 Treblinka survivors' testimony begins Gen. Petro Grigorenko dies NEW YORK - Petro Hryhorovych in Demjanjui( trial's second week Grigorenko, a founding member of Special to Svoboda and The Weekly said, wore black uniforms, while the both the Moscow and Ukrainian Hel­ Germans were dressed in green. He sinki monitoring groups, and a former JERUSALEM - Two survivors of recalled his experiences in the camp Red Army general, died here at Beth the Treblinka death camp testified this dramatically and emotionally as he had Israel Hospital on Saturday, February week at the war crimes trial of John done in German and American courts, 21. He was 79. Demjanjuk, and both identified the at legal proceedings against, among A tireless defender of human and retired autoworker as "Ivan of Tre­ others, Feodor Fedorenko and Mr. national rights until his death, Gen. blinka" in dramatic appearances. Demjanjuk. Grigorenko was confined for nearly six During cross-examination of both Mr. Epstein pointed at Mr. Demjan­ years (1963-1964, 1969-1974) in Soviet witnesses, the defense pointed out juk and shouted, "This is the man, the psychiatric hospitals in retaliation for inconsistencies in each witness's own man sitting over there," in identifying such activities. testimony given at various times as well him as a guard at Treblinka named In 1978, while in the United States for as discrepancies between the testimo­ Ivan. Some of the spectators at the trial medical treatment, he was stripped of nies of both men.
    [Show full text]
  • An Evening of New Canadian and American Music
    Music At Bennington Presents: An Evening of New Canadian and American Music with guest artists Sylvia Shadick-Taylor & Karen J. Minish Friday, March 7, 1997 at 8 p.m. Deane Carriage Barn "This concert is made possible in part through the generous support of Judith Rosenberg Hoffberger '54 and the Henry and Bennington College Ruth Blaustein Rosenberg Foundation." About the Artists: Toronto Women's Chorus, the Claude Watson School of the Arts Orchestra, the Edmonton Symphony, and the Toronto Symphony. Competition awards have included SYLVIA SIIADICK-TAYLOR - Pianist first place prizes in th e Canadian Contempora1y Music Workshop, and Arraynrnsic's Canadian pianist, Sylvia Shadick-Taylor holds a Il.Mus. cum laude Young Composers' Competition. Hi s compositions have been recorded by CBC with from the University of Alberta, where she studied with Alexandra Munn, as future broadcasts to include the Three Spanish Songs. Two Etudes For Organ had its well as Licentiate and Associate Diplomas. Her studies have taken her from European debut in Warsaw. IJpcoming performances will feature the CBC commissioned her early years with Sheila Shinkewski in Saskatchewan, to Ilanff, Aspen, work The Painter Suite for Edmonton's Hammerhead Consort, and an orchestral work New York and Salzburg. Other teachers who have contributed ~o Sylvia's entitled 011ve1·h1re Sauvage, commissioned by the Edmonton Symphony through the musicianship have been Thomas Muraco, Menahem Pressler, Ed 1th Oppens, and Gyorgy Sebok. Now based in Edmonton, she has worked for Edmonton Alberta Arts Foundation. Opera, the Edmonton Symphony Orchestra, Pro Coro Canada, Alberta College, and the CosmoPohtan Music Society.
    [Show full text]
  • FOCUS Saint John Spring 2014 Layout Layout 1
    June 30th - August 22nd Reid & Associates Specialty Advertising www.specialtyads.ca 3 Dr. Jason B. Saunders, Optometrist Dr. Allison Dorion, Optometrist Dr. Darren MacLean, Optometrist LANDING CLINIC MOUNTAIN ROAD OPTOMETRY 2C Landing Court, Quispamsis, NB 4 Mountain Road, East Saint John Tel: (506) 849-EYES (3937) Tel: (506) 634-7660 Fax: (506) 847-EYES (3937) NOW ACCEPTING NEW PATIENTS Supervised Summer Playground Program ..............3 Families, Individuals, Couples, EAP Groups - Therapeutic, Support & Seminars Saint Mark’s United Church Remembrance Concert ...6 Children’s Programs & Counselling Recreation, Sport and Active Living Evening Appointments International Adoptions Opportunities in Saint John ................................6 www.gentlepathsj.com P.R.O. Kids ..................................................7 Festivals & Events .........................................8 20 Alma St., Saint John NB 652-7284 City of Saint John .........................................16 Saint John Community & Youth Centres ..............18 Rockwood Park Spring & Summer Events ..............19 Community Meals On Wheels Saint John Inc. ........20 Neighbourhood Contact Information ..................21 Ducts - When does it need to be clean ................22 Kitchen Talk ................................................24 Community Garden contact information ..............25 2014 Junior Instructional Tennis Program .............25 Saint John Exhibition Association 125 years ..........28 Mid Summer Madness .....................................30
    [Show full text]
  • AUTM Canadian Licensing Activity Survey FY 2006
    FY2006 AUTM Canadian Licensing Activity Survey Survey Summary A Survey of Technology Licensing (and Related) Performance for Canadian Academic and Nonprofit Institutions and Technology Investment Firms ® Survey Summary AUTM Canadian Licensing Activity Survey: FY2006 Survey Summary www.autm.net ©2007 The Association of University Technology Managers®. All Rights Reserved. No part of this report may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from AUTM. Association of University Technology Managers®, AUTM® and are registered trademarks of the Association of University Technology Managers. AUTM Licensing Activity Survey™ is a trademark of AUTM. 3 AUTM Canadian Licensing Activity Survey: FY2005 Letter from Dear AUTM members and colleagues, the AUTM AUTM is proud to release this summary report of the AUTM Canadian Licensing Activity President Survey™: FY2006. The dedicated work of many people makes the Survey possible and AUTM expresses its gratitude to them, as well as the 39 Canadian research performing institutions who responded to it; a record number of respondents to the Canadian Survey. The Survey reflects the ongoing efforts of AUTM to inform the public about the activities of academic technology transfer professionals and to enhance their understanding of the context in which these activities take place. The impact of technology transfer is not in mere numbers reflecting the activities of offices, but rather in the benefit to the Canadian public of the new products introduced by our licensing partners to the marketplace in 2006. As professionals, we are excited by the 471 new relationships formed by licensing between companies and respondent institutions including more than 30 startups contributing to local economic development.
    [Show full text]
  • Dear Music Lover, Welcome to the 23Rd Year of Music at the National
    Dear Music Lover, Welcome to the 23rd year of music at the National Museum of Women in the Arts. We are delighted to have been able to reschedule two of the concerts cancelled last season due to COVID-19 and to have added a third. This season, concerts will begin in the spring of 2021. Our concern for audience and artist safety led us to delay the season with the hope that it will be safer to congregate in person at that time. However we anticipate at this time that the concerts will be virtual. If things do change, we will certainly notify you. Our season kicks off on March 31 with the acclaimed McDermott Trio, featuring Anne-Marie, Kerry, and Maureen McDermott, with master violist Paul Neubauer. The McDermott Trio has been recognized as one of the most exciting trios of their generation and Neubauer has been called "a master musician" by the New York Times due to his exceptional musicality and effortless playing. On May 12, we welcome the talented Stefania Dovhan, who has performed at many opera houses including the Royal Opera House, the New York City Opera, and the Baltimore Lyric Opera. We will close out the season on June 2 with the amazing violinist Jennifer Koh, who is known for her intense, commanding performances delivered with dazzling virtuosity and technical assurance. Since 1998, we have presented more than sixty-nine free concerts featuring emerging and established women musicians who have brought to life the halls of this great museum with their artistry and talent. Thank you for your continued support of the Shenson Chamber Music Concert Series.
    [Show full text]
  • The Mariinsky Ballet & Orchestra
    Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko,
    [Show full text]
  • RSTD OPERN Nov Dez 212X476 15.10.12 17:48 Seite 1
    RSTD OPERN_Nov_Dez_212x476 15.10.12 17:48 Seite 1 Opernprogramm November 2012 November Franz Liszt Legende der heiligen Elisabeth 20.00 - 22.35 Hermann: Kolos Kováts, Sophie: Éva Farkas, Ludwig: Sándor Sólyom-Nagy, Elisabeth: Éva Marton, 1 Friedrich II. von Hohenstaufen: József Gregor, Ungarischer Magnat: István Gáti, Seneschal: István Gáti. Donnerstag Ungarische Nationalphilharmonie, Leitung: Árpád Joó, 1984. November Léo Delibes Lakmé 20.00 - 21.55 Nilakantha: Clifford Grant, Lakmé: Joan Sutherland, Mallika: Huguette Tourangeau, Hadji: Graeme Ewer, 3 Gerald: Henri Wilden, Frederick: John Pringle, Ellen: Isobel Buchanan. Samstag Australian Opera Chorus, Elizabethan Sydney Orchestra, Leitung: Richard Bonynge, 1976. November Bedrichˇ Smetana Die verkaufte Braut 20.00 - 22.25 Marenka: Dana Burešová, Jenik: Tomáš Juhás, Kecal: Jozef Benci, Vašek: Aleš Vorácek, 6 Mícha: Gustáv Belácek, Háta: Lucie Hilscherová, Krušina: Svatopluk Sem, Ludmila: Stanislava Jirku. Dienstag BBC Singers, BBC Symphony Orchestra, Leitung: Jirí Belohlávek, 2011. November Wolfgang Amadé Mozart Le nozze di Figaro 20.00 - 23.00 Almaviva: Tom Krause, Gräfin: Anna Tomowa-Sintow, Susanna: Ileana Cotrubas, Figaro: José van Dam, Cherubino: Frederica 8 von Stade, Bartolo: Jules Bastin, Marcellina: Jane Berbié, Basilio: Heinz Zednik, Don Curzio: Kurt Equiluz. Donnerstag Chor und Orchester der Wiener Staatsoper, Leitung: Herbert von Karajan, 1977. November Christoph Willibald Gluck Alceste 20.00 - 22.25 Admete: Paul Groves, Alceste: Anne Sofie von Otter, Oberpriester: Dietrich Henschel, Euandros: Yann Beuron, 10 Herakles: Dietrich Henschel, Herold: Ludovic Tézier, Orakel: Nicolas Testé, Apollo: Ludovic Tézier. Samstag Monteverdi Choir, English Baroque Soloists, Leitung: Sir John Eliot Gardiner, 1999. November Christoph Willibald Gluck Paride ed Elena 20.00 - 22.30 13 Paride: Magdalena Kožená, Elena: Susan Gritton, Amore: Carolyn Sampson, Pallade: Gillian Webster.
    [Show full text]