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For Release: Tk, 2013
FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014. -
Choose Yourfavorite Three Concerts
CHOOSE YOUR FAVORITE THREE CONCERTS. You’ll Save 33% – That’s Up to $200 in Savings with Added Benefits Call 212-875-5656 or visit nyphil.org/CYO33 and use promo code CYO33. ** U.S. Premiere–New York Philharmonic Co-Commission with the London Philharmonic Orchestra *** World Premiere–New York Philharmonic Commission † Commissions made possible by The Marie-Josée Kravis Prize for New Music †New York City Premiere–New York Philharmonic Co-Commission Tuesday Wednesday Thursday Friday Saturday 7:30pm 7:30pm 7:30pm 8:00pm 8:00pm unless otherwise noted unless otherwise noted Conductor Guest Artists Program Esa-Pekka Leila Josefowicz violin RAVEL Mother Goose Suite NOV Salonen Esa-Pekka SALONEN Violin Concerto NOV OCT OCT NOV conductor (New York Concert Premiere) 5 30 31 1 2 SIBELIUS Symphony No. 5 (11:00am) Bernard Miah Persson soprano J.S. BACH Cantata No. 51, Jauchzet Labadie Stephanie Blythe Gott in allen Landen! conductor mezzo-soprano HANDEL “Let the Bright Seraphim” Frédéric Antoun tenor from Samson Andrew Foster- MOZART Requiem NOV NOV NOV Williams bass 7 8 9 Matthew Muckey trumpet New York Choral Artists Joseph Flummerfelt director Alan Gilbert Liang Wang oboe R. STRAUSS Also sprach Zarathustra conductor Glenn Dicterow, violin NOV Christopher ROUSE Oboe Concerto NOV NOV NOV 15 (New York Premiere) 19 14 16 R. STRAUSS Don Juan (2:00pm) Glenn Dicterow, violin Alan Gilbert Paul Appleby tenor BRITTEN Serenade for Tenor, Horn, conductor Philip Myers horn and Strings Kate Royal soprano BRITTEN Spring Symphony Sasha Cooke mezzo-soprano NOV NOV NOV New York Choral Artists 21 22 23 Joseph Flummerfelt director Brooklyn Youth Chorus Dianne Berkun- Menaker director Alan Gilbert Paul Appleby tenor MOZART Symphony No. -
2020-21 Season Brochure
2020 SEA- This year. This season. This orchestra. This music director. Our This performance. This artist. World This moment. This breath. This breath. 2021 SON This breath. Don’t blink. ThePhiladelphiaOrchestra MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN our world Ours is a world divided. And yet, night after night, live music brings audiences together, gifting them with a shared experience. This season, Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra invite you to experience the transformative power of fellowship through a bold exploration of sound. 2 2020–21 Season 3 “For me, music is more than an art form. It’s an artistic force connecting us to each other and to the world around us. I love that our concerts create a space for people to gather as a community—to explore and experience an incredible spectrum of music. Sometimes, we spend an evening in the concert hall together, and it’s simply some hours of joy and beauty. Other times there may be an additional purpose, music in dialogue with an issue or an idea, maybe historic or current, or even a thought that is still not fully formed in our minds and hearts. What’s wonderful is that music gives voice to ideas and feelings that words alone do not; it touches all aspects of our being. Music inspires us to reflect deeply, and music brings us great joy, and so much more. In the end, music connects us more deeply to Our World NOW.” —Yannick Nézet-Séguin 4 2020–21 Season 5 philorch.org / 215.893.1955 6A Thursday Yannick Leads Return to Brahms and Ravel Favorites the Academy Garrick Ohlsson Thursday, October 1 / 7:30 PM Thursday, January 21 / 7:30 PM Thursday, March 25 / 7:30 PM Academy of Music, Philadelphia Yannick Nézet-Séguin Conductor Michael Tilson Thomas Conductor Lisa Batiashvili Violin Yannick Nézet-Séguin Conductor Garrick Ohlsson Piano Hai-Ye Ni Cello Westminster Symphonic Choir Ravel Le Tombeau de Couperin Joe Miller Director Szymanowski Violin Concerto No. -
Official Commendation
RESOLUTION NUMBER 1244 A RESOLUTION WELCOMING THE VIOLINISTAND EDUCATOR MIDORI TO BOULDER FINDINGS 1. Boulder has a long and deep commitment to arts and culture. It was originally shaped by the rich, impactfuland original culture ofthe Ute, Arapaho, Jicarilla Apache, Comanche, and Navajo nations that originally called this place home. One of the first modem cultural resources was the Colorado Chautauqua, founded before the incorporation of the city. The University of Colorado and residents of early Boulder continued this tradition, particularly with accomplishments among visual artists, authors, poets, filmmakers, and others. Today, Boulder wins awards forthe artists who live here, the organizations that present the art, and the commitment of the entire community to the advancement of culture. 2. The Boulder Philharmonic (Boulder Phil) and Greater Boulder Youth Orchestra (GBYO) were chosen froma national pool of applicants to bring the outstanding violinist and educator Midori to Boulder for a five-dayimmersive residency during the 2019-2019 season. 3. Midori is a celebrated and respected concert violinist of extraordinary talent and internationalfame. She has performed with the world's most important orchestras and received numerous awards including the Kennedy Center Gold Medal in the Arts in 2010. Expanding the role of her musical abilities, Midori is committed to education and cultural diplomacy, being named a United Nations Messenger of Peace. 4. Throughout her career, Midori has been devoted to working with youth and communities in a way that few performing artists of her caliber can claim. Through the Midori Orchestra Residency Program, she visits one or two mid-sized communities each year to share her impressive artistry and inclusive vision of the vital role that music and the arts can play - not only in the concert hall, but across the entire community and in the lifeof every citizen. -
An Analysis of Honegger's Cello Concerto
AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
Virgil Thomson: a Catalogue of the Orchestral and Choral Music
VIRGIL THOMSON: A CATALOGUE OF THE ORCHESTRAL AND CHORAL MUSIC 1923: Two Sentimental Tangos for orchestra: 5 minutes 1926-28: Symphony on a Hymn Tune: 21 minutes + (Mercury, Albany and Naxos cds) 1930/41: Symphony No.2: 16 minutes + (Albany and Naxos cds) 1934: Oratorio “Four Saints in Three Acts” for two sopranos, two mezzo-sopranos, Two tenors, baritone, two basses, chorus and orchestra: 45 minutes 1936: “The Plow That Broke The Plains” for narrator and orchestra: 26 minutes 1937: Ballet Suite “Filling Station: 15 minutes + (Albany cd) Suite “The River” for orchestra: 24 minutes + (EMI and Naxos cds) The John Mosher Waltzes for orchestra: 2 minutes 1940: Fanfare for France(Max Kahn) for brass and percussion: 3 minutes 1940-45: Eight Portraits for orchestra: 29 minutes 1942: Suite “The Plow That Broke The Plains”: 16 minutes + (Hyperion, EMI and Naxos cds) 1944: Cantabile for Strings: A Portrait of Nicholas de Chatel: 4 minutes Percussion piece for orchestra: 3 minutes 1945: Fugue and Chorale on “Yankee Doodle” for orchestra: 4 minutes 1945-50:Cello Concerto: 23 minutes + (Albany and Naxos cds) 1948: “The Seine at Night” for orchestra: 8 minutes + (Bmop cd) Suite “Louisiana Story” for orchestra: 20 minutes + (Vox, Hyperion and Ess.a.y. Recordings cds) “Louisiana Story: Acadian Songs and dances” for orchestra: 15 minutes + (Hyperion and Ess.a.y. Recordings cds) “Wheat Field at Noon” for orchestra: 7 minutes + (Bmop cd) 1949: A Solemn Music for Band: 7 minutes Concert Waltz “At the Beach” for Trumpet and Band: 5 minutes Suite “Mother of -
To See the 2018 Tanglewood Schedule
summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary -
Julia Bullock, Soprano John Arida, Piano
Sunday, March 25, 2018, 3pm Hertz Hall Julia Bullock, soprano John Arida, piano Franz SCHUBERT (1797 –1828) Suleika I Lachen und Weinen Wanderers Nachtlied II Seligkeit Samuel BARBER (1910 –1981) Hermit Songs At St Patrick’s Purgatory Church Bell at Night St Ita’s Vision The Heavenly Banquet The Crucifixion Sea-Snatch Promiscuity The Monk and his Cat The Praises of God The Desire for Hermitage INTERMISSION Gabriel FAURÉ (1845 –1924) From La chanson d’Ève Prima verba Roses ardentes Comme Dieu rayonne Veilles-tu, ma senteur de soleil Crépuscule O mort, poussière d’étoile Spencer WILLIAMS (1889 –1969) Driftin’ Tide* Maceo PINKARD (1897 –1962) You Can’t Tell the Difference After Dark* Cora “Lovie” AUSTIN (1887 –1972) Downhearted Blues* Alberta HUNTER (1895 –1984) Jeremy SISKIND (b. 1986) Frog Tongue Stomp: A Lovie Austin Tribute* Billie HOLIDAY (1915 –1959) Our Love is Different* Sonny WHITE (1917 –1971) Nina SIMONE (1933 –2003) Revolution Weldon Jonathan IRVINE, Jr. (1943–2002) SIMONE Four Women* * arrangements by Jeremy Siskind Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTISTS Equally at home with opera and concert Medical Center, and the Shropshire Music repertoire, soprano Julia Bullock has captivated Foun dation, a nonprofit that serves war- audiences with her versatile artistry and com - affected children and adolescents through manding stage presence. During the current music education and performances in Kosovo, season, s he launched the Boston Symphony Or - Northern Ireland, and Uganda. chestra’s -
[email protected] BRAMWELL TOVEY And
FOR IMMEDIATE RELEASE November 15, 2017 Contact: Katherine E. Johnson (212) 875-5700; [email protected] BRAMWELL TOVEY and YEFIM BRONFMAN TO RETURN TO NEW YORK PHILHARMONIC BARTÓK’s Piano Concerto No. 2 MUSORGSKY’s Pictures at an Exhibition SMETANA’s The Bartered Bride Overture December 27–30, 2017 Bramwell Tovey will conduct the New York Philharmonic in Bartók’s Piano Concerto No. 2, with Yefim Bronfman as soloist; Musorgsky’s Pictures at an Exhibition (in Ravel’s orchestration); and Smetana’s The Bartered Bride Overture, Wednesday, December 27, 2017, at 7:30 p.m.; Thursday, December 28 at 7:30 p.m.; Friday, December 29 at 8:00 p.m.; and Saturday, December 30 at 8:00 p.m. Yefim Bronfman — a Philharmonic Board Member and the 2013–14 season Mary and James G. Wallach Artist-in-Residence, who made his debut with the Orchestra almost 40 years ago — won a 1997 Grammy Award for his recording of Bartók’s complete piano concertos with the Los Angeles Philharmonic led by Esa-Pekka Salonen, now the Philharmonic’s Marie-Josée Kravis Composer-in- Residence. The Los Angeles Times wrote of Mr. Bronfman’s performance of Bartók’s Piano Concerto No. 2 with the Los Angeles Philharmonic in 2009: “This happens to be one of the most virtuosic concertos in the standard repertory and Bronfman’s playing was a finely spun whirl of notes that verged on the unbelievable.” Bramwell Tovey will also conduct Members of the New York Philharmonic in New Year’s Eve: Bernstein on Broadway, December 31, 2017, featuring vocalists Annaleigh Ashford, Christopher Jackson, Laura Osnes, and Aaron Tveit. -
Julia Bullock, Collaborative Partner Biography
Julia Bullock, Collaborative Partner Biography Combining versatile artistry with a probing intellect and commanding stage presence, American classical singer Julia Bullock has, in her early thirties, already headlined productions and concerts at some of the preeminent arts institutions worldwide. An innovative programmer whose artistic curation is in high demand, her curatorial positions include San Francisco Symphony Artist-in-Residence in 2019–20 and Collaborative Partner beginning with the 2020–21 season, Esa-Pekka Salonen’s first as Music Director; Artist-in-Residence of London’s Guildhall School for the 2020–21 and 2021–22 seasons; opera- programming host of new broadcast channel All Arts; founding core member of the American Modern Opera Company (AMOC); and 2018–19 Artist-in-Residence of New York’s Metropolitan Museum of Art. Bullock is also a prominent voice of social consciousness and activism. Bullock has made key operatic debuts at San Francisco Opera in the world premiere of John Adams’ Girls of the Golden West; Santa Fe Opera in Adams’ Doctor Atomic; Festival d’Aix-en-Provence and Dutch National Opera in Stravinsky’s The Rake’s Progress; and the English National Opera, Spain’s Teatro Real, and Russia’s Bolshoi Theatre in the title role of Purcell’s The Indian Queen. In concert, she has collaborated with the Los Angeles Philharmonic and Gustavo Dudamel, the New York Philharmonic and Alan Gilbert, the Boston Symphony Orchestra and Andris Nelsons, Japan’s NHK Symphony and Paavo Järvi, and both the Berlin Philharmonic and London Symphony Orchestra with Sir Simon Rattle, among others. Her recital highlights include appearances at New York’s Carnegie Hall, the Philadelphia Chamber Music Society, Cal Performances at UC Berkeley, Boston’s Celebrity Series, Washington’s Kennedy Center, and the Mostly Mozart and Ojai Music festivals, where she joined Roomful of Teeth and the International Contemporary Ensemble for the world premiere of Josephine Baker: A Portrait. -
BBC MAG Spring 2018 32P A5 FC DS 90Gsm W + 4P 250Gsm Gloss
SOIRÉES MUSICALES Spring 2018 ~ Edition 58 Bramwell Tovey The Magazine of the BBC Concert Orchestra’s Supporters Club President: Richard Baker OBE Vice Presidents: Nigel Blomiley, Cynthia Fleming & Martin Loveday Editor / Chairman: Brian Crouch 57A Chilvers Bank, Baldock Herts. SG7 6HT Tel : 01462 892 670 Other Ed and Photos: Jenny Thomas Treasurer: James McLauchlan Accounts: Jenny Thomas Minute Secretary: James Connelly Membership Secretary: Jenny Thomas Tours & Visits: John Harding Website: Stephen Greenhalgh Constitution: Jan Mentha Orchestra Representative: Marcus Broome Soirées Musicales is the Magazine of the BBC Concert Orchestra's Supporters Club, which is an independent body set up in 1983 for the purpose of promoting and supporting the Members of the BBC Concert Orchestra. We are not affiliated to the BBC, neither do we receive any financial support from them. Disclaimer: The views expressed by the contributors to this Magazine are not necessarily the views of the Chairman, the Orchestra or the BBC. All material © 2018 BBC Concert Orchestra's Supporters Club ED LINES. The old saying tells us that absence makes the heart grow fonder but when absence is prolonged perhaps the fondness becomes somewhat diminished. I write this as a consequence of many phone calls in recent years regarding the scant appearances on Radio2 of the BBC Concert Orchestra. A few years ago, we had 2 or3 regular broadcasts every week by our favourite orchestra, but now it is just usually one a week and sometimes not even that. I know that they appear from time to time on Radio3, but not in my opinion playing the type of music which they do best or indeed the music for which they were originally intended.