2016-2017 Mostly Music: Felix Mendelssohn
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PEN Trio Nora Lewis, Oboe Phillip O. Paglialonga, Clarinet Eric Van Der Veer Varner, Bassoon
PEN Trio Nora Lewis, oboe Phillip O. Paglialonga, clarinet Eric Van der Veer Varner, bassoon 2016-2017 PEN Trio Nora Lewis, oboe Phillip O. Paglialonga, clarinet Eric Van der Veer Varner, bassoon Thursday, November 10 7:30 p.m. Count and Countess de Hoernle International Center Amarnick-Goldstein Concert Hall Program Suite pour Trio d (1949) Alexandre Tansman (1897-1986) I. Dialogue II. Scherzino III. Aria IV. Finale Security Lapses (2016) * Jon Jeffrey Grier (b. 1953) I. Leaks II. Hacks III. Bugs IV. Moles Intermission Blue Fountains, Red Flames (2016) ** Wendy Wan-Ki Lee (b. 1977) Trio (1945) Witold Lutoslawski (1913-1994) I. Allegro Moderato II. Poco Adagio III. Allgero Giocoso *The PEN Trio premiered this work on November 4, 2016 at the 56th Annual Conference of the South Carolina Music Teachers Association. **The PEN Trio premiered this work on April 4, 2016 in Appleton, Wisconsin at the Lawrence Conservatory of Music. PROGRAM NOTES Suite pour Trio d'Anches- Alexandre Tansman Program Notes by Nora Lewis With four movements arranged in a slow-fast-slow-fast sequence, Alexandre (1954) recalls Baroque conventions and features expansive contrapuntal lines underpinned by unconventional harmonies. This piece shares similar neo-Baroque elements with his Suite Baroque (1958), dedicated to Queen Elizabeth, with whom Tansman had played duets decades earlier. The light and quirky character of the Twentieth-Century French style is quality. In many of his works Tansman draws on Polish folk melodies, Mazurka rhythms, and genres such as Polonaise and Nocturne. Scholars also cite the influence of the Polish scale, with pervasive emphasis on the fourth scale degree in melodic and particularly harmonic contexts. -
For Release: Tk, 2013
FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014. -
[email protected] N
FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
Franz Schubert Complete Works for Violin and Piano Julia
Volume 1 Franz Schubert Complete Works for Violin and Piano Julia Fischer - Martin Helmchen HYBRID MUL TICHANNEL Franz Schubert (1797 – 1828) Franz Schubert (1797 – 1828) Schubert composed his Violin Sonatas Complete Works for Violin and Piano, Volume 1 in 1816, at a time in life when he was obliged he great similarity between the first to go into teaching. Actually, the main Sonata (Sonatina) for Violin and Piano in D major, D. 384 (Op. 137, No. 1) Tmovement (Allegro molto) of Franz reason was avoiding his military national 1 Allegro molto 4. 10 Schubert’s Sonata for Violin and Piano in service, rather than a genuine enthusiasm 2 Andante 4. 25 D major, D. 384 (Op. posth. 137, No. 1, dat- for the teaching profession. He dedicated 3 Allegro vivace 4. 00 ing from 1816) and the first movement of the sonatas to his brother Ferdinand, who Sonata (Sonatina) for Violin and Piano in A minor, D. 385 (Op. 137, No. 2) the Sonata for Piano and Violin in E minor, was three years older and also composed, 4 Allegro moderato 6. 48 K. 304 by Wolfgang Amadeus Mozart must although his real interest in life was playing 5 Andante 7. 29 have already been emphasised hundreds the organ. 6 Menuetto (Allegro) 2. 13 of times. The analogies are more than sim- One always hears that the three early 7 Allegro 4. 36 ply astonishing, they are essential – and at violin sonatas were “not yet true master- the same time, existential. Deliberately so: pieces”. Yet just a glance at the first pages of Sonata (Sonatina) for Violin and Piano in G minor, D. -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
Julia Fischer
Julia Fischer J.S. Bach Sonatas and Partitas for Solo Violin BWV 1001-1006 Johann Sebastian Bach (1685-1750) Sonatas and Partitas for Solo Violin PTC 5186 073 Sonata No.1 in G minor, BWV 1001 1 Adagio 4. 41 2 Fuga (Allegro) 5. 55 3 Siciliana 2. 59 4 Presto 3. 35 Partita No.1 in B minor, BWV 1002 5 Allemanda 6. 27 6 Double 2. 53 7 Corrente 2. 59 8 Double (Presto) 3. 28 9 Sarabande 4. 17 10 Double 3. 11 11 Tempo di Borea 3. 56 12 Double 3. 36 Sonata No.2 in A minor, BWV 1003 13 Grave 4. 53 14 Fuga 8. 12 15 Andante 5. 30 16 Allegro 5. 34 Total playing-timing : 73. 08 PTC 5186 074 Partita No.2 in D minor, BWV 1004 1 Allemande 4. 42 2 Corrente 2. 28 3 Sarabanda 4. 54 4 Giga 4. 02 5 Ciaccona 15. 47 Sonata No.3 in C, BWV 1005 6 Adagio 5. 20 7 Fuga 10. 33 8 Largo 3. 55 9 Allegro assai 4. 46 Partita No.3 in E, BWV 1006 10 Preludio 3. 25 11 Loure 5. 08 12 Gavotte en Rondeau 3. 09 13 Menuets I – II 3. 56 14 Bourrée 1. 28 15 Gigue 1. 53 Total playing-timing: 76. 52 Julia Fischer - violin Violin: Jean Baptiste Guadagnini from 1750 Recording venue: Doopsgezinde Singelkerk, Amsterdam, 12/2004 Producer: Job Maarse Balance Engineer : Jean-Marie Geijsen Editing : Erdo Groot; Sebastian Stein Photography: Dirk-Jan van Dijk “Nicht Bach sondern Meer sollte er heißen...” Sicherlich stellen sich manche von Ihnen die Frage, ob ich schon mit 21 Jahren sämtliche Sonaten und Partiten von Bach aufnehmen musste. -
Season 2012-2013
27 Season 2012-2013 Sunday, October 28, at 3:00 The Philadelphia Orchestra 28th Season of Chamber Music Concerts—Perelman Theater Mozart Duo No. 1 in G major, K. 423, for violin and viola I. Allegro II. Adagio III. Rondo: Allegro William Polk Violin Marvin Moon Viola Dvorˇák String Quintet in E-flat major, Op. 97 I. Allegro non tanto II. Allegro vivo III. Larghetto IV. Finale: Allegro giusto Kimberly Fisher Violin William Polk Violin Marvin Moon Viola Choong-Jin Chang Viola John Koen Cello Intermission Brahms Piano Quartet No. 1 in G minor, Op. 25 I. Allegro II. Intermezzo: Allegro ma non troppo III. Andante con moto IV. Rondo alla zingarese: Presto Cynthia Raim Piano (Guest) Paul Arnold Violin Kerri Ryan Viola Yumi Kendall Cello This program runs approximately 2 hours. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world. Saratoga Springs, N.Y., and also those who enjoy the a strong partnership with The Philadelphia Orchestra’s other area the Bravo! Vail Valley Music Orchestra has cultivated performances at the Mann Festival. -
Apple Hill String Quartet
Apple Hill String Quartet The Apple Hill String Quartet has earned accolades from around the world for their interpretive mastery of such traditional repertoire as Haydn, Mozart, Schubert, Schumann, Beethoven, and Ravel — along with their special dedication to seldom heard masterworks and contemporary music. They have performed concerts extensively throughout the United States, Europe, the Middle East, and Asia as part of Apple Hill’s innovative Playing for Peace™ program. Education is an integral part of the quartet’s mission — therefore they have conducted mini- residencies in embassies, communities, schools and universities locally in the Monadnock region, nationally in the major U.S. cities, and throughout the world in such faraway places as Lebanon, Syria, Jordan, Israel, Palestine, Algiers, Cyprus, Ireland, England, Burma, Vietnam, Malaysia, Azerbaijan, Armenia, Georgia, and Russia. They also spend countless hours as dedicated teacher-performers at Apple Hill’s renowned Summer Chamber Music Workshop, held each summer on the 100-acre Apple Hill campus. As 21st-century musicians, the quartet is deeply committed to the commissioning of new works. Their recent commission by composer and long-time “Apple Hiller” Daniel Sedgwick was premiered at Apple Hill in 2009 and performed to critical acclaim throughout the U.S., Europe, and the Middle East. Their project, “Around the World with Playing for Peace™", features the rich multicultural repertoire of works and compositions associated with countries visited through the Playing for Peace™ program, as seen through the lens of the string quartet. Featured composers have included Victor Ullman (String Quartet #3, written in the Theresienstadt Concentration Camp), Turkish composer Ekrem Zeki Ün, Armenian composers Alan Hovhaness and A. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Nuveen Investments Emerging Artist Violinist Julia Fischer Joins the Cso and Riccardo Muti for June Subscription Concerts at Symphony Center
For Immediate Release: Press Contacts: June 13, 2016 Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] NUVEEN INVESTMENTS EMERGING ARTIST VIOLINIST JULIA FISCHER JOINS THE CSO AND RICCARDO MUTI FOR JUNE SUBSCRIPTION CONCERTS AT SYMPHONY CENTER June 16 – 21, 2016 CHICAGO—Internationally acclaimed violinist Julia Fischer returns to Symphony Center for subscription concerts with the Chicago Symphony Orchestra (CSO) led by Music Director Riccardo Muti on Thursday, June 16, at 8 p.m., Friday, June 17, at 1:30 p.m., Saturday, June 18, at 8 p.m., and Tuesday, June 21, at 7:30 p.m. The program features Brahms’ Serenade No. 1 and Beethoven’s Violin Concerto in D Major with Fischer as soloist. Fischer’s CSO appearances in June are endowed in part by the Nuveen Investments Emerging Artist Fund, which is committed to nurturing the next generation of great classical music artists. Julia Fischer joins Muti and the CSO for Beethoven’s Violin Concerto. Widely recognized as the first “Romantic” concerto, Beethoven’s lush and virtuosic writing in the work opened the traditional form to new possibilities for the composers who would follow him. The second half of the program features Brahms’ Serenade No. 1. Originally composed as chamber music, Brahms later adapted the work for full orchestra, offering a preview of the rich compositional style that would emerge in his four symphonies. The six-movement serenade is filled with lyrical wind and string passages, as well as exuberant writing in the allegro and scherzo movements. German violinist Julia Fischer won the Yehudi Menuhin International Violin Competition at just 11, launching her career as a solo and orchestral violinist. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors.