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FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No. -
Decolonising Knowledge
DECOLONISING KNOWLEDGE Expand the Black Experience in Britain’s heritage “Drawing on his personal web site Chronicleworld.org and digital and print collection, the author challenges the nation’s information guardians to “detoxify” their knowledge portals” Thomas L Blair Commentaries on the Chronicleworld.org Users value the Thomas L Blair digital collection for its support of “below the radar” unreported communities. Here is what they have to say: Social scientists and researchers at professional associations, such as SOSIG and the UK Intute Science, Engineering and Technology, applaud the Chronicleworld.org web site’s “essays, articles and information about the black urban experience that invite interaction”. Black History Month archived Bernie Grant, Militant Parliamentarian (1944-2000) from the Chronicleworld.org Online journalists at the New York Times on the Web nominate THE CHRONICLE: www.chronicleworld.org as “A biting, well-written zine about black life in Britain” and a useful reference in the Arts, Music and Popular Culture, Technology and Knowledge Networks. Enquirers to UK Directory at ukdirectory.co.uk value the Chronicleworld.org under the headings Race Relations Organisations promoting racial equality, anti- racism and multiculturalism. Library”Govt & Society”Policies & Issues”Race Relations The 100 Great Black Britons www.100greatblackbritons.com cites “Chronicle World - Changing Black Britain as a major resource Magazine addressing the concerns of Black Britons includes a newsgroup and articles on topical events as well as careers, business and the arts. www.chronicleworld.org” Editors at the British TV Channel 4 - Black and Asian History Map call the www.chronicleworld.org “a comprehensive site full of information on the black British presence plus news, current affairs and a rich archive of material”. -
198J. M. Thornton Phd.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Thornton, Joanna Margaret (2015) Government Media Policy during the Falklands War. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/50411/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Government Media Policy during the Falklands War A thesis presented by Joanna Margaret Thornton to the School of History, University of Kent In partial fulfilment of the requirements for the degree of Doctor of Philosophy in the subject of History University of Kent Canterbury, Kent January 2015 ©Joanna Thornton All rights reserved 2015 Abstract This study addresses Government media policy throughout the Falklands War of 1982. It considers the effectiveness, and charts the development of, Falklands-related public relations’ policy by departments including, but not limited to, the Ministry of Defence (MoD). -
[email protected] BRAMWELL TOVEY And
FOR IMMEDIATE RELEASE November 15, 2017 Contact: Katherine E. Johnson (212) 875-5700; [email protected] BRAMWELL TOVEY and YEFIM BRONFMAN TO RETURN TO NEW YORK PHILHARMONIC BARTÓK’s Piano Concerto No. 2 MUSORGSKY’s Pictures at an Exhibition SMETANA’s The Bartered Bride Overture December 27–30, 2017 Bramwell Tovey will conduct the New York Philharmonic in Bartók’s Piano Concerto No. 2, with Yefim Bronfman as soloist; Musorgsky’s Pictures at an Exhibition (in Ravel’s orchestration); and Smetana’s The Bartered Bride Overture, Wednesday, December 27, 2017, at 7:30 p.m.; Thursday, December 28 at 7:30 p.m.; Friday, December 29 at 8:00 p.m.; and Saturday, December 30 at 8:00 p.m. Yefim Bronfman — a Philharmonic Board Member and the 2013–14 season Mary and James G. Wallach Artist-in-Residence, who made his debut with the Orchestra almost 40 years ago — won a 1997 Grammy Award for his recording of Bartók’s complete piano concertos with the Los Angeles Philharmonic led by Esa-Pekka Salonen, now the Philharmonic’s Marie-Josée Kravis Composer-in- Residence. The Los Angeles Times wrote of Mr. Bronfman’s performance of Bartók’s Piano Concerto No. 2 with the Los Angeles Philharmonic in 2009: “This happens to be one of the most virtuosic concertos in the standard repertory and Bronfman’s playing was a finely spun whirl of notes that verged on the unbelievable.” Bramwell Tovey will also conduct Members of the New York Philharmonic in New Year’s Eve: Bernstein on Broadway, December 31, 2017, featuring vocalists Annaleigh Ashford, Christopher Jackson, Laura Osnes, and Aaron Tveit. -
John Gassner
John Gassner: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Gassner, John, 1903-1967 Title: John Gassner Papers Dates: 1894-1983 (bulk 1950-1967), undated Extent: 151 document boxes, 3 oversize boxes (65.51 linear feet), 22 galley folders (gf), 2 oversize folders (osf) Abstract: The papers of the Hungarian-born American theatre historian, critic, educator, and anthologist John Gassner contain manuscripts for numerous works, extensive correspondence, career and personal papers, research materials, and works by others, forming a notable record of Gassner’s contributions to theatre history. Call Number: Manuscript Collection MS-54109 Language: Chiefly English, with materials also in Dutch, French, German, Greek, Hebrew, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, and Turkish Access: Open for research Administrative Information Acquisition: Purchases and gifts, 1965-1986 (R2803, R3806, R6629, G436, G1774, G2780) Processed by: Joan Sibley and Amanda Reyes, 2017 Note: The Ransom Center gratefully acknowledges the assistance of the Gladys Krieble Delmas Foundation, which provided funds to support the processing and cataloging of this collection. Repository: The University of Texas at Austin, Harry Ransom Center Gassner, John, 1903-1967 Manuscript Collection MS-54109 Biographical Sketch John Gassner was a noted theatre critic, writer, and editor, a respected anthologist, and an esteemed professor of drama. He was born Jeno Waldhorn Gassner on January 30, 1903, in Máramarossziget, Hungary, and his family emigrated to the United States in 1911. He showed an early interest in theatre, appearing in a school production of Shakespeare’s The Tempest in 1915. Gassner attended Dewitt Clinton High School in New York City and was a supporter of socialism during this era. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
For Immediate Release Wso Appoints Award-Winning
FOR IMMEDIATE RELEASE WSO APPOINTS AWARD-WINNING MAESTRO DANIEL RAISKIN AS NEXT MUSIC DIRECTOR BEGINNING IN THE 2018-2019 SEASON Winnipeg, MB – February 14, 2018 – In a press conference this morning, Terry Sargeant, Chair of the Board of Directors of the Winnipeg Symphony Orchestra (WSO), announced that Russian-born maestro Daniel Raiskin will be the next Music Director of the WSO commencing August 1, 2018. The public’s first opportunity to see Maestro Raiskin in action will be at The Asper Foundation Opening Night Gala on September 17, 2018 and then at concerts throughout the WSO 2018-2019 Season. “The Board believes that Daniel will prove to be an excellent Music Director for the WSO,” says WSO Board Chair Terry Sargeant. “His musicianship is outstanding. His experiences have spanned the globe. He will bring to our stage skills and talent and new ideas that will allow our orchestra to continue to grow in making great music. We look forward to having Daniel Raiskin as a member of the Winnipeg Symphony Orchestra, and of our community.” Daniel Raiskin’s career to date has taken him around the world. Recent guest conducting engagements include orchestras in Düsseldorf, Hong Kong, Athens, Osaka, KwaZulu-Natal, and Mexico City to name a few. He is Principal Guest Conductor of the Orquesta Sinfónica de Tenerife and of the Belgrade Philharmonic Orchestra. Previous positions include Chief Conductor of the Staatsorchester Rheinische Philharmonie in Koblenz and the Arthur Rubinstein Philharmonic Orchestra in Łódz. His long list of recordings have received both critical acclaim and awards, including the Echo Classic Award in 2012 for an album of cello concertos by Korngold, Bloch and Goldschmidt with Julian Steckel on AVI. -
John's S John's John's
S John’s United Reformed Church Mar – Apr 2017 S John’s United Reformed ChurchRecord Somerset & Mowbray Roads, New Barnet, Herts, EN5 1RH From the Minister Contents S Faith Alone 2 Three New Church Members John‘Faith ’salone’, we trustU younited only Reformed 3 Easter Festival Church Jesus Christ, Emmanuel. Revised Common Lectionary One with us in our believing, you who know our natures well. 4 Chillin’ in Barbados When we’re tested, when we fail, 5 Fellowship Tea Dance by your faith we will prevail. 6 Calendar – March If people know only a little about the Reformation they may be familiar with the phrase: ‘Justification by faith’. But what does it mean and why did it come Time for Jesus to encapsulate the driving force of reform that convulsed Europe? The phrase is 7 Calendar – April taken from the Letter to the Romans 1:17, in which the Apostle Paul writes: “The righteousness of God is revealed in the gospel, beginning and ending in faith, as 8 Fellowship Talks the Scripture says: ‘Whoever is justified through faith shall gain life.’” The latter is a quotation from the Prophet Habakkuk (2:4). 9 Betty McKie Obituary The Saxon Augustinian Monk and Doctor of Sacred Theology, Martin Luther, 10 Charity Walk had in 1517 presented 95 Theses for debate and had, as a result, provoked a number of vigorous disputations about theology and the Church. In 1519 he continued to 11 Vienna Reformation Ball lecture on biblical books at the University of Wittenberg. When reflecting on the Letter to the Romans he was deeply troubled by one particular phrase: ‘the justice/ 12 Thank You righteousness of God’ (Justitia Dei). -
Cc Mr Whitmore NOTE for the RECORD Miss Stephens
• cc Mr Whitmore Miss Stephens----- NOTE FOR THE RECORD MEDIA I had a short meeting this afternoon with the Prime Minister on media activities (see attached minutes). The outcome is set out below. The Prime Minister: agreed in principle to sit for Mrs June Mendoza, of the Royal Society of Portrait Painters (but during the Summer Recess); - believes she should take a chance with requests from Peter Gill, Thames TV Eye, and Jane Corbin, the new Channel 4, for film profiles, subject to satisfactory control; the Gill programme is the more urgent but the Prime Minister is not prepared to consider making herself available for filming over a fortnight before the Budget; she would like me to minute her later on a suitable period including, Ouestions preparation, a regional visit, an international engagement - eg European Council - a constituency engagement and other events involving women, children, industrialists/entrepreneurs and the promotion of British enterprise and manufacturers; in relation to the last the Prime Minister mentioned Salts and Saltaire,manufacturers of woollen fabric; aims, so far as radio/tv is concerned, to appear or be heard being interviewed roughly every 3 weeks, taking account of the Budget; she agrees we should not enter into commitments until we know which way the land lies with the miners; agrees, in the light of the above, to give Thames TV Eye an interview at an early convenient date; and, to offer Brian Connell an interview for the Sunday Telegraph for early February, subject to confirmation and events; declines to give Roger Carroll, The Sun, an interview; would like to do a Panorama interview with Robin Day fairly soon but after Thames TV Eye; -2- has reservations about LWT Weekend World (Brian Walden) though this should be considered for September (if it is operating then) and Granada "World in Action"; asked me to prepare a presentional strategy paper for her early consideration; wants me to maintain the series of off the ITcord chats with editors; here we must consider Derek Jameson, News of the World; and Chris Ward, Daily Express. -
Centennial Concert Hall Seating
Welcome to the 70th anniversary season of the Winnipeg Symphony Orchestra! For seventy years you have been our partners.The journey started in 1948 when Walter Kaufmann launched the first regular season of the WSO at the Winnipeg Auditorium.The years that followed were filled with one high note after another.Two tours to Carnegie Hall, international guests including Pierre Monteux, John Barbirolli, Leon Fleisher and Jacqueline du Pré, the move to the Manitoba Centennial Concert Hall, and the launch of the Winnipeg New Music Festival. This season, we celebrate with nods to the past and a steady gaze to the future.The season opens with the preeminent violinist of our day, Itzhak Perlman, and closes with a visit from WSO conductor laureate Bramwell Tovey and Brandon-born James Ehnes, who TH ANNIVERSARY will join the Vancouver Symphony on Tour to Winnipeg. 70 We launch a new Movie Series with Harry Potter and The SPECIAL EVENTS Philosopher’s Stone and The Wizard of Oz, and we will get in June 28, 2017 the Christmas spirit with The Tenors in a great new show. 70th Anniversary Community Celebration It is a season of exciting music that could only happen Sep 16, 2017 in a city that embraces its orchestra.Without you, Itzhak Perlman,The Asper Family we could not perform.Without you, we could not Opening Night Gala Performance create.Thank you for your energy.Thank you for Oct 13, 2017 your support.Thank you for your love of great Happy 70th WSO! - See Page 6 music! See you at the Concert Hall. -
The Moody Blues Tour / Set List Project - Updated April 9, 2006
The Moody Blues Tour / Set List Project - updated April 9, 2006 compiled by Linda Bangert Please send any additions or corrections to Linda Bangert ([email protected]) and notice of any broken links to Neil Ottenstein ([email protected]). This listing of tour dates, set lists, opening acts, additional musicians was derived from many sources, as noted on each file. Of particular help were "Higher and Higher" magazine and their website at www.moodies- magazine.com and the Moody Blues Official Fan Club (OFC) Newsletters. For a complete listing of people who contributed, click here. Particular thanks go to Neil Ottenstein, who hosts these pages, and to Bob Hardy, who helped me get these pages converted to html. One-off live performances, either of the band as a whole or of individual members, are not included in this listing, but generally can be found in the Moody Blues FAQ in Section 8.7 - What guest appearances have the band members made on albums, television, concerts, music videos or print media? under the sub-headings of "Visual Appearances" or "Charity Appearances". The current version of the FAQ can be found at www.toadmail.com/~notten/FAQ-TOC.htm I've construed "additional musicians" to be those who played on stage in addition to the members of the Moody Blues. Although Patrick Moraz was legally determined to be a contract player, and not a member of the Moody Blues, I have omitted him from the listing of additional musicians for brevity. Moraz toured with the Moody Blues from 1978 through 1990. From 1965-1966 The Moody Blues were Denny Laine, Clint Warwick, Mike Pinder, Ray Thomas and Graeme Edge, although Warwick left the band sometime in 1966 and was briefly replaced with Rod Clarke. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre