DOCSLIB.ORG

Simon Gollo 435 Ithaca Ct

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Simon Gollo 435 Ithaca Ct Simon Gollo 435 Ithaca Ct. J5, Las Cruces, NM 88011 Cell: (267) 815-8916 Email: [email protected] Website: w ww.simongollo.com Education 2005 Soloist Diploma in Violin Performance (Master Degree in Violin Performance) Conservatoire Supérieur et Académie de Musique Tibor Varga, Sion, Switzerland. Primary teachers: Gyula Stuller, Gabor Takacs. 2002 Virtuosity Diploma in Violin Performance Conservatoire de Musique, Genève, Switzerland Primary teacher: Patrick Genet. 1995 Violin Performance and Pedagogy Studies Conservatoire de Musique, Neuchatel, Switzerland. Primary teacher: Anne Bauer. Current positions 2015 - Present New Mexico State University, Las Cruces, NM, USA Professor of Violin 2015 - Present La Catrina Quartet, Las Cruces, NM, USA The 2012 Grammy award-winning quartet La Catrina String Quartet (LCSQ) is recognized as the new vanguard for contemporary Latin American string quartet repertoire. In addition to earning a second nomination at the 2014 Grammys, LCSQ it is also quartet in residence in NMSU's College of Arts and Sciences. LCSQ members: Daniel Vega-Albela (Violin), Simon Gollo (Violin), Jorge Martinez-Rios (Viola), Jorge Espinoza (Cello) 2015 – Present Classical Jam, (CJ) is committed to presenting engaging, lively, and high- caliber performances to diverse audiences. Known for its engaging style and creative concert programming, CJ is a collaborative chamber ensemble that unites acclaimed soloists and chamber musicians 2013 – Present Juilliard School of Music, Pre-college Department. New York, NY, USA Regular Substitute for the class of Mrs. Naoko Tanaka 1 2000 – Present Nuevo Mundo Festival & Academy. Oranjestad, Aruba. Founder, Artistic Director, and Professor The Nuevo Mundo Festival and Academy has held more than 200 summer concerts, 25 Music and Art Conferences, 1 Opera, 2 Violin competitions and 2 Art Exhibitions. It has received more than 40000 attendants, more than 1800 students and more than 200 guest artists from: Venezuela, France, Russia, England, Mexico, the United States of America, Switzerland, Cuba, Germany, Brazil, Argentina, Colombia, Australia, Uruguay, Hungary, Canada, Puerto Rico, Belgium and Japan. The NMFA strings orchestra did an international tour: 11 concerts throughout Colombia teaching more than 800 Colombian kids. It has also presented concerts in the 9 th more important venues in Maracaibo city and the recognized Teatro Teresa Carreno in Caracas. The NMFA has been sponsor of Concerts in Argentina and Venezuela, sponsor of the First Encounter of Latin-American Musicians in Morelia, Mexico and several tours and CDs for Venezuelan music groups as well as served as a mediator for scholarships in Europe to music students from Venezuela. Other positions 2014 – 2015 WHIN Music Project, New York, NY, USA Member of the board WHIN Music is a venezuelan “El Sistema” inspired project that offers a new platform of inclusion for at-risk youth that strengthens their cognitive abilities & life skills, improves academic achievement, builds community, lifts the horizon of hope & ambition, & points them toward success. 2012 – 2015 ArCoNet The Arts & Community Network, Lansdale, PA, USA Professor of Violin and Chamber Music Conductor of the Chamber Orchestra 2012 – 2015 Dali Quartet, Lansdale, PA, USA International Touring String Quartet. The Dali Quartet is represented by Jonathan Wentworth Associates, LLC and has around 30 engagements per season on average including concerts and master classes. Dali Quartet members: Simon Gollo (Violin), Carlos Rubio (Violin), Adriana Linares (Viola), Jesus Morales (Cello) 2009 - 2011 Ensamble Cruz Diez, Venezuela String trio in residence at El Sistema Venezuela. Ensamble Cruz Diez members: Simon Gollo (Violin), Santiago Garmendia (Viola), Horacio Contreras (Cello). 2 2002 - 2005 Trio America, Geneva, Switzerland Piano trio that toured in Switzerland, England, Mexico, Colombia and Venezuela. Trio America members: Simon Gollo (Violin), Yolena Orea (Cello), Juan David Molano (Piano). Teaching Experience 2013 – Present Juilliard School of Music, Pre-college Department. New York, NY, USA Regular Substitute for the class of Mrs. Naoko Tanaka 2012 – Present ArCoNet The Arts & Community Network, Lansdale, PA, USA Professor of Violin and Chamber Music 2007 – 2012 Simon Bolivar Music Foundation “EL SISTEMA”, Caracas, Venezuela Professor of Violin and Chamber Music 2007 – 2012 Mozarteum School of Music, Caracas, Venezuela Professor of Violin and Chamber Music 2007 – 2009 Simon Bolivar University, Caracas, Venezuela Professor for the Master Degree in Violin Performance and Chamber Music 2007 – 2009 Universidad del Zulia, Maracaibo, Venezuela Visiting Professor of Violin and Chamber Music Universities, conservatories, scholarships and orchestra positions earned by Simon Gollo's students Staatliche Hochschule für Musik und Darstellende Kunst Mannheim (Mannheim University of Music and Performing Arts), Germany. Mannheimer Philharmoniker, Germany Royal Conservatory of The Hague, Netherlands Guildhall School of Music and Drama, London, UK Bard College Conservatory of Music, NY, USA Bard College, NY, USA Boyer College of Music and Dance – Temple University, PA, USA 3 Orquesta Sinfónica Nacional de la Juventud Venezolana Simón Bolívar, Venezuela Michigan State University, MI, USA Penn State University, PA, USA Shenandoah University, VA, USA Rowan University, NJ, USA Musikhochschule Stuttgart (State University of Music and Performing Arts Stuttgart), Germany Hochschule für Musik und Darstellende Kunst Frankfurt am Main (Frankfurt University of Music and Performing Arts), Germany Conservatoire Supérieur et Académie de Musique Tibor Varga, Switzerland Conservatoire à rayonnement régional de Paris – CRR de Paris, France Board President at Jean Appolon Expressions (JAE), MA, USA Artistic Director at Yofes, MA, USA Orquesta Sinfonica de Merida, Venezuela Youth Orchestra of the Americas Youtube Symphony Orchestra Orquesta Sinfónica Municipal de Caracas. Venezuela Honors and Awards 2011 Cisneros Foundation Scholarship. Caracas, Venezuela Full Scholarship given to attend the 2012 Aspen Music Festival in Colorado, USA 2009 Lia Bermudez Order of Art. Maracaibo, Venezuela Given by the Universidad Rafael Belloso Chacín honoring the transcendent contribution of his Festival y Academia del Nuevo Mundo to the city's culture sector. 4 2009 City of Maracaibo Order of Merit. Maracaibo, Venezuela Issued by the City Council in recognition of his outstanding achievements for the cultural sector in Maracaibo city. 2009 Aruba Scholarship Foundation. Orangestad, Aruba Certificate of Appreciation in recognition of his contribution to the musical development for the arubian youth 2004 Stiftung Lyra für hochbegabte Junger Musiker. Zurich, Switzerland Monetary award winner in recognition of his artistic talent 2003 Conservatoire Superieur et Academie de Musique Tibor Varga. Sion, Switzerland Scholarship Winner in recognition of his performance achievments 2002 Venezuelan Army Recognition. Maracaibo, Venezuela In recognition of his invaluable contribution to Venezuela's culture development 2001 Friedl Wald Foundation Scholarship Competition. Basel, Switzerland (2001) Competition Winner 1997 San Sebastián Order of Merit. Maracaibo, Venezuela Issued by the Mayor of Maracaibo city in recognition of his outstanding artistic achievements. 1996 Luzern, Jeunesse Musical, Competition. Luzern, Switzerland 1st Prize Winner 1994 Geneve, Jeunesse Musical, Competition. Geneva, Switzerland 2nd Prize Winner 1993 Third International Music Competition for Academic Scholarships. Banca Casa de Risparmio de Tortona Trophy, Tortona, Italia 3rd Prize Winner Selected Administrative Experience 2014 – Present WHIN Music Project, New York, NY, USA Member of the board 2000 – Present Festival y Academia del Nuevo Mundo, Maracaibo, Venezuela Founder and Executive Director 5 2005 “Centro para O Estudo das Artes” Belgais, Portugal Executive Producer 2004 Aula Magna Hall, Zulia, Maracaibo, Venezuela Artistic Advisor Discography 2014 Edward Thomas String Quartet, Dali Quartet, NAXOS 1998 Brahms Quintet, Recording Aniversary of the City of Neuchatel, Switzerland Languages Spanish French English Other Education Professors: Gyula Stuller Concertmaster from the Chamber Orchestra of Lausanne. Patrick Genet from the Sine Nomine Quartet Anne Bauer from the Conservatoire de Musique Neuchâtelois Gabor Takacs, violinist Chamber Music master classes attended by: Members of the Amadeus Quartet Members of the Takacs Quartet Members of the Bartók Quartet Members of the Sine Nomine Quartet Members of the Fine Arts Quartet Violin masters classes attended: Alexander Kerr Naoko Tanaka Tibor Varga Ana Chumachenko Igor Bezrodny 6 Selected Conducting Experience 2010 – Present Chamber Orchestra at the Festival y Academia del Nuevo Mundo, Venezuela Conductor of the Chamber Orchestra 2012 – 2015 ArCoNet The Arts & Community Network. Lansdale, PA, USA Conductor of the Chamber Orchestra Selected Scholarly Activities and Master Classes 2015 Filarmonica Joven de Colombia. Colombia Member of the Jury Panel at the Filarmonica Joven de Colombia national auditions. 2015 Youth Music Preservation and Promotion Association, Ashburn, VA, USA Violin Master Class 2014 Filarmonica Joven de Colombia, Santa Marta, Colombia Chamber Music Master classes 2014 Michigan State University. Dali Quartet. East Lansing, MI, USA 2014 Texas A&M University. Coastal Bend String Camp. Winter Chamber Music Workshop. Dali Quartet. Corpus Christi, TX, USA 2013 University of Texas. The Arts
Load more

Recommended publications
  • Go Forbaroque Program This Evening's Guest Artists
    The Plantation Foundation Meet the presents Jacksonville Symphony Orchestra String Quintet Melissa Pierson Barrett, violin, Associate Concertmaster of the JSO since 1990, is also a chamber musician with Chamber Music Hilton Head. She has also played with the Houston Grand Opera, Savannah Symphony Orchestra and at the Aspen, Boulder, Lake George Opera, Sandpoint, Banff, and Sarasota summer festivals Annie Morris, violin, a member of JSO since 1990, has played with the New World, Charleston, Savannah, and Delaware Symphonies, the Philharmonic Orchestra of Florida, Naples Philharmonic, Texas Opera Theater, and the Houston Grand Opera. GoMUSIC forBaroque SOIREE AND BACHTAIL PARTY Summer performances include the Lancaster, Spoleto Festival (US and Italy), Aims, and Heidelberg festivals. Colin Kiely, viola, a member the JSO since 1996 and Acting Assistant Principal Viola in 2006, has performed with the Miami String Quartet and was featured in the University of North Florida’s “Music For Our Time” program . He has performed in Carnegie Hall, Avery Fischer Hall, the Kennedy Center, and at Teatro Colon. Betsy Federman, cello, a JSO member since 1994, has previously played with the New World Symphony, the Naples Philharmonic, and at the Aspen Music Festival, the Colorado Music Festival and the Utah Festival Opera. Baroque Music John Wieland, bass, has been a member of the Jacksonville Symphony Orchestra for Harpsichord, since 1989. John has performed with numerous orchestras as principal bass, Recorder, Guitar including the Virginia Symphony, Oklahoma Symphony, Orquestra Sinfonia de Mineria, and the Colorado Music Festival. He has also been a faculty member at and String Quintet. Stetson University since 1995.
    [Show full text]
  • KEYNOTES the OFFICIAL NEWSLETTER of the EVANSTON SYMPHONY ORCHESTRA LAWRENCE ECKERLING, MUSIC DIRECTOR American Romantics
    VOL. 46, NO. 3 • MARCH 2015 KEYNOTES THE OFFICIAL NEWSLETTER OF THE EVANSTON SYMPHONY ORCHESTRA LAWRENCE ECKERLING, MUSIC DIRECTOR American Romantics he third concert of the ESO’s 69th season, with its 2:30 PM ON Ttheme of the enduring appeal of Romanticism for SUNDAY MARCH 15, 2015 composers well into the 20th century, features three very well known American composers: Copland, Barber, and Hanson, plus a short piece by the Estonian Arvo Pärt. American Romantics Our concert opens with El Salón México by Aaron Copland demanded repayment of $500, which had been advanced (1900–1990). This 12 minute showpiece, premiered in to Barber. Having spent the advance on a European 1936, was the very first of Copland’s “populist” composi- vacation, Barber was forced to have a student at the Curtis tions in which he moved away from his previous Institute of Music perform the finale with only two hours of “modernist” style to an accessible tuneful style. Copland had practice, thereby proving that it was in fact “playable.” discovered the Mexico City dance hall of the title in 1932, ronicallyI perhaps, it is the lush romantic beauty of the first and consulted a collection of Mexican folk songs to lend two movements which has made this concerto the most authentic local color to this brilliantly orchestrated tone performed of all American concertos. picture. Howard Hanson (1896–1981) composed in a style even The austere spirituality of the music of Arvo Pärt provides more consistently Romantic than did Barber; in fact he titled a complete contrast to El Salón México.
    [Show full text]
  • Hans Rosbaud and the Music of Arnold Schoenberg Joan Evans
    Document généré le 27 sept. 2021 01:22 Canadian University Music Review Revue de musique des universités canadiennes Hans Rosbaud and the Music of Arnold Schoenberg Joan Evans Volume 21, numéro 2, 2001 Résumé de l'article Cette étude documente les efforts de Hans Rosbaud (1895–1962) pour URI : https://id.erudit.org/iderudit/1014484ar promouvoir la musique d’Arnold Schoenberg. L’essai est en grande partie basé DOI : https://doi.org/10.7202/1014484ar sur vingt années de correspondance entre le chef d’orchestre et le compositeur, échange demeuré inédit. Les tentatives de Rosbaud portaient déjà fruit Aller au sommaire du numéro pendant qu’il était en fonction à la radio de Francfort au début des années 1930. À la suite de l’interruption forcée due aux années nazies (au cours desquelles il a travaillé en Allemagne et dans la France occupée), Rosbaud a Éditeur(s) acquis une réputation internationale en tant que chef d’orchestre par excellence dédié aux œuvres de Schoenberg. Ses activités en faveur de Canadian University Music Society / Société de musique des universités Schoenberg dissimulaient le projet, que la littérature sur celui-ci n’avait pas canadiennes encore relevé, de ramener le compositeur vieillissant en Allemagne. ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Evans, J. (2001). Hans Rosbaud and the Music of Arnold Schoenberg. Canadian University Music Review / Revue de musique des universités canadiennes, 21(2), 41–59. https://doi.org/10.7202/1014484ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur.
    [Show full text]
  • Laurent Mettraux
    Laurent Mettraux composer 1-2 Biography 3-7 Principal works 8 Quotes of musicians 9-10 From the newspapers Laurent Mettraux Route Principale 160 CH-1791 Courtaman (Switzerland) tel. + fax : (+41) 26/684.18.65 e-mail : [email protected] www.laurentmettraux.com LAURENT METTRAUX (* 27. 5. 1970) Laurent Mettraux was born in 1970, in Fribourg (Switzerland). He completed the studies of analysis, counterpoint, harmony and fugue with René Oberson at the Music Academy of Fribourg, as well as piano, violin and singing. He continued his studies in Geneva (composition with Prof. Eric Gaudibert, conducting with Prof. Liang-Sheng Chen), while following also courses of ancient music and musicology. He received a prize of the Kiefer-Hablitzel Foundation (Association of Swiss Musicians). Counsels and courses with, among others, Klaus Huber, Luis de Pablo, Heinz Holliger, Arvo Pärt, Paul Méfano. His Symphony for chamber orchestra won in 1993 the 1st Prize and Public Prize of the 1st Competition for young composers, organized by the Orchestre de Chambre de Lausanne. He has been laureate of several foundations, and finalist of, among others, the European Competition of Choral Composition (Amiens, France). His work « Ombre » (« Shadow ») for orchestra, won 1998 the prize of the prestigious Donaueschinger Musiktage, given for the first time (among the members of the Jury: Wolfgang Rihm, Sylvain Cambreling, Gérard Grisey, Christian Wolff). He is also honoured in 2000 with a contribution ad personam from the UBS Kulturstiftung for his « remarkable partaking to the musical life in Switzerland and abroad ». First compositions in 1982. He receives numerous orders, as much from the interpreters as from concert associations, festivals, broadcasting and foundations.
    [Show full text]
  • Abraham Abreu Clavencista
    00234 LA BmtlOTECA IOIS· ANGEl. ABANGO DEL BANCO DE LA BEPUBJJCA Presenla en su SALA DE CONCIERTOS ABRAHAM ABRE'U CLAVECINISTA EOGOTA, D. E., MIEHCOLES 19 DI~ ABRIL DE 1972 HUfa : v :-1j ) .• 1. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ABRAHAM ABREU Nació en Caracas en 1939. Después de haber completado es­ tudios en Filosofía y Letras y el 8 9 año de piano, viajó a Estados Unidos becado por la Fundación Creole. Durante 4 años estudió en la Universidad de Vale donde obtuvo los grados de Bachelor of Music y Master of Music. Fueron sus profesores: E. Jorge Vix, Moisés Moleiro, Keith Wilson, Arthur Hague, Ward Davenny, Mel Powell, Albert Ferber, etc. Desde ei año 1962 es alunlno de la eminente pedagoga norte­ americana Harriet Serr. A su regreso a Venezuela ingresó como profesor a la Universidau Central donde fundó el Centro de Es­ tudios Musicales. Fue director de éste hasta el año 1969. En la actualidad es profesor de lnúsica en la Universidad Simón Bolívar y ejecutante de celesta en la Orquesta Sinfónica de Venezuela. Además realiza programas regulares por la Radio Nacional de Venezuela. Es ampliamente conocido COIllO conferencista, clave­ cinista y pianista. En 1968 publicó un curso de apreciación musical en diez dis­ cos y en 1971 la Fundación Mito Juan editó su primer disco de clave. \' Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA 1 TOCCATA DECIMA J ohanu J akob Froberger SUITE N? 1 Allemande Courante Sarabande DOS SONATAS K. 18 K.84 Domenico Scarlatti FANTASIA Giles Farnaby VING-SEPTIEME ORDRE Frant;ois Couperin Le Graad L'Exquise Les Pavots Les Chinois Saillie INTERMEDIO II PARTITA IV Johann Sebastian Bach Ouverture Allemande Courante Aria Sarabande Minuet Gigue FANTASIA CROMATICA y FUGA J ohann Sebastian Bach Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia.
    [Show full text]
  • Citymusic Cleveland: a Conversation with Violinist Adele Anthony by Mike Telin
    CityMusic Cleveland: a conversation with violinist Adele Anthony by Mike Telin After winning the 1996 Carl Nielsen International Violin Competition, Adele Anthony has enjoyed an acclaimed career as a concerto soloist, recitalist and chamber musician. On Thursday, March 12 at 7:30 in Mentor High School’s Performing Arts Center, CityMusic Cleveland will present the first of four free performances featuring Adele Anthony as soloist in Carl Nielsen’s Violin Concerto. (See our concert listings for additional times and locations.) The concerts, led by guest conductor Joaquin Valdepeñas, will also include Grieg’s Peer Gynt Suite No. 1 and Arvo Pärt’s Symphony No. 4, Los Angeles. During a recent telephone conversation I confessed to Adele Anthony that Nielsen’s Violin Concerto is a work with which I am not extremely familiar. “I hear that a lot,” she responded with a laugh. “And it’s too bad because I think it’s a beautiful work that people will appreciate. It has a very gripping opening. I found it to be very attractive from the first time I heard it.” Anthony’s first exposure to the piece was through her violinist father. “As a student in Germany, he studied with the great Hungarian violinist Tibor Varga, who’s recording of the concerto we had at home. My father told me that it is a fantastic piece and that I should learn it. I listened to it and thought it was great, and when I was older I did learn it, later entering the competition with it. And because of that win, I have been able to perform it a lot more than perhaps I would have otherwise.” The concerto is written in a melodic neo-classical style.
    [Show full text]
  • GV May Get Automatic Teller
    Grand Valley State University ScholarWorks@GVSU Volume 22 Lanthorn, 1968-2001 3-16-1988 Lanthorn, vol. 22, no. 24, March 16, 1988 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol22 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 22, no. 24, March 16, 1988" (1988). Volume 22. 24. http://scholarworks.gvsu.edu/lanthorn_vol22/24 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 22 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. N t ’ W S 1 .1 p S U I t ((pinion Calvin and Hope ,Sports Sen p. S for the Vol.22 Issue No.24 March 16, 1988 yorey (Clads Grand Valley State Universiy, Allendale, Ml News Room Advertising Manager (616) 895-3120 (616) 895-3608 Eberhard Center Open For Class This Spring^ By Kurt Ogrodzinski News Writer Classes have been scheduled for the new L.V. Eberhard Center, downtown. The nine- story center will offer classes in computer science, engineering, education and business, among others. Enrollment is now being accepted for the Spring/Summer term. "Classes are already more than filled at night," said Provost for GVSU, Glenn Niemeyer. "The bulk of the classes at the new center will be offered at night from 6 to 9:00 p.m. There will not be a lot of classes run during the day and there will be a select few on Saturday.” Though the building boasts nine stories, only 25 rooms will be used as actual classrooms.
    [Show full text]
  • Meeting Notes
    SEATTLE RECORDER SOCIETY Recorder Notes April 2014 Vol. XLV, No. 7 From the Music Director SRS MEETING (Peter Seibert) Friday, Our April meeting will start with the Annual Meeting, which April 4th, 2014 has been moved from the May meeting in order to allow more time @ 7:30 p.m. for the Members’ Night program. An important order of business will be the ratification of the new set of by-laws. Those have not been changed since our official incorporation in 1978, and it is time for Opening Activity them to reflect our current needs as a society. Annual business meeting Following the Annual Meeting, Sally Mitchell’s crew will remain with us for the entire playing session. During the year, they Playing Session have worked on the Francisco Guerrero Magnificat primi toni, and (Peter Seibert) our combined groups join together to play this fine music. This interesting work for SATB employs the chant melody in some of Music of Guerrero the movements. and Handel We’ll end the evening by playing several movements from the Backroom Gang Handel Water Music, Suite 1, for full recorder orchestra. Many of us (Sally Mitchell) played this new arrangement in St. James Cathedral as part of the International Handel Festival in 2011. This will be the final group Staying with playing session of our season. the large group tonight Get your act together for Members’ Night! Members’ Night Is Coming Up Soon! SRS By-laws (Kathleen Arends) to be Updated! Members’ Night is Friday, May 2nd! To see the proposed Please send your name or ensemble name (including names of all by-laws, check members) with the title and composer of the piece you’re performing to the SRS website under the [email protected] to reserve your spot! April 4th meeting notes.
    [Show full text]
  • Edition 1 | 2019-2020
    About the Maestro 4 Letter from the Maestro 5 History of the Brevard Philharmonic 6 Letter from the President 7 SEPTEMBER 29, 2019 9 AN AFTERNOON AT THE OPERA NOVEMBER 3, 2019 17 DUOS DECEMBER 15, 2019 25 CHRISTMASTIME IN BREVARD MARCH 15, 2020 27 SENSATIONAL STRINGS mission statement APRIL 5, 2020 33 The Mission of the Brevard BEETHOVEN, BOTTESINI, AND BASS Philharmonic is to inspire, educate, MAY 17, 2020 37 and enrich our audiences through POPS: STAGE, PAGE, AND SCREEN exceptional, professional musical Brevard Philharmonic Personnel 39 2019 Contributors 40 performances and community outreach. Sponsorships 42 Board of Directors 43 Music In the Schools 44 C Notes 46 Donate Your Instrument 47 House Concert 48 ADVERTISING Onstage Publications Advertising Department 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2019-20. All rights reserved. Printed in the U.S.A. www.brevardphilharmonic.org | brevard philharmonic 3 about the maestro JAMES FELLENBAUM ames Fellenbaum is in his second season as Artistic Director of the Brevard Philharmonic, and is truly excited to continue sharing this J musical journey with the Brevard community. He enjoys an extraordinarily diverse career as a conductor, equally at home with Symphonic music, Chamber Orchestra repertoire, Pops, Ballet, Opera, Choral-Orchestral, and Film with Live Orchestra. James is the Resident Conductor of the Knoxville Symphony Orchestra (KSO) having completed his 13th season with the organization.
    [Show full text]
  • Gilbert Varga, Conductor Daniel Müller-Schott, Cello
    Gilbert Varga, conductor Friday, March 22, 2019 at 10:30AM Daniel Müller-Schott, cello Saturday, March 23, 2019 at 8:00PM DUKAS The Sorcerer’s Apprentice (1897) (1865-1935) LALO Cello Concerto in D minor (1876) (1823-1892) Prélude: Lento - Allegro maestoso Intermezzo: Andantino con moto - Allegro presto Introduction: Andante - Allegro vivace Daniel Müller-Schott, cello INTERMISSION FRANCK Symphony in D minor (1888) (1822-1890) Lento - Allegro non troppo Allegretto Allegro non troppo ACKNOWLEDGMENTS The 2018/2019 Classical Series is presented by World Wide Technology and The Steward Family Foundation. Daniel Müller-Schott is the Charles V. Rainwater III Guest Artist. The concert of Friday, March 22, is underwritten in part by a generous gift from Mr. William M. Carey. The concert of Saturday, March 23, is underwritten in part by a generous gift from Lawrence and Cheryl Katzenstein. Pre-concert conversations are sponsored by Washington University Physicians. 23 PROGRAM NOTES PAUL DUKAS Born October 1, 1865, Paris, France Died May 17, 1935, Paris, France The Sorcerer’s Apprentice If ever a piece of music was victim of its own success, it is surely Paul Dukas’ L’apprenti sorcier. Better known in this country as The Sorcerer’s Apprentice (a slightly inaccurate English translation of its title; more precise would be “The Apprentice Sorcerer”), it scored an immediate success and established Dukas, who was not yet 32, as one of France’s important new composers. Dukas’ inspiration for The Sorcerer’s Apprentice was “Der Zauberlehring,” a ballad-like poem written in 1796 by Johann Wolfgang von Goethe. Goethe’s poem gives a first-person account of the misadventure that befalls a young man who has been taken on as an apprentice to an aged magician.
    [Show full text]
  • Florent SCHMITT Piano Quintet, Op
    570489bk Schmitt EU:570034bk Hasse 25/1/11 4:33 PM Page 8 Florent SCHMITT Piano Quintet, Op. 51 À tour d’anches, Op. 97 Solisten-Ensemble Berlin Above, from left to right: Birgitta Wollenweber, Matthias Wollong, Petra Schwieger, Andreas Grünkorn, Ulrich Knörzer C Left, from left to right: Matthias Bäcker, M Birgitta Wollenweber, Richard Obermayer, Frank Forst Y K 8.570489 8 570489bk Schmitt EU:570034bk Hasse 25/1/11 4:33 PM Page 2 Florent Schmitt (1870–1958) presque imperceptible du piano, avant d’émerger espiègle, le mouvement suivant est également pétri de Piano Quintet, Op. 51 • À tour d’anches, Op. 97 progressivement des profondeurs jusqu’à un apogée rythmes imprévisibles et d’énergie capricieuse. Le fortissimo. Ce qui suit est une étude de contrastes, où des troisième mouvement bipartite altère néanmoins quelque The French composer Florent Schmitt, once mentioned by In some ways Schmitt’s election to this most venerable passages d’une beauté délicate et lyrique alternent avec peu le caractère de l’ouvrage. Le poignant nocturne initial Stravinsky in the same breath as Debussy and Ravel, is a of institutions was surprising, given that in his capacity as des gestes passionnés et dramatiques. L’ouverture du présente une mélodie de hautbois délicate et désolée qui somewhat obscure figure today. Often relegated to the a critic for such publications as La France, Revue de France second mouvement se caractérise par une texture insolite, tour à tour s’intègre à la texture environnante et s’en shadows of music history, he was nevertheless a prominent and Le temps he frequently ruffled establishment feathers impressionniste : des cordes éthérées avec sourdine détache.
    [Show full text]
  • Manuel Verdeguer Beltrán (1908-1988) Trayectoria Musical Y Aportaciones a La Escuela Moderna Del Contrabajo
    Doctorado en Arte: Producción e Investigación Manuel Verdeguer Beltrán (1908-1988) Trayectoria musical y aportaciones a la escuela moderna del contrabajo TESIS DOCTORAL Autor: Francisco Ruiz Zanón Directores: Antonio Ripollés Mansilla y Vicente Llimerá Dús Tutor: Vicente Barón Linares Valencia, febrero 2020 Agradecimientos Agradezco la inestimable ayuda de Francisco Verdeguer, sobrino del maestro Verdeguer residente actualmente en Valencia, que nos ha ofrecido la oportunidad de investigar sobre la vida de este gran artista, sin duda una de las grandes figuras del patrimonio musical valenciano. Agradecimiento a Manuel Verdeguer, hijo de Manuel Verdeguer Beltrán que reside en Sarasota (Estado de Florida). Agradezco los sabios consejos y el apoyo de mis directores de tesis el Dr. Antonio Ripollés Mansilla y el Dr. Vicente Llimerá Dús. Agradecimiento y dedicatoria de esta tesis a mis profesores de contrabajo Emilio Maravella, Gérard Massat, Jean Ané y Thierry Barbé. Mi agradecimiento a la Universitat Politècnica de València por su apoyo para que esta Tesis Doctoral viera la luz. En especial a la Dra. Teresa Cháfer, Coordinadora del Programa de Doctorado en Arte: Producción e Investigación, por su inestimable ayuda y a mi Tutor el Dr. Vicente Barón Linares por su gestión y buen hacer en los trámites para su defensa. 2 Resumen Manuel Verdeguer Beltrán es el contrabajista español más relevante del siglo XX, con un gran reconocimiento en el continente americano. Nacido en 1908 en Valencia, comenzó tocando el violoncello y posteriormente se consagró como solista y pedagogo del contrabajo, elogiado, entre otros por los maestros Lamote de Grignon y Joaquín Turina. El estudio de la época en la que desarrolló su carrera artística en España nos ha permitido descubrir la crisis económica causada a los intérpretes por la desaparición del cine mudo, así como en el conocimiento del reglamento que regía las condiciones laborales de los músicos.
    [Show full text]