N O Ë L A VIRTUAL Holiday Concert
December 19, 2020 | 7:30 PM Happy Holidays from Oregon Mozart Players!
It is an understatement to say that arts organizations around the world have been disproportionately impacted during these unprecedented times, but your contributions have made it possible for OMP to present our very first virtual chamber orchestra performance in HD audio and video!
Thank you to our loyal donors and season subscribers for your continued support, and a warm welcome to those who are joining us in our "Virtual Concert Hall" for the first time.
We hope this festive program brings you joy this holiday season!
THANK YOU TO THESE GENEROUS GRANTING ORGANIZATIONS: Get the
PremiumExperience! Level A Subscription Seat Access to Virtual Premium Special Concerts and additional OMP content or concerts. Receive "Kelly's Recommendation" in headphones: Bose® SoundLink around-ear headphones II with contactless shipping Select a personally autographed CD or DVD of "A Virtual Recital", featuring 2015 Young Soloist Competition Winner John Fawcett, violin and Kelly Kuo, piano. Complimentary, contactless wine delivery upon virtual reception advanced reservation
Current 2020-21 Subscribers can use the amount of their tickets as a credit toward their purchase of an OMP Premium Experience Package!
Give the gift of with OMP and Bose at oregonmomzaurstipclayers.org/tickets Orchestra Kelly Kuo, Artistic Director & Conductor
VIOLIN Jenny Estrin, acting concertmaster Yvonne Hsueh, principal 2nd violin Stephen Chong Julia Frantz Sponsored by James & Paula Salerno Nathan Lowman Sophie Therrell Sponsored by W. Mark & Anne Dean
VIOLA Lauren Elledge Dana Rokosny
CELLO Eric Alterman Noah Seitz Photo credit: Kelly Kuo (@kuowiththeflow)
BASS Thank you to our additional musician sponsors: Nicholas Burton, Theodore W. & Laramie Palmer (Alice Blankenship, concertmaster) principal bass Nancy & Brian Davies (Della Davies, violin) Jeffrey Morey & Gail Harris (Claudia Miller, violin) HARPSICHORD/PIANO Larissa Ennis & Lindsay Braun (Dale Bradley, cello) John Jantzi, Peter & Josephine von Hippel (Jill Pauls, principal flute) principal keyboard Charles & Leslie Wright (Alexis Evers, flute) Sponsored by Linda Korth Sandy Whitaker (Cheryl Wefler, principal oboe & Kris Klavik, oboe)
BOARD OF DIRECTORS ADMINISTRATION Larissa Ennis, President Kelly Kuo, Artistic Director & Conductor Clarissa Parker, Vice President & Secretary Daren Fuster, Executive Director Craig Starr, Treasurer Darlene Mueller, Office & Marketing Manager Sarah Brown, Orchestra Representative Daniel Cho, Assistant Conductor Milton Fernández Nathan Lowman, Librarian David Guy Julia Frantz, Personnel Manager Jessica Price Rubi Yan, OMP Intern Hatsue Sato Paul Shang Interested in board service? Email [email protected] for more information. Oregon Mozart Players | 317 Goodpasture Island Rd, Ste A, Eugene, OR 97401 | 541-345-6658 | oregonmozartplayers.org Kelly Kuo Artistic Director & Conductor
Praised by the Cincinnati Enquirer as “a leader of exceptional musical gifts, who has a clear technique on the podium and an impressive rapport with audiences,” Maestro Kelly Kuo brings a dynamic versatility and nuance to a diverse repertoire, which includes over 90 operas and an expansive symphonic repertoire as well. Recent operatic engagements include Lyric Opera of Chicago, Seattle Opera, Cincinnati Opera, Indianapolis Opera, Kentucky Opera, Anchorage Opera, and the Janiec Opera Company of the Brevard Music Center. In 2008, Maestro Kuo became the first conductor of Asian descent to lead a performance at the Lyric Opera of Chicago, making his company debut with Porgy and Bess. He has since returned to lead the Chicago premiere of Charlie Parker’s Yardbird and performances featuring artists of the Ryan Opera Center.
Upcoming engagements include company debuts with Carmen for Opera Orlando, Don Giovanni for Opera Columbus, and concerts with the Reno Chamber Orchestra and Sunriver Music Festival. Regarding Maestro Kuo’s conducting of Charlie Parker’s Yardbird for the Lyric Opera of Chicago and Seattle Opera, the Chicago Sun Times stated, “Conductor Kelly Kuo and his small but superb orchestra are a seamless match for the singers,” and Bachtrack wrote, “Debuting conductor Kelly Kuo skillfully handled the well- selected 24-piece ensemble in the enormously complex score.” Of his production of Macbeth at Anchorage Opera, the Anchorage Daily news noted, “Top honors should probably go to conductor Kelly Kuo. The sound… was full and taut as Kuo brought out the drama and lyricism. The orchestra played with robust enthusiasm and accuracy.” And of his La traviata for Kentucky Opera, critics stated, “Conductor Kelly Kuo led the Louisville Orchestra Friday with considerable verve, and no shortage of idiomatic delicacy…the sound was balanced and quite full.” Maestro Kuo also led critically praised new productions of Philip Glass’ Galileo Galilei for both Madison Opera and Cincinnati Opera and has served as Music Director and Conductor of the Butler Opera Center at The University of Texas at Austin and on the conducting staff of Santa Fe Opera. World premieres conducted by Maestro Kuo include chamber orchestrations for Jake Heggie’s At the Statue of Venus and Daniel Catán’s La hija de Rappaccini, in addition to the premiere of Daron Hagen’s A Woman in Morocco.
As Artistic Director of Oregon Mozart Players, Maestro Kuo recently extended his contract through 2024, having “transformed this chamber group into...a band of professional, enthusiastic, and superior musicians, playing confidently as one unit” (The Register Guard). Recent symphonic engagements have included concerts with Memphis Symphony Orchestra, Malta Philharmonic Orchestra, Indianapolis Chamber Orchestra, Lexington Philharmonic, and Ballet Fantastique. Maestro Kuo also curated and conducted the Cincinnati Chamber Orchestra’s inaugural Summermusik festival as Interim Music Director. Maestro Kuo has collaborated with such soloists as Cho-Liang Lin, Mark Kosower, David Shifrin, Mary Dunleavy, Bion Tsang, Anton Nel, Bella Hristova, Inbal Segev, and Elizabeth Rowe.
An Oregon native and recipient of a Solti Foundation U.S. Career Assistant Award for young conductors, Kuo continues to concertize as a keyboardist as the only pianist to have studied with two pupils of the Russian virtuoso Vladimir Horowitz. He is the resident pianist for the Zenith Chamber Music Festival and regularly performs recitals with the Kasarah Trio. Maestro Kuo holds a master’s degree in piano performance from the Manhattan School of Music and is an alumnus of the Houston Grand Opera Studio. N O Ë L A VIRTUAL Holiday Concert Saturday, December 19, 2020 7:30 PM | Central Presbyterian Church Kelly Kuo, conductor Calm and Bright* Franz Xaver Gruber (1787-1863) arr. Katie O'Hara LaBrie
Concerto Grosso in G minor, Op. 6, No. 8, Arcangelo Corelli “Christmas Concerto” (1653-1713) I. Vivace, 34 – Grave. Arcate, sostenuto e come stà, 42 II. Allegro III. Adagio - Allegro - Adagio IV. Vivace V. Allegro VI. Largo. Pastorale ad libitum
Serenade in G Major, K. 525, "Eine kleine Wolfgang Amadeus Mozart Nachtmusik" (1756-1791) I. Allegro II. Romanze: Andante III. Menuetto: Allegretto IV. Rondo: Allegro
Weihnachtsmusik* Arnold Schönberg (1874-1951)
Fantasia on Christmas Carols* Ralph Vaughan Williams (1872-1958) arr. Todd Parrish
Mozart in the Jingle Bells* James Lord Pierpont (1822-1893) arr. Stefanie Fife Program Notes NOËL - December 19, 2020
Gruber: Calm and Bright (1818/2020) Program Notes by Gavin Borchert he traditional legend about the beloved carol “Silent Night” seems to be true: On T Christmas Eve 1818, Joseph Mohr, a Catholic priest, asked Gruber, a schoolteacher and church musician in the (then and still today) tiny Austrian town of Arnsdorf, to set to music his six-stanza poem about the Nativity. Since the church organ was undergoing repair, Gruber wrote this simple tune with only a guitar accompaniment for that night’s candlelight Mass. This richly harmonized version of the carol is by LaBrie, orchestral director at Luther Jackson Middle School in Falls Church, VA.
Correlli: Concerto Grosso in G minor, Op. 6, No. 8, “Christmas Concerto” (publ. 1714) Program Notes by Gavin Borchert lmost all Corelli’s rather small output of music was published, or readied for publication, A during his lifetime, in six neat packages. The problems of discovering, editing, dating, and numbering manuscripts that make Baroque musicology so thrilling are thus reduced. Though the precise composition date for each piece within an opus number may never be known, the opuses themselves are easily enumerated: Op. 1 Twelve trio sonatas (publ. 1681) Op. 2 Twelve trio sonatas (1685) Op. 3 Twelve trio sonatas (1689) Op. 4 Twelve trio sonatas (1694) Op. 5 Twelve violin sonatas (1700) Op. 6 Twelve concerti grossi (1714) Though Corelli’s dedicatory preface for Op. 6 is dated Dec. 3, 1712, a year and a half passed between it and the appearance of the first edition in 1714, after Corelli’s death. The composer Georg Muffat visited Rome in 1682, and reported hearing some orchestral music by Corelli at that time, so some of the concerti grossi may be at least that old; perhaps a feeling that he was nearing the end of his life led Corelli to gather the fruits of more than 30 years of orchestral composition and finally present them to the public.
A concerto grosso is a work that sets off a small group of soloists, almost always two violins and a cello, against a larger string orchestra, called the ripieno. Corelli suggests that these concerti could also be performed as chamber works by the three soloists alone. (Odd, to imagine a composer today writing a concerto in which the orchestra was optional!) At the other size extreme, it is known that Corelli conducted an orchestra of 150 strings at a Papal festival in 1687; a Christmas Mass, for which this G minor concerto was written, was also the sort of special event for which such a large ensemble might have been amassed.
In their orchestral music for Christmas services, Italian baroque composers liked to imitate the bagpipes played by shepherds at the Nativity through the use of drone basses and gentle tempos. In addition to Corelli, Vivaldi, Torelli, Manfredini, and many other composers left examples, and of course Handel drew on this custom for the “Pastoral Symphony'' in his Messiah. Program Notes NOËL - December 19, 2020
Mozart: Serenade in G Major, K. 525, "Eine kleine Nachtmusik" (1787) Program Notes by Gavin Borchert n the summer of 1787, Mozart took time out from his work on the opera Don Giovanni to I compose two substantial, and somewhat mysterious, instrumental works: first, the delicious A Musical Joke, his parody of the fifth-rate composers of his time (completed on June 14) ; then, almost as if to atone for the deliberate banality and clumsiness of his satire, the pure and pristine Eine kleine Nachtmusik (August 10). It remains unknown for what occasion these works were written, or even if Mozart ever heard them performed at all. The Musical Joke may certainly have been a private compositional diversion; but the serenade, or Nachtmusik, of which Eine kleine Nachtmusik is Mozart’s final example, is a species of occasional music, designed for practical use and specific events—it’s near-unthinkable that Mozart would have written a serenade just for the heck of it. (Thus the standard colloquial English translation of the title, “A Little Night Music,” is a bit off; the meaning of the original German is something closer to “A Brief Serenade.” It’s also not quite clear whether Mozart intends this phrase as a literal title for the work, or simply as a description.) By marking the bass line “Violoncello e Basso,” it seems clear that Mozart intended this piece for orchestral performance, but it works just as nicely for string quartet. The manuscript of Eine kleine Nachtmusik was lost sometime after its initial publication in 1827, but recovered in 1955; it bore clear evidence of a fifth movement having been torn out, another minuet between the opening Allegro and the Andante. Also, Mozart, in his self- compiled catalog of his works, mentions five movements.
Want to see more OMP online?
Oregon Mozart Players are committed to providing members of the Eugene-Springfield community and patrons across the state of Oregon with outstanding performances and programming throughout the duration of the pandemic.
Be the first to know about the virtual premiere dates for future 2020-21 season events by subscribing to our email list at oregonmozartplayers.org or following OMP on social media: Program Notes NOËL - December 19, 2020
Schönberg: Weihnachtsmusik (1921) Program Notes by Gavin Borchert hough born Jewish, Schoenberg converted to Lutheranism in 1898, but re-identified T with Judaism in 1933—not coincidentally as the rise of the Third Reich threatened his safety and he made plans to move to America. But during his, so to speak, Christian period, he wrote this brief and ravishing meditation on two carols, presumably for himself (a cellist) and friends and family to play, which explains the curious instrumentation: two violins, cello, piano, and harmonium (a small domestic organ with foot-pumped bellows). Ecumenically it combines one 16th-century Protestant hymn and one 18th-century Catholic one: “Es ist ein Ros entsprungen'' (in English: “Lo, how a rose e’er blooming”) makes up the bulk of the piece and “Silent night” steals in on the piano about halfway through.
Vaughan Williams: Fantasia on Christmas Carols (1912) Program Notes by Gavin Borchert arvesting fruit from his travels in the English countryside gathering tunes with H notebook and recording equipment with his fellow folk-music enthusiast Cecil Sharp, Vaughan Williams chose three beautiful but less-familiar carols for this Fantasia: “The Truth Sent From Above,” “Come All You Worthy Gentlemen,” and the “Sussex Carol” (“On Christmas Night All Christians Sing”). (It’s one of several Christmas pieces by the composer, including a ballet, On Christmas Night, loosely based on Dickens’ “A Christmas Carol.”) His first version, dedicated to Sharp, was written in 1912 for baritone solo, choir, and orchestra, but, for maximum accessibility, he rearranged the orchestra part for strings and organ and for organ (or piano) alone. This shortened version, preserving the lovely opening cello solo and Vaughan Williams’ rich harmonies, is by Florida conductor/composer Todd Parrish. (Leopold Stokowski made his own abridgement for strings in 1943 for a holiday concert with the NBC Symphony Orchestra, but the score and parts have gone missing.)
Pierpont/Mozart: Mozart in the Jingle Bells Program Notes by Gavin Borchert orn in Boston, the peripatetic James Lord Pierpont (1822-93) sought adventure as a B Forty-Niner during the California Gold Rush, stability as a music teacher and church organist in Georgia, and heroism as a Confederate soldier, all the while writing popular songs—most enduringly, “Jingle Bells” in 1857. (Other titles of Pierpont’s include “The Colored Coquette,” “The Know Nothing Polka,” and—poignantly, considering his later obscurity—”Oh! Let Me Not Neglected Die!”) When cellist (on dozens of albums and film soundtracks), composer, and arranger Stefanie Fife figured out that his Christmas classic harmonized with fragments of Eine kleine Nachtmusik and the overture to The Marriage of Figaro, she confected this brief and witty tidbit for strings. (Her other holiday mashups include combinations of “Bring a Torch, Jeannette, Isabella” with Bach’s Brandenburg Concerto no. 4 and “O Come All Ye Faithful” with Schubert’s “Trout” Quintet.) Sponsors/Contributors As of January 18, 2021 at 11:59 PM PST
Platinum Baton Associates ($10,000+) Concertmaster's Circle (cont'd) David Guy Frederick Maurer The Oregon Community Foundation Darlene Mueller & Gordon Adam Chris & Rosie Pryor Gold Baton Associates ($5,000-$9,999+) Scott Ricker & Mary Gleason-Ricker Eugene & Judy Kuo Craig Starr & Sandy Scheetz Silver Baton Associates ($2,000-$4,999+) Artist's Circle ($250-$499) Anonymous Friend Abbelone Vineyard & Winery Diana Gardener Karen Artiaco & Jack Hart Sylvia Giustina William & Cheryl Baugh Deborah & Jeffrey Ogburn Sara & Jonathan Brandt Theodore W. & Laramie Palmer Jack & Toni Brown Peter Rodda Barbara A. Cookson Cathie & Ray Staton Lawrence & Ellen Crumb Sandy Whitaker Debra Dean Charles & Leslie Wright Dianne Dugaw & Amanda Powell Peter & Josephine von Hippel Faulk-Skellcerf Charitable Fund Lynn Frohnmayer Bronze Baton Associates ($1,000-$1,999+) Elizabeth & Roger Hall Peter & Nancy Carlson Emma Hartman Polly & Brian Caughey Joanne & Phil Hartwig Edwin E. & June E. Cone Fund Monica Careaga Houck of Oregon Community Foundation David Kolb & Anne Niemiec Richard Cone Dorothy E. Kujawa John & Linda Cummens Kelly Kuo Brian & Nancy Davies Gary LeClair & Janice Friend W. Mark & Anne Dean Katherine Moyer Larissa Ennis & Lindsay Braun Jeff & Rosemarie Ostler Karen & Tom Fincel Harold & Joyce Owen Daren Fuster David & Paula Pottinger Virginia Hurwitz Elizabeth & Klaus Putjenter Richard Koch Bernard Robe & Diane Hawley Larson Family Foundation Sandy’s Bakeshop Kitchen Jeffrey Morey & Gail Harris Paul Shang & Laura Macagno-Shang Dick Romm & Norm Purdy Cari Lyn & Happy Stanton James & Paula Salerno Virginia Starling Glen Gibbons & Eliza Schmidkunz Linda & John van Peenen Molly & Jonathan Stafford Janice & James Ward Richard H. Tromel Sandra Weingarten Lucy K. Vinis Steve & Elaine Webster Partner ($100-$249) Marguerite Zolman Alesong Brewing & Blending Dennis & Mary Arendt Concertmaster's Circle ($500-$999) Sandra Austin Dorothy Anderson Barbara & Robert Blue Richard & Margaret Essenberg Howard Bonnett & Judith Horstmann Virginia Fifield Joanna Branvold Anonymous Friend Leonard & Janet Calvert Margaret Gontrum Gary & Carole Chenkin Robert & Deborah Heaton Robert & Laoni Davis Sponsors/Contributors (continued)
Partner (cont'd) Partner (cont'd) Hannah E. Dean Richard Weick Laura Fallon-Burns Susan & Wayne Weidmann David & Ann Fidanque Noreen Franz-Hovis Patron (up to $100) Beate Galda Deborah Ackley Clayton Gautier & Gail Baker Laura Akers Paula Gordinier & Thomas Kreider Eric Alterman Monica Haaland Robert Ashens John Hannah & Mary Brooner Susan Ashton Marcia Harlacher Robert Baechtold Ron & Cecelia Head Maya Balenz Daphne Heater Robert Barber Lynne Hellesvig Peter Bartel & Debbie Steinman Donald & Linda Hirst Jennifer Barwood Roger & Susan Irvin Erika Beernink John Jantzi & Matthias Vogel Amanda Bird Anita Klock Sharon Blanchard Judith Knight George Blankenship Christine Kreger Janice Blumer Hue Ping Lin Bernard & Ginger Bopp Teresa Lin Thomas Boyd & Joan Rawlings-Boyd Lewis Luchs Katherine Bragg Dennis & Lerice Martin Katherine Bremser Pamela McClure-Johnston Gary Bricher Bill & Maxine McWhorter Pamela Brills & Christina Wesely Sandy & Nancy Naishtat Douglas Brown Gail Nichols Sarah Brown Charlotte Phillips Andrew Brtis & Sarah Quigley Lesley-Anne Pittard Ronald & Mary Carver Helmut Plant Kam Chan Michael & Judy Ponichtera Jeanne Clarke Milt & Carole Quam Sally Claycomb Mark Ratzlaff Robin Cochran Nancy Raymond Douglas Cone Diane Retallack Linn Cooper Edie Roberts Larry Coxe Linda & Thomas Roe Laurie Cracraft Hatsue Sato Charles Cunningham Margaret & Scott Savoian Claire D’Antoni Ernst Schwintzer Janice D’Emidio Charles Spray Susan Daniell Neal & Angela Sundquist Curtis Danielson Ronald & Pamela Swisher Mark Davis James & Marilyn Tandrow Emily Dayton Marianne Taylor Jerry deLeon John Koenig & Deborah Toobert Sarah Douglas & Marie Vitulli Jean Q. Tuesday Peter Dragovich William Waddel Denise Driscoll Frank Wagner Ruth Duemler Sponsors/Contributors (continued)
Patron (cont'd) Patron (cont'd) Karen Dye Lindsey McCarthy Eugene & Barbara Emge Sarah McCoy Susan Evans Inman Paul McHerman MaryClare Feighan & Jude McKay Murray McLeod Merideth Ferrell Brian & Patricia McMurray Karen Fiedler Terry & Ellen McQuilkin Thomas Fischer Gary Macy & Saralynn Ferrara Kelly Fitzpatrick Melita Marshall David Fountain Robert Maurer Donald & Margaret Fowles Mary May Paul Frantz Ellsworth & Carolyn Mayer Eric Fullar Ben Meigs Tammy Goen Mary Miller Audrey A. Graham Nancy Mills Cara Haakanson Jim & Kim Mitch Stan Hall Kim Moore Ezma Hanschka Margie Myska & Steve Christiansen Retta Harvey Shirley Nebergall Marilyn & Andrew Hays Gregory Nelson Catherine Heising Walter Nelson Carol Herman Kate Noah Jennifer Hermann Linda Nordstrom Richard & Julie Hess BJ Novitski Mary Holmes Kimberly & Daniel O’Connor Kathie Hsieh Ahavah Oblak Wally Hsueh KM Osborn Alicia Hui Patty Osborne Andrea & Frank Humpert Jill Overley Amy Humphrey Elke Overstake Meagan Iverson Betsy Ovitt Janis Jacobson Carole Page Barbara & Tim Jenkins Clarissa Parker & Colin Reilly Connie Johanson Brett Parsons Delaney Johnson Betsy Patton Richard Jordan Catherine & Neil Patton William Kennedy Cora Payne Fred Kinyon Rebecca Peppas Deborah Lang Charlotte Peterson Eric & Kathy Lieberman Barbara Pietz Helen Liguori Ann Porterfield Jan Lintz Sharon Poticha Lynette Long Justin Pressman Frederick & Norma Luebke Rod Price Yvonne Lyles Mathew Quilter Linda McCarthy Sonja Rasmussen Sponsors/Contributors (continued)
Patron (cont'd) Patron (cont'd) Lindley Ray Larry Sullivan & Marianne Oakes Richard & Janet Reed Brenda Teel Jill Robertson Anne Teeling Eva Safar Stuart Thomas Linda & Martin Sage Darlene Thomasec Arlen Salthouse Clyde Thompson Stephanie & Douglas Sears Harold & Janet Titus Martina & Greg Shabram Wyatt True Georgette Silber Elinor P. Tucker Donna Snyder Meg Voedisch Thelma Soderquist Cheryl Wefler Dave & Dorothy Soper Robin Wellwood Gabriella Soraci Denise Wendt Franz St George Ingrid Wendt Roger Staver Karen Wiant Suzi Steffen Linda Wirrick-Coad Robert Stein Elizabeth Yocom Kathleen Stubbert
IN MEMORIAM & RECOGNITION GIFTS
In Honor of Alice Blankenship-Anderson | Faulk-Skellcerf Charitable Fund In Honor of Charley Wright’s Contributions to OMP | Sandy’s Bakeshop Kitchen In Honor of Rita Childs | Laura Akers In Honor of Kelly Kuo | Hue Ping Lin In Honor of Theodore W. Palmer | Charlotte Phillips In Honor of Theodore W. Palmer | Elinor P. Tucker In Honor of Neil Patton | Robin Wellwood In Honor & In Memory of Robert Hurwitz | Harold Owen In Memory of Robert I. Hurwitz | Virginia Hurwitz In Memory of Ed & June Cone | Douglas Cone In Memory of Carolyn Connor | Suzi Steffen In Memory of Mary Fountain | Virginia Fifield In Memory of Jerry L. Inman | Susan Evans Inman In Memory of Darrell McKee | Peter Dragovich In Memory of Truman Moyer | Katherine Moyer In Memory of Peter W. Roberts | Edie Roberts In Memory of William Starling | Virginia Starling In Memory of Maria Storment | Barbara & Robert Blue In Memory of Charles S. Tuesday | Jean Q. Tuesday In Memory of Jean Weick | Richard Weick
IS YOUR ENTRY INCORRECT OR MISSING? Please email Darlene at [email protected] or call the office at (541) 345- 6648 and we will update your acknowledgement. RESPOND RECOVER REBUILD
The show must go on. And it will, despite all the hardship our communities across Oregon have faced this year. We’ve seen unprecedented generosity from donors and we’re getting those funds out to nonpro ts at record speed. But we’ve still got a long ways to go. We’re all in this together, Oregon. Let’s continue to take care of each other.
VISIT OREGONCF.ORG READ IMPACT STORIES TOGETHER BECOME A DONOR
OREGONCF.ORG