The Lion's Roar
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Joshua Bynum, Trombone Anatoly Sheludyakov, Piano Joshua Bynum
Presents a Presents a Faculty Recital Faculty Recital Joshua Bynum, trombone Joshua Bynum, trombone Anatoly Sheludyakov, piano Anatoly Sheludyakov, piano October 16, 2019 6:00 pm, Edge Recital Hall October 16, 2019 6:00 pm, Edge Recital Hall Radiant Spheres David Biedenbender Radiant Spheres David Biedenbender I. Fluttering, Fast, Precise (b. 1984) I. Fluttering, Fast, Precise (b. 1984) II. for me, time moves both more slowly and more quickly II. for me, time moves both more slowly and more quickly III. Radiant Spheres III. Radiant Spheres Someone to Watch Over Me George Gershwin Someone to Watch Over Me George Gershwin (1898-1937) (1898-1937) Arr. Joseph Turrin Arr. Joseph Turrin Simple Song Leonard Bernstein Simple Song Leonard Bernstein (1918-1990) (1918-1990) Zion’s Walls Aaron Copland Zion’s Walls Aaron Copland (1900-1990) (1900-1990) -intermission- -intermission- I Was Like Wow! JacobTV I Was Like Wow! JacobTV (b. 1951) (b. 1951) Red Sky Anthony Barfield Red Sky Anthony Barfield (b. 1981) (b. 1981) **Out of respect for the performer, please silence all electronic devices throughout the performance. **Out of respect for the performer, please silence all electronic devices throughout the performance. Thank you for your cooperation. Thank you for your cooperation. ** For information on upcoming concerts, please see our website: music.uga.edu. Join ** For information on upcoming concerts, please see our website: music.uga.edu. Join our mailing list to receive information on all concerts and our mailing list to receive information on all concerts and recitals, music.uga.edu/enewsletter recitals, music.uga.edu/enewsletter Dr. Joshua Bynum is Associate Professor of Trombone at the University of Georgia and trombonist Dr. -
Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker. -
Working List of Repertoire for Tenor Trombone Solo and Bass Trombone Solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers
Working List of Repertoire for tenor trombone solo and bass trombone solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers Working list v.2.4 ~ May 30, 2021 Prepared by Douglas Yeo, Guest Lecturer of Trombone Wheaton College Conservatory of Music Armerding Center for Music and the Arts www.wheaton.edu/conservatory 520 E. Kenilworth Avenue Wheaton, IL 60187 Email: [email protected] www.wheaton.edu/academics/faculty/douglas-yeo Works by People of Color/People of the Global Majority (POC/PGM) Composers: Tenor trombone • Amis, Kenneth Preludes 1–5 (with piano) www.kennethamis.com • Barfield, Anthony Meditations of Sound and Light (with piano) Red Sky (with piano/band) Soliloquy (with trombone quartet) www.anthonybarfield.com 1 • Baker, David Concert Piece (with string orchestra) - Lauren Keiser Publishing • Chavez, Carlos Concerto (with orchestra) - G. Schirmer • Coleridge-Taylor, Samuel (arr. Ralph Sauer) Gypsy Song & Dance (with piano) www.cherryclassics.com • DaCosta, Noel Four Preludes (with piano) Street Calls (unaccompanied) • Davis, Nathaniel Cleophas (arr. Aaron Hettinga) Oh Slip It Man (with piano) Mr. Trombonology (with piano) Miss Trombonism (with piano) Master Trombone (with piano) Trombone Francais (with piano) www.cherryclassics.com • John Duncan Concerto (with orchestra) Divertimento (with string quartet) Three Proclamations (with string quartet) library.umkc.edu/archival-collections/duncan • Hailstork, Adolphus Cunningham John Henry’s Big (Man vs. Machine) (with piano) - Theodore Presser • Hong, Sungji Feromenis pnois (unaccompanied) • Lam, Bun-Ching Three Easy Pieces (with electronics) • Lastres, Doris Magaly Ruiz Cuasi Danzón (with piano) Tres Piezas (with piano) • Ma, Youdao Fantasia on a Theme of Yada Meyrien (with piano/orchestra) - Jinan University Press (ISBN 9787566829207) • McCeary, Richard Deming Jr. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Portable Digital Musical Instruments 2009 — 2010
PORTABLE DIGITAL MUSICAL INSTRUMENTS 2009 — 2010 music.yamaha.com/homekeyboard For details please contact: This document is printed with soy ink. Printed in Japan How far do you want What kind of music What are your Got rhythm? to go with your music? do you want to play? creative inclinations? Recommended Recommended Recommended Recommended Tyros3 PSR-OR700 NP-30 PSR-E323 EZ-200 DD-65 PSR-S910 PSR-S550B YPG series PSR-E223 PSR-S710 PSR-E413 Pages 4-7 Pages 8-11 Pages 12-13 Page 14 The sky's the limit. Our Digital Workstations are jam-packed If the piano is your thing, Yamaha has a range of compact We've got Digital Keyboards of all types to help players of every If drums and percussion are your strong forte, our Digital with advanced features, exceptionally realistic sounds and piano-oriented instruments that have amazingly realistic stripe achieve their full potential. Whether you're just starting Percussion unit gives you exceptionally dynamic and expressive performance functions that give you the power sound and wonderfully expressive playability–just like having out or are an experienced expert, our instrument lineup realistic sounds, letting you pound out your own beats–in to create, arrange and perform in any style or situation. a real piano in your house, with a fraction of the space. provides just what you need to get your creative juices flowing. live performance, in rehearsal or in recording. 2 3 Yamaha’s Premier Music Workstation – Unsurpassed Quality, Features and Performance Ultimate Realism Limitless Creative Potential Interactive -
Vol LI Issue 1
page 2 the paper january 31, 2018 Marc Molinaro, pg. 3 Hygge, pg. 9 Oscars, pg. 15 F & L, pg. 21-22 Earwax, pg. 23 the paper “Favorite U.S. President Based on Looks” c/o Office of Student Involvement Editors-in-Chief Fordham University Colleen “Barack Obama” Burns Bronx, NY 10458 Claire “John Tyler” Nunez [email protected] Executive Editor http://fupaper.blog/ Michael Jack “Lyndon Baines Johnson” O’Brien News Editors the paper is Fordham’s journal of news, analysis, comment and review. Students from all Christian “Theodore Roosevelt” Decker years and disciplines get together biweekly to produce a printed version of the paper using Andrew “Rutherford B. Hayes” Millman Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Opinions Editors Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Jack “Millard Fillmore” Archambault ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Hillary “Franklin Daddy Roosevelt” Bosch students are always considered and usually published. Our staff is more than willing to help new writers develop their own unique voices and figure out how to most effectively convey their Arts Editors thoughts and ideas. We do not assign topics to our writers either. The process is as follows: Meredith “Spiro Agnew” McLaughlin have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Annie “Dead White Guy” Muscat the article, work on edits with us, and then get published! We are happy to work with anyone Earwax Editor who is interested, so if you have any questions, comments or concerns please shoot us an e- Marty “Andrew Jackson” Gatto mail or come to our next meeting. -
Anger Into Action
A&E Opinion Sports "I, Tonya" is a dark comedy CLIMATE CHANGE: Spartans Basketball update: about a fi gure skater who was A 2018 NASA article stated that Earth’s surface Women have 4 of their 6 accused of hiring “hit” men to temperature in 2017 was the second warmest wins at home this season. sabotage a competitor. it's been since 1880. Men 0-7 in conference play. Page 5 Page 6 Page 8 SPARTANServing the San Jose State University community DAILY since 1934 Volume 150, No. 1 Wednesday, January 24, 2018 sjsunews.com/spartan_daily OBITUARY BELOVED PROFESSOR DIES BY NOE MAGANA “She loved to help “I’m very sad because I have known her COPY EDITOR since 1984,” Yen said. “We were graduate people, students, students together [at] the University of Illinois, Urbana-Champaign.” Kathleen Sullivan, professor of hospitality, faculty. She inspired One of the classes she taught was “HSPM tourism and event management, died at so many people.” 149,” otherwise known as beer appreciation. approximately 8 a.m. Tuesday morning. Students learned about a beer’s origins, Her son Spencer Sauke confirmed with history and brewing process, according to a TSU-HONG YEN hospitality, tourism and event management Spartan Daily profile of the class in 2014. Department Chair of Hospitality, Tourism, and department chair Tsu-Hong Yen that she died “I think I was assigned to this because Event Management due to complications from a heart attack she I’m Irish,” Sullivan said in the article. suffered on Dec. 14. Sullivan was also an internship She was 65 years old and had been a members from the department. -
FRENCH CONNECTIONS with Avery Gagliano, Piano
FRENCH CONNECTIONS with Avery Gagliano, piano February 13, 2021 | 7:30 PM Welcome to OMP's Virtual Concert Hall! Bonjour et bienvenue! Thank you to our loyal donors and season subscribers for your continued support, and a warm welcome to those who are joining us in our "Virtual Concert Hall" for the first time. Your contributions have made it possible for OMP to present our third virtual chamber orchestra performance in HD audio and video! We hope you enjoy this programme musical français featuring First Prize and Best Concerto Prize winner of the 2020 10th National Chopin Piano Competition Avery Gagliano! THANK YOU TO THESE GENEROUS GRANTING ORGANIZATIONS: Get the PremiumExperience! Level A Subscription Seat Access to Virtual Premium Special Concerts and additional OMP content or concerts. Receive "Kelly's Recommendation" in headphones: Bose® SoundLink around-ear headphones II with contactless shipping Select a personally autographed CD or DVD of "A Virtual Recital", featuring 2015 Young Soloist Competition Winner John Fawcett, violin and Kelly Kuo, piano. Complimentary, contactless wine delivery upon virtual reception advanced reservation Current 2020-21 Subscribers can use the amount of their tickets as a credit toward their purchase of an OMP Premium Experience Package! Give the gift of with OMP and Bose at oregonmomzaurstipclayers.org/tickets Orchestra Kelly Kuo, Artistic Director & Conductor VIOLIN Jenny Estrin, acting concertmaster Yvonne Hsueh, principal 2nd violin Stephen Chong Della Davies Sponsored by Nancy & Brian Davies Julia Frantz Sponsored by James & Paula Salerno Nathan Lowman Claudia Miller Sponsored by Jeffrey Morey & Gail Harris Sophie Therrell Sponsored by W. Mark & Anne Dean Alwyn Wright* VIOLA Arnaud Ghillebaert principal viola Lauren Elledge Kimberly Uwate* CELLO Dale Bradley acting principal cello Sponsored by Larissa Ennis & Lindsay Braun Eric Alterman Noah Seitz BASS Nicholas Burton, principal bass HARPSICHORD/PIANO Thank you to our additional musician sponsors: John Jantzi, Theodore W. -
February 2018
Southside High School Newsletter February 2018 1 TABLE OF CONTENTS Announcements 3 Student Life 4 News 6 Entertainment 9 2 Tiger Times General Announcements February 18, 2018 By: Nabeeha Khan ● Spirit Week from January 29th- February 3rd ○ Monday: ○ Tuesday: Jersey Day ○ Wednesday: Superhero vs. Villians ○ Thursday: Throwback ○ Friday: Black-Out ● February 3rd: SHS Basketball vs Emerald ● February 3rd: Speech and Debate Tournament at Southside ● February 6th: SHS Basketball at Carolina ● February 9th-11th: State Beta Convention ● February 17th: Academic Team Tournament at Southside ● February 26th: Boys Soccer vs Travelers Rest ● February 27th: Girls Soccer at Greer 3 Tiger Times Student Life January 18, 2018 By: Nabeeha Khan A Beta Than Average Weekend After months of intensive fundraising, preparation, and exciting countdowns, Southside High Beta Club members finally went to the 2018 SC Beta Convention at Myrtle Beach -- and won some top prizes while there. Beta Club is a national society that promotes the ideals of academic achievement, character, service and leadership among elementary and secondary school students. The motto is: “Let us lead by serving others.” At the three-day long convention, students participated in various activities ranging from math competitions to scrapbook decoration contests. For the first time in history, Southside earned the Gold Key Growth award for having greater than 10 percent growth in Beta Convention attendance than the previous year. Students also did splendidly--sophomore Inaya Ebrahim won -
A Brief History of Piano Action Mechanisms*
Advances in Historical Studies, 2020, 9, 312-329 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 A Brief History of Piano Action Mechanisms* Matteo Russo, Jose A. Robles-Linares Faculty of Engineering, University of Nottingham, Nottingham, UK How to cite this paper: Russo, M., & Ro- Abstract bles-Linares, J. A. (2020). A Brief History of Piano Action Mechanisms. Advances in His- The action mechanism of keyboard musical instruments with strings, such as torical Studies, 9, 312-329. pianos, transforms the motion of a depressed key into hammer swing or jack https://doi.org/10.4236/ahs.2020.95024 lift, which generates sound by striking the string of the instrument. The me- Received: October 30, 2020 chanical design of the key action influences many characteristics of the musi- Accepted: December 5, 2020 cal instrument, such as keyboard responsiveness, heaviness, or lightness, which Published: December 8, 2020 are critical playability parameters that can “make or break” an instrument for a pianist. Furthermore, the color of the sound, as well as its volume, given by Copyright © 2020 by author(s) and Scientific Research Publishing Inc. the shape and amplitude of the sound wave respectively, are both influenced This work is licensed under the Creative by the key action. The importance of these mechanisms is highlighted by Commons Attribution International centuries of studies and efforts to improve them, from the simple rigid lever License (CC BY 4.0). mechanism of 14th-century clavichords to the modern key action that can be http://creativecommons.org/licenses/by/4.0/ found in concert grand pianos, with dozens of bodies and compliant elements. -
The Broadway Musical
HESSTON COLLEGE THEATRE PRESENTS The Broadway Musical Director - Laura Kraybill Music Director - Matt Schloneger Book - Allan Knee Lyrics - Mindi Dickstein Based on the novel by Louisa May Alcott Music - Jason Howland Little Women The Broadway Musical Book by Music by Lyrics by Allan Knee Jason Howland Mindi Dickstein Based on the novel by Louisa May Alcott LITTLE WOMEN Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. CAST Jo March................................................................................. Taylor Zehr Professor Bhaer..........................................................Galed Krisjayanta Amy March............................................................................. Emma Roth Meg March................................................................... Meredith Spicher Beth March.............................................................................. Eleya Raim Marmee March.................................................................... Anna Martin Mr. Laurence......................................................................... Micah Raber Laurie Laurence.............................................................. Nathan Patron Aunt March...................................................................... Abbie -
Piano Proficiency
PIANO PROFICIENCY All music majors, except those with a keyboard major, must pass a piano proficiency examination demonstrating functional use of the piano. Students with a primary applied area in keyboard will not take the piano proficiency but will cover functional piano material in their course of primary applied study. Before being recommended for student teaching or attempting the senior recital hearing, every non-keyboard major must pass the piano proficiency. This examination should be completed by the end of the fourth semester of enrollment in secondary piano class (MU262). It must be attempted each semester thereafter until passed. Enrollment in secondary piano class is necessary each semester until the piano proficiency requirement is completed. Students who pass the piano proficiency exam before completing four hours of secondary class piano may take the remaining credit hours in either piano or organ. Students enrolled in secondary piano classes may pass portions of the piano proficiency material. In order to attempt a portion of the proficiency material in jury before the final semester, the student must attempt at least three (3) sections of the exam. The student will only be allowed to attempt a portion of the proficiency exam with the permission of the class piano instructor. Students who complete the prepared literature portion of the exam will be expected to continue preparing literature pieces in subsequent secondary piano classes. The MU262 Final Exam is the Piano Proficiency. It is a jury exam and is held during final exam week. It must be passed completely in this fourth semester in order to receive a passing grade for the semester.