Joshua Bynum, Trombone Anatoly Sheludyakov, Piano Joshua Bynum

Total Page:16

File Type:pdf, Size:1020Kb

Joshua Bynum, Trombone Anatoly Sheludyakov, Piano Joshua Bynum Presents a Presents a Faculty Recital Faculty Recital Joshua Bynum, trombone Joshua Bynum, trombone Anatoly Sheludyakov, piano Anatoly Sheludyakov, piano October 16, 2019 6:00 pm, Edge Recital Hall October 16, 2019 6:00 pm, Edge Recital Hall Radiant Spheres David Biedenbender Radiant Spheres David Biedenbender I. Fluttering, Fast, Precise (b. 1984) I. Fluttering, Fast, Precise (b. 1984) II. for me, time moves both more slowly and more quickly II. for me, time moves both more slowly and more quickly III. Radiant Spheres III. Radiant Spheres Someone to Watch Over Me George Gershwin Someone to Watch Over Me George Gershwin (1898-1937) (1898-1937) Arr. Joseph Turrin Arr. Joseph Turrin Simple Song Leonard Bernstein Simple Song Leonard Bernstein (1918-1990) (1918-1990) Zion’s Walls Aaron Copland Zion’s Walls Aaron Copland (1900-1990) (1900-1990) -intermission- -intermission- I Was Like Wow! JacobTV I Was Like Wow! JacobTV (b. 1951) (b. 1951) Red Sky Anthony Barfield Red Sky Anthony Barfield (b. 1981) (b. 1981) **Out of respect for the performer, please silence all electronic devices throughout the performance. **Out of respect for the performer, please silence all electronic devices throughout the performance. Thank you for your cooperation. Thank you for your cooperation. ** For information on upcoming concerts, please see our website: music.uga.edu. Join ** For information on upcoming concerts, please see our website: music.uga.edu. Join our mailing list to receive information on all concerts and our mailing list to receive information on all concerts and recitals, music.uga.edu/enewsletter recitals, music.uga.edu/enewsletter Dr. Joshua Bynum is Associate Professor of Trombone at the University of Georgia and trombonist Dr. Joshua Bynum is Associate Professor of Trombone at the University of Georgia and trombonist with the Georgia Brass Quintet, and the MOD[ular] Contemporary Chamber Ensemble. He is a with the Georgia Brass Quintet, and the MOD[ular] Contemporary Chamber Ensemble. He is a founding member of Resonant Projection, a professional trombone quartet committed to expanding founding member of Resonant Projection, a professional trombone quartet committed to expanding the repertoire and advocating for chamber music as an essential ingredient in school curriculum. In the repertoire and advocating for chamber music as an essential ingredient in school curriculum. In the summers, Josh serves as trombone artist/faculty for the Sewanee Summer Music Festival. He the summers, Josh serves as trombone artist/faculty for the Sewanee Summer Music Festival. He has also been on summer faculty for the Festival of Vale Veneto, in the Rio Grande de Sul region of has also been on summer faculty for the Festival of Vale Veneto, in the Rio Grande de Sul region of Brazil. Brazil. Josh performs regularly as first-call substitute with the Atlanta Symphony Orchestra, including the Josh performs regularly as first-call substitute with the Atlanta Symphony Orchestra, including the entire 2015-16 season. He has recorded two releases with the ASO (Christopher Theofanidis: entire 2015-16 season. He has recorded two releases with the ASO (Christopher Theofanidis: Creation/Creator and Jonathan Leshnoff: Zohar). He also regularly performs with the Charleston Creation/Creator and Jonathan Leshnoff: Zohar). He also regularly performs with the Charleston Symphony Orchestra and the IRIS Orchestra. Symphony Orchestra and the IRIS Orchestra. Josh has given clinics and performances at the Eastern Trombone Workshop, International Josh has given clinics and performances at the Eastern Trombone Workshop, International Trombone Festival, Georgia Music Educators Association Conference, as well as for various Trombone Festival, Georgia Music Educators Association Conference, as well as for various workshops and universities across the country. He was a participant at the 2007 Alessi Seminar, and workshops and universities across the country. He was a participant at the 2007 Alessi Seminar, and has been an invited performer for the Washington Trombone Ensemble, ITF Cramer Professor’s has been an invited performer for the Washington Trombone Ensemble, ITF Cramer Professor’s Choir, as well as the Professor’s Choir for the Southeast Trombone Symposium. He was a featured Choir, as well as the Professor’s Choir for the Southeast Trombone Symposium. He was a featured artist for the 2017 International Trombone Festival – held at the University of Iowa. artist for the 2017 International Trombone Festival – held at the University of Iowa. Josh’s solo appearances with the various UGA Bands includes state premiere performances for John Josh’s solo appearances with the various UGA Bands includes state premiere performances for John Mackey's Harvest: Trombone Concerto (2010), as well as Dana Wilson's Trombone Concerto Mackey's Harvest: Trombone Concerto (2010), as well as Dana Wilson's Trombone Concerto (2017), both with the UGA Wind Ensemble. Recent solo engagements include performances of (2017), both with the UGA Wind Ensemble. Recent solo engagements include performances of George Walker’s Trombone Concerto with the UGA Symphony Orchestra and Launy Grøndahl’s George Walker’s Trombone Concerto with the UGA Symphony Orchestra and Launy Grøndahl’s Concerto for Trombone at the 2019 Sewanee Summer Music Festival. His solo CD Catalyst features Concerto for Trombone at the 2019 Sewanee Summer Music Festival. His solo CD Catalyst features previously unrecorded works for trombone, and is available through Potenza Music, iTunes, and previously unrecorded works for trombone, and is available through Potenza Music, iTunes, and Amazon. Amazon. Josh currently serves as the Journal Advertising Manager for the International Trombone Josh currently serves as the Journal Advertising Manager for the International Trombone Association, and is the editor for the ITA Journal Pedagogy Corner column. He is an Artist & Association, and is the editor for the ITA Journal Pedagogy Corner column. He is an Artist & Clinician for the Edwards Instrument Company. www.joshbynum.com Clinician for the Edwards Instrument Company. www.joshbynum.com A native of Moscow, Anatoly Sheludyakov graduated from the Gnesin's Musical Academy and A native of Moscow, Anatoly Sheludyakov graduated from the Gnesin's Musical Academy and completed doctoral studies there under professor Anatoly Vedernikov. He also graduated from the completed doctoral studies there under professor Anatoly Vedernikov. He also graduated from the Moscow Conservatory in the composition class of Tikhon khrennikov. His compositions include Moscow Conservatory in the composition class of Tikhon khrennikov. His compositions include Variations for Orchestra, Ostinato for Orchestra, Suite for Oboe and Piano, Suite for Violin and Variations for Orchestra, Ostinato for Orchestra, Suite for Oboe and Piano, Suite for Violin and Piano, the cantata Brotherhood Songs, Trombone Quartet, six vocal suites, and many other Piano, the cantata Brotherhood Songs, Trombone Quartet, six vocal suites, and many other compositions. compositions. Sheludyakov was winner of the 1977 Russian National Piano Competition and, in 1999, was Sheludyakov was winner of the 1977 Russian National Piano Competition and, in 1999, was awarded the name "Honored Artist of the Russian Federation." He has performed solo concerts with awarded the name "Honored Artist of the Russian Federation." He has performed solo concerts with orchestras, solo recitals, and chamber music in the most prestigious concert halls in Moscow, St. orchestras, solo recitals, and chamber music in the most prestigious concert halls in Moscow, St. Petersburg, and other major cities throughout Russia, Germany, France, Italy, China, Petersburg, and other major cities throughout Russia, Germany, France, Italy, China, Czechoslovakia, Yugoslavia, Australia and the USA. He has recorded twenty-five CDs of piano solo Czechoslovakia, Yugoslavia, Australia and the USA. He has recorded twenty-five CDs of piano solo and chamber music and has performed on Russian Television and Radio. His repertoire includes the and chamber music and has performed on Russian Television and Radio. His repertoire includes the major works for piano, piano and orchestra, and piano chamber music of the Baroque, Classical, major works for piano, piano and orchestra, and piano chamber music of the Baroque, Classical, Romantic, and Contemporary periods. Romantic, and Contemporary periods. Prior to his UGA appointment, Sheludyakov was assistant professor of piano at the Gnesin Institute Prior to his UGA appointment, Sheludyakov was assistant professor of piano at the Gnesin Institute of Moscow and maintained a private piano studio. A vocalist as well as a pianist, Sheludyakov was of Moscow and maintained a private piano studio. A vocalist as well as a pianist, Sheludyakov was active as a church musician, and performed authentic folk music as a soloist with the Pokrovsky active as a church musician, and performed authentic folk music as a soloist with the Pokrovsky Ensemble. Ensemble. .
Recommended publications
  • Bach Cantatas Piano Transcriptions
    Bach Cantatas Piano Transcriptions contemporizes.Fractious Maurice Antonin swang staked or tricing false? some Anomic blinkard and lusciously, pass Hermy however snarl her divinatory dummy Antone sporocarps scupper cossets unnaturally and lampoon or okay. Ich ruf zu Dir Choral BWV 639 Sheet to list Choral BWV 639 Ich ruf zu. Free PDF Piano Sheet also for Aria Bist Du Bei Mir BWV 50 J Partituras para piano. Classical Net Review JS Bach Piano Transcriptions by. Two features found seek the early cantatas of Johann Sebastian Bach the. Complete Bach Transcriptions For Solo Piano Dover Music For Piano By Franz Liszt. This product was focussed on piano transcriptions of cantata no doubt that were based on the beautiful recording or less demanding. Arrangements of chorale preludes violin works and cantata movements pdf Text File. Bach Transcriptions Schott Music. Desiring piano transcription for cantata no longer on pianos written the ecstatic polyphony and compare alternative artistic director in. Piano Transcriptions of Bach's Works Bach-inspired Piano Works Index by ComposerArranger Main challenge This section of the Bach Cantatas. Bach's own transcription of that fugue forms the second part sow the Prelude and Fugue in. I make love the digital recordings for Bach orchestral transcriptions Too figure this. Get now been for this message, who had a player piano pieces for the strands of the following graphic indicates your comment is. Membership at sheet music. Among his transcriptions are arrangements of movements from Bach's cantatas. JS Bach The Peasant Cantata School Version Pianoforte. The 20 Essential Bach Recordings WQXR Editorial WQXR.
    [Show full text]
  • Recommended Solos and Ensembles Tenor Trombone Solos Sång Till
    Recommended Solos and Ensembles Tenor Trombone Solos Sång till Lotta, Jan Sandström. Edition Tarrodi: Stockholm, Sweden, 1991. Trombone and piano. Requires modest range (F – g flat1), well-developed lyricism, and musicianship. There are two versions of this piece, this and another that is scored a minor third higher. Written dynamics are minimal. Although phrases and slurs are not indicated, it is a SONG…encourage legato tonguing! Stephan Schulz, bass trombonist of the Berlin Philharmonic, gives a great performance of this work on YouTube - http://www.youtube.com/watch?v=Mn8569oTBg8. A Winter’s Night, Kevin McKee, 2011. Available from the composer, www.kevinmckeemusic.com. Trombone and piano. Explores the relative minor of three keys, easy rhythms, keys, range (A – g1, ossia to b flat1). There is a fine recording of this work on his web site. Trombone Sonata, Gordon Jacob. Emerson Edition: Yorkshire, England, 1979. Trombone and piano. There are no real difficult rhythms or technical considerations in this work, which lasts about 7 minutes. There is tenor clef used throughout the second movement, and it switches between bass and tenor in the last movement. Range is F – b flat1. Recorded by Dr. Ron Babcock on his CD Trombone Treasures, and available at Hickey’s Music, www.hickeys.com. Divertimento, Edward Gregson. Chappell Music: London, 1968. Trombone and piano. Three movements, range is modest (G-g#1, ossia a1), bass clef throughout. Some mixed meter. Requires a mute, glissandi, and ad. lib. flutter tonguing. Recorded by Brett Baker on his CD The World of Trombone, volume 1, and can be purchased at http://www.brettbaker.co.uk/downloads/product=download-world-of-the- trombone-volume-1-brett-baker.
    [Show full text]
  • Working List of Repertoire for Tenor Trombone Solo and Bass Trombone Solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers
    Working List of Repertoire for tenor trombone solo and bass trombone solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers Working list v.2.4 ~ May 30, 2021 Prepared by Douglas Yeo, Guest Lecturer of Trombone Wheaton College Conservatory of Music Armerding Center for Music and the Arts www.wheaton.edu/conservatory 520 E. Kenilworth Avenue Wheaton, IL 60187 Email: [email protected] www.wheaton.edu/academics/faculty/douglas-yeo Works by People of Color/People of the Global Majority (POC/PGM) Composers: Tenor trombone • Amis, Kenneth Preludes 1–5 (with piano) www.kennethamis.com • Barfield, Anthony Meditations of Sound and Light (with piano) Red Sky (with piano/band) Soliloquy (with trombone quartet) www.anthonybarfield.com 1 • Baker, David Concert Piece (with string orchestra) - Lauren Keiser Publishing • Chavez, Carlos Concerto (with orchestra) - G. Schirmer • Coleridge-Taylor, Samuel (arr. Ralph Sauer) Gypsy Song & Dance (with piano) www.cherryclassics.com • DaCosta, Noel Four Preludes (with piano) Street Calls (unaccompanied) • Davis, Nathaniel Cleophas (arr. Aaron Hettinga) Oh Slip It Man (with piano) Mr. Trombonology (with piano) Miss Trombonism (with piano) Master Trombone (with piano) Trombone Francais (with piano) www.cherryclassics.com • John Duncan Concerto (with orchestra) Divertimento (with string quartet) Three Proclamations (with string quartet) library.umkc.edu/archival-collections/duncan • Hailstork, Adolphus Cunningham John Henry’s Big (Man vs. Machine) (with piano) - Theodore Presser • Hong, Sungji Feromenis pnois (unaccompanied) • Lam, Bun-Ching Three Easy Pieces (with electronics) • Lastres, Doris Magaly Ruiz Cuasi Danzón (with piano) Tres Piezas (with piano) • Ma, Youdao Fantasia on a Theme of Yada Meyrien (with piano/orchestra) - Jinan University Press (ISBN 9787566829207) • McCeary, Richard Deming Jr.
    [Show full text]
  • Portable Digital Musical Instruments 2009 — 2010
    PORTABLE DIGITAL MUSICAL INSTRUMENTS 2009 — 2010 music.yamaha.com/homekeyboard For details please contact: This document is printed with soy ink. Printed in Japan How far do you want What kind of music What are your Got rhythm? to go with your music? do you want to play? creative inclinations? Recommended Recommended Recommended Recommended Tyros3 PSR-OR700 NP-30 PSR-E323 EZ-200 DD-65 PSR-S910 PSR-S550B YPG series PSR-E223 PSR-S710 PSR-E413 Pages 4-7 Pages 8-11 Pages 12-13 Page 14 The sky's the limit. Our Digital Workstations are jam-packed If the piano is your thing, Yamaha has a range of compact We've got Digital Keyboards of all types to help players of every If drums and percussion are your strong forte, our Digital with advanced features, exceptionally realistic sounds and piano-oriented instruments that have amazingly realistic stripe achieve their full potential. Whether you're just starting Percussion unit gives you exceptionally dynamic and expressive performance functions that give you the power sound and wonderfully expressive playability–just like having out or are an experienced expert, our instrument lineup realistic sounds, letting you pound out your own beats–in to create, arrange and perform in any style or situation. a real piano in your house, with a fraction of the space. provides just what you need to get your creative juices flowing. live performance, in rehearsal or in recording. 2 3 Yamaha’s Premier Music Workstation – Unsurpassed Quality, Features and Performance Ultimate Realism Limitless Creative Potential Interactive
    [Show full text]
  • What Handel Taught the Viennese About the Trombone
    291 What Handel Taught the Viennese about the Trombone David M. Guion Vienna became the musical capital of the world in the late eighteenth century, largely because its composers so successfully adapted and blended the best of the various national styles: German, Italian, French, and, yes, English. Handel’s oratorios were well known to the Viennese and very influential.1 His influence extended even to the way most of the greatest of them wrote trombone parts. It is well known that Viennese composers used the trombone extensively at a time when it was little used elsewhere in the world. While Fux, Caldara, and their contemporaries were using the trombone not only routinely to double the chorus in their liturgical music and sacred dramas, but also frequently as a solo instrument, composers elsewhere used it sparingly if at all. The trombone was virtually unknown in France. It had disappeared from German courts and was no longer automatically used by composers working in German towns. J.S. Bach used the trombone in only fifteen of his more than 200 extant cantatas. Trombonists were on the payroll of San Petronio in Bologna as late as 1729, apparently longer than in most major Italian churches, and in the town band (Concerto Palatino) until 1779. But they were available in England only between about 1738 and 1741. Handel called for them in Saul and Israel in Egypt. It is my contention that the influence of these two oratorios on Gluck and Haydn changed the way Viennese composers wrote trombone parts. Fux, Caldara, and the generations that followed used trombones only in church music and oratorios.
    [Show full text]
  • The Lion's Roar
    ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ The Lion’s Roar A Thorne Student Publication Winter 2019 Still Free Elf Day Pg 3, Mania Album Review, Pg 3, Winter Concert Pg 4, The Arts Op Ed, Pg 4, Art Pg 5, Poetry Pg 6, ​ ​ Investigative Spotlight-Social Media Pg 8 Chinchillas Thorne Giving Back Kara Gallagher By: Kristen Gallagher Fortnite Allegedly Dying, ​ Streamer Protests Notion By Liam Perez Since its initial release on September 26, 2017, the We all know the holidays are a great immensely popular online game time of year. Opening our presents known as Fortnite: Battle Royale on Christmas morning with beaming ​ has captured the hearts, minds, smiles is always a joy, but what about those who aren’t as fortunate and wallets of over 200 million As you may know, the 7th-grade as us? players ​ science classes have adorable, soft I am a member of Thorne’s peer worldwide(pcgamesn.com, 2018). chinchillas, but do you really know leaders, and we were invited to help However, speculation that Fortnite: Battle Royale’s time in anything about those fuzzy, out with a holiday toy drive that ​ eye-watering creatures? Well, if you benefits Middletown residents. When the public eye is drawing to a don’t, you should definitely read this I heard of this volunteer close, or that it is ‘dead.’ This article. I will write about chinchilla opportunity, I was interested right leads to the questions of “is this fun facts, and caring for a pet away. Approximately twenty other true?” and “if it is, what’s next?”, chinchilla. Thorne students participated.
    [Show full text]
  • FRENCH CONNECTIONS with Avery Gagliano, Piano
    FRENCH CONNECTIONS with Avery Gagliano, piano February 13, 2021 | 7:30 PM Welcome to OMP's Virtual Concert Hall! Bonjour et bienvenue! Thank you to our loyal donors and season subscribers for your continued support, and a warm welcome to those who are joining us in our "Virtual Concert Hall" for the first time. Your contributions have made it possible for OMP to present our third virtual chamber orchestra performance in HD audio and video! We hope you enjoy this programme musical français featuring First Prize and Best Concerto Prize winner of the 2020 10th National Chopin Piano Competition Avery Gagliano! THANK YOU TO THESE GENEROUS GRANTING ORGANIZATIONS: Get the PremiumExperience! Level A Subscription Seat Access to Virtual Premium Special Concerts and additional OMP content or concerts. Receive "Kelly's Recommendation" in headphones: Bose® SoundLink around-ear headphones II with contactless shipping Select a personally autographed CD or DVD of "A Virtual Recital", featuring 2015 Young Soloist Competition Winner John Fawcett, violin and Kelly Kuo, piano. Complimentary, contactless wine delivery upon virtual reception advanced reservation Current 2020-21 Subscribers can use the amount of their tickets as a credit toward their purchase of an OMP Premium Experience Package! Give the gift of with OMP and Bose at oregonmomzaurstipclayers.org/tickets Orchestra Kelly Kuo, Artistic Director & Conductor VIOLIN Jenny Estrin, acting concertmaster Yvonne Hsueh, principal 2nd violin Stephen Chong Della Davies Sponsored by Nancy & Brian Davies Julia Frantz Sponsored by James & Paula Salerno Nathan Lowman Claudia Miller Sponsored by Jeffrey Morey & Gail Harris Sophie Therrell Sponsored by W. Mark & Anne Dean Alwyn Wright* VIOLA Arnaud Ghillebaert principal viola Lauren Elledge Kimberly Uwate* CELLO Dale Bradley acting principal cello Sponsored by Larissa Ennis & Lindsay Braun Eric Alterman Noah Seitz BASS Nicholas Burton, principal bass HARPSICHORD/PIANO Thank you to our additional musician sponsors: John Jantzi, Theodore W.
    [Show full text]
  • J. S. Bach's Use of Trombones
    J. S. Bach’s Use of Trombones Utilization and Chronology prepared by Thomas Braatz © 2010 J. S. Bach used trombones almost exclusively for cantatas scheduled to be performed on specific Sundays and feast days of the liturgical year beginning with his Estomihi Leipzig audition cantata, BWV 23, performed on February 7, 1723 and ending with BWV 28 for the Sunday after Christmas on December 30, 1725. There are only a few unusual, rather late exceptions to Bach’s usage of trombones, beginning with 1.) a copy (made 1727-1731) of the Kyrie from F. Durante’s Mass in C minor with an indication for 3 trombones (no record of any performance exists); 2.) a transcription of the Kyrie and Gloria of Palestrina’s Missa sine nomine scored for 4 trombones and dated c. 1742 (no record of any performance exists); and including finally 3. a Trauermusik = BWV 118, a single- movement funeral motet composed in 1736/37, originally scored for 2 litui, 1 cornetto, and 3 trombones, but revised later in 1746/47 for a repeat performance but without the trombones, etc. The evidence from the following chronological list of extant cantata materials suggests that there was a limited time-frame of almost three years during which Bach actively utilized trombones for performances of his ‘well-ordered church music’.1 The list includes some well-known cantatas from the pre-Leipzig period, cantatas which originally were not scored for trombones but subsequently were added for performances in Leipzig during this three-year period. The dates listed are for the documented instances when these cantatas using trombones were performed in Leipzig.
    [Show full text]
  • Rejoice in the Lamb Benjamin Britten (1913-1976) This 'Festival Cantata
    Rejoice in the Lamb Benjamin Britten (1913-1976) This 'Festival Cantata' for soloists, choir and organ, written in 1943 for the fiftieth anniversary of the consecration of St. Matthew's Church, Northampton, was the first in a celebrated series of commissions by the Rev. Walter Hussey for the church's annual patronal festivals; the series later included, in music, Finzi's Lo, the Full Final Sacrifice and, in other fields of the arts, works by Henry Moore, Graham Sutherland and W.H.Auden. At the 1943 celebrations Britten himself conducted the church choir in his new work, sharing the limelight with the Band of the Northamptonshire Regiment performing another festival commission by Michael Tippett. The cantata is a setting of lines selected by Britten from a long poem, Jubilate Agno (over 1200 lines long, in fact – and unfinished) by the ultimately tragic figure of Christopher ('Kitty') Smart (1722-1771), who also wrote as 'Mrs. Midnight' and 'Ebenezer Pentweazle', and was a deeply religious man but, as Hussey himself puts it, "of a strange and unbalanced mind". The poem was in fact written while Smart was confined in an asylum for alleged 'religious mania', and has been seen on the one hand as a vast hymn of praise to God and all his works, and on the other as no more than the ravings of a madman. Published only in 1939, with the subtitle A Song from Bedlam, it was brought to Britten's attention by W.H.Auden. Such a choice of text might seem odd for a jubilee, but there is in the product of such a mind a kind of childlike innocence which in the poet Peter Porter's words "shows the rest of us that heaven does indeed lie about us".
    [Show full text]
  • A Brief History of Piano Action Mechanisms*
    Advances in Historical Studies, 2020, 9, 312-329 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 A Brief History of Piano Action Mechanisms* Matteo Russo, Jose A. Robles-Linares Faculty of Engineering, University of Nottingham, Nottingham, UK How to cite this paper: Russo, M., & Ro- Abstract bles-Linares, J. A. (2020). A Brief History of Piano Action Mechanisms. Advances in His- The action mechanism of keyboard musical instruments with strings, such as torical Studies, 9, 312-329. pianos, transforms the motion of a depressed key into hammer swing or jack https://doi.org/10.4236/ahs.2020.95024 lift, which generates sound by striking the string of the instrument. The me- Received: October 30, 2020 chanical design of the key action influences many characteristics of the musi- Accepted: December 5, 2020 cal instrument, such as keyboard responsiveness, heaviness, or lightness, which Published: December 8, 2020 are critical playability parameters that can “make or break” an instrument for a pianist. Furthermore, the color of the sound, as well as its volume, given by Copyright © 2020 by author(s) and Scientific Research Publishing Inc. the shape and amplitude of the sound wave respectively, are both influenced This work is licensed under the Creative by the key action. The importance of these mechanisms is highlighted by Commons Attribution International centuries of studies and efforts to improve them, from the simple rigid lever License (CC BY 4.0). mechanism of 14th-century clavichords to the modern key action that can be http://creativecommons.org/licenses/by/4.0/ found in concert grand pianos, with dozens of bodies and compliant elements.
    [Show full text]
  • The Broadway Musical
    HESSTON COLLEGE THEATRE PRESENTS The Broadway Musical Director - Laura Kraybill Music Director - Matt Schloneger Book - Allan Knee Lyrics - Mindi Dickstein Based on the novel by Louisa May Alcott Music - Jason Howland Little Women The Broadway Musical Book by Music by Lyrics by Allan Knee Jason Howland Mindi Dickstein Based on the novel by Louisa May Alcott LITTLE WOMEN Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. CAST Jo March................................................................................. Taylor Zehr Professor Bhaer..........................................................Galed Krisjayanta Amy March............................................................................. Emma Roth Meg March................................................................... Meredith Spicher Beth March.............................................................................. Eleya Raim Marmee March.................................................................... Anna Martin Mr. Laurence......................................................................... Micah Raber Laurie Laurence.............................................................. Nathan Patron Aunt March...................................................................... Abbie
    [Show full text]
  • Piano Proficiency
    PIANO PROFICIENCY All music majors, except those with a keyboard major, must pass a piano proficiency examination demonstrating functional use of the piano. Students with a primary applied area in keyboard will not take the piano proficiency but will cover functional piano material in their course of primary applied study. Before being recommended for student teaching or attempting the senior recital hearing, every non-keyboard major must pass the piano proficiency. This examination should be completed by the end of the fourth semester of enrollment in secondary piano class (MU262). It must be attempted each semester thereafter until passed. Enrollment in secondary piano class is necessary each semester until the piano proficiency requirement is completed. Students who pass the piano proficiency exam before completing four hours of secondary class piano may take the remaining credit hours in either piano or organ. Students enrolled in secondary piano classes may pass portions of the piano proficiency material. In order to attempt a portion of the proficiency material in jury before the final semester, the student must attempt at least three (3) sections of the exam. The student will only be allowed to attempt a portion of the proficiency exam with the permission of the class piano instructor. Students who complete the prepared literature portion of the exam will be expected to continue preparing literature pieces in subsequent secondary piano classes. The MU262 Final Exam is the Piano Proficiency. It is a jury exam and is held during final exam week. It must be passed completely in this fourth semester in order to receive a passing grade for the semester.
    [Show full text]