Dubberly Curriculum Vitae
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
VIÑAS Barcelona, Del 10 Al 21 De Gener De 1996 /' 33È CONCURS INTERNACIONAL DE CANT FRANCESC VIÑAS
CONCURS INTERNACIONAL DE CANT FRANCE SC VIÑAS Barcelona, del 10 al 21 de gener de 1996 /' 33è CONCURS INTERNACIONAL DE CANT FRANCESC VIÑAS DEL 10 AL 21 DE GENER DE 1996 ® GRAN TEATRE DEL LICEU Reconstruim. el Liceu ...:==:::=......- -_-. =:.. =-_:.--� �_.� � -1 �� '-_K--� - ==--=-= El Concurs Internacional de Cant "Francesc Viñas, és membre de la Federació de Concursos Internacionals de Música. EL DR. JACINT VILARDELL I PERMANYER, FUNDADOR DEL CONCURS INTERNACION'AL DE CANT «FRANCESC VIÑAS» COMITÈ D'HONOR Presidenta: S.M. LA REINA SOFIA Vice-President: Molt Honorable Sr. Jordi Pujol i Soley Excel-lentíssim Sr. Javier Solana Madariaga Excel-lentíssima Sra. Carmen Alborch Bataller Excel-lentíssim Sr. Jerónimo Saavedra Acevedo Excel-lenñssim Sr. Miquel Solans Soteras Excel-lentíssim Sr. Pasqual Maragall Mira Excel-lentíssim Sr. Antonio Martínez Teixidó Honorable Sr. Macià Alavedra Moner Honorable Sr. Joan Guitart Agell Excel-lentíssim Sr. Jaume Casanovas Escussol Excel-lentíssim Sr. Manuel Rayes Vila S.M. LA REINA D'ESPANYA, PRESIDENTA D'HONOR DEL CONCURS INTERNACIONAL DE CANT ((FRANCESC VIÑAS" 4 El Concurs Internacional de Cant «Francesc Viñas» està patrocinat per: Generalitat de Catalunya Ajuntament de Barcelona Diputació Provincial de Barcelona Ministeri d' Afers Exteriors. Direcció General de Relacions Culturals i Científiques Ministeri de Cultura. Institut Nacional de les Arts Escèniques i de la Música Patronat «Francesc Viñas» Consorci del Gran Teatre del Liceu Fundació «Calouste Culbenkian» Fundació «M. Francisca de Roviralta» Fundació «Sant Joaquim» Fundació Güell Caixa de Catalunya Caja de Madrid (Obra Cultural) Col-legi d'Advocats de Barcelona Credo Bank, Moscou Accademia Chigiana de Siena Accademia d' Arte Lírica e Corale Città di Osimo Associació d' Amics de l'Òpera de Sabadell Amb la col-laboració de: Cines Balañá, S.A. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
Ariadna En Naxos
RICHARD STRAUSS ARIADNA EN NAXOS STREAMING METROPOLITAN OPERA HOUSE Presenta RICHARD STRAUSS ARIADNA EN NAXOS Ópera en dos partes: Prólogo y Ópera Libreto de Hugo von Hofmannsthal, basado en “El burgués gentilhombre” de Molière y el mito griego de Ariadna y Baco. Reparto Ariadna - Prima Donna Jessye Norman Baco - Tenor James King Zerbinetta Kathleen Battle Compositor Tatiana Troyanos Maestro de música Franz Ferdinand Nentwig Arlequín Stephen Dickson Scaramuccio Allan Glassman Trufaldín Artur Korn Brighella Anthony Laciura Nayade Barbara Bonney Driada Gweneth Bean Echo Dawn Upshaw Mayordomo Nico Castel Coro y Orquesta del Metropolitan Opera House Dirección: James Levine Producción escénica Dirección teatral Bodo Igesz Escenografía Oliver Messel Vestuario Jane Greenwood Miércoles 13 de mayo de 2020 Transmisión vía streaming desde Metropolitan Opera House – New York, USA TEATRO NESCAFÉ DE LAS ARTES Temporada 2020 ARIADNA EN NAXOS ANTECEDENTES te el nombre de Hugo von Haffmannsthal, poeta, escritor y dramaturgo austriaco, quien creó los libretos de las más famo- sas producciones del compositor para la escena. Entre ellos los de la terna citada y el de “Ariadna en Naxos”, su sexta con- tribución para la lírica, con una gestación muy compleja. Strauss compuso la ópera “Ariadna en Naxos” en un acto y como homenaje a Max Reinhardt, quien fuera en 1911 el re- gisseur (director de escena) en el estreno mundial de “El caballero de la rosa”. “Ariadna en Naxos” se representó en Strauss y Hofmannsthal octubre de 1912 en el marco de una ce- remonia turca, inserta a su vez en el de- Junto al inglés Benjamin Britten (1913- sarrollo de una adaptación alemana de la 1976), Richard Strauss (1864-1949) forma la comedia “El burgués gentilhombre” de pareja de los más importantes y prolíficos Molière, hecha por Hoffmansthal. -
David W. Spiro Conductor
David W. Spiro Conductor Critics have called the conducting of David W. Spiro thrilling, vibrant, extraordinary, dramatic, noble, incisive, and energetic. Maestro Spiro recently led performances of La Traviata and Tosca during his enthusiastically received return to Bulgaria. He also made a significant departure from his core repertoire with his first Wagner opera, Der Fliegende Holländer. This season also saw several other firsts. He conducted his first French opera, Bizet's Carmen, in Saint Petersburg, Russia. Prior to that, Ruse saw Spiro lead Tchaikovsky’s Eugene Onegin, as well as a return to Mozart with Don Giovanni. Previously, his Aida and Rigoletto at the Ruse State Opera were hugely successful. He celebrated the Verdi Bicentennial with Un Ballo in Maschera and La Traviata at the Teatro Mancinelli in Orvieto. Opera di Verona hosted Spiro leading the Mozart/da Ponte operas Don Giovanni, Cosi fan Tutte and Le Nozze di Figaro in three consecutive seasons. Earlier in the decade saw his La Boheme at the North Czech Opera and also his Romanian debut in Bucharest with his signature piece, La Traviata. The Albanian-American conductor made his mark by leading members of the Boston Symphony Orchestra in a tribute to his mentor, Leonard Bernstein. Rossini‘s Stabat Mater featured Edda Moser, D’anna Fortunato, Gregory Kunde and Jerome Hines and was hailed as “a tribute worthy of Bernstein”. Specifically, Maestro Spiro’s interpretation was hailed as “the closest thing to heaven.” (The Boston Globe) An electric performance of Cherubini‘s Medea for the Boston Festival Opera featured Sylvia Sass, Rita Gorr, Franco Bonanome and John Macurdy. -
Media Release
Media Release FOR IMMEDIATE RELEASE: Tuesday, September 29, 2020 Contact: Suzanne Calvin (cell) 817.995.1687 [email protected] The Dallas Opera will stream Carmen simulcast recorded live in 2018; RSVP now for free, limited engagement beginning on Friday, October 9, 2020 at 7:30 p.m. DALLAS, TX, SEPTEMBER 29, 2020 – The Dallas Opera will be making the company’s 2018 hit production of Georges Bizet’s Carmen—originally simulcast live in high definition to an audience in Klyde Warren Park—available free for home viewing for a limited time. The video stream will premiere online on the evening of October 9, 2020 (the originally scheduled date for the opening of the 2020/2021 Season) at 7:30 p.m. Those interested in viewing this TDO Encore Performance must register online at dallasopera.org/performance/carmenstream in order to access the program. Following the October 9th stream, the program can be viewed by registrants for 30 days until November 8, 2020. “In this time of pandemic, it is crucial that The Dallas Opera continue to explore new ways to deliver outstanding performances to patrons in North Texas and around the globe,” explains Ian Derrer, the Kern Wildenthal General Director and CEO. “We are grateful for the support of our 1 unions which has enabled us to present a truly remarkable performance that would be a highlight in any season.” This much-acclaimed production of Bizet’s thrilling masterpiece, created by Sir David McVicar for Glyndebourne Opera in 2002, received its American debut at The Dallas Opera. It was conducted at TDO by esteemed French conductor Pierre Vallet, with director Jack Furness staging the revival in his American opera debut. -
Boston Symphony Orchestra Concert Programs, Season
Mffi — - ,„ :{ ^. ;/j ' "'^/FWS5Sj_£gj. QUADRUM The Mali. At Chkstnut Hill 617-965-5555 Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T. Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. W&iles, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Marc Mandel, Publications Coordinator Helen P. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
National-Council-Auditions-Grand-Finals-Concert.Pdf
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Bertrand de Billy National Council Auditions host and guest artist Grand Finals Concert Joyce DiDonato Sunday, April 29, 2018 guest artist 3:00 PM Bryan Hymel Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Bertrand de Billy host and guest artist Joyce DiDonato guest artist Bryan Hymel “Martern aller Arten” from Die Entführung aus dem Serail (Mozart) Emily Misch, Soprano “Tacea la notte placida ... Di tale amor” from Il Trovatore (Verdi) Jessica Faselt, Soprano “Va! laisse couler mes larmes” from Werther (Massenet) Megan Grey, Mezzo-Soprano “Cruda sorte!” from L’Italiana in Algeri (Rossini) Hongni Wu, Mezzo-Soprano “In quali eccessi ... Mi tradì” from Don Giovanni (Mozart) Today’s concert is Danielle Beckvermit, Soprano being recorded for “Amour, viens rendre à mon âme” from future broadcast Orphée et Eurydice (Gluck) over many public Ashley Dixon, Mezzo-Soprano radio stations. Please check “Gualtier Maldè! ... Caro nome” from Rigoletto (Verdi) local listings. Madison Leonard, Soprano Sunday, April 29, 2018, 3:00PM “O ma lyre immortelle” from Sapho (Gounod) Gretchen Krupp, Mezzo-Soprano “Sì, ritrovarla io giuro” from La Cenerentola (Rossini) Carlos Enrique Santelli, Tenor Intermission “Dich, teure Halle” from Tannhäuser (Wagner) Jessica Faselt, Soprano “Down you go” (Controller’s Aria) from Flight (Jonathan Dove) Emily Misch, Soprano “Sein wir wieder gut” from Ariadne auf Naxos (R. Strauss) Megan Grey, Mezzo-Soprano “Wie du warst! Wie du bist!” from Der Rosenkavalier (R. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
Oct Complete.Indd
courtesy of the Baltimore Opera Company New Repertoire Discoveries for Singers: An Interview with Michael Kaye by Maria Nockin Many young singers may id you ever wonder why that last which I established my edition of the Tales of Tales of Hoffmann you sang had all Hoffmann, I had to seek my own funding, but not yet be ready to do Dthose photocopied sheets added in? it’s very diffi cult to ask for a grant for yourself. Or why the version of “Butterfl y” you learned Fortunately, Gordon Getty, Frederick R. Giacomo Puccini’s operatic a few years ago isn’t the version you’re doing Koch, Paula Heil Fisher and the late Francis this year? Blame Michael Kaye and other Goelett (a great lover of contemporary music roles—but they can sing musicologists, who are diligently uncovering and French opera, who donated the funding authentic music faster than publishers can for many new productions of French works the great composer’s print it! Here’s some news teachers and at the Metropolitan Opera) were among recitalists can use. the generous private sponsors of my work. songs, and learn a great First recordings of previously unpublished MN: So you are one of the guilty parties music by important composers, and fi nancial deal about his style. responsible for making it impossible for advances from publishers, sometimes can singers to learn “the defi nitive Hoffmann!” Do help subsidize the preparation of the music you apply for grants so that you can work on for performance. fi nding lost music? There are also grants, endowments and MK: Normally that work is done under an fellowships that provide funding for this type umbrella of academia, but I had to fi nd other of research. -
Jacques Lacombe, Richard Roberts, Haydn, R
Le premier chef invité de l'OSM JACQUES LACOMBE MSO's First Principal Guest Conductor Société canadienne des postes — Envois de publication convention nº. 40025257 Canada Post Publicationsgratuit Mail Sales Agreement/ free nº. 40025257 LA RENTRÉE MUSICALE FALL PREVIEW FESTIVAL ORGUE ET COULEURS On Venez écouter ces disques sur nos aime! postes d’écoute en magasin. Les trois Concertos pour violoncelle Voici réédité dans la collection de Joseph Haydn illustrent à merveille Rouge et Noir l’opéra Carmen de l'art de son compositeur : thèmes très Bizet chanté par Grace Bumbry et mélodieux et orchestration étincelante. Jon Vickers. Cette version utilise les Maria Kliegel nous en livre ici une ver- dialogues parlés qui sont récités par sion éclatante. « Hormis son coût mod- des comédiens. Jon Vickers domine ique, c'est évidemment la qualité et la distribution par son humanité et l'exhaustivité d'un tel disque qui nous sa présence dans un de ses grands incitent à le recommander très rôles. chaleureusement », lit-on dans Répertoire. Autres titres de la collection Rouge Haydn 99 Bizet 99 et Noir également en vente. Concertos pour violoncelle 7 Carmen 13 M. Kliegel G. Bumbry, J. Vickers Daniel Taylor et son ensemble, le Theatre of Early Music, fondent leur interprétation de ces cantates sur les plus récentes découvertes musi- cologiques. Il en résulte un climat EN VENTE DÈS LE intimiste qui va droit à l’essentiel, 10 SEPTEMBRE dans des reflets d’ombre et de lumière. Les voix sont d’une exquise beauté, soutenues par la ferveur inspirée des instrumentistes. Bach 99 Cantates BWV 131, 152 & 16116 Theatre of Early Music Les attentats du 11 septembre 2001 Mozart 99 Intégrale des symphonies 37 nous ont laissés en état de choc.