Capodistria, Ieri E Oggi
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Maj 2018 Maggio Amatoriale
KOLEDAR KULTURNIH PRIREDITEV CALENDARIO DELLE MANIFESTAZIONI CULTURALI TEDEN LJUBITELJSKE KULTURE Območne izpostave Koper, Izola in Piran SETTIMANA DELLA CULTURA MAJ 2018 MAGGIO AMATORIALE MESTNA OBCˇ INA KOPER - COMUNE CITTÀ DI CAPODISTRIA • OBCˇ INA ANKARAN – COMUNE DI ANCARANO • OBCˇ INA IZOLA - COMUNE DI ISOLA • OBCˇ INA PIRAN - COMUNE DI PIRANO do 10. 5. petek, 11. 5. torek, 15. 5. Izola, Sončna dvorana Lopar, Hiša od Bardinca, 9.00-13.00 Izola, Medgeneracijski center Izola, Razstava 7. Bienala otroške keramike Otroški živžav z lutkovno predstavo in 17.30-18.15 »Terra mystica« obeležjem Cankarjevega leta - povest Brezplačna plesno-gibalna delavnica Urnik: torek, sreda, četrtek: 9.00-12.00, “O istrskem oslu” ter likovni izdelki ContaKids za otroke (2-4 let) in starše. petek, sobota 16.00-18.00 na temo Ivana Cankarja, zaključek ob Predhodne izkušnje niso potrebne. organizator: Območna izpostava JSKD čajanki ob vaških godcih Max. število udeležencev: 10 parov. Izola, Društvo likovnih pedagogov organizator: Hiša od Bardinca Delavnico vodi Jasna Ratoša. Obvezne Primorja, Občina Izola prijave na: [email protected] ali petek, 11. 5. 040 860 449 do 17. 5. Izola, Sončna dvorana, ob 18.00 organizator: KUD Erato Koper, Pretorska palača Odprtje razstave Sončni žarki Razstava »Kjer preteklost sreča ustvarjalnih let Mari o net.te z lutkovno torek, 15. 5. prihodnost« ob Evropskem letu predstavo Kokoška Melonja in nastopi Koper, Mala Loža (pod Pretorsko kulturne dediščine otrok s kamišibaj gledališčem palačo), ob 18.00 Delovanje folklornih skupin skozi prikaz organizator: Območna izpostava JSKD Javna vaja orkestra noš, glasbil, videoposnetkov in fotografij Izola, LKD Mari o net.te, Občina Izola Mandolinistica Capodistriana organizator: Območna izpostava JSKD petek-nedelja, 11.-20. -
L'archivio Di Pietra Di Capodistria
Aldo Cherini L’archivio di pietra di Capodistria Autoedizione 1999 Aldo Cherini, 7 giugno 1999 Ristampa maggio 2011 — www.cherini.eu Capodistria, privilegiata sede del podestà e capitano di Venezia quale rappresentante del governo centrale, e sede non meno privilegiata degli uffici governativi dell’intera provincia dell’Istria veneta, residenza quindi pro tempore di personaggi di spicco e di funzionari superiori nonchè di esponenti delle famiglie cittadine più attive ed impegnate, ha lasciato una plurisecolare traccia documentata con centinaia di epigrafi e stemmi (almeno 615) costituenti un vero e proprio archivio litico, che viene ad integrare, talvolta con notizie proprie, l’archivio membranaceo e cartaceo proprio di ogni centro storico. Con riguardo all’andamento topografico dell’antica città quale contenente un simile archivio, gli stemmi e le epigrafi si trovano in numero preponderante nella Piazza del Duomo e nell’adiacente Brolo, nei lapidari del Civico Museo di Storia ed Arte, nella Piazza da Ponte e lungo le vie principali mentre una trentina di pezzi isolati sono reperibili qua e là. Un archivio particolare, questo, che non teme il sole e la pioggia, unico nell’Istria, esibito alla vista di tutti, quantomeno di quanti hanno la curiosità di alzare gli occhi e la capacità intellettiva di comprendere di che si tratta, di leggere un po’ di latino. Non è molto semplice passare in rassegna una documentazione del genere, che va dal 1269 agli iniziali anni 40 del nostro secolo. Bisogna stabilire un criterio che ben potrebbe essere cronologico se non ostasse la frammentazione e la commistione, non solo sotto questo aspetto, dei tanti documenti litici per cui conviene seguire semplicemente la collocazione topografica degli stessi con l’avvertenza che la pianta topografica e la nomenclatura viaria cittadina qui citata è quella del 1945, quella cioè della originale Capodistria veneta, quale non esiste più perché travolta dagli avvenimenti seguiti sotto ogni profilo civico, ambientale, culturale, amministrativo e politico. -
Grade 7 Work Packet
Grade 7 Work Packet Student Name:_____________________________ Dear Student, The work in this packet will help you continue to practice what you have been learning in school. We recommend that you complete the assignments for each subject based on the schedule below. You can use the Table of Contents on the next page to quickly move through the packet. Packets are due completed to your teacher when you return to school. Thank You, Teaching and Learning Team Day Assignments Day 1/2 ● ELA: Text Reading and Questions ● Math: Fluency Practice and Mixed Practice ● Science: Earth’s Structure Reading and Questions Day 3/4 ● ELA: Text Reading and Questions ● Math: Fluency Practice and Mixed Practice ● Science: Changing Earth Reading and Questions Day 5/6 ● ELA: Text Reading and Questions ● Math: Fluency Practice and Mixed Practice ● Science: Energy Transformation Reading and Questions Day 7/8 ● ELA: Text Reading and Questions ● Math: Fluency Practice and Mixed Practice ● Science: Thermal Energy Transfer Part 1 Day 9/10 ● ELA: Text Reading and Questions ● Math: Fluency Practice and Mixed Practice ● Science: Thermal Energy Transfer Part 2 1 Table of Contents: ● ELA Day 1/2……………………………………………………………………………………….Page 3 ● Math Day 1/2………………………………………………………………………………………Page 6 ● Science Day 1/2…………………………………………………………………………………..Page 11 ● ELA Day 3/4……………………………………………………………………………………….Page 16 ● Math Day 3/4………………………………………………………………………………………Page 24 ● Science Day 3/4…………………………………………………………………………………..Page 29 ● ELA Day 5/6……………………………………………………………………………………….Page 35 ● Math -
Heim Gallery Records, 1965-1991
http://oac.cdlib.org/findaid/ark:/13030/kt5779r8sb No online items Finding aid for the Heim Gallery records, 1965-1991 Finding aid prepared by Isabella Zuralski. Finding aid for the Heim Gallery 910004 1 records, 1965-1991 Descriptive Summary Title: Heim Gallery records Date (inclusive): 1965-1991 Number: 910004 Creator/Collector: Heim Gallery Physical Description: 120.0 linear feet(271 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: London gallery directed by Andrew Ciechanowieck. Records include extensive correspondence with museums, galleries, collectors, and other colleagues in Europe and the United States. Photographs document paintings, drawings, sculptures, and decorative art sold and exhibited by, and offered to the gallery. Stock and financial records trace acquisitions and sales. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note Heim Gallery London began in June 1966 with François Heim (from Galerie Heim, Paris, begun 1954) and Andrew S. Ciechanowiecki as partners. Ciechanowiecki served as director in London while Heim remained in France. The emphasis of the gallery was Old Master paintings, especially French of the 15th - 18th century, Italian paintings of all periods, and sculpture (marble, terracotta and bronze) from the Renaissance to the 19th century. The gallery was known for its scholarly exhibitions and catalogs. Between 1966 and 1989 the gallery presented exhibitions two to three times a year. The gallery did business with museums and individual clients in Europe and the United States. -
Recreating the Pulsilogium of Santorio: Outlines for a Historically-Engaged Endeavour
ORE Open Research Exeter TITLE Recreating the Pulsilogium of Santorio: Outlines for a Historically-Engaged Endeavour AUTHORS Bigotti, F; Taylor, D; Welsman, J JOURNAL Bulletin - Scientific Instrument Society DEPOSITED IN ORE 05 September 2017 This version available at http://hdl.handle.net/10871/29195 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Recreating the Pulsilogium of Santorio: Outlines for a Historically-Engaged Endeavour Fabrizio Bigotti, David Taylor and Joanne Welsman Abstract tis medicis (‘On Medical Instruments’): a Between 2015 and 2016 a series of seminars task that, unfortunately, he was not able to on the history of early modern technology accomplish during his life. Consequently, and medicine were held at the Centres for many descriptions related to his instru- Medical History and Biomedical Modelling ments are partial or too general. Moreover, and Analysis of the University of Exeter. As previous attempts at reconstructions have a result of that work we laid down the basis subsequently been found to be either not for the first historically accurate reconstruc- historically informed or in some cases com- tion of a seventeenth-century instrument, pletely misleading. From this standpoint, the pulsilogium of Sanctorius (1561-1636). the reconstruction of Santorio’s instru- Previous copies were in fact either simple ments represents an essential task for any models for display or lacked any commit- historian or philosopher of science. -
Recreating the Pulsilogium of Santorio: Outlines for a Historically-Engaged Endeavour
Recreating the Pulsilogium of Santorio: Outlines for a Historically-Engaged Endeavour Fabrizio Bigotti, David Taylor and Joanne Welsman Abstract tis medicis (‘On Medical Instruments’): a Between 2015 and 2016 a series of seminars task that, unfortunately, he was not able to on the history of early modern technology accomplish during his life. Consequently, and medicine were held at the Centres for many descriptions related to his instru- Medical History and Biomedical Modelling ments are partial or too general. Moreover, and Analysis of the University of Exeter. As previous attempts at reconstructions have a result of that work we laid down the basis subsequently been found to be either not for the first historically accurate reconstruc- historically informed or in some cases com- tion of a seventeenth-century instrument, pletely misleading. From this standpoint, the pulsilogium of Sanctorius (1561-1636). the reconstruction of Santorio’s instru- Previous copies were in fact either simple ments represents an essential task for any models for display or lacked any commit- historian or philosopher of science. ment to historical accuracy. This short Relying on a new assessment of Santorio’s contribution explores some of the results works as a whole, as well as on experimen- we obtained from the recreation of this de- tation and in some cases on new documen- vice and experiments we recreated which tary proofs, we were able to define some shed new light on the early application of key principles that laid down the basis for the pendulum as a scientific instrument. A the first historically accurate reconstruc- fuller and much more detailed account of tion of Santorio’s pulsilogium (Fig 2a-b). -
Between the Local and the National: the Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty
Graduate Theses, Dissertations, and Problem Reports 2014 Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Capano, Fabio, "Between the Local and the National: The Free Territory of Trieste, "Italianita," and the Politics of Identity from the Second World War to the Osimo Treaty" (2014). Graduate Theses, Dissertations, and Problem Reports. 5312. https://researchrepository.wvu.edu/etd/5312 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Between the Local and the National: the Free Territory of Trieste, "Italianità," and the Politics of Identity from the Second World War to the Osimo Treaty Fabio Capano Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Modern Europe Joshua Arthurs, Ph.D., Co-Chair Robert Blobaum, Ph.D., Co-Chair Katherine Aaslestad, Ph.D. -
The Cult of Saint Jerome in Dalmatia in The
Ines Ivić THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES MA Thesis in Medieval Studies Central European University CEU eTD Collection Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ Chair, Examination Committee ____________________________________________ Thesis Supervisor ____________________________________________ Examiner CEU eTD Collection ____________________________________________ Examiner Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Reader CEU eTD Collection Budapest May 2016 THE CULT OF SAINT JEROME IN DALMATIA IN THE FIFTEENTH AND THE SIXTEENTH CENTURIES by Ines Ivić (Croatia) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies. Accepted in conformance with the standards of the CEU. ____________________________________________ External Supervisor CEU eTD Collection Budapest May 2016 I, the undersigned, Ines Ivić, candidate for the MA degree in Medieval Studies, declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. -
Koper-Mestni-Nacrt.Pdf
→ A B C D E F G H 6, 7, 8 Bason LUKA KOPER Vergerijev trg 1 Ribiški trg Nazorjev Občina trg Muzejski trg Župnijski Sv. Ana Ukmarjev urad Destradijev trg 11 trg PEF, FM 8 Carinarnica Titov trg Stolnica 5 Pristaniška a v Gimnazija Intereuropa e Sv. Marta kapitanija ij Trg Dvorana sv. Carpacciov r o t Brolo Frančiška trg n a S SEPŠ Koper Mejna pot Sv. Jakob Avtocommerce RTV 9 5,6 3 Slovenija Gramšijev trg 1 Tomažičev trg Hlavatyjev Poslovni objekt park Barka It. os. šola Staničev 12 in gimnazija ŽUSTERNA trg Porsche 2 Aquapark 1, Slovenija GIUSTERNA ZALIV SEMEDELA Kosovelov 6 5 trg 13 GOLFO DI SEMEDELLA 10 Prešernov Kamionski terminal Naravni rezervat Škocjanski zatok 2 trg Riserva naturale val Stagnon Zeleni park Sv. Basa Sodišče Osnovna šola OBI A. Ukmar Spar AJPES MARKOVEC Solis Park center MONTE SAN MARCO Olimpijski športni 4 Koper center Koper - Bonifika Arena 1 Mejak Bonifika Poslovni Eurospin Hofer objekt Ogrlica Zapori BONIFIKA Osnovna šola Koper Dipo Harvey Scula elementare Norman Capodistria Stadion ŠKOCJANSKI ZATOK BONIFICA , 2 Mercator 2 Lidl 1 VAL STAGNON Sv. Marija Adriac Božič Slovenica Olimpijski športni Lesnina center Koper - Bonifika Nokturno Supernova 2 3 P+R Atletski stadion P+R Plezalni Planet Telekom center Koper P+R Trgo ABC Gasilska Veterinarski Jurada brigada Spar zavod Sv. Marko a c i Osnovna šola v D. Bordona e Tuš š 1, 2, 2A Scula elementare 1 a Gokart D. Bordon d a Markov hrib Mondo B P+R ► 223 SEMEDELA Radio Elektro Capris Škrt SEMEDELLA Koper Pri baronesi 4 Prodan Rižanski Škocjanski hrib Vatovec vodovod ► Barban -
Mediterranean Route!
8 EuroVelo 8 Welcome to the Mediterranean Route! FROM ANDALUSIA TO CYPRUS: 7,500 KILOMETRES OF CYCLING THROUGH WORLD FAMOUS DESTINATIONS, WILD NATURE & HIDDEN BEACHES www.eurovelo8.com Welcome to EuroVelo 8 8 Mediterranean Route! AQUILEIA, FRIULI VENEZIA GIULIA, ITALY GACKA RIVER, CROATIA Photo: Giulia Cortesi Photo: Ivan Šardi/CNTB Venice Turin Monaco Béziers Barcelona Elche Cádiz 2 EUROVELO 8 | MEDITERRANEAN ROUTE MAP Dear cyclists, FOREWORD Discovering Europe on a bicycle – the Mediterranean Route makes it possible! It runs from the beaches in Andalusia to the beautiful island of Cyprus, and on its way links Spain, France, Italy, Slovenia, Croatia, Montenegro, Albania, Greece, Turkey and Cyprus. This handy guide will point the way! Within the framework of the EU-funded “MEDCYCLETOUR” project, the Mediterranean Route is being transformed into a top tourism product. By the end of the project, a good portion of the route will be signposted along the Mediterranean Sea. You will be able to cycle most of it simply following the EuroVelo 8 symbol! This guide is also a result of the European cooperation along the Mediterranean Route. We have broken up the 7,500 kilometres into 15 sections and put together cycle-friendly accommodations, bike stations, tourist information and sightseeing attractions – the basic package for an unforgettable cycle touring holiday. All the information you need for your journey can be found via the transnational website – www.eurovelo8.com. You have decided to tackle a section? Or you would like to ride the whole route? Further information and maps, up-to-date event tips along the route and several day packages can also be found on the website. -
Yugoslav Monuments Associated with the First World War (1918–1941)
Yugoslav Monuments Associated with the First World War (1918–1941) SYMPOSIUM Ljubljana, 18–19 October 2018 Concept of the symposium: Beti Žerovc Management and organization: Marko Jenko, Urška Jurman, Beti Žerovc Organizer: Department of Art History, Faculty of Arts, University of Ljubljana. The symposium is part of the seminar Art for Collective Use. It has received financial support from the Slovenian Research Agency (research core funding No. P6-0199, History of Art of Slovenia, Central Europe and the Adriatic) Partners: Igor Zabel Association for Culture and Theory, Moderna galerija Location: Moderna galerija, Cankarjeva 15, Ljubljana Symposium booklet editor: Beti Žerovc Translation and proofreading: Marko Jenko, Tamara Soban, Paul Steed Graphic design: Nika Ham Commemorative display for Špelca Čopič: Moderna galerija's Archives Acknowledgement: Safet Ahmeti, Sanja Horvatinčić, Vladimir Jančevski, Nenad Lajbenšperger, Predrag Malbaša, Dušan Medin, Violeta Obrenović, Rok Stergar, Marko Štepec On the cover: Edvard Ravnikar, War Victims Ossuary, 1939, Žale cemetery, Ljubljana, Slovenia; courtesy of: Marko Jenko 2 Yugoslav Monuments Associated with the First World War (1918–1941) The First World War monuments produced in interwar Yugoslavia are today usually dis- cussed separately, within the context of the successor state to which they belong. The symposium will attempt to present a picture of this production that is as comprehen- sive as possible, outlining not only the common features of these works but also their differences, which to a large degree were conditioned by very diverse local traditions of commemoration and memorial creation. The second goal of the symposium is to consider how these monuments are in- scribed with desires to strengthen a common Yugoslav identity, establish a collective imaginary, and develop a distinctive visual image of the young state. -
La Vocedel Popolo
GIAN RINALDO CARLI NOBILE FIGURA CAPODISTRIANA la Vocedel popolo NASCEVA NELL’APRILE DI TRECENTO ANNI FA: SCRITTORE, ECONOMISTA, STORICO E NUMISMATICO, COSMOPOLITA, FU UN UOMO storia www.lavoce.hr DI GRANDE ERUDIZIONE Anno 16 • n. 133 E DAI MOLTEPLICI INTERESSI sabato, 18 aprile 2020 CULTURALI, FRA I PIÙ CELEBRI DEL SUO TEMPO CONTRIBUTI PILLOLE TASSELLI Mori, il «Prefetto di Ferro» La peste bovina del 1711 Nel regno di Bacco in Istria e i lavori agli acquedotti nella provincia istriana la Cantina vinicola di Buie Uomo con un forte senso dello Stato, fu mandato ai In sei mesi furono annientati più di 54mila animali, con Fu avviata nel 1904, da Giovanni Festi e Valentino confini orientali per le sue particolari doti d’azione, a una mortalità giornaliera di 1.500 capi, che le misure Cristofoli, seguendo gli insegnamenti di Arturo coordinare una serie d’importanti2|3 lavori pubblici profilattiche introdotte ridussero4|5 a circa 200 nel 1712 Marescalchi e adottando le idee6|7 cooperativistiche del popolo 2 sabato, 18 aprile 2020 storia&ricerca la Voce CONTRIBUTI attraverso un’opera articolata, densa di contenuti e ricca di documentazione, che Ascandaglia la vita privata e professionale del pavese Cesare Primo Mori (1871-1942), disponiamo ora un volume importante che offre uno spaccato dell’Italia del primo ’900. Prefetto in Sicilia, e definito da Arrigo Petacco “di ferro”, in un volume di successo del 1975, per la sua azione energica di contrasto e attacco alla mafia. Questa figura è stata proposta dal cinema, con il film Il Prefetto di Ferro, per l’appunto, del 1977, del regista Pasquale Squitieri con la partecipazione di attori quali Giuliano Gemma e Claudia Cardinale, e dalla tv con la miniserie Cesare Mori – Il Prefetto di Ferro, diretta da Gianni Lepre (Rai Uno, 2012).