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Manon Lescaut
CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 1 1 La Fenice prima dell’Opera 2010 1 2010 Fondazione Stagione 2010 Teatro La Fenice di Venezia Lirica e Balletto Giacomo Puccini Manon escaut L Lescaut anon anon m uccini p iacomo iacomo g FONDAZIONE TEATRO LA FENICE DI VENEZIA CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 2 foto © Michele Crosera Visite a Teatro Eventi Gestione Bookshop e merchandising Teatro La Fenice Gestione marchio Teatro La Fenice® Caffetteria Pubblicità Sponsorizzazioni Fund raising Per informazioni: Fest srl, Fenice Servizi Teatrali San Marco 4387, 30124 Venezia Tel: +39 041 786672 - Fax: +39 041 786677 [email protected] - www.festfenice.com FONDAZIONE AMICI DELLA FENICE STAGIONE 2010 Incontro con l’opera Teatro La Fenice - Sale Apollinee lunedì 25 gennaio 2010 ore 18.00 LUCA MOSCA Manon Lescaut Teatro La Fenice - Sale Apollinee venerdì 5 febbraio 2010 ore 18.00 PIERO MIOLI Il barbiere di Siviglia Teatro La Fenice - Sale Apollinee mercoledì 10 marzo 2010 ore 18.00 ENZO RESTAGNO Dido and Aeneas Teatro La Fenice - Sale Apollinee venerdì 14 maggio 2010 ore 18.00 LORENZO ARRUGA Don Giovanni Teatro La Fenice - Sale Apollinee lunedì 21 giugno 2010 ore 18.00 GIORGIO PESTELLI The Turn of the Screw Teatro La Fenice - Sale Apollinee mercoledì 22 settembre 2010 ore 18.00 Clavicembalo francese a due manuali copia dello MICHELE DALL’ONGARO strumento di Goermans-Taskin, costruito attorno alla metà del XVIII secolo (originale presso la Russell Rigoletto Collection di Edimburgo). Opera del M° cembalaro Luca Vismara di Seregno Teatro La Fenice - Sale Apollinee (MI); ultimato nel gennaio 1998. -
Stony Brook Opera 2015-2016 Season
LONG ISLAND OPERA GUILD NEWSLETTER MARCH 2016 Stony Brook Opera 2015-2016 Season A letter from the Artistic Director of Stony Brook Opera Our current season will end with a semi-staged concert performance of Giacomo Puccini’s beloved masterpiece La Department and friends from New York City who attended Bohème, sung in the original Italian language with projected those performances all told me that from a theatrical point of titles in English. The Stony Brook Symphony will be on stage, view nothing was lacking, and that they enjoyed immensely with the opera chorus behind it on risers. The Stony Brook being able to see how the singers, chorus, and orchestra Opera cast will perform from memory on the stage space in interact in the overall musical and dramatic experience. That is front of the orchestra. Timothy Long will conduct the cast, not possible when the orchestra is out of sight, as it always is chorus and orchestra. Brenda Harris, Performing Artist in in a full production. From a theatrical point of view, La Residence and a leading soprano in American regional opera Bohème presents a far greater challenge than Lucia did, in part will direct the singers, who will be fully blocked, and will use because it calls for so many “things” on stage throughout the props and furniture and minimal costuming as appropriate. opera—not only essential furniture pieces, but also numerous Tomas Del Valle of the Theatre Arts Department makes his small hand props, all of which are vital to the narrative, and Stony Brook Opera debut as the lighting designer, and he is carry great emotional weight in the plot, such as the candle planning exciting theatrical lighting for the space where the and the key, and Mimì’s bonnet, to name a few. -
MANON LESCAUT Giacomo Puccini Ritratto Da Luigi De Servi
FONDAZIONE TEATRO LA FENICE DI VENEZIA MANON LESCAUT Giacomo Puccini ritratto da Luigi De Servi. (Lucca, Museo Nazionale di Villa Guinigi). 2 FONDAZIONE TEATRO LA FENICE DI VENEZIA MANON LESCAUT dramma lirico in quattro atti NIKOLAJ RIMSKIJ-KORSAKOV musica di GIACOMO PUCCINI PALAFENICE AL TRONCHETTO Venerdì 24 marzo 2000, ore 20.00, turno A Domenica 26 marzo 2000, ore 15.30, turno B Martedì 28 marzo 2000, ore 20.00, turno D Giovedì 30 marzo 2000, ore 20.00, turno E Sabato 1 aprile 2000, ore 15.30, turno C 3 —————— Edizioni dell’Ufficio Stampa del TEATRO LA FENICE Responsabile Cristiano Chiarot Coordinamento musicologico e redazionale Carlida Steffan Ricerca iconografica Maria Teresa Muraro Copertina Tapiro Pubblicità AP srl Torino 4 SOMMARIO 7 LA LOCANDINA 11 IL LIBRETTO 52 MANON LESCAUT IN BREVE 54 ARGOMENTO - ARGUMENT - SYNOPSIS - HANDLUNG 65 ADRIANA GUARNIERI CORAZZOL LE POLIFONIE DI MANON LESCAUT 77 FRANCESCO CESARI GLI AMANTI IN FUGA 91 GIACOMO PUCCINI a cura di MIRKO SCHIPILLITI 107 BIBLIOGRAFIA ESSENZIALE a cura di GILDO SALERNO 113 WWW.MANON LESCAUT 114 BIOGRAFIE 5 Foto di scena di Manon Lescaut. Nancy, Opéra di Nancy, 1999. Allestimento in coproduzione con il Teatro La Fenice di Venezia. 6 LA LOCANDINA MANON LESCAUT dramma lirico in quattro atti libretto di RUGGERO LEONCAVALLO, DOMENICO OLIVA, GIULIO RICORDI, LUIGI ILLICA, MARCO PRAGA, GIUSEPPE GIACOSA, GIACOMO PUCCINI musica di GIACOMO PUCCINI CASA MUSICALE RICORDI, MILANO personaggi ed interpreti Manon Lescaut NORMA FANTINI (24, 26, 28, 30/3) LISA HOUBEN (1/4) Lescaut, sergente -
Tutor: José De Coca Leicher Coordinadora: Mercedes González Departamento De Ideación Gráfica Semestre De Otoño Curso 2019-2020
REALISMO DEL ESPACIO ESCÉNICO EN La Bohème Ana Riau Warleta TRABAJO DE FIN DE GRADO AULA 1 Tutor: José de Coca Leicher Coordinadora: Mercedes González Departamento de Ideación Gráfica Semestre de otoño curso 2019-2020 ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA DE MADRID UNIVERSIDAD POLITÉCNICA DE MADRID Enero 2020 « Los diferentes ingredientes de la ópera son la poesía, la música y la escenografía. La poesía habla a nuestro espíritu, la música a nuestro oído, la pintura a nuestros ojos, y todo junto contribuye a conmover nuestro corazón. » Jean-Jacques Rousseau Ι Realismo del espacio escénico en La Bohème ABSTRACT El presente Trabajo de Fin de Grado pretende profundizar sobre los espacios creados en escena, cen- trándose en un caso de estudio concreto: la ópera La Bohème de Giacomo Puccini, en la producción del escenógrafo Giancarlo del Monaco representada en el Teatro Real de Madrid en 2006. El estudio buscará un punto de convergencia entre la arquitectura y la escenografía, con el objetivo de profundizar sobre la importancia del realismo en los espacios escénicos. Para ello, se realizará un primer acercamiento al contexto y arquitectura del París del siglo XIX, con el fin de establecer comparaciones entre la realidad existente de la época y el montaje de Del Mónaco. Se estudiarán igualmente los aspectos que envuelven a la obra, destacando aquellos que hacen única y especial a La Bohème, y la fusión que Puccini crea entre el Verismo y el Romanticismo. Partiendo de esta base, el trabajo estará basado en la reconstrucción del proceso de diseño en los distintos cuadros de La Bohème, abarcando el entendimiento de los espacios arquitectónicos concebidos en esce- na. -
Women, Virtue and Visual Imagery During the Counter-Reformation in the Papal States, 1575-1675
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 Maniera Devota/mano Donnesca: Women, Virtue And Visual Imagery During The Counter-Reformation In The Papal States, 1575-1675 Patricia Rocco Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/101 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIERA DEVOTA/MANO DONNESCA WOMEN, VIRTUE AND VISUAL IMAGERY DURING THE COUNTER-REFORMATION IN THE PAPAL STATES, 1575-1675 by PATRICIA ROCCO A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2014 ©2014 PATRICIA ROCCO All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Professor James Saslow Date Chair of Executive Committee Professor Claire Bishop Date Executive Officer Professor James Saslow Professor Elinor Richter Professor Barbara Lane Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MANIERA DEVOTA/MANO DONNESCA WOMEN, VIRTUE AND VISUAL IMAGERY DURING THE COUNTER-REFORMATION IN THE PAPAL STATES, 1575-1675 by Patricia Rocco Adviser: Professor James Saslow The history of women’s participation in religious movements during the Early Modern period in Europe has long been less commented upon in modern scholarship than that of their male counterparts. -
Miguel Fleta (1897-1938) Y Turandot (1926). Una Puesta En Escena Oriental
MIGUEL FLETA (1897-1938) Y TURANDOT (1926). UNA PUESTA EN ESCENA ORIENTAL Miguel Fleta (1897-1938) & Turandot (1926): An Oriental Mise-en-scène María Pilar Araguás Biescas* María Asunción Araguás Biescas** Universidad de Zaragoza Resumen La ópera inacabada Turandot del compositor italiano Giacomo Puccini (1858- 1924) fue una de las óperas japonistas cuyo argumento se desarrolla en China y cuya creación se enmarca en un período de moda e interés por el país del Sol Na- ciente. Estrenada en 1926 en La Scala de Milán narra la historia del príncipe Calaf que se enamora de la fría princesa Turandot. En su estreno participó el tenor ara- gonés Miguel Fleta (1897-1938) en el papel de Calaf. Palabras clave: Miguel Fleta, Turandot, Giacomo Puccini, ópera, japonismo Abstract Turandot is an opera by Giacomo Puccini (1858-1924) and it was an example of a Japonisme on music. The story, set in China, involves prince Calaf who falls in love with the cold princess Turandot. The opera was unfinished at the time of Puccini’s death in 1924. The first performance was held at the Teatro alla Scala in Milan. Miguel Fleta had the honour of creating the role of Calaf. Key words: Miguel Fleta, Turandot, Giacomo Puccini, opera, japonisme. * Doctora en Historia del Arte en la Universidad de Zaragoza. Investigadora del proyec- to I+D Coleccionismo y coleccionistas de arte japonés en España. Correo electrónico: [email protected]. Fecha de recepción del artículo: 1 de septiembre de 2011. Fecha de aceptación: 3 de octubre de 2011. ** Licenciada en Medicina y Cirugía por la Universidad de Zaragoza y estudios superiores de música en el Conservatorio de Sabiñánigo. -
Ceriani the Reception of Alberto Franchetti’S Works in the United States 271 Marialuisa Pepi Franchetti Attraverso I Documenti Del Gabinetto G.P
Alberto Franchetti. l’uomo, il compositore, l’artista Atti del convegno internazionale Reggio Emilia, 18-19 settembre 2010 a cura di Paolo Giorgi e Richard Erkens Alberto Franchetti. L’uomo, il compositore, l’artista il compositore, L’uomo, Franchetti. Alberto associazione per il musicista ALBERTO FRANCHETTI Alberto Franchetti l’uomo, il compositore, l’artista associazione per il musicista FRANCHETTI ALBERTO a cura di Paolo Giorgi e Richard Erkens € 30,00 LIM Libreria Musicale Italiana Questa pubblicazione è stata realizzata dall’Associazione per il musicista Alberto Franchetti, in collaborazione con il Comune di Regio Emilia / Biblioteca Panizzi, e con il sostegno di Stefano e Ileana Franchetti. Soci benemeriti dell’Associazione per il musicista Alberto Franchetti Famiglia Ponsi Stefano e Ileana Franchetti Fondazione I Teatri – Reggio Emilia Fondazione Pietro Manodori – Reggio Emilia Hotel Posta – Reggio Emilia Redazione, grafica e layout: Ugo Giani © 2015 Libreria Musicale Italiana srl, via di Arsina 296/f, 55100 Lucca [email protected] www.lim.it Tutti i diritti sono riservati. Nessuna parte di questa pubblicazione potrà essere riprodot- ta, archiviata in sistemi di ricerca e trasmessa in qualunque forma elettronica, meccani- ca, fotocopiata, registrata o altro senza il permesso dell’editore, dell’autore e del curatore. ISBN 978-88-7096-817-0 associazione per il musicista ALBERTO FRANCHETTI Alberto Franchetti l’uomo, il compositore, l’artista Atti del convegno internazionale Reggio Emilia, 18-19 settembre 2010 a cura di Paolo Giorgi e Richard Erkens Libreria Musicale Italiana Alla memoria di Elena Franchetti (1922-2009) Sommario Presentazione, Luca Vecchi xi Premessa, Stefano Maccarini Foscolo xiii Paolo Giorgi – Richard Erkens Introduzione xv Alberto Franchetti (1860-1942) l’uomo, il compositore, l’artista Parte I Dal sinfonista all’operista internazionale Antonio Rostagno Alberto Franchetti nel contesto del sinfonismo italiano di fine Ottocento 5 Emanuele d’Angelo Alla scuola di Boito. -
View and Download La Belle Époque Art Timeline
Timeline of the History of La Belle Époque: The Arts 1870 The Musikverein, home to the Vienna Philharmonic, is inaugurated in Vienna on January 6. The Metropolitan Museum of Art in New York is established on April 13, without a single work of art in its collection, without any staff, and without a gallery space. The museum would open to the public two years later, on February 20, 1872. Richard Wagner premieres his opera Die Walküre in Munich on June 26. Opening reception in the picture gallery at the Metropolitan Museum of Art, 681 Fifth Avenue; February 20, 1872. Wood engraving published in Frank Leslie’s Weekly, March 9, 1872. 1871 Giuseppe Verdi’s opera Aida premieres in Cairo, Egypt on December 24. Lewis Carroll publishes Through the Looking Glass, a sequel to his book Alice’s Adventures in Wonderland (1865). James McNeill Whistler paints Arrangement in Grey and Black No. 1, commonly known as “Whistler’s Mother”. John Tenniel – Tweedledee and Tweedledum, illustration in Chapter 4 of Lewis Carroll’s Through the Looking Glass and What Alice Found There, 1871. Source: Modern Library Classics 1872 Claude Monet paints Impression, Sunrise, credited with inspiring the name of the Impressionist movement. Jules Verne publishes Around the World in Eighty Days. Claude Monet – Impression, Sunrise (Impression, soleil levant), 1872. Oil on canvas. Musée Marmottan Monet, Paris. 1873 Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs (Co-operative and Anonymous Association of Painters, Sculptors, and Engravers) (subsequently the Impressionists) is organized by Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley in response to frustration over the Paris Salon. -
Catalogue 60
CATALOGUE 60 DIAMOND JUBILEE CATALOGUE A SPECIAL COLLECTION OF ROYAL AUTOGRAPHS AND MANUSCRIPTS FROM ELIZABETH I TO ELIZABETH II To Commemorate the Celebration of the Diamond Jubilee of Queen Elizabeth II I have put together a collection of Royal documents and photographs spanning the 400 years from the first Elizabethan age of ‘Gloriana’ to our own Elizabethan era. It includes every King and Queen in between and many of their children and grandchildren. All purchases will be sent by First Class Mail. All material is mailed abroad by Air. Insurance and Registration will be charged extra. VAT is charged at the Standard rate on Autograph Letters sold in the EEC, except in the case of manuscripts bound in the form of books. My VAT REG. No. is 341 0770 87. The 1993 VAT Regulations affect customers within the European Community. PAYMENT MAY BE MADE BY VISA, BARCLAYCARD, ACCESS, MASTERCARD OR AMEX from all Countries. Please quote card number, expiry date and security code together with your name and address and please confirm answerphone orders by fax or email. There is a secure ordering facility on my website. All material is guaranteed genuine and in good condition unless otherwise stated. Any item may be returned within three days of receipt. COVER PHOTOGRAPHY: Thomas Harrison Anthony & Austin James Farahar http://antiquesphotography.wordpress.com E-mail: [email protected] 66a Coombe Road, Kingston, KT2 7AE Tel: 07843 348748 PLEASE NOTE THAT ILLUSTRATIONS ARE NOT ACTUAL SIZE SOPHIE DUPRÉ Horsebrook House, XV The Green, Calne, -
Sabaudian States
Habent sua fata libelli EARLY MODERN STUDIES SERIES GENEraL EDITOR MICHAEL WOLFE St. John’s University EDITORIAL BOARD OF EARLY MODERN STUDIES ELAINE BEILIN raYMOND A. MENTZER Framingham State College University of Iowa ChRISTOPHER CELENZA ChARLES G. NAUERT Johns Hopkins University University of Missouri, Emeritus BARBAra B. DIEFENDORF ROBERT V. SCHNUCKER Boston University Truman State University, Emeritus PAULA FINDLEN NICHOLAS TERPSTra Stanford University University of Toronto SCOtt H. HENDRIX MARGO TODD Princeton Theological Seminary University of Pennsylvania JANE CAMPBELL HUTCHISON JAMES TraCY University of Wisconsin–Madison University of Minnesota MARY B. MCKINLEY MERRY WIESNER-HANKS University of Virginia University of Wisconsin–Milwaukee Sabaudian Studies Political Culture, Dynasty, & Territory 1400–1700 Edited by Matthew Vester Early Modern Studies 12 Truman State University Press Kirksville, Missouri Copyright © 2013 Truman State University Press, Kirksville, Missouri, 63501 All rights reserved tsup.truman.edu Cover art: Sabaudia Ducatus—La Savoie, copper engraving with watercolor highlights, 17th century, Paris. Photo by Matthew Vester. Cover design: Teresa Wheeler Library of Congress Cataloging-in-Publication Data Sabaudian Studies : Political Culture, Dynasty, and Territory (1400–1700) / [compiled by] Matthew Vester. p. cm. — (Early Modern Studies Series) Includes bibliographical references and index. ISBN 978-1-61248-094-7 (pbk. : alk. paper) — ISBN 978-1-61248-095-4 (ebook) 1. Savoy, House of. 2. Savoy (France and Italy)—History. 3. Political culture—Savoy (France and Italy)—History. I. Vester, Matthew A. (Matthew Allen), author, editor of compilation. DG611.5.S24 2013 944'.58503—dc23 2012039361 No part of this work may be reproduced or transmitted in any format by any means without writ- ten permission from the publisher. -
Early Modern Women an Interdisciplinary Journal
Early Modern Women an interdisciplinary journal Volume III, 2008 Editors Jane Donawerth Adele Seeff Diane Wolfthal Book Review Editor Editorial Assistant Artistic Director Karen L. Nelson Margaret Rice Richard Chapman Center for Renaissance & Baroque Studies University of Maryland, College Park Arizona Center for Medieval & Renaissance Studies Volume III Editorial Board, 2007–2008 Jane Couchman Karen L. Nelson Jane Donawerth Adele Seeff Nancy Gutierrez Mihoko Suzuki Amy Leonard Diane Wolfthal Katherine McIver Susanne Woods Margaret Mikesell Editorial Advisors, 2002–2008 Julia Marciari Alexander, Susan Dwyer Amussen, Linda Austern, Cristelle Baskins, Judith Bennett, Pamela J. Benson, Sheila Cavanagh, Elizabeth Cohen, Nicola Courtwright, Margaret Ezell, Susan Dinan, Valeria Finucci, Carole Collier Frick, Amy Froide, Mary Garrard, Elizabeth Hageman, Margaret Hannay, Joan E. Hartman, Wendy Heller, Margaret Hunt, Ann Rosalind Jones, Gwynne Kennedy, Andrea Knox, Natasha Korda, Thomasin K. LaMay, Mary Ellen Lamb, Elizabeth Lehfeldt, Carole Levin, Pamela O. Long, Phyllis Mack, Muriel McClendon, Sara H. Mendelson, Naomi J. Miller, Jacqueline Marie Musacchio, Lori Humphrey Newcomb, Lena Cowen Orlin, Mary Elizabeth Perry, Patricia Phillippy, Anne Lake Prescott, Albert Rabil, Jr., Phyllis Rackin, Magdalena S. Sanchez, Deanna Shemek, Bruce Smith, Hilda Smith, Sara Jayne Steen, Betty S. Travitsky, Retha Warnicke, Elspeth Whitney, Naomi Yavneh, Abby Zanger, Georgianna Ziegler Acknowledgements arly Modern Women: An Interdisciplinary Journal (EMWJ) is co- sponsored by the Center for Renaissance & Baroque Studies (CRBS) atE the University of Maryland and the Arizona Center for Medieval and Renaissance Studies. For their continued support of EMWJ, our warm- est thanks go to the Dean of the College of Arts and Humanities at the University of Maryland, James F. -
Cesare URTIS Forniture Elettriche Torino Milano, Around 1900 Pressed
Pressglas-Korrespondenz 2015-2 Abb. 2015-2/04-01 eBay Art.Nr. 231357752577, farbloses Pressglas, H 10,5 cm, B 6,5 cm, € 60,00, kein Gebot Art Nouveau Paperweight Cesare URTIS Forniture Elettriche Torino Milano, around 1900 pressed SG Mai 2015 Paperweight „Cesare URTIS Forniture Elettriche Torino Milano“ Hersteller unbekannt, Italien, 1900-1925? SG: Dieser Briefbeschwerer ist das erste Pressglas aus Italien, das in der PK seit über 15 Jahren dokumentiert werden kann!!! Es ist nicht gerade ein Prachtstück und miserabel fotografiert … … aber es könnte sein, dass der Entwurf von einem weit bekannten deutschen Plakat-Künstler stammt: Adolfo Hohenstein (1854 - 1928) Stand 26.05.2015 PK 2015-2/04 Seite 1 von 4 Seiten Pressglas-Korrespondenz 2015-2 Abb. 2015-2/04-02 eBay Art.Nr. 231357752577, farbloses Pressglas, H 10,5 cm, B 6,5 cm, € 60,00, kein Gebot Art Nouveau Paperweight Cesare URTIS Forniture Elettriche Torino Milano, around 1900 pressed Abb. 2015-2/04-03 Plakat Adolf Hohenstein Cesare URTIS Forniture Elettriche Torino Milano 1899 Seite 2 von 4 Seiten PK 2015-2/04 Stand 26.05.2015 Pressglas-Korrespondenz 2015-2 http://it.wikipedia.org/wiki/Adolf_Hohenstein: Abb. 2015-2/04-06 1899 Plakat Plakat Cesare URTIS Forniture Elettriche Torino Milano Cesare Urtis & Co. Torino. Forniture elettriche http://de.wikipedia.org/wiki/Adolfo_Hohenstein Adolf (Adolfo) Hohenstein (* 18. März 1854 in Sankt Petersburg; † 12. April 1928 in Bonn) war ein deutscher Maler, Illustrator, Bühnenbildner und Kostümdesigner. Hohenstein war einer der anerkanntesten Poster- Designer seiner Zeit und gilt als Vorreiter des Stile Liberty in Italien. Abb. 2015-2/04-04 Plakat Adolf Hohenstein Cesare URTIS Forniture Elettriche Torino Milano Abb.