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Manon Lescaut
CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 1 1 La Fenice prima dell’Opera 2010 1 2010 Fondazione Stagione 2010 Teatro La Fenice di Venezia Lirica e Balletto Giacomo Puccini Manon escaut L Lescaut anon anon m uccini p iacomo iacomo g FONDAZIONE TEATRO LA FENICE DI VENEZIA CopertaToPrint_lsc:v 18-01-2010 10:57 Pagina 2 foto © Michele Crosera Visite a Teatro Eventi Gestione Bookshop e merchandising Teatro La Fenice Gestione marchio Teatro La Fenice® Caffetteria Pubblicità Sponsorizzazioni Fund raising Per informazioni: Fest srl, Fenice Servizi Teatrali San Marco 4387, 30124 Venezia Tel: +39 041 786672 - Fax: +39 041 786677 [email protected] - www.festfenice.com FONDAZIONE AMICI DELLA FENICE STAGIONE 2010 Incontro con l’opera Teatro La Fenice - Sale Apollinee lunedì 25 gennaio 2010 ore 18.00 LUCA MOSCA Manon Lescaut Teatro La Fenice - Sale Apollinee venerdì 5 febbraio 2010 ore 18.00 PIERO MIOLI Il barbiere di Siviglia Teatro La Fenice - Sale Apollinee mercoledì 10 marzo 2010 ore 18.00 ENZO RESTAGNO Dido and Aeneas Teatro La Fenice - Sale Apollinee venerdì 14 maggio 2010 ore 18.00 LORENZO ARRUGA Don Giovanni Teatro La Fenice - Sale Apollinee lunedì 21 giugno 2010 ore 18.00 GIORGIO PESTELLI The Turn of the Screw Teatro La Fenice - Sale Apollinee mercoledì 22 settembre 2010 ore 18.00 Clavicembalo francese a due manuali copia dello MICHELE DALL’ONGARO strumento di Goermans-Taskin, costruito attorno alla metà del XVIII secolo (originale presso la Russell Rigoletto Collection di Edimburgo). Opera del M° cembalaro Luca Vismara di Seregno Teatro La Fenice - Sale Apollinee (MI); ultimato nel gennaio 1998. -
Stony Brook Opera 2015-2016 Season
LONG ISLAND OPERA GUILD NEWSLETTER MARCH 2016 Stony Brook Opera 2015-2016 Season A letter from the Artistic Director of Stony Brook Opera Our current season will end with a semi-staged concert performance of Giacomo Puccini’s beloved masterpiece La Department and friends from New York City who attended Bohème, sung in the original Italian language with projected those performances all told me that from a theatrical point of titles in English. The Stony Brook Symphony will be on stage, view nothing was lacking, and that they enjoyed immensely with the opera chorus behind it on risers. The Stony Brook being able to see how the singers, chorus, and orchestra Opera cast will perform from memory on the stage space in interact in the overall musical and dramatic experience. That is front of the orchestra. Timothy Long will conduct the cast, not possible when the orchestra is out of sight, as it always is chorus and orchestra. Brenda Harris, Performing Artist in in a full production. From a theatrical point of view, La Residence and a leading soprano in American regional opera Bohème presents a far greater challenge than Lucia did, in part will direct the singers, who will be fully blocked, and will use because it calls for so many “things” on stage throughout the props and furniture and minimal costuming as appropriate. opera—not only essential furniture pieces, but also numerous Tomas Del Valle of the Theatre Arts Department makes his small hand props, all of which are vital to the narrative, and Stony Brook Opera debut as the lighting designer, and he is carry great emotional weight in the plot, such as the candle planning exciting theatrical lighting for the space where the and the key, and Mimì’s bonnet, to name a few. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright PROFESSIONAL EYES: FEMINIST CRIME FICTION BY FORMER CRIMINAL JUSTICE PROFESSIONALS by Lili Pâquet A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Sydney 2015 DECLARATION OF ORIGINALITY I hereby certify that this thesis is entirely my own work and that any material written by others has been acknowledged in the text. The thesis has not been presented for a degree or for any other purposes at The University of Sydney or at any other university of institution. -
MANON LESCAUT Giacomo Puccini Ritratto Da Luigi De Servi
FONDAZIONE TEATRO LA FENICE DI VENEZIA MANON LESCAUT Giacomo Puccini ritratto da Luigi De Servi. (Lucca, Museo Nazionale di Villa Guinigi). 2 FONDAZIONE TEATRO LA FENICE DI VENEZIA MANON LESCAUT dramma lirico in quattro atti NIKOLAJ RIMSKIJ-KORSAKOV musica di GIACOMO PUCCINI PALAFENICE AL TRONCHETTO Venerdì 24 marzo 2000, ore 20.00, turno A Domenica 26 marzo 2000, ore 15.30, turno B Martedì 28 marzo 2000, ore 20.00, turno D Giovedì 30 marzo 2000, ore 20.00, turno E Sabato 1 aprile 2000, ore 15.30, turno C 3 —————— Edizioni dell’Ufficio Stampa del TEATRO LA FENICE Responsabile Cristiano Chiarot Coordinamento musicologico e redazionale Carlida Steffan Ricerca iconografica Maria Teresa Muraro Copertina Tapiro Pubblicità AP srl Torino 4 SOMMARIO 7 LA LOCANDINA 11 IL LIBRETTO 52 MANON LESCAUT IN BREVE 54 ARGOMENTO - ARGUMENT - SYNOPSIS - HANDLUNG 65 ADRIANA GUARNIERI CORAZZOL LE POLIFONIE DI MANON LESCAUT 77 FRANCESCO CESARI GLI AMANTI IN FUGA 91 GIACOMO PUCCINI a cura di MIRKO SCHIPILLITI 107 BIBLIOGRAFIA ESSENZIALE a cura di GILDO SALERNO 113 WWW.MANON LESCAUT 114 BIOGRAFIE 5 Foto di scena di Manon Lescaut. Nancy, Opéra di Nancy, 1999. Allestimento in coproduzione con il Teatro La Fenice di Venezia. 6 LA LOCANDINA MANON LESCAUT dramma lirico in quattro atti libretto di RUGGERO LEONCAVALLO, DOMENICO OLIVA, GIULIO RICORDI, LUIGI ILLICA, MARCO PRAGA, GIUSEPPE GIACOSA, GIACOMO PUCCINI musica di GIACOMO PUCCINI CASA MUSICALE RICORDI, MILANO personaggi ed interpreti Manon Lescaut NORMA FANTINI (24, 26, 28, 30/3) LISA HOUBEN (1/4) Lescaut, sergente -
Tutor: José De Coca Leicher Coordinadora: Mercedes González Departamento De Ideación Gráfica Semestre De Otoño Curso 2019-2020
REALISMO DEL ESPACIO ESCÉNICO EN La Bohème Ana Riau Warleta TRABAJO DE FIN DE GRADO AULA 1 Tutor: José de Coca Leicher Coordinadora: Mercedes González Departamento de Ideación Gráfica Semestre de otoño curso 2019-2020 ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA DE MADRID UNIVERSIDAD POLITÉCNICA DE MADRID Enero 2020 « Los diferentes ingredientes de la ópera son la poesía, la música y la escenografía. La poesía habla a nuestro espíritu, la música a nuestro oído, la pintura a nuestros ojos, y todo junto contribuye a conmover nuestro corazón. » Jean-Jacques Rousseau Ι Realismo del espacio escénico en La Bohème ABSTRACT El presente Trabajo de Fin de Grado pretende profundizar sobre los espacios creados en escena, cen- trándose en un caso de estudio concreto: la ópera La Bohème de Giacomo Puccini, en la producción del escenógrafo Giancarlo del Monaco representada en el Teatro Real de Madrid en 2006. El estudio buscará un punto de convergencia entre la arquitectura y la escenografía, con el objetivo de profundizar sobre la importancia del realismo en los espacios escénicos. Para ello, se realizará un primer acercamiento al contexto y arquitectura del París del siglo XIX, con el fin de establecer comparaciones entre la realidad existente de la época y el montaje de Del Mónaco. Se estudiarán igualmente los aspectos que envuelven a la obra, destacando aquellos que hacen única y especial a La Bohème, y la fusión que Puccini crea entre el Verismo y el Romanticismo. Partiendo de esta base, el trabajo estará basado en la reconstrucción del proceso de diseño en los distintos cuadros de La Bohème, abarcando el entendimiento de los espacios arquitectónicos concebidos en esce- na. -
Gas Tax up for Renewal Today County Sets June 5 Date for Public Hearing
SPORTS LOCAL Red & Black game Crash sends 1 ends in tie, 1B. to hospital, 3A. JASON MATTHEW WALKER/Lake City Reporter PATRICK SCOTT/Special to the Reporter WEEKEND EDITION FRIDAY & SATURDAY, MAY 16-17, 2014 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | 75¢ Lake City Reporter LAKECITYREPORTER.COM Gas tax up for renewal Today County sets June 5 date for public hearing. Revenues from the tax have cally the county would scale back Antique Bottle show gone toward local road improve- the lost revenue amounts in those The Florida Antique By TONY BRITT a four cent local option fuel tax ments and transportation proj- projects,” County Manager Dale Bottle Collectors Show will [email protected] that has been in effect more than ects. Williams said after the meeting. be at the Columbia County 25 years. The hearing date was “We use the proceeds from the The tax will lapse Dec. 31 unless Fairground May 16 from The county commission will chosen at Thursday’s county com- tax to fund transportation projects 4-7 p.m. and May 17 from 8 decide June 5 whether to renew mission meeting. and if it’s not renewed then basi- GAS TAX continued on 3A a.m. to 3 p.m. Early buyers admission is $20; general admission is $3. There are still tables available at a cost of $35 each. A portion of the proceeds will go to Fellowship Church in High Springs. Call 386-804-9635 Tornado touches down with questions. Farmers Market No injuries in small twister. The Live Oak farm- ers market is now open By MEGAN REEVES Fridays from 12-6 p.m. -
Miguel Fleta (1897-1938) Y Turandot (1926). Una Puesta En Escena Oriental
MIGUEL FLETA (1897-1938) Y TURANDOT (1926). UNA PUESTA EN ESCENA ORIENTAL Miguel Fleta (1897-1938) & Turandot (1926): An Oriental Mise-en-scène María Pilar Araguás Biescas* María Asunción Araguás Biescas** Universidad de Zaragoza Resumen La ópera inacabada Turandot del compositor italiano Giacomo Puccini (1858- 1924) fue una de las óperas japonistas cuyo argumento se desarrolla en China y cuya creación se enmarca en un período de moda e interés por el país del Sol Na- ciente. Estrenada en 1926 en La Scala de Milán narra la historia del príncipe Calaf que se enamora de la fría princesa Turandot. En su estreno participó el tenor ara- gonés Miguel Fleta (1897-1938) en el papel de Calaf. Palabras clave: Miguel Fleta, Turandot, Giacomo Puccini, ópera, japonismo Abstract Turandot is an opera by Giacomo Puccini (1858-1924) and it was an example of a Japonisme on music. The story, set in China, involves prince Calaf who falls in love with the cold princess Turandot. The opera was unfinished at the time of Puccini’s death in 1924. The first performance was held at the Teatro alla Scala in Milan. Miguel Fleta had the honour of creating the role of Calaf. Key words: Miguel Fleta, Turandot, Giacomo Puccini, opera, japonisme. * Doctora en Historia del Arte en la Universidad de Zaragoza. Investigadora del proyec- to I+D Coleccionismo y coleccionistas de arte japonés en España. Correo electrónico: [email protected]. Fecha de recepción del artículo: 1 de septiembre de 2011. Fecha de aceptación: 3 de octubre de 2011. ** Licenciada en Medicina y Cirugía por la Universidad de Zaragoza y estudios superiores de música en el Conservatorio de Sabiñánigo. -
Ceriani the Reception of Alberto Franchetti’S Works in the United States 271 Marialuisa Pepi Franchetti Attraverso I Documenti Del Gabinetto G.P
Alberto Franchetti. l’uomo, il compositore, l’artista Atti del convegno internazionale Reggio Emilia, 18-19 settembre 2010 a cura di Paolo Giorgi e Richard Erkens Alberto Franchetti. L’uomo, il compositore, l’artista il compositore, L’uomo, Franchetti. Alberto associazione per il musicista ALBERTO FRANCHETTI Alberto Franchetti l’uomo, il compositore, l’artista associazione per il musicista FRANCHETTI ALBERTO a cura di Paolo Giorgi e Richard Erkens € 30,00 LIM Libreria Musicale Italiana Questa pubblicazione è stata realizzata dall’Associazione per il musicista Alberto Franchetti, in collaborazione con il Comune di Regio Emilia / Biblioteca Panizzi, e con il sostegno di Stefano e Ileana Franchetti. Soci benemeriti dell’Associazione per il musicista Alberto Franchetti Famiglia Ponsi Stefano e Ileana Franchetti Fondazione I Teatri – Reggio Emilia Fondazione Pietro Manodori – Reggio Emilia Hotel Posta – Reggio Emilia Redazione, grafica e layout: Ugo Giani © 2015 Libreria Musicale Italiana srl, via di Arsina 296/f, 55100 Lucca [email protected] www.lim.it Tutti i diritti sono riservati. Nessuna parte di questa pubblicazione potrà essere riprodot- ta, archiviata in sistemi di ricerca e trasmessa in qualunque forma elettronica, meccani- ca, fotocopiata, registrata o altro senza il permesso dell’editore, dell’autore e del curatore. ISBN 978-88-7096-817-0 associazione per il musicista ALBERTO FRANCHETTI Alberto Franchetti l’uomo, il compositore, l’artista Atti del convegno internazionale Reggio Emilia, 18-19 settembre 2010 a cura di Paolo Giorgi e Richard Erkens Libreria Musicale Italiana Alla memoria di Elena Franchetti (1922-2009) Sommario Presentazione, Luca Vecchi xi Premessa, Stefano Maccarini Foscolo xiii Paolo Giorgi – Richard Erkens Introduzione xv Alberto Franchetti (1860-1942) l’uomo, il compositore, l’artista Parte I Dal sinfonista all’operista internazionale Antonio Rostagno Alberto Franchetti nel contesto del sinfonismo italiano di fine Ottocento 5 Emanuele d’Angelo Alla scuola di Boito. -
Mothers Grimm Free
FREE MOTHERS GRIMM PDF Danielle Wood | 224 pages | 01 Oct 2016 | Allen & Unwin | 9781741756746 | English | St Leonards, Australia Mother Goose & Grimm/Mike Peters Website The following is a list of the cast and characters from the NBC television series Grimm. Nicholas Burkhardt played by David Giuntoli is the show's protagonist and titular Grimm. Nick is a homicide detective who discovers he is descended from a line of Grimms : hunters who fight supernatural forces. Even before his abilities manifested, Nick Mothers Grimm an exceptional ability to make quick Mothers Grimm accurate deductions about the motivations and pasts of individuals. This power has now expressed itself as his ability to perceive the Mothers Grimm that nobody else can see. Nick had wanted to propose to his girlfriend, Juliette, for some time, but he felt that he Mothers Grimm have to tell her about his life as a Grimm beforehand. Throughout the first season, Nick struggles to maintain balance Mothers Grimm his normal life and his life as a grimm. The two tend to cross when he works cases that involve wesenwhich are the creatures of the grimm world. As Nick dives deeper into his grimm heritage, he begins to train with Monroe to learn about the wesen Mothers Grimm Portland and to use the Mothers Grimm that his aunt Marie left behind. As of episode 19, Nick had successfully killed three reaperscreatures that are sent out to kill grimms hence the grimm reaper title. He kills the first in defense of Marie, and the other two are killed in self-defense after being sent Nick's lead suspect in a case. -
View and Download La Belle Époque Art Timeline
Timeline of the History of La Belle Époque: The Arts 1870 The Musikverein, home to the Vienna Philharmonic, is inaugurated in Vienna on January 6. The Metropolitan Museum of Art in New York is established on April 13, without a single work of art in its collection, without any staff, and without a gallery space. The museum would open to the public two years later, on February 20, 1872. Richard Wagner premieres his opera Die Walküre in Munich on June 26. Opening reception in the picture gallery at the Metropolitan Museum of Art, 681 Fifth Avenue; February 20, 1872. Wood engraving published in Frank Leslie’s Weekly, March 9, 1872. 1871 Giuseppe Verdi’s opera Aida premieres in Cairo, Egypt on December 24. Lewis Carroll publishes Through the Looking Glass, a sequel to his book Alice’s Adventures in Wonderland (1865). James McNeill Whistler paints Arrangement in Grey and Black No. 1, commonly known as “Whistler’s Mother”. John Tenniel – Tweedledee and Tweedledum, illustration in Chapter 4 of Lewis Carroll’s Through the Looking Glass and What Alice Found There, 1871. Source: Modern Library Classics 1872 Claude Monet paints Impression, Sunrise, credited with inspiring the name of the Impressionist movement. Jules Verne publishes Around the World in Eighty Days. Claude Monet – Impression, Sunrise (Impression, soleil levant), 1872. Oil on canvas. Musée Marmottan Monet, Paris. 1873 Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs (Co-operative and Anonymous Association of Painters, Sculptors, and Engravers) (subsequently the Impressionists) is organized by Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley in response to frustration over the Paris Salon. -
TLEX GRID (EAST REGULAR) - JULY 2021 (7/5/2021 - 7/11/2021) - WEEK #28 Date Updated:6/25/2021 11:36:51 AM
TLEX GRID (EAST REGULAR) - JULY 2021 (7/5/2021 - 7/11/2021) - WEEK #28 Date Updated:6/25/2021 11:36:51 AM MON (7/5/2021) TUE (7/6/2021) WED (7/7/2021) THU (7/8/2021) FRI (7/9/2021) SAT (7/10/2021) SUN (7/11/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR -
Cesare URTIS Forniture Elettriche Torino Milano, Around 1900 Pressed
Pressglas-Korrespondenz 2015-2 Abb. 2015-2/04-01 eBay Art.Nr. 231357752577, farbloses Pressglas, H 10,5 cm, B 6,5 cm, € 60,00, kein Gebot Art Nouveau Paperweight Cesare URTIS Forniture Elettriche Torino Milano, around 1900 pressed SG Mai 2015 Paperweight „Cesare URTIS Forniture Elettriche Torino Milano“ Hersteller unbekannt, Italien, 1900-1925? SG: Dieser Briefbeschwerer ist das erste Pressglas aus Italien, das in der PK seit über 15 Jahren dokumentiert werden kann!!! Es ist nicht gerade ein Prachtstück und miserabel fotografiert … … aber es könnte sein, dass der Entwurf von einem weit bekannten deutschen Plakat-Künstler stammt: Adolfo Hohenstein (1854 - 1928) Stand 26.05.2015 PK 2015-2/04 Seite 1 von 4 Seiten Pressglas-Korrespondenz 2015-2 Abb. 2015-2/04-02 eBay Art.Nr. 231357752577, farbloses Pressglas, H 10,5 cm, B 6,5 cm, € 60,00, kein Gebot Art Nouveau Paperweight Cesare URTIS Forniture Elettriche Torino Milano, around 1900 pressed Abb. 2015-2/04-03 Plakat Adolf Hohenstein Cesare URTIS Forniture Elettriche Torino Milano 1899 Seite 2 von 4 Seiten PK 2015-2/04 Stand 26.05.2015 Pressglas-Korrespondenz 2015-2 http://it.wikipedia.org/wiki/Adolf_Hohenstein: Abb. 2015-2/04-06 1899 Plakat Plakat Cesare URTIS Forniture Elettriche Torino Milano Cesare Urtis & Co. Torino. Forniture elettriche http://de.wikipedia.org/wiki/Adolfo_Hohenstein Adolf (Adolfo) Hohenstein (* 18. März 1854 in Sankt Petersburg; † 12. April 1928 in Bonn) war ein deutscher Maler, Illustrator, Bühnenbildner und Kostümdesigner. Hohenstein war einer der anerkanntesten Poster- Designer seiner Zeit und gilt als Vorreiter des Stile Liberty in Italien. Abb. 2015-2/04-04 Plakat Adolf Hohenstein Cesare URTIS Forniture Elettriche Torino Milano Abb.