TLEX GRID (EAST REGULAR) - JULY 2021 (7/5/2021 - 7/11/2021) - WEEK #28 Date Updated:6/25/2021 11:36:51 AM

Total Page:16

File Type:pdf, Size:1020Kb

TLEX GRID (EAST REGULAR) - JULY 2021 (7/5/2021 - 7/11/2021) - WEEK #28 Date Updated:6/25/2021 11:36:51 AM TLEX GRID (EAST REGULAR) - JULY 2021 (7/5/2021 - 7/11/2021) - WEEK #28 Date Updated:6/25/2021 11:36:51 AM MON (7/5/2021) TUE (7/6/2021) WED (7/7/2021) THU (7/8/2021) FRI (7/9/2021) SAT (7/10/2021) SUN (7/11/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR PAID PROGRAM PAID PROGRAM 08:30A 08:30A NOT (2000) NOT (2000) NOT (2000) NOT (2000) NOT (2000) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM 09:00A Episode 6 Episode 7 Episode 8 Episode 9 Episode 10 09:00A CC CC CC CC CC (SUBNETWORK) (NETWORK) TICKING CLOCK (2011) DEVIL'S TOMB, THE BURIED (2010) FREELANCERS (2012) STRANGERS, THE (2008) PAID PROGRAM PAID PROGRAM 09:30A 09:30A CC (2009) CC CC CC (SUBNETWORK) (NETWORK) XPLORATION DIY SCI FCC-E/I PAID PROGRAM 10:00A CC 10:00A SODA (NETWORK) XPLORATION ANIMAL PAID PROGRAM 10:30A 10:30A SCIENCE FCC-E/I The (NETWORK) XPLORATION NATURE PAID PROGRAM 11:00A 11:00A KNOWS BEST FCC-E/I Bio- (NETWORK) FUNNIEST PETS/PEOPLE FUNNIEST PETS/PEOPLE XPLORATION AWESOME PAID PROGRAM 11:30A 11:30A EPISODE 58 EPISODE 61 PLANET FCC-E/I Extinction (NETWORK) XENA XENA XENA XENA XENA XPLORATION EARTH 2050 POKEMON 12:00P 12:00P LITTLE PROBLEMS SEEDS OF FAITH LYRE, LYRE, HEARTS ON PUNCH LINES GOD FEARING CHILD FCC-E/I Workbots-Robots For Just Add Water XPLORATION OUTER SPACE POKEMON 12:30P TV-PG-V TV-PG-V FIRE TV-PG-V TV-PG-V 12:30P CC CC TV-PG-V CC CC FCC-E/I Astronaut Training Lapras of Luxury HERCULES HERCULES HERCULES HERCULES HERCULES PAID PROGRAM POKEMON 01:00P 01:00P FULL CIRCLE THE WRONG PATH EYE OF THE BEHOLER THE ROAD TO CALYDON THE FESTIVAL OF (NETWORK) Hatch Me If You Can PAID PROGRAM POKEMON 01:30P CC TV-PG-V CC CC DIONYSUS 01:30P CC CC (NETWORK) Entei at Your Own Risk KNIGHT RIDER KNIGHT RIDER KNIGHT RIDER KNIGHT RIDER KNIGHT RIDER ZORRO AVENGERS 02:00P 02:00P Halloween Knight K.I.T.T. vs. K.A.R.R. The Rotten Apples Knight in Disgrace Lost Knight THE LEGEND BEGINS: CONFIDENTIAL: BLACK ZORRO 02:30P CC CC CC CC CC 02:30P WIDOW & PUNISHER THE LEGEND BEGINS: (2014) Miami Vice. Miami Vice. Miami Vice. Miami Vice. Miami Vice. ZORRO 03:00P 03:00P CC MIRROR IMAGE HOSTILE TAKEOVER (3) REDEMPTION IN BLOOD HEART OF NIGHT BAD TIMING PRIDE OF THE PUEBLO ZORRO 03:30P TV-PG PT 1 (4) PT 2 TV-PG TV-PG 03:30P CC TV-PG TV-PG CC CC HONOR THY FATHER Grimm Grimm Grimm Grimm Grimm RED WATER (2003) STARSHIP TROOPERS: 04:00P 04:00P PTZD DISH BEST SERVED ONE NIGHT STAND EL CUCUY STORIES WE TELL OUR CC TRAITOR OF MARS (2017) 04:30P CC COLD, A CC CC YOUNG 04:30P CC CC CC CASO CERRADO CASO CERRADO CASO CERRADO CASO CERRADO CASO CERRADO 05:00P 05:00P EPISODE 36 EPISODE 38 EPISODE 40 EPISODE 42 EPISODE 44 05:30P CC CC CC CC CC 05:30P CASO CERRADO 2014 CASO CERRADO 2014 CASO CERRADO 2014 CASO CERRADO 2014 CASO CERRADO 2014 PIXELS (2015) 06:00P 06:00P EPISODE 37 EPISODE 39 EPISODE 41 EPISODE 43 EPISODE 45 CC IN THE LINE OF FIRE 06:30P CC CC CC CC CC 06:30P (1993) Covert Affairs Covert Affairs Covert Affairs Covert Affairs Covert Affairs 07:00P 07:00P CC LEVITATE ME DEAD SOMETHING AGAINST NO. 13 BABY RIVER EUPHRATES 07:30P CC CC YOU CC CC 07:30P CC LAW & ORDER LAW & ORDER LAW & ORDER LAW & ORDER MONUMENTS MEN, THE AMAZING SPIDER-MAN 2, 08:00P 08:00P CUT ALL IN THE FAMILY BROTHERHOOD, THE GUNPLAY (2014) THE (2014) 08:30P CC CC CC CC CC 08:30P CC MIAMI VICE (2006) BURIED (2010) FREELANCERS (2012) FEW GOOD MEN, A (1992) 09:00P 09:00P CC CC CC CC TICKING CLOCK (2011) 09:30P 09:30P CC 10:00P 10:00P RED WATER (2003) 10:30P 10:30P CC AVENGERS 11:00P 11:00P CONFIDENTIAL: BLACK FUNNIEST PETS/PEOPLE FUNNIEST PETS/PEOPLE 11:30P 11:30P WIDOW & PUNISHER EPISODE 59 EPISODE 60 (2014) LAW & ORDER LAW & ORDER LAW & ORDER LAW & ORDER FUNNIEST PETS/PEOPLE 12:00A 12:00A CC CUT ALL IN THE FAMILY BROTHERHOOD, THE GUNPLAY EPISODE 62 FUNNIEST PETS/PEOPLE 12:30A CC CC CC CC 12:30A EPISODE 63 PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM FUNNIEST PETS/PEOPLE FUNNIEST PETS/PEOPLE 01:00A 01:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) EPISODE 64 EPISODE 61 SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 01:30A 01:30A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) 02:00A 02:00A 02:30A 02:30A 03:00A 03:00A 03:30A 03:30A 04:00A 04:00A 04:30A 04:30A TLEX GRID (EAST REGULAR) - JULY 2021 (7/12/2021 - 7/18/2021) - WEEK #29 Date Updated:6/25/2021 11:36:51 AM MON (7/12/2021) TUE (7/13/2021) WED (7/14/2021) THU (7/15/2021) FRI (7/16/2021) SAT (7/17/2021) SUN (7/18/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) 7/7/2021 9:36:56 AM Page 1 of 5 PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR RIPLEY'S BELIEVE IT OR PAID PROGRAM PAID PROGRAM 08:30A 08:30A NOT (2000) NOT (2000) NOT (2000) NOT (2000) NOT (2000) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM 09:00A Episode 11 Episode 12 Episode 13 Episode 14 Episode 15 09:00A CC CC CC CC CC (SUBNETWORK) (NETWORK) STARSHIP TROOPERS: FEW GOOD MEN, A (1992) AVENGERS MIAMI VICE (2006) MONUMENTS MEN, THE PAID PROGRAM PAID PROGRAM 09:30A 09:30A TRAITOR OF MARS (2017) CC CONFIDENTIAL: BLACK CC (2014) (SUBNETWORK) (NETWORK) XPLORATION DIY SCI FCC-E/I PAID PROGRAM 10:00A CC WIDOW & PUNISHER CC 10:00A (2014) INERTIA (NETWORK) XPLORATION ANIMAL PAID PROGRAM 10:30A CC 10:30A SCIENCE FCC-E/I Arctic (NETWORK) XPLORATION NATURE PAID PROGRAM 11:00A 11:00A KNOWS BEST FCC-E/I The (NETWORK) FUNNIEST PETS/PEOPLE FUNNIEST PETS/PEOPLE XPLORATION AWESOME PAID PROGRAM 11:30A 11:30A EPISODE 62 EPISODE 68 PLANET FCC-E/I Ecosystems (NETWORK) XENA XENA XENA XPLORATION EARTH 2050 POKEMON 12:00P 12:00P ETERNAL BONDS AMPHIPOLIS UNDER MARRIED WITH FISH FCC-E/I The Future of Food A Crowning Achievement FUNNIEST PETS/PEOPLE FUNNIEST PETS/PEOPLE XPLORATION OUTER SPACE POKEMON 12:30P TV-PG-V SIEGE STICKS 12:30P CC EPISODE 66 TV-PG-V EPISODE 71 TV-PG-V FCC-E/I Robots in Space Here's Lookin' at You, HERCULES HERCULES HERCULES HERCULES HERCULES PAID PROGRAM POKEMON 01:00P 01:00P ARES AS DARKNESS FALLS PRIDE COMES BEFORE A THE MARCH OF THE WARRIOR PRINCESS (NETWORK) You're a Star, Larvitar PAID PROGRAM POKEMON 01:30P CC CC BRAWL FREEDOM CC 01:30P CC CC (NETWORK) Address Unown! KNIGHT RIDER KNIGHT RIDER KNIGHT RIDER KNIGHT RIDER KNIGHT RIDER ZORRO DEVIL'S TOMB, THE 02:00P 02:00P Knight of the Chameleon Custom Made Killer Knight by a Nose Junk Yard Dog Buy Out THE MAGICIAN (2009) ZORRO 02:30P CC CC CC CC CC 02:30P CC WHEREABOUTS Miami Vice.
Recommended publications
  • Common Forest Trees of NC
    FFOORREESSTT TTRREEEESS OF NORTH CAROLINA North Carolina Forest Service TWENTIETH EDITION 2012 North Carolina Department of Agriculture and Consumer Services The North Carolina Forest Service is an equal opportunity/affirmative action employer. Its programs, activities and employment practices are available to all people regardless of race, color, religion, sex, age, national origin, handicap or political affiliation. COMMON FOREST TREES OF NORTH CAROLINA ( R E V I S E D ) A POCKET MANUAL Produced by the North Carolina Department of Agriculture and Consum er Services North Carolina Forest Service Wib L. Owen, State Forester TWENTIETH EDITION 2012 Foreword Trees may be the oldest and largest living things in nature. They are closely associated with our daily lives, yet most of us know little about them and barely can tell one type of tree from another. Sixteen editions of this handy pocket guide have been printed since John Simcox Holmes, North Carolina's first State Forester, put together the first edition in 1922. Holmes' idea was to provide an easy-to-use reference guide to help people of all ages recognize many of our common forest trees on sight. That goal has not changed. Although the book has changed little, some uses of wood and general information about the trees have. Carriages and wagons, for example, aren't often made from Shagbark hickory (or anything else) anymore, and Loblolly pine now is used for making tremendous amounts of pine plywood, something unheard of in the 1920's. Keeping these changes in mind, we revised Common Forest Trees of North Carolina in 1977 and 1995.
    [Show full text]
  • Metro Response to Public Comments Proposed License for Grimm's Fuel
    Metro response to public comments Proposed license for Grimm’s Fuel Company Metro response to public comments received during the comment period in October through November 2018 regarding proposed license conditions for Grimm’s Fuel Company. Prepared by Hila Ritter January 4, 2019 BACKGROUND Grimm’s Fuel Company (Grimm’s), is a locally-owned and operated Metro-licensed yard debris composting facility that primarily accepts yard debris for composting. In general, Metro’s licensing requirements for a composting facility set conditions for receiving, managing, and transferring yard debris and other waste at the facility. The Oregon Department of Environmental Quality (DEQ) also has distinct yet complementary requirements for composting facilities and monitors environmental impacts of facilities to protect air, soil, and water quality. Metro and DEQ work closely together to provide regulatory oversight of solid waste facilities such as Grimm’s. On October 22, 2018, Metro opened a formal public comment period for several new conditions of the draft license for Grimm’s. The public comment period closed on November 30, 2018. Metro also hosted a community conversation during that time to further solicit input and discuss next steps. During the formal comment period, Metro received 119 written comments from individuals and businesses (attached). Metro received an additional six written comments via email after the comment period closed at 5 p.m. on November 30, which did not become an official part of the record. After the comment period closed, members of the Tualatin community requested that Metro extend the term of Grimm’s current license for an additional two months to allow the public an opportunity to review the new proposed license in its entirety before it is issued.
    [Show full text]
  • Gone Girl : a Novel / Gillian Flynn
    ALSO BY GILLIAN FLYNN Dark Places Sharp Objects This author is available for select readings and lectures. To inquire about a possible appearance, please contact the Random House Speakers Bureau at [email protected] or (212) 572-2013. http://www.rhspeakers.com/ This book is a work of ction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used ctitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2012 by Gillian Flynn Excerpt from “Dark Places” copyright © 2009 by Gillian Flynn Excerpt from “Sharp Objects” copyright © 2006 by Gillian Flynn All rights reserved. Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. www.crownpublishing.com CROWN and the Crown colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Flynn, Gillian, 1971– Gone girl : a novel / Gillian Flynn. p. cm. 1. Husbands—Fiction. 2. Married people—Fiction. 3. Wives—Crimes against—Fiction. I. Title. PS3606.L935G66 2012 813’.6—dc23 2011041525 eISBN: 978-0-307-58838-8 JACKET DESIGN BY DARREN HAGGAR JACKET PHOTOGRAPH BY BERND OTT v3.1_r5 To Brett: light of my life, senior and Flynn: light of my life, junior Love is the world’s innite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnicent rose smelling faintly of blood.
    [Show full text]
  • Mothers Grimm Kindle
    MOTHERS GRIMM PDF, EPUB, EBOOK Danielle Wood | 224 pages | 01 Oct 2016 | Allen & Unwin | 9781741756746 | English | St Leonards, Australia Mothers Grimm PDF Book Showing An aquatic reptilian-like creature that is an exceptional swimmer. They have a temper that they control and release to become effective killers, particularly when a matter involves a family member or loved one. She took Nick to Weston's car and told Nick that he knew Adalind was upstairs with Renard, and the two guys Weston sent around back knew too. When Wu asks how she got over thinking it was real, she tells him that it didn't matter whether it was real, what mattered was losing her fear of it. Dick Award Nominee I found the characters appealing, and the plot intriguing. This wesen is portrayed as the mythological basis for the Three Little Pigs. The tales are very dark, and while the central theme is motherhood, the stories are truly about womanhood, and society's unrealistic and unfair expectations of all of us. Paperback , pages. The series presents them as the mythological basis for The Story of the Three Bears. In a phone call, his parents called him Monroe, seeming to indicate that it is his first name. The first edition contained 86 stories, and by the seventh edition in , had unique fairy tales. Danielle is currently teaching creative writing at the University of Tasmania. The kiss of a musai secretes a psychotropic substance that causes obsessive infatuation. View all 3 comments. He asks Sean Renard, a police captain, to endorse him so he would be elected for the mayor position.
    [Show full text]
  • An Analysis of the Devil in the Original Folk and Fairy Tales
    Syncretism or Superimposition: An Analysis of the Devil in The Original Folk and Fairy Tales of the Brothers Grimm Tiffany Stachnik Honors 498: Directed Study, Grimm’s Fairy Tales April 8, 2018 1 Abstract Since their first full publication in 1815, the folk and fairy tales of the Brothers Grimm have provided a means of studying the rich oral traditions of Germany. The Grimm brothers indicated time and time again in their personal notes that the oral traditions found in their folk and fairy tales included symbols, characters, and themes belonging to pre-Christian Germanic culture, as well as to the firmly Christian German states from which they collected their folk and fairy tales. The blending of pre-Christian Germanic culture with Christian, German traditions is particularly salient in the figure of the devil, despite the fact that the devil is arguably one of the most popular Christian figures to date. Through an exploration of the phylogenetic analyses of the Grimm’s tales featuring the devil, connections between the devil in the Grimm’s tales and other German or Germanic tales, and Christian and Germanic symbolism, this study demonstrates that the devil in the Grimm’s tales is an embodiment of syncretism between Christian and pre-Christian traditions. This syncretic devil is not only consistent with the history of religious transformation in Germany, which involved the slow blending of elements of Germanic paganism and Christianity, but also points to a greater theme of syncretism between the cultural traditions of Germany and other
    [Show full text]
  • The Brothers Grimm and the Yearning for Home Maureen Clack University of Wollongong
    University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Returning to the Scene of the Crime: The Brothers Grimm and the Yearning for Home Maureen Clack University of Wollongong Clack, Maureen, Returning to the Scene of the Crime: The Brothers Grimm and the Yearning for Home, M.A. thesis, School of Journalism and Creative Writing, University of Wollongong, 2006. http://ro.uow.edu.au/theses/730 This paper is posted at Research Online. http://ro.uow.edu.au/theses/730 RETURNING TO THE SCENE OF THE CRIME: THE BROTHERS GRIMM AND THE YEARNING FOR HOME A thesis submitted in partial fulfilment of the requirements for the award of the degree MASTER OF ARTS (HONOURS) from UNIVERSITY OF WOLLONGONG by MAUREEN CLACK, BACHELOR OF ARTS (HONOURS) FACULTY OF CREATIVE ARTS 2006 CERTIFICATION I, Maureen Clack, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Master of Arts (Honours), in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Maureen Clack 31 October 2006 CONTENTS LIST OF ILLUSTRATIONS Page viii INTRODUCTION Fairy Tales, Feminism, Forensic Science and Home 1 CHAPTER 1 Feminism v Fairy Tales 17 CHAPTER 2 Returning to the Scene of the Crime 37 Visual Artists and Childhood Trauma 43 Hansel and Gretel: A Forensic Analysis 67 CHAPTER 3 Home Sweet Home 73 Visual Artists and Memories of Home 95 CHAPTER 4 Defective Stories 111 CONCLUSION 153 LIST OF WORKS CITED 159 ACKNOWLEDGEMENTS Throughout the lengthy process of constructing the argument and the artworks that make up this thesis I have had generous support from the following members of staff in the Faculty of Creative Arts.
    [Show full text]
  • INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
    INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.
    [Show full text]
  • Nelda Reyes-Resume Ryanartists
    Nelda Reyes SAG/AFTRA Hair: Dark brown Eyes: Brown Height: 5” 3’ TV/FILM “Not one more” Isabel Heather Dominguez dir./Art Institute of Portland Grimm - Episode # 111 “Tarantella” Maid Peter Werner /NBC COMMERCIAL/INDUSTRIAL *Complete list available upon request “OCDC Spanish & English PSA” Nelda Reyes Rex-post “SEIU Orientation and Safety Video” HCA Branch Ave. Productions “Wired MD Patient Educational Videos” Health Expert Krames Video Solutions “American Red Cross EMR” Health Officer Erica Portfolio Productions “Depression Relapse”-ORCAS Carmen Moving Images VOICEOVER AND DUBBING *Complete list available upon request “Kaiser Permanente Diabetes Bilingual Campaign” Patti The Fotonovela Production Company “Abuelo -Ac tive Living” -Multnomah County Health Univision Portland Mom Department. “CISCO Online Support website ” Narrator Intersect Video THEATER *Complete list available upon request CORRIDO CALAVERA Concepcion, INC Rep, Rosario Miracle Theatre Group/Lakin Valdez dir. DANCE FOR A DOLLAR Gloria Miracle Theatre Group/Daniel Jaquez dir. BLOOD WEDDING Criada, Luna, Niña 1 Miracle Theatre Group/Olga Sanchez dir LA CARPA CALAVERA Nina Miracle Theatre Group/Philip Cuomo dir. ACTING AND MOVEMENT TRAINING Acting, Scene Work and Movement Moscow Art Theatre School and IATT, Harvard University M. Lovanov/ Alla Prokoskaya/ Oleg Topolyanskiy /N. Fedorovna Acting: Process, Classical, Experimental styles Devon Allen. Portland State University. MA. In Theatre Arts Script Analysis and Dramaturgy Karin Magaldi. Portland State University. MA. In Theatre Arts Clown Fausto Ramirez (Mexico) and Les Matapestes (France) Alexander, Decroux, Lecoq, Contact Improv. Diplomado de Teatro del Cuerpo (Mexico City) Diploma for Instructors in Kundalini Yoga IKYTA/ Yoga Alliance Empty Hand Combat and basic weaponry Anthony De Longis (USA) Shelley Lipkin Acting for the Camera (USA) Professional Training in Aerial Arts The Circus Project (US A) Pre-professional Classic Dance Program Ballet Nacional de Cuba/Gloria Campobello Co.
    [Show full text]
  • Download Season 5 Grimm Free Watch Grimm Season 5 Episode 1 Online
    download season 5 grimm free Watch Grimm Season 5 Episode 1 Online. On Grimm Season 5 Episode 1, Nick struggles with how to move forward after the beheading of his mother, the death of Juliette and Adalind being pregnant. Watch Similar Shows FREE Amazon Watch Now iTunes Watch Now Vudu Watch Now YouTube Purchase Watch Now Google Play Watch Now NBC Watch Now Verizon On Demand Watch Now. When you watch Grimm Season 5 Episode 1 online, the action picks up right where the season finale of Grimm Season 4 left off, with Juliette dead in Nick's arms, Nick's mother's severed head in a box, and Agent Chavez's goons coming to kidnap Trubel. Nick is apparently drugged, and when he awakes, there is no sign that any of this occurred: no body, no box, no head, no Trubel. Was it all a truly horrible dream? Or part of a larger conspiracy? When he tries to tell his friends what happened, they hesitate to believe his claims, especially when he lays the blame at the feet of Agent Chavez. As his mental state deteriorates, will Nick be able to discover the truth about what happened and why? Where is Trubel now, and why did Chavez and her people come to kidnap her? Will his friends ever believe him, or will they continue to doubt his claims about what happened? And what will Nick do now that his and Adalind's baby is on the way? Tune in and watch Grimm Season 5 Episode 1, "The Grimm Identity," online right here at TV Fanatic to find out what happens.
    [Show full text]
  • Naturalism, the New Journalism, and the Tradition of the Modern American Fact-Based Homicide Novel
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml48106-1346 USA 3131761-4700 800!521-0600 Order Number 9406702 Naturalism, the new journalism, and the tradition of the modern American fact-based homicide novel Whited, Lana Ann, Ph.D.
    [Show full text]
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright PROFESSIONAL EYES: FEMINIST CRIME FICTION BY FORMER CRIMINAL JUSTICE PROFESSIONALS by Lili Pâquet A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Sydney 2015 DECLARATION OF ORIGINALITY I hereby certify that this thesis is entirely my own work and that any material written by others has been acknowledged in the text. The thesis has not been presented for a degree or for any other purposes at The University of Sydney or at any other university of institution.
    [Show full text]
  • El Llegat Dels Germans Grimm En El Segle Xxi: Del Paper a La Pantalla Emili Samper Prunera Universitat Rovira I Virgili [email protected]
    El llegat dels germans Grimm en el segle xxi: del paper a la pantalla Emili Samper Prunera Universitat Rovira i Virgili [email protected] Resum Les rondalles que els germans Grimm van recollir als Kinder- und Hausmärchen han traspassat la frontera del paper amb nombroses adaptacions literàries, cinema- togràfiques o televisives. La pel·lícula The brothers Grimm (2005), de Terry Gilli- am, i la primera temporada de la sèrie Grimm (2011-2012), de la cadena NBC, són dos mostres recents d’obres audiovisuals que han agafat les rondalles dels Grimm com a base per elaborar la seva ficció. En aquest article s’analitza el tractament de les rondalles que apareixen en totes dues obres (tenint en compte un precedent de 1962, The wonderful world of the Brothers Grimm), així com el rol que adopten els mateixos germans Grimm, que passen de creadors a convertir-se ells mateixos en personatges de ficció. Es recorre, d’aquesta manera, el camí invers al que han realitzat els responsables d’aquestes adaptacions: de la pantalla (gran o petita) es torna al paper, mostrant quines són les rondalles dels Grimm que s’han adaptat i de quina manera s’ha dut a terme aquesta adaptació. Paraules clau Grimm, Kinder- und Hausmärchen, The brothers Grimm, Terry Gilliam, rondalla Summary The tales that the Grimm brothers collected in their Kinder- und Hausmärchen have gone beyond the confines of paper with numerous literary, cinematographic and TV adaptations. The film The Brothers Grimm (2005), by Terry Gilliam, and the first season of the series Grimm (2011–2012), produced by the NBC network, are two recent examples of audiovisual productions that have taken the Grimm brothers’ tales as a base on which to create their fiction.
    [Show full text]