Ancient Near Eastern Art in Context
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History of Babylonia
K- A -AHI BLACK STONE CONTRACT TABLET O F MARU DU N DIN , 6 page 9 . ANCIENT HISTORY FROM THE MONUMENTS. THE F BABYL I HISTORY O ONA, BY TH E LATE I GEO RGE S M TH, ES Q. , F T E EPA TM EN EN N I U IT ES B T S M E M O H T O F O I T T I I I H US U . D R R AL A Q , R ED ITED BY R EV. A . H . SAY CE, SSIST O E OR F C MP T VE P Y O O D NT P R F S S O O I HI O OG XF R . A A ARA L L , PU BLISHED U NDER THE DIRECTION O F THE COMM ITTEE O F GENERAL LITERATURE AND ED UCATION APPOINTED BY THE SOCIETY FO R PROMOTING CH ISTI N K NOW E G R A L D E. LO NDON S O IETY F R P ROMOTING C H RI TI N NO C O S A K WLEDGE . SOLD A T THE DEPOSITORIES ’ G E T U EEN ST EET LINCO LN s-INN ExE 77, R A Q R , LDs ; OY EXCH N G E 8 PICC I Y 4, R AL A ; 4 , AD LL ; A ND B OO KSE E S ALL LL R . k t New Y or : P o t, Y oung, Co. LONDON WY M N A ND S ONS rm NTERs G E T UEEN ST EET A , , R A Q R , ' LrNCOLN s - xNN FIE DS w L . -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
Art List by Year
ART LIST BY YEAR Page Period Year Title Medium Artist Location 36 Mesopotamia Sumerian 2600 Standard of Ur Inlaid Box British Museum 36 Mesopotamia Sumerian 2600 Stele of the Vultures (Victory Stele of Eannatum) Limestone Louvre 38 Mesopotamia Sumerian 2600 Bull Headed Harp Harp British Museum 39 Mesopotamia Sumerian 2600 Banquet Scene cylinder seal Lapis Lazoli British Museum 40 Mesopotamia Akkadian 2254 Victory Stele of Narum-Sin Sandstone Louvre 42 Mesopotamia Akkadian 2100 Gudea Seated Diorite Louvre 43 Mesopotamia Akkadian 2100 Gudea Standing Calcite Louvre 44 Mesopotamia Babylonian 1780 Stele of Hammurabi Basalt Louvre 45 Mesopotamia Assyrian 1350 Statue of Queen Napir-Asu Bronze Louvre 46 Mesopotamia Assyrian 750 Lamassu (man headed winged bull 13') Limestone Louvre 48 Mesopotamia Assyrian 640 Ashurbanipal hunting lions Relief Gypsum British Museum 65 Egypt Old Kingdom 2500 Seated Scribe Limestone Louvre 75 Egypt New Kingdom 1400 Nebamun hunting fowl Fresco British Museum 75 Egypt New Kingdom 1400 Nebamun funery banquet Fresco British Museum 80 Egypt New Kingdom 1300 Last Judgement of Hunefer Papyrus Scroll British Museum 81 Egypt First Millenium 680 Taharqo as a sphinx (2') Granite British Museum 110 Ancient Greece Orientalizing 625 Corinthian Black Figure Amphora Vase British Museum 111 Ancient Greece Orientalizing 625 Lady of Auxerre (Kore from Crete) Limestone Louvre 121 Ancient Greece Archaic 540 Achilles & Ajax Vase Execias Vatican 122 Ancient Greece Archaic 510 Herakles wrestling Antaios Vase Louvre 133 Ancient Greece High -
After the Battle Is Over: the Stele of the Vultures and the Beginning Of
To raise the ofthe natureof narrative is to invite After the Battle Is Over: The Stele question reflectionon the verynature of culture. Hayden White, "The Value of Narrativity . ," 1981 of the Vultures and the Beginning of Historical Narrative in the Art Definitions of narrative, generallyfalling within the purviewof literarycriticism, are nonethelessimportant to of the Ancient Near East arthistorians. From the simpleststarting point, "for writing to be narrative,no moreand no less thana tellerand a tale are required.'1 Narrativeis, in otherwords, a solutionto " 2 the problemof "how to translateknowing into telling. In general,narrative may be said to make use ofthird-person cases and of past tenses, such that the teller of the story standssomehow outside and separatefrom the action.3But IRENE J. WINTER what is importantis thatnarrative cannot be equated with thestory alone; it is content(story) structured by the telling, University of Pennsylvania forthe organization of the story is whatturns it into narrative.4 Such a definitionwould seem to providefertile ground forart-historical inquiry; for what, after all, is a paintingor relief,if not contentordered by the telling(composition)? Yet, not all figuraiworks "tell" a story.Sometimes they "refer"to a story;and sometimesthey embody an abstract concept withoutthe necessaryaction and settingof a tale at all. For an investigationof visual representation, it seems importantto distinguishbetween instancesin which the narrativeis vested in a verbal text- the images servingas but illustrationsof the text,not necessarily"narrative" in themselves,but ratherreferences to the narrative- and instancesin whichthe narrativeis located in the represen- tations,the storyreadable throughthe images. In the specificcase of the ancientNear East, instances in whichnarrative is carriedthrough the imageryitself are rare,reflecting a situationfundamentally different from that foundsubsequently in the West, and oftenfrom that found in the furtherEast as well. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
DESENVOLVIMENTO DO ESQUEMA DECORATIVO DAS SALAS DO TRONO DO PERÍODO NEO-ASSÍRIO (934-609 A.C.): IMAGEM TEXTO E ESPAÇO COMO VE
UNIVERSIDADE DE SÃO PAULO MUSEU DE ARQUEOLOGIA E ETNOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM ARQUEOLOGIA DESENVOLVIMENTO DO ESQUEMA DECORATIVO DAS SALAS DO TRONO DO PERÍODO NEO-ASSÍRIO (934-609 a.C.): IMAGEM TEXTO E ESPAÇO COMO VEÍCULOS DA RETÓRICA REAL VOLUME I PHILIPPE RACY TAKLA Dissertação apresentada ao Programa de Pós-Graduação em Arqueologia do Museu de Arqueologia e Etnologia da Universidade de São Paulo para obtenção do título de Mestre em Arqueologia. Orientadora: Profª. Drª. ELAINE FARIAS VELOSO HIRATA Linha de Pesquisa: REPRESENTAÇÕES SIMBÓLICAS EM ARQUEOLOGIA São Paulo 2008 RESUMO Este trabalho busca a elaboração de um quadro interpretativo que possibilite analisar o desenvolvimento do esquema decorativo presente nas salas do trono dos palácios construídos pelos reis assírios durante o período que veio a ser conhecido como neo- assírio (934 – 609 a.C.). Entendemos como esquema decorativo a presença de imagens e textos inseridos em um contexto arquitetural. Temos por objetivo demonstrar que a evolução do esquema decorativo, dada sua importância como veículo da retórica real, reflete a transformação da política e da ideologia imperial, bem como das fronteiras do império, ao longo do período neo-assírio. Palavras-chave: Assíria, Palácio, Iconografia, Arqueologia, Ideologia. 2 ABSTRACT The aim of this work is the elaboration of a interpretative framework that allow us to analyze the development of the decorative scheme of the throne rooms located at the palaces built by the Assyrians kings during the period that become known as Neo- Assyrian (934 – 609 BC). We consider decorative scheme as being the presence of texts and images in an architectural setting. -
Cambridge University Press 978-1-108-49596-7 — the Amorites and the Bronze Age Near East Aaron A
Cambridge University Press 978-1-108-49596-7 — The Amorites and the Bronze Age Near East Aaron A. Burke Index More Information INDEX ꜤꜢmw (Egyptian term), 145–47 See also Asiatics “communities of practice,” 18–20, 38–40, 42, (Egypt) 347–48 decline of, 350–51 A’ali, 226 during Early Bronze Age, 31 ‘Aa-zeh-Re’ Nehesy, 316–17 Ebla, 38–40, 56, 178 Abarsal, 45 emergence of, 23, 346–47 Abda-El (Amorite), 153–54 extensification of, 18–20 Abi-eshuh, 297, 334–35 hollow cities, 178–79 Abisare (Larsa), 160 Jazira, 38, 177 Abishemu I (Byblos), 175 “land rush,” 177–78 Abraham, 6 Mari, 38–40, 56, 177–79, 227–28 abu as symbolic kinship, 268–70 Nawar, 38, 40, 42 Abu en-Ni’aj, Tell, 65 Northern Levant, 177 Abu Hamad, 54 Qatna, 179 Abu Salabikh, 100 revival of, 176–80, 357 Abusch, Tzvi, 186 Shubat Enlil, 177–78, 180 Abydos, 220 social identity of Amorites and, 10 Achaemenid Empire, 12 Urkesh, 38, 42 Achsaph, 176 wool trade and, 23 ‘Adabal (deity), 40 Yamḫ ad, 179 Adad/Hadad (deity), 58–59, 134, 209–10, 228–29, zone of uncertainty and, 24, 174 264, 309–11, 338, 364 Ahbabu, 131 Adams, Robert, 128 Ahbutum (tribe), 97 Adamsah, 109 Ahktoy III, 147 Adba-El (Mari), 153–54 Ahmar, Tell, 51–53, 56, 136, 228 Addahushu (Elam), 320 Ahmose, 341–42 Ader, 50 ‘Ai, 33 Admonitions of Ipuwer, 172 ‘Ain Zurekiyeh, 237–38 aDNA. See DNA Ajjul, Tell el-, 142, 237–38, 326, 329, 341–42 Adnigkudu (deity), 254–55 Akkadian Empire. -
Coverpage Final
Symbols and Objects on the Sealings from Kedesh A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Paul Lesperance IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Professor Andrea Berlin August 2010 © Paul Lesperance, 2010 Acknowledgements I have benefitted greatly from the aid and support of many people and organizations during the writing of this dissertation. I would especially like to thank my advisor, Professor Andrea Berlin, for all her help and advice at all stages of the production process as well as for suggesting the topic to me in the first place. I would also like to thank all the members of my dissertation committee (Professor Susan Herbert of the University of Michigan, as well as Professors Philip Sellew and Nita Krevans of the University of Minnesota) for all their help and support. During the writing process, I benefitted greatly from a George A. Barton fellowship to the W. F. Albright Institute of Archaeological Research in Jerusalem in the fall of 2009. I would like to thank the fellowship committee for giving me such a wonderful and productive opportunity that helped me greatly in this endeavour as well as the staff of the Albright for their aid and support. I would also like to thank both Dr. Donald Ariel of the Israel Antiquities Authority for his aid in getting access to the material and his valuable advice in ways of looking at it and Peter Stone of the University of Cincinnati whose discussions on his work on the pottery from Kedesh helped to illuminate various curious aspects of my own. -
National Museum of Aleppo As a Model)
Strategies for reconstructing and restructuring of museums in post-war places (National Museum of Aleppo as a Model) A dissertation submitted at the Faculty of Philosophy and History at the University of Bern for the doctoral degree by: Mohamad Fakhro (Idlib – Syria) 20/02/2020 Prof. Dr. Mirko Novák, Institut für Archäologische Wissenschaften der Universität Bern and Dr. Lutz Martin, Stellvertretender Direktor, Vorderasiatisches Museum, Staatliche Museen zu Berlin Fakhro. Mohamad Hutmatten Str.12 D-79639 Grenzach-Wyhlen Bern, 25.11.2019 Original document saved on the web server of the University Library of Bern This work is licensed under a Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland licence. To see the licence go to http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ or write to Creative Commons, 171 Second Street, Suite 300, San Francisco, California 94105, USA Copyright Notice This document is licensed under the Creative Commons Attribution-Non-Commercial-No derivative works 2.5 Switzerland. http://creativecommons.org/licenses/by-nc-nd/2.5/ch/ You are free: to copy, distribute, display, and perform the work Under the following conditions: Attribution. You must give the original author credit. Non-Commercial. You may not use this work for commercial purposes. No derivative works. You may not alter, transform, or build upon this work.. For any reuse or distribution, you must take clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Nothing in this license impairs or restricts the author’s moral rights according to Swiss law. -
The Lagash-Umma Border Conflict 9
CHAPTER I Introduction: Early Civilization and Political Organization in Babylonia' The earliest large urban agglomoration in Mesopotamia was the city known as Uruk in later texts. There, around 3000 B.C., certain distinctive features of historic Mesopotamian civilization emerged: the cylinder seal, a system of writing that soon became cuneiform, a repertoire of religious symbolism, and various artistic and architectural motifs and conven- tions.' Another feature of Mesopotamian civilization in the early historic periods, the con- stellation of more or less independent city-states resistant to the establishment of a strong central political force, was probably characteristic of this proto-historic period as well. Uruk, by virtue of its size, must have played a dominant role in southern Babylonia, and the city of Kish probably played a similar role in the north. From the period that archaeologists call Early Dynastic I1 (ED 11), beginning about 2700 B.c.,~the appearance of walls around Babylonian cities suggests that inter-city warfare had become institutionalized. The earliest royal inscriptions, which date to this period, belong to kings of Kish, a northern Babylonian city, but were found in the Diyala region, at Nippur, at Adab and at Girsu. Those at Adab and Girsu are from the later part of ED I1 and are in the name of Mesalim, king of Kish, accompanied by the names of the respective local ruler^.^ The king of Kish thus exercised hegemony far beyond the walls of his own city, and the memory of this particular king survived in native historical traditions for centuries: the Lagash-Umma border was represented in the inscriptions from Lagash as having been determined by the god Enlil, but actually drawn by Mesalim, king of Kish (IV.1). -
Arameans in the Neo-Assyrian Empire
Arameans in the Neo-Assyrian Empire: Approaching Ethnicity and Groupness with Social Network Analysis Repekka Uotila MA thesis Assyriology Instructors: Saana Svärd and Tero Alstola Faculty of Arts University of Helsinki May 2021 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Humanistinen tiedekunta Tekijä – Författare – Author Uotila Aino Selma Repekka Työn nimi – Arbetets titel – Title Arameans in the Neo-Assyrian Empire: Approaching Ethnicity and Groupness with Social Network Analysis Oppiaine – Läroämne – Subject Assyriologia Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages pro gradu -tutkielma year 80 liitteineen, 60 ilman liitteitä toukokuu 2021 Tiivistelmä – Referat – Abstract Uusassyrialaisen historian aikana assyrialaiset viittasivat kymmeniin eri ryhmiin ”aramealaisina”. Akkadinkielisen termin semanttinen merkitys muuttuu vuosisatojen aikana, kunnes 600-luvun assyrialaisissa lähteissä sitä ei enää juuri käytetä etnonyyminä. Tutkin työssäni, miten perusteltua on olettaa aramealaisten edustavan yhtenäistä etnistä ryhmää 600-luvulla eaa. Tutkimus olettaa, että sekä ryhmän ulkopuoliset, että siihen kuuluvat tunnistavat, kuka on ryhmän jäsen. Mikäli aramealaiset Assyrialaisessa imperiumissa kokivat edustavansa etnistä vähemmistöä ja ”assyrialaisiin” kuulumatonta väestöä, myös heidän sosiaaliset ryhmänsä todennäköisesti sisältäisivät lähinnä muita aramealaisia. Toteutan tutkimuksen sosiaalisen verkostoanalyysin (social network analysis) avulla. Käytän materiaalina Ancient Near Eastern -
Front Matter
Cambridge University Press ̆ 978-1-107-05424-0 - Intellectual Networks in Timurid Iran: Sharaf al-Dīn Alī Yazdī and the Islamicate Republic of Letters İlker Evrim Binbaş Frontmatter More information Intellectual Networks in Timurid Iran By focusing on the works and intellectual network of the Timurid historian Sharaf al Dın ʿ Alı Yazdı (d. 1454), this book presents a holistic view of intellectual life in fifteenth-century Iran. Ilker- Evrim Binbas ̧ argues that the intellectuals in this period developed informal networks which transcended political and linguistic boundaries, and spanned an area from the western fringes of the Ottoman state to bustling late medieval metropolises such as Cairo, Shiraz, and Samarkand. Among many others, the network included an Ottoman revolutionary, a Mamluk prophet, a Timurid occultist, as well as physicians, astronomers, devotees of the secret sciences, and those political figures who believed that the network was a force to be taken seriously. Also discussing the formation of an early modern Islamicate republic of letters, this book offers fresh insights into the study of intellectual history beyond the limitations imposed by nationalist methodologies, established genres, and recognized literary traditions. I - lker Evrim Binbas ̧ is a lecturer in Early Modern Asian Empires in the Department of History at Royal Holloway, University of London. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press ̆ 978-1-107-05424-0 - Intellectual Networks in Timurid Iran: Sharaf al-Dīn Alī Yazdī and the Islamicate Republic of Letters İlker Evrim Binbaş Frontmatter More information Cambridge Studies in Islamic Civilization Editorial Board Chase F.