Marc Shapiro: What Do Adon ?Mean ס”ט Olam and [Mean ? [1 ס”ט What Do Adon Olam and by ס”ט By Marc B. Shapiro 1. People often refer to me as a Modern Orthodox intellectual. There are actually quite a number of us out there. If you hear someone using words like “ontological,” “existential,” “mimetic,” and now, “tergiversation”[2] you can assume he in in our club. Also, another telltale sign is that when we give divrei Torah you will hear us refer to Philo, the Apocrypha, Pseudepigrapha (if we are confident that we can pronounce the word properly[3]), Shadal, or Cassutto.[4] Of course, we are careful to only say Midrash, and never Medrish, as the latter pronunciation is a sure sign of a Philistine. It is no secret that Modern Orthodox intellectuals like to look down on Artscroll, and to let others know about this. So we must find places where Artscroll makes mistakes. It is not enough to point to the vastly different historical conceptions between us and Artscroll; we need to find places where Artscroll simply got it wrong (for one such example see here). This will show that even if they are conquering the world, they shouldn’t think that they are so brilliant. I am not speaking about the Artscroll Talmud (which we use when no one is looking) or the Artscroll “History” series, which is not popular with the Modern Orthodox.[5] I am referring to the Artscroll siddur and chumash which have taken over the Orthodox world. (The Modern Orthodox intellectuals must have been so busy these last twenty years producing articles read by each other that it never occurred to them to produce their own siddur and chumash.)[6] But finding these errors is easier said than done. I am not referring to run-of the-mill errors, but the sort that will impress people at your Shabbat table. That way you can show them that you are a Modern Orthodox intellectual, and not afraid to stand up to Artscroll, this generation’s anti- Messiah. Artscroll is the Goliath, and if it can be felled, then Feldheim, Targum and certainly the minor leaguers at Aish Ha-Torah will be that much easier to take down. If the obscurantists are not yet shaking in their feet, once they see our ever-forthcoming translation of the Arukh ha-Shulhan, which will bring back the 1950’s and the “mimetic tradition”, this will put them in their place. As I state, it is not so easy to find the perfect mistake. One could point out that in the Artscroll siddur, p. 320, it refers to a “responsa” of Maimonides, when the word they should have used is “responsum.” But this clearly won’t do the trick. After all, no one assumes that Artscroll is an expert in English; it is because Artscroll is expert in Jewish things that it has become so popular. For a while I thought that I could impress those ever-impressionable Shabbat guests by pointing out that contrary to what the Artscroll siddur, p. 870, states, R. Eleazar Kalir was not a tanna. But again, this is not something that most people care about. Besides, someone always ended up pointing out that no less than Tosafot claims that he was a tanna, and my protestations about what Shir proved were always met with blank stares, for what does a Prague song have to do with anything? And what about when I showed people that in the chumashim printed until 1999, Lord Jakobovits, who died in that year, is referred to as Emeritus Chief Rabbi of the British Empire (see one of the first pages of the chumash where it lists the important people involved with Artscroll). On the title page of Hertz’s chumash he is referred to as “Late Chief Rabbi of the British Empire,” and the Jakobovits reference might be trying to parallel this. All my protestations that Jakobovits was never Chief Rabbi of an Empire (which had ceased to exist before he came into office) but of a Commonwealth have never found anyone showing much interest. (The technical title is Chief Rabbi of the United Hebrew Congregations of the Commonwealth. The title is more grandiose than the office. At most, there are 300,000 Jews in the United Kingdom (as, at present, no one in Australia, Canada, Zambia, etc. looks to the British Chief Rabbi for religious guidance). Subtract the unaffiliated, Reform and Masorti from this, and then subtract the Haredim and the Sephardim and this will give you the number of Jews represented by the Chief Rabbi.) There was actually a very big error I used to point out, and this was found in the Artscroll Shabbat Zemiros (it has since been corrected). At the beginning of the Shalosh Seudos section Artscroll wrote: The three meals of the Sabbath symbolize the three Patriarchs, the three divisions of Scripture: Torah, Prophets and Hagiographa, and the three feasts through which Esther brought about Haman’s downfall. Many matters of awesome spiritual significance are dependent on the Third Meal as the Zohar discusses frequently (Aruch HaShulchan 291). This is a very strange passage, since what does Esther have to do with the Three Sabbath meals? Furthermore, since when did Esther organize three feasts? Everyone who attends synagogue on Purim knows that there were only two feasts. This is what the Arukh ha-Shulhan states: ויהא זהיר מאד לקיים סעודה שלישית ואמרו חז”ל דכל המקיים סעודה ג’ ניצל משלש פורעניות . ואם אפשר שאינן ממש מן התורה מ”מ ודאי מתקנת משה רבינו הם שכן קיבל מסיני והם מרמזים נגד ג’ אבות, נגד תורה נביאים וכתובים, ובשעה שניתן להם המן ניתן להם על ג’ סעודות What happened was that whoever wrote the commentary to the the manna) to mean Haman, and) המן Zemiros understood the word that he was given into the Jews’ hands because of three feasts![7] Artscroll did what everyone should do when an error is brought to their attention, namely, correct it in a future edition.. (In another post I plan on noting a couple of corrections to my own writings.) In fact, this is a good lesson to all of us, because if Artscroll, whose writers are big talmidei hakhamim, could make such a simple mistake, then all of us should realize that we too can make simple errors. The important thing is that they corrected the error. If only the same could be said about Mossad ha-Rav Kook. There has already been discussion on this blog about some problems with the Chavel edition of Ramban. In fact, although both the Commentary on the Torah and Kitvei Ramban have been reprinted about twenty times, many obvious errors have still not been corrected. I was planning on giving one example, but I wasn’t sure which one to use. About five minutes before writing this I received a call from the owner of www.publishyoursefer.com, which will soon be reprinting Kitvei R. Weinberg. He informed me that there are many students at the Ner Israel yeshiva who follow the Seforim Blog, pleasant news indeed. In their honor, since unlike myself, they spend most of their day involved in the intricacies of the Talmud and its commentators, my example will be from the introduction of Ramban to his Dina de-Garmei, a work which only a real talmid hakham would try to tackle. The text is found in Kitvei Ramban, vol. 1, p. 417. Ramban writes אבל יש אשר קולמוס הראשונים סתמן ועתה נעלם טעמן מעיני תלמידי הזמן וחכמי הצרפתים אספו רובן אל עמן הם המורים, הם המלמדים, הם המגלים לנו נטמן Chavel explains the third line to mean חכמי הצרפתים אספו רובן של הטעמים הללו לתוך ספריהם להיות לעינים של תלמידי הזמן Yet this is incorrect. What the Ramban means is that most of the French sages have left this world and gone on to their eternal reward. Getting back to Artscroll, I was pleased when I found the perfect example of an Arscroll error, and this in a prayer that we all know well, Adon Olam. What do these words mean? To answer this, most people will open their Arscroll siddur.[8] Artscroll translates, “Master of the Universe”. This, or similar translations (e.g., Lord of the Universe, Master of the World) seem to be standard. Yet for a while I was convinced that the proper translation was “Eternal Lord.” After looking at the song as a whole, and seeing how it speaks of God’s eternity, it appeared clear to me that this is what the first two words mean. I was happy to find that both Birnbaum and De Sola Pool (both of which are now almost impossible to find in any synagogue) understood the first two words this way as well. So happy was I with my idea that I made sure to tell lots of people about it, all of whom were very impressed, since here was a bona fide correction to Artscroll. I was in London a couple of months ago and was davening with the new siddur published by Rabbi Jonathan Sacks. Lo and behold, I found that he too translated the words as did Artscroll. After davening the rabbi of the shul asked me if I liked the new siddur and I told him yes. I also used the opportunity to point out that even this wonderful siddur mistakenly translates the first words of Adon Olam. It seemed that he too was impressed. I certainly thought that for the rest of my life I would be able to pull this out of my back pocket whenever I needed to show that even Artscroll, the veritable Urim ve-Tumim, can make a mistake.