Ichthyology at the Australian Museum: Collections, Databases and the Web
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Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Annual Report
-- 1~ OEC 19 95 ANNUAL REPORT A U S T R A L I A N M l l S E U M s ,. d n c .' A s 11 ISSN 1039- IJl41 - ANNUAL REPORT CONTENTS 4 Introduction and Highlights s Mission 7 Premier's Message 9 President's Message 11 Director's Message 1 3 Public Programs and Marketing 17 Science in the Museum 2 9 Commercial Activities 31 Administration 34 Financial Statements Appendices 47 Trust 48 Management Structure 51 Staff 55 Publications 63 Sponsors 64 Index 3 INTRODUCT ION AND H IGHLI G HTS The Australian Museum finds itse lf in the fortunate position of being located in the city of Sydney, host of HIGHLI GHTS OF THE Y EAR IN CL UDE: the Olympic Games in the ye ar 2000. Our plan s are influenced by the goal of full participation in the Games • 'Rediscovering Pompeii' exhibition received over lead -up program. the Cultural Olympiad. Sydney can 15o,ooo visitors; ga in from the creativity and expertise which Museum staff offer in both exhibition developm ent and • 'Search & Discover' resource centre In its first six environmental management. These are the two distinct, months, received 35,000 visitors an d over 4,000 yet interacting sides : the public face of the Museum and telephone enquiries; the expertise which lies behind the scenes. Over the years. ma ny changes have occurred in the Museum, just • Outreach Programs reached over 550,ooo people in as concepts of science. nature and humanity have regional centres and schools; changed and tech nological adva nce s have been forged. -
EXPLORE > WONDER > BEWARE > DISCOVER >
© James Horan BEWARE > DISCOVER > EXPLORE > WONDER > SURVIVING Just what is it that makes Australia so INDIGENOUS Indigenous Australians takes you beyond DINOSAURS From carnivorous killers to plant-browsing THE LONG The Long Gallery appeals to the sense of different? Follow the true stories of Australia’s the art and artefacts to explore the diverse giants, Dinosaurs uses life-sized models, giant curiosity in all of us – a wondrous place to LEVEL 2 AUSTRALIA astonishing native animals and see how AUSTRALIANS beliefs and cultures of Australia’s first peoples. skeletons and realistic animations to tell the GALLERY discover mysterious, impressive and inspiring LEVEL 2 they’ve adapted and survived over millions LEVEL G Through authentic Indigenous voices, it shows real story behind the demise of the dinosaurs. LEVEL G objects that help us understand the world of years. the impacts of the past 200 years of European and our place in it. Watch the story of Australia’s ancient past settlement on traditional cultures: their losses, Only in the Surviving Australia exhibition can including a deadly encounter between a small Alongside the collections and specimens, hardships, struggles and – ultimately – their you safely get up close to some of Australia’s herbivorous dinosaur and a hungry carnivore. you’ll find quirky stories about the Museum’s survival. deadliest creatures from the Outback, the earliest curators, through to its latest scientific beach and even the urban backyard with The Garrigarrang: Sea Country exhibition discoveries. realistic specimens of: displays the Museum’s rare and unique GEMSTONES Exquisite colours and unusual formations of ● Australia’s top 10 venomous snakes Indigenous collections and features the voices gemstones, rocks and minerals are on show in ● sharks, crocodiles and blue-ringed of NSW Indigenous communities through & MINERALS these two stunning displays that capture the SKELETONS The strange beauty of animal skeletons make octopuses video and oral history. -
Australian Museum, the Nation’S First the Australian Museum Pays Respect and Acknowledges Museum
Welcome Visitor information Welcome to the Australian Museum, the nation’s first The Australian Museum pays respect and acknowledges museum. Here you will unearth the natural and cultural the Gadigal people of the Eora Nation as the First Peoples wonders from around the world. There is always plenty and Traditional Custodians of the land and waterways on to see and do with special exhibitions, programs, events which the Australian Museum stands. and permanent galleries. Australian Museum Highlights LEVEL G LEVEL 1 LEVEL 2 Museum Westpac Long Gallery Westpac Long Gallery Search & Discover Dinosaurs 200 Treasures of the 200 Treasures of the Search & Discover will See, hear, touch and even Australian Museum Australian Museum be closed from 29 July smell the world of Dinosaurs. Map The magnificently restored Uncover the hidden stories in preparation for A self-guided audio tour Westpac Long Gallery of 100 of Australia’s our upcoming major is available on the showcases 100 museum most-influential people. renovation, Project Discover. Australian Museum App. treasures alongside Treasures Illuminated the stories of 100 Kidspace See the 200 Treasures of Westpac Long Gallery influential Australians. A place for under 5s to the Australian Museum Celebrate Australia’s explore and investigate their Download the Australian exhibition burst to life abundant bird life in this own ‘mini museum’. Museum App and take a with this spectacular exhibition Birds of Australia. self-guided audio tour storytelling projection. Pacific Spirit LEVEL 4 through 200 Teasures. Daily, 11am & 2pm Experience the colour, No. 1 William Kids treasure hunt game culture and artistry of one of Learn more about the the world’s most diverse Enjoy gorgeous views in 100 Treasures of the Westpac regions: the Pacific. -
Museums As Sources of Information and Learning
Museums as Sources of Information and Learning: The 1 Decision Making Process Much has been written about the educational and learning role of museums (Falk and Dierking, 1992, 1995, 2000; Hein, 1998; Hooper-Greenhill, 1994) and their roles in community development and access (Gurian, 1995, 2001; Kelly and Gordon, 2002). Yet, in this increasingly rich and complex information age, less emphasis has been given to the roles that museums have as credible sources of information (Booth, 1998; Lake Snell Perry and Associates, 2001). Access to information and knowledge is probably at the greatest point now in our history than it has ever been. Therefore the resulting problems and stresses that this brings, coupled with how to actually use information are core issues that museums need to urgently address. Further to this there is a view that museums need to move from being suppliers of information to facilitators, providing tools for visitors to explore their own ideas and reach their own conclusions. This is because increasing access to technologies, such as the Internet, ‘… have put the power of communication, information gathering, and analysis in the hands of the individuals of the world’ (Freedman, 2000: 299). In this sense, the museum needs to become a mediator of information and knowledge for a range of users to access on their own terms, through their own choice and within their own place and time, a ‘… multifaceted, outward- looking role as hosts who invite visitors inside to wonder, encounter and learn’ (Schauble, et al., 1997: 3). How information is used, and by who, is another key issue for museums: ‘The role of museums in the future … lies in legitimising information and information processes and in being an advocate for knowledge as the province of the people, not the sole property of the great institutions’ (Freedman, 2000: 303). -
2019-20 Annual Report of the Australian Museum Trust.Pdf
2019-20 Annual report A prefabricated section of the main stairwell is maneuvered into position by the crane. Photograph by James Alcock. 2019–20 Annual report Australian Museum 1 William Street Sydney, NSW, 2010 Australia Australian Museum Annual Report 2019-20 Minister The Australian Museum Annual Report 2019-20 The Hon Don Harwin, MLC is published by the Australian Museum Trust, 1 William Street Sydney NSW 2010. Special Minister of State, and Minister for the © Australian Museum Trust 2020 Public Service and Employee Relations, Aboriginal ISSN 2206-8473 Affairs and the Arts. Acknowledgements Governance The Australian Museum acknowledges and pays respect to The Australian Museum was established under the the Gadigal people of the Eora Nation as the First Peoples Australian Museum Trust Act 1975 and is governed by and Traditional Custodians of the land and waterways on a Board of Trustees. The objectives of the Australian which the Australian Museum stands. Museum are to propagate knowledge about the natural environment of Australia and to increase that Compiled by Jacinta Spurrett and Jacqueline Soars knowledge, particularly in the natural sciences of biology, Design & Production by Mark Joseph anthropology and geology. The Board of Trustees has Editing by Catherine Marshall and Alice Gage 11 members, one of whom must have knowledge of, or All images © Australian Museum experience in, science; one of whom must have knowledge unless otherwise indicated. of, or experience in, education; and one of whom must have knowledge of, or experience in, Australian Contact Indigenous culture. Australian Museum Trustees are appointed by the Governor on the 1 William Street Sydney NSW 2010 recommendation of the Minister for a term of up to Open daily 9.30am – 5pm three years. -
AMS112 1900.Pdf
1901. L EGI SLA'l'IVE A SSEMBLY. N EW SO U TH -nrA L ES. AUSTRALIAN MUSEUl\i. (REPOR1' OF THE 'l'RUS'l'Ei<:S FOR THE YEAR 1000.) -- -------- --- tJ ret~c n lcb lo ~Jarlinmcnt pnromml ta J\d 17 ~(.}ic ~o. 2, .sec. 9. Printed under Ko. 7 Rf'port j,·om Prinli.ti!J Oommillce, 17 October, 1001. T o H 1s ExcELLENC\' TH~: Oov~:n:o;on AND ExECUTIVE CouNC'II.,- Tht> Tm:.tees of tilt' Ausb'lliian )[u ~eum J. nve t.he honor to submit to your Excellency their Forty·SC\'Cnth Annual Repo1·t. 1. lt ill with deep 1·egrd thab we ha,·c to rc>cnrcl the death of Dr. ,J. DclisLu·io, one of t.J.c Elective Trustees, who occupied a :;eat. on lllc Board since Novc'mbc1·, 18i3. J Le wa~ I'C' gu l ;~r in his ;~ttonclance at the mcet.ings, and evinced gn•;Lt inlr·rest. in the management of the ~ l u se utH. The vacancy has been filled by the clecLion of CrilcheU, " 'alker, Esq., C.)l.G., Lhc Pt·incipal Under. 'ccrelary. L M\C of ahsence Wtls gin•11 to Colonel " '· D. Cumpbell 'Yilliam ~, P.)l.O., on a<;count of his departut·e for • 'outh .\frica in t·luuw• n£ thr Nrw Houth Wale>; ..-u·my 1lcdicnl Co1·ps. 2. The M ut~rum continurtl nJWn to visitor:; during thr usual hours, '·iz., from 2 to 5 p.m. on Sunday:i, <tnd f1·orn 10 1t.m. -
Creative Foundations. the Royal Society of New South Wales: 1867 and 2017
Journal & Proceedings of the Royal Society of New South Wales, vol. 150, part 2, 2017, pp. 232–245. ISSN 0035-9173/17/020232-14 Creative foundations. The Royal Society of New South Wales: 1867 and 2017 Ann Moyal Emeritus Fellowship, ANU, Canberra, Australia Email: [email protected] Abstract There have been two key foundations in the history of the Royal Society of New South Wales. The first at its creation as a Royal Society in 1867, shaped significantly by the Colonial savant, geologist the Rev. W. B. Clarke, assisted by a corps of pioneering scientists concerned to develop practical sci- entific knowledge in the colony of N.S.W. And the second, under the guidance of President Donald Hector 2012–2016 and his counsellors, fostering a vital “renaissance” in the Society’s affairs to bring the high expertise of contemporary scientific and transdisciplinary members to confront the complex socio-techno-economic problems of a challenging twenty-first century. his country is so dead to all that natures) on a span of topics that embraced “Tconcerns the life of the mind”, the geology, meteorology, climate, mineralogy, scholarly newcomer the Rev. W. B. Clarke the natural sciences, earthquakes, volcanoes, wrote to his mother in England in Septem- comets, storms, inland and maritime explo- ber 1839 shortly after his arrival in New ration and its discoveries which gave singular South Wales (Moyal, 2003, p. 10). But a impetus to the newspaper’s role as a media man with a future, he quickly took up the pioneer in the communication of science offer of the editor ofThe Sydney Herald, John (Organ, 1992). -
Rare and Curious Specimens, an Illustrated
Krefft's successor, Edward Pierson Ramsay (1842-1916), was the first Australian to head the Museum. Son of a prosperous medical practitioner whose assets included the Dobroyd Estate, he grew up in Sydney and, at the age of twenty-one, entered the University of Sydney, itself only twelve years old, with a single faculty and but three professors. He departed two years later without having taken a degree and, at the age of twenty-five established a successful plant and seed nursery on a portion of the Dobroyd Estate inherited from his father. Seven years later, in 1874, he was appointed curator of the Australian Museum. While it is conceivable that such a background might have fitted a native son for a junior position in the Herbarium, it would seem hardly to have provided ade quate preparation for the senior position in an institution devoted to zoology, geology and anthropology and with some international standing for researches in these fields. One must look further for justification of the trustees' faith. As a youth, his keen interest in natural history was cultivated in discussions with Pittard, Sir William Denison, and a German schoolteacher-naturalist, Reitmann. At twenty he became treasurer of the Entomological Society of New South Wales and three years later was elected a Life Fellow of the newly reconstituted Royal Society of New South Wales-an honour which may have more reflected the magnitude of his subscription than his scientific reputation which, at that stage, rested on eight short and rather pedestrian papers on Australian birds. This output might not have justified fellowship of a scientific society but it was a creditable achievement for an undergraduate. -
Page 1 Sydney Harbour: Its Diverse Biodiversity Pat A. Hutchings
Sydney Harbour: its diverse biodiversity Pat A. Hutchings, Shane T. Ahyong, Michael B. Ashcroft, Mark A. McGrouther and Amanda L. Reid The Australian Museum, 6 College Street, Sydney NSW 2010 All records of crustaceans, molluscs, polychaetes, echinoderms and fishes from Sydney Harbour were extracted from the Australian Museum database, and plotted onto a map of Sydney Harbour that was divided into four regions. Records were analysed according to the number of species, genera and families present and over 3000 species were recorded, approximately double to triple the number of species found in the neighbouring Hawkesbury River, Botany Bay and Port Hacking. We examined the rate of accumulation of records and species over time since the 1860s, which followed a stepwise pattern usually correlated with the research activity of specific curators at the Australian Museum. The high species richness of Sydney Harbour is probably the result of multiple factors including significant tidal flushing and the high diversity of habitats present. Not all parts of the harbour have been well sampled, however, and we highlight areas and habitats that should be prioritised for further biodiversity surveys. An Appendix is provided listing all species in the five groups of animals considered here. The present study highlights the remarkable richness of the Sydney Harbour fauna and provides a consolidated background to guide future management and research, and emphasises the values of museum collections. ABSTRACT Key words: Sydney Harbour, diversity, crustaceans, molluscs, polychaetes, echinoderms, fishes http://dx.doi.org/10.7882/AZ.2012.031 Introduction Sydney Harbour is a drowned river valley that formed area of about 50 km2 and a total catchment of 500 km2 during a rise in sea level approximately 10,000 years (Birch and McCready 2009). -
Obituary. Edward Pierson Ramsay
AUSTRALIAN MUSEUM SCIENTIFIC PUBLICATIONS Etheridge Jr, R., 1917. Obituary—Edward Pierson Ramsay, LL.D. Curator, 22nd September, 1874 to 31st December, 1894. Records of the Australian Museum 11(9): 205–217. [28 May 1917]. doi:10.3853/j.0067-1975.11.1917.916 ISSN 0067-1975 Published by the Australian Museum, Sydney naturenature cultureculture discover discover AustralianAustralian Museum Museum science science is is freely freely accessible accessible online online at at www.australianmuseum.net.au/publications/www.australianmuseum.net.au/publications/ 66 CollegeCollege Street,Street, SydneySydney NSWNSW 2010,2010, AustraliaAustralia OBITUARY: EDWARD PIERSON RAMSAY, LI~.D. Curator, 22nd S'eptember, 1874 to 31st December, 1894. Dr. E. P. Ramsay was the third son of David Ramsay, M.D., the owner of the DobroYd Estate,Dobl'oyd POlnt,Long Cove. He was born at Dobroyd House on 3rd ,December ,1842, andwas,therefoi'e, in his 75th year at the time of his death. His ed ucation took place at St; Mark's Collegiate School, first at Darling Point and later at Macquarie Fields, presided over by tbeRev. G.F. Macarthur,who later became HeadMaster of The King's School, Parramatta. In 1863,. Mr. Ramsay matriculated at the University, and (in the same yeaI') also entered asa stud.ent of St. Paul's College. His name remained on the list of members of the University until December, 1865. In apportioni~lgthe Dobroyd Estate amqngstthe children 'of Dr. David. Ramsay, the large~nd beautiful garden was aUottedtothe subject oE this notice; arid cameilito his hands about the year 1867. He forthwith opened the Dobroyd New Plant and Seed . -
Ecology of Pyrmont Peninsula 1788 - 2008
Transformations: Ecology of Pyrmont peninsula 1788 - 2008 John Broadbent Transformations: Ecology of Pyrmont peninsula 1788 - 2008 John Broadbent Sydney, 2010. Ecology of Pyrmont peninsula iii Executive summary City Council’s ‘Sustainable Sydney 2030’ initiative ‘is a vision for the sustainable development of the City for the next 20 years and beyond’. It has a largely anthropocentric basis, that is ‘viewing and interpreting everything in terms of human experience and values’(Macquarie Dictionary, 2005). The perspective taken here is that Council’s initiative, vital though it is, should be underpinned by an ecocentric ethic to succeed. This latter was defined by Aldo Leopold in 1949, 60 years ago, as ‘a philosophy that recognizes[sic] that the ecosphere, rather than any individual organism[notably humans] is the source and support of all life and as such advises a holistic and eco-centric approach to government, industry, and individual’(http://dictionary.babylon.com). Some relevant considerations are set out in Part 1: General Introduction. In this report, Pyrmont peninsula - that is the communities of Pyrmont and Ultimo – is considered as a microcosm of the City of Sydney, indeed of urban areas globally. An extensive series of early views of the peninsula are presented to help the reader better visualise this place as it was early in European settlement (Part 2: Early views of Pyrmont peninsula). The physical geography of Pyrmont peninsula has been transformed since European settlement, and Part 3: Physical geography of Pyrmont peninsula describes the geology, soils, topography, shoreline and drainage as they would most likely have appeared to the first Europeans to set foot there.