Annual Report 2012–13
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AFTRS-Accommodation.Pdf
SSTTUUDDEENNTT ACCACCOOMMMM OODDATATIIOONN Accommodation Renting tips When you are studying, it is important to have a good home TIPS TO HELP YOU FIND A PLACE TO CALL HOME base where you feel safe and comfortable. There are many accommodation options to choose from and it’s important to 1. Get in quick choose the one that’s right for you. It is a good idea to research all your options before making a decision. Don’t leave it until the last minute. Competition for rental accommodation in Sydney is very strong, so make sure that you take the appropriate documents with you (proof of income, identification, the names and phone numbers of three referees) Disclaimer when viewing properties – you may well need to place an application to rent a property on the spot, and provide a deposit. This may not be refundable – check with the landlord or real The information, contacts and links provided on this page are estate person before you commit. intended as a guide that may assist you in your search for external accommodation. In addition to our Website ↗ Terms and Conditions, 2. Decide on a location by accessing the links you acknowledge and agree that the following terms apply to your access to such information, contacts Key points to consider with location include proximity to campus, and links. public transport options and costs are and safety concerns, for example, crime rate or distance to public transport. AFTRS provides the links to external accommodation providers as a convenience to you only. AFTRS is not sponsored by the Suburbs near AFTRS include: accommodation provider to provide the external link. -
Annual Report
-- 1~ OEC 19 95 ANNUAL REPORT A U S T R A L I A N M l l S E U M s ,. d n c .' A s 11 ISSN 1039- IJl41 - ANNUAL REPORT CONTENTS 4 Introduction and Highlights s Mission 7 Premier's Message 9 President's Message 11 Director's Message 1 3 Public Programs and Marketing 17 Science in the Museum 2 9 Commercial Activities 31 Administration 34 Financial Statements Appendices 47 Trust 48 Management Structure 51 Staff 55 Publications 63 Sponsors 64 Index 3 INTRODUCT ION AND H IGHLI G HTS The Australian Museum finds itse lf in the fortunate position of being located in the city of Sydney, host of HIGHLI GHTS OF THE Y EAR IN CL UDE: the Olympic Games in the ye ar 2000. Our plan s are influenced by the goal of full participation in the Games • 'Rediscovering Pompeii' exhibition received over lead -up program. the Cultural Olympiad. Sydney can 15o,ooo visitors; ga in from the creativity and expertise which Museum staff offer in both exhibition developm ent and • 'Search & Discover' resource centre In its first six environmental management. These are the two distinct, months, received 35,000 visitors an d over 4,000 yet interacting sides : the public face of the Museum and telephone enquiries; the expertise which lies behind the scenes. Over the years. ma ny changes have occurred in the Museum, just • Outreach Programs reached over 550,ooo people in as concepts of science. nature and humanity have regional centres and schools; changed and tech nological adva nce s have been forged. -
EXPLORE > WONDER > BEWARE > DISCOVER >
© James Horan BEWARE > DISCOVER > EXPLORE > WONDER > SURVIVING Just what is it that makes Australia so INDIGENOUS Indigenous Australians takes you beyond DINOSAURS From carnivorous killers to plant-browsing THE LONG The Long Gallery appeals to the sense of different? Follow the true stories of Australia’s the art and artefacts to explore the diverse giants, Dinosaurs uses life-sized models, giant curiosity in all of us – a wondrous place to LEVEL 2 AUSTRALIA astonishing native animals and see how AUSTRALIANS beliefs and cultures of Australia’s first peoples. skeletons and realistic animations to tell the GALLERY discover mysterious, impressive and inspiring LEVEL 2 they’ve adapted and survived over millions LEVEL G Through authentic Indigenous voices, it shows real story behind the demise of the dinosaurs. LEVEL G objects that help us understand the world of years. the impacts of the past 200 years of European and our place in it. Watch the story of Australia’s ancient past settlement on traditional cultures: their losses, Only in the Surviving Australia exhibition can including a deadly encounter between a small Alongside the collections and specimens, hardships, struggles and – ultimately – their you safely get up close to some of Australia’s herbivorous dinosaur and a hungry carnivore. you’ll find quirky stories about the Museum’s survival. deadliest creatures from the Outback, the earliest curators, through to its latest scientific beach and even the urban backyard with The Garrigarrang: Sea Country exhibition discoveries. realistic specimens of: displays the Museum’s rare and unique GEMSTONES Exquisite colours and unusual formations of ● Australia’s top 10 venomous snakes Indigenous collections and features the voices gemstones, rocks and minerals are on show in ● sharks, crocodiles and blue-ringed of NSW Indigenous communities through & MINERALS these two stunning displays that capture the SKELETONS The strange beauty of animal skeletons make octopuses video and oral history. -
Australian Museum, the Nation’S First the Australian Museum Pays Respect and Acknowledges Museum
Welcome Visitor information Welcome to the Australian Museum, the nation’s first The Australian Museum pays respect and acknowledges museum. Here you will unearth the natural and cultural the Gadigal people of the Eora Nation as the First Peoples wonders from around the world. There is always plenty and Traditional Custodians of the land and waterways on to see and do with special exhibitions, programs, events which the Australian Museum stands. and permanent galleries. Australian Museum Highlights LEVEL G LEVEL 1 LEVEL 2 Museum Westpac Long Gallery Westpac Long Gallery Search & Discover Dinosaurs 200 Treasures of the 200 Treasures of the Search & Discover will See, hear, touch and even Australian Museum Australian Museum be closed from 29 July smell the world of Dinosaurs. Map The magnificently restored Uncover the hidden stories in preparation for A self-guided audio tour Westpac Long Gallery of 100 of Australia’s our upcoming major is available on the showcases 100 museum most-influential people. renovation, Project Discover. Australian Museum App. treasures alongside Treasures Illuminated the stories of 100 Kidspace See the 200 Treasures of Westpac Long Gallery influential Australians. A place for under 5s to the Australian Museum Celebrate Australia’s explore and investigate their Download the Australian exhibition burst to life abundant bird life in this own ‘mini museum’. Museum App and take a with this spectacular exhibition Birds of Australia. self-guided audio tour storytelling projection. Pacific Spirit LEVEL 4 through 200 Teasures. Daily, 11am & 2pm Experience the colour, No. 1 William Kids treasure hunt game culture and artistry of one of Learn more about the the world’s most diverse Enjoy gorgeous views in 100 Treasures of the Westpac regions: the Pacific. -
Annual Report 2010–2011
Australian Museum 2010–2011 Report Annual Australian Museum Annual Report 2010–2011 Australian Museum Annual Report 2010 – 2011 ii Australian Museum Annual Report 2010 –11 The Australian Museum Annual Report 2010 –11 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. A limited number of copies have been printed for statutory purposes. © Australian Museum Trust 2011 This report is available at: ISSN 1039-4141 www.australianmuseum.net.au/Annual-Reports. Editorial Further information on the research and education Project management: Wendy Rapee programs and services of the Australian Museum Editing and typesetting: Brendan Atkins can be found at www.australianmuseum.net.au. Proofreading: Lindsay Taaffe Design and production: Australian Museum Environmental responsibility Design Studio Printed on Sovereign Offset, an FSC- certified paper from responsibly grown fibres, made under an All photographs © Australian Museum ISO 14001– accredited environmental management 2011, unless otherwise indicated. system and without the use of elemental chlorine. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w www.australianmuseum.net.au www.facebook.com/australianmuseum www.twitter.com/austmus www.youtube.com/austmus front cover: The Museum's after-hours program, Jurassic Lounge, attracted a young adult audience to enjoy art, music and new ideas. Photo Stuart Humphreys. iii Minister The Hon. George Souris, MP and Minister for the Arts Governance The Museum is governed by a Trust established under the Australian Museum Trust Act 1975. -
Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Museums As Sources of Information and Learning
Museums as Sources of Information and Learning: The 1 Decision Making Process Much has been written about the educational and learning role of museums (Falk and Dierking, 1992, 1995, 2000; Hein, 1998; Hooper-Greenhill, 1994) and their roles in community development and access (Gurian, 1995, 2001; Kelly and Gordon, 2002). Yet, in this increasingly rich and complex information age, less emphasis has been given to the roles that museums have as credible sources of information (Booth, 1998; Lake Snell Perry and Associates, 2001). Access to information and knowledge is probably at the greatest point now in our history than it has ever been. Therefore the resulting problems and stresses that this brings, coupled with how to actually use information are core issues that museums need to urgently address. Further to this there is a view that museums need to move from being suppliers of information to facilitators, providing tools for visitors to explore their own ideas and reach their own conclusions. This is because increasing access to technologies, such as the Internet, ‘… have put the power of communication, information gathering, and analysis in the hands of the individuals of the world’ (Freedman, 2000: 299). In this sense, the museum needs to become a mediator of information and knowledge for a range of users to access on their own terms, through their own choice and within their own place and time, a ‘… multifaceted, outward- looking role as hosts who invite visitors inside to wonder, encounter and learn’ (Schauble, et al., 1997: 3). How information is used, and by who, is another key issue for museums: ‘The role of museums in the future … lies in legitimising information and information processes and in being an advocate for knowledge as the province of the people, not the sole property of the great institutions’ (Freedman, 2000: 303). -
GLAM Innovation Study
Australian Chris Winter’s presentation on the Society of Archivists GLAM Innovation Study NSW Branch Newsletter Report by Chris Winter & Barbara Hoffman OCTOBER 2015 16 September 2015 THIS ISSUE CONTAINS: David Roberts (Newington College Archivist) welcomed Chris Winter to the Branch • Chris Winter – GLAM Study meeting. David described how as a 15 year • A&D Workshop old in 1971, he was listening to Chris Winter’s ABC Radio music program ‘Room to Move’ • Recordkeeping Roundtable event and was introduced to Prog Rock, in particular • 2016 Parramatta Conference King Crimson. A lifelong passion was born. The NSW Branch was delighted to have a • Visit to UNSW Archives ‘fan’ introduce our speaker for the evening. • DOCAM Conference Chris Winter began his presentation by giving • Open Palace Program us the background of his interest in the world of collections. • Queen Mary Building In 2008 while he was still at the ABC, he was approached by the National Library of public space naming project Australia who were seeking access to the ABC’s archival metadata that they were • Digital Preservation Meetup keen to add to the datasets already searchable through TROVE. The outcome is that the NLA is now able to automatically harvest and index a large number of • Creativity in Wartime – GCS Gallery weekly Radio National programs with current programs being available for search • Public Service / War Service through Trove within 24 hours of broadcast. • NSW Branch Information Continues on page 2… NOTICE OF THE NEXT ASA NSW BRANCH MEETING OCTOBER 2015 Date Wednesday 21 October 2015 Time 5.30pm refreshments for 6.00pm start Donation $5 to cover drinks and nibbles. -
2019-20 Annual Report of the Australian Museum Trust.Pdf
2019-20 Annual report A prefabricated section of the main stairwell is maneuvered into position by the crane. Photograph by James Alcock. 2019–20 Annual report Australian Museum 1 William Street Sydney, NSW, 2010 Australia Australian Museum Annual Report 2019-20 Minister The Australian Museum Annual Report 2019-20 The Hon Don Harwin, MLC is published by the Australian Museum Trust, 1 William Street Sydney NSW 2010. Special Minister of State, and Minister for the © Australian Museum Trust 2020 Public Service and Employee Relations, Aboriginal ISSN 2206-8473 Affairs and the Arts. Acknowledgements Governance The Australian Museum acknowledges and pays respect to The Australian Museum was established under the the Gadigal people of the Eora Nation as the First Peoples Australian Museum Trust Act 1975 and is governed by and Traditional Custodians of the land and waterways on a Board of Trustees. The objectives of the Australian which the Australian Museum stands. Museum are to propagate knowledge about the natural environment of Australia and to increase that Compiled by Jacinta Spurrett and Jacqueline Soars knowledge, particularly in the natural sciences of biology, Design & Production by Mark Joseph anthropology and geology. The Board of Trustees has Editing by Catherine Marshall and Alice Gage 11 members, one of whom must have knowledge of, or All images © Australian Museum experience in, science; one of whom must have knowledge unless otherwise indicated. of, or experience in, education; and one of whom must have knowledge of, or experience in, Australian Contact Indigenous culture. Australian Museum Trustees are appointed by the Governor on the 1 William Street Sydney NSW 2010 recommendation of the Minister for a term of up to Open daily 9.30am – 5pm three years. -
Wonders of Australia SEPTEMBER 5 - 17, 2021
Wonders of Australia SEPTEMBER 5 - 17, 2021 with host JOHN HARRIS, KAMR Local 4 Chief Meteorologist Courtesy of Tourism Australia Tourism of Courtesy Great Barrier Reef and lush Cairns Highlands as we glide DAY 10: CROCODILE HUNTER’S biosphere. The Noosa Eco-Cruise over the rainforest canopy. B,L AUSTRALIA ZOO provides spectacular views of beaches, We depart our secluded rainforest mountains, birds and marine life. We DAY 7: GREAT BARRIER retreat and head north to the Sunshine enjoy a short guided walk to discover REEF & SCENIC Coast. We visit the Australia Zoo, situ- native plants. After, we reboard our HELICOPTER FLIGHT ated in the shadow of the Glasshouse vessel for a generous morning tea in Today we experience one of the high- Mountains, home of legendary televi- the shadow of the national park. There’s lights of our tour, a visit to the Great sion personality Steve Irwin the time to stroll Noosa’s famous Main Barrier Reef, the world’s largest living “Crocodile Hunter.” See colorful birds Beach and visit fashionable Hastings organism and one of Australia’s greatest and pre-historic saltwater crocodiles Street, home to the best boutiques, national treasures stretching more than in the Crocoseum. Experience hands-on renowned cafes, and restaurants. 1,200 miles along the coast. We view animal encounters like nowhere else We gather this evening for our vividly colored tropical fish and coral in the world. Pet a koala, hand-feed special farewell dinner. D from the reef viewer, underwater kangaroos, wallabies, and see emus, observatory, and glass-bottom boat. wombats, dingoes, cassowaries, and DAY 13: FOND FAREWELLS Learn about the fish and marine life kookaburras. -
AMS112 1900.Pdf
1901. L EGI SLA'l'IVE A SSEMBLY. N EW SO U TH -nrA L ES. AUSTRALIAN MUSEUl\i. (REPOR1' OF THE 'l'RUS'l'Ei<:S FOR THE YEAR 1000.) -- -------- --- tJ ret~c n lcb lo ~Jarlinmcnt pnromml ta J\d 17 ~(.}ic ~o. 2, .sec. 9. Printed under Ko. 7 Rf'port j,·om Prinli.ti!J Oommillce, 17 October, 1001. T o H 1s ExcELLENC\' TH~: Oov~:n:o;on AND ExECUTIVE CouNC'II.,- Tht> Tm:.tees of tilt' Ausb'lliian )[u ~eum J. nve t.he honor to submit to your Excellency their Forty·SC\'Cnth Annual Repo1·t. 1. lt ill with deep 1·egrd thab we ha,·c to rc>cnrcl the death of Dr. ,J. DclisLu·io, one of t.J.c Elective Trustees, who occupied a :;eat. on lllc Board since Novc'mbc1·, 18i3. J Le wa~ I'C' gu l ;~r in his ;~ttonclance at the mcet.ings, and evinced gn•;Lt inlr·rest. in the management of the ~ l u se utH. The vacancy has been filled by the clecLion of CrilcheU, " 'alker, Esq., C.)l.G., Lhc Pt·incipal Under. 'ccrelary. L M\C of ahsence Wtls gin•11 to Colonel " '· D. Cumpbell 'Yilliam ~, P.)l.O., on a<;count of his departut·e for • 'outh .\frica in t·luuw• n£ thr Nrw Houth Wale>; ..-u·my 1lcdicnl Co1·ps. 2. The M ut~rum continurtl nJWn to visitor:; during thr usual hours, '·iz., from 2 to 5 p.m. on Sunday:i, <tnd f1·orn 10 1t.m. -
Hotelier Jerry Schwartz Calls for Outright Rejection of Mirvac's Residential Plan for Darling Harbour's Harbourside Site
Hotelier Jerry Schwartz calls for outright rejection of Mirvac’s residential plan for Darling Harbour’s Harbourside site 3 April 2020: Mirvac’s newly announced proposal to scrap its previous Harbourside Darling Harbour re-development plans in favour of a massive residential tower should be rejected outright, says prominent Sydney hotel owner and developer, Dr Jerry Schwartz. Dr Schwartz, who owns the adjacent Sofitel Sydney Darling Harbour, said that previous NSW planning bodies had rejected proposals for the Harbourside re-development to include residential, and that decision should stand. In 2019, Mirvac lodged a new plan for the site, proposing a commercial office above a redeveloped shopping and commercial centre. However, Mirvac produced yet another design for the site which re-introduced a residential tower as the major element in the development plan. “The residential focus of the development proposal goes totally against the tourism, entertainment and retail concept of Darling Harbour,” said Dr Schwartz. "The opening of the Sofitel and International Convention Centre three years ago re-emphasised Darling Harbour's principal role as Sydney's tourism hub, and there is no justification for deviating from that model. “The Ribbon development on the former Imax site was also proposed as part-residential but had to change to full short-term accommodation, comprising a full-service hotel and serviced apartments. “Darling Harbour has been designed as a commercial tourist and business precinct, not as another residential area in a city that is already well serviced by large-scale high to medium density apartment developments. “The proposal will also block out views from a number of existing hotels, even more so with the plan to move the tower from the originally planned northern end to the centre of the site.