Australian Museum Detailed Report 2006–07 I
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Biodiversity of Shallow Reef Fish Assemblages in Western Australia Using a Rapid Censusing Technique
Records of the Western Australian Museum 20: 247-270 (2001). Biodiversity of shallow reef fish assemblages in Western Australia using a rapid censusing technique J. Harry Hutchins Department of Aquatic Zoology, Western Australian Museum, Francis Street, Perth, Western Australia 6000, Australia email: [email protected] Abstract -A rapid assessment methodology was used to provide relative abundance data on selected families of Western Australian fishes. Twenty shallow water reef sites were surveyed covering the coastline between the Recherche Archipelago in the south east and the Kimberley in the north. Three groups of atolls located off the Kimberley coast were also included. Eighteen families that best represent the State's nearshore reef fish fauna were targeted. They are: Serranidae, Caesionidae, Lu~anidae, Haemulidae, Lethrinidae, Mullidae, Pempherididae, Kyphosidae, Girellidae, Scorpididae, Chaetodontidae, Pomacanthidae, Pomacentridae, Cheilodactylidae, Labridae, Odacidae, Acanthuridae, and Monacanthidae. Analysis of the dataset using a hierarchical classification technique indicates that four groups of reef fishes are present: a southwest assemblage, a northwest assemblage, an offshore atolls assemblage, and a Kimberley assemblage. The first assemblage is comprised mainly of temperate species, while the latter three are mostly tropical fishes; these two broader groupings narrowly overlap on the west coast between Kalbarri and the Houtman Abrolhos. Evidence of a wide zone of temperate/tropical overlap-as proposed by some previous studies-is not supported by this analysis, nor is the presence of a prominent subtropical fauna on the west coast. Ecological differences of the four assemblages are explored, as well as the impact by the Leeuwin Current on this arrangement. INTRODUCTION western and southern coasts of the State, but could Western Australia occupies about 23 degrees of only provide a brief comparison with other more latitude (12-35°5) covering a large and varied northern areas. -
Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Annual Report
-- 1~ OEC 19 95 ANNUAL REPORT A U S T R A L I A N M l l S E U M s ,. d n c .' A s 11 ISSN 1039- IJl41 - ANNUAL REPORT CONTENTS 4 Introduction and Highlights s Mission 7 Premier's Message 9 President's Message 11 Director's Message 1 3 Public Programs and Marketing 17 Science in the Museum 2 9 Commercial Activities 31 Administration 34 Financial Statements Appendices 47 Trust 48 Management Structure 51 Staff 55 Publications 63 Sponsors 64 Index 3 INTRODUCT ION AND H IGHLI G HTS The Australian Museum finds itse lf in the fortunate position of being located in the city of Sydney, host of HIGHLI GHTS OF THE Y EAR IN CL UDE: the Olympic Games in the ye ar 2000. Our plan s are influenced by the goal of full participation in the Games • 'Rediscovering Pompeii' exhibition received over lead -up program. the Cultural Olympiad. Sydney can 15o,ooo visitors; ga in from the creativity and expertise which Museum staff offer in both exhibition developm ent and • 'Search & Discover' resource centre In its first six environmental management. These are the two distinct, months, received 35,000 visitors an d over 4,000 yet interacting sides : the public face of the Museum and telephone enquiries; the expertise which lies behind the scenes. Over the years. ma ny changes have occurred in the Museum, just • Outreach Programs reached over 550,ooo people in as concepts of science. nature and humanity have regional centres and schools; changed and tech nological adva nce s have been forged. -
EXPLORE > WONDER > BEWARE > DISCOVER >
© James Horan BEWARE > DISCOVER > EXPLORE > WONDER > SURVIVING Just what is it that makes Australia so INDIGENOUS Indigenous Australians takes you beyond DINOSAURS From carnivorous killers to plant-browsing THE LONG The Long Gallery appeals to the sense of different? Follow the true stories of Australia’s the art and artefacts to explore the diverse giants, Dinosaurs uses life-sized models, giant curiosity in all of us – a wondrous place to LEVEL 2 AUSTRALIA astonishing native animals and see how AUSTRALIANS beliefs and cultures of Australia’s first peoples. skeletons and realistic animations to tell the GALLERY discover mysterious, impressive and inspiring LEVEL 2 they’ve adapted and survived over millions LEVEL G Through authentic Indigenous voices, it shows real story behind the demise of the dinosaurs. LEVEL G objects that help us understand the world of years. the impacts of the past 200 years of European and our place in it. Watch the story of Australia’s ancient past settlement on traditional cultures: their losses, Only in the Surviving Australia exhibition can including a deadly encounter between a small Alongside the collections and specimens, hardships, struggles and – ultimately – their you safely get up close to some of Australia’s herbivorous dinosaur and a hungry carnivore. you’ll find quirky stories about the Museum’s survival. deadliest creatures from the Outback, the earliest curators, through to its latest scientific beach and even the urban backyard with The Garrigarrang: Sea Country exhibition discoveries. realistic specimens of: displays the Museum’s rare and unique GEMSTONES Exquisite colours and unusual formations of ● Australia’s top 10 venomous snakes Indigenous collections and features the voices gemstones, rocks and minerals are on show in ● sharks, crocodiles and blue-ringed of NSW Indigenous communities through & MINERALS these two stunning displays that capture the SKELETONS The strange beauty of animal skeletons make octopuses video and oral history. -
Australian Museum, the Nation’S First the Australian Museum Pays Respect and Acknowledges Museum
Welcome Visitor information Welcome to the Australian Museum, the nation’s first The Australian Museum pays respect and acknowledges museum. Here you will unearth the natural and cultural the Gadigal people of the Eora Nation as the First Peoples wonders from around the world. There is always plenty and Traditional Custodians of the land and waterways on to see and do with special exhibitions, programs, events which the Australian Museum stands. and permanent galleries. Australian Museum Highlights LEVEL G LEVEL 1 LEVEL 2 Museum Westpac Long Gallery Westpac Long Gallery Search & Discover Dinosaurs 200 Treasures of the 200 Treasures of the Search & Discover will See, hear, touch and even Australian Museum Australian Museum be closed from 29 July smell the world of Dinosaurs. Map The magnificently restored Uncover the hidden stories in preparation for A self-guided audio tour Westpac Long Gallery of 100 of Australia’s our upcoming major is available on the showcases 100 museum most-influential people. renovation, Project Discover. Australian Museum App. treasures alongside Treasures Illuminated the stories of 100 Kidspace See the 200 Treasures of Westpac Long Gallery influential Australians. A place for under 5s to the Australian Museum Celebrate Australia’s explore and investigate their Download the Australian exhibition burst to life abundant bird life in this own ‘mini museum’. Museum App and take a with this spectacular exhibition Birds of Australia. self-guided audio tour storytelling projection. Pacific Spirit LEVEL 4 through 200 Teasures. Daily, 11am & 2pm Experience the colour, No. 1 William Kids treasure hunt game culture and artistry of one of Learn more about the the world’s most diverse Enjoy gorgeous views in 100 Treasures of the Westpac regions: the Pacific. -
Phylogeny of the Epinephelinae (Teleostei: Serranidae)
BULLETIN OF MARINE SCIENCE, 52(1): 240-283, 1993 PHYLOGENY OF THE EPINEPHELINAE (TELEOSTEI: SERRANIDAE) Carole C. Baldwin and G. David Johnson ABSTRACT Relationships among epinepheline genera are investigated based on cladistic analysis of larval and adult morphology. Five monophyletic tribes are delineated, and relationships among tribes and among genera of the tribe Grammistini are hypothesized. Generic com- position of tribes differs from Johnson's (1983) classification only in the allocation of Je- boehlkia to the tribe Grammistini rather than the Liopropomini. Despite the presence of the skin toxin grammistin in the Diploprionini and Grammistini, we consider the latter to be the sister group of the Liopropomini. This hypothesis is based, in part, on previously un- recognized larval features. Larval morphology also provides evidence of monophyly of the subfamily Epinephelinae, the clade comprising all epinepheline tribes except Niphonini, and the tribe Grammistini. Larval features provide the only evidence of a monophyletic Epine- phelini and a monophyletic clade comprising the Diploprionini, Liopropomini and Gram- mistini; identification of larvae of more epinephelines is needed to test those hypotheses. Within the tribe Grammistini, we propose that Jeboehlkia gladifer is the sister group of a natural assemblage comprising the former pseudogrammid genera (Aporops, Pseudogramma and Suttonia). The "soapfishes" (Grammistes, Grammistops, Pogonoperca and Rypticus) are not monophyletic, but form a series of sequential sister groups to Jeboehlkia, Aporops, Pseu- dogramma and Suttonia (the closest of these being Grammistops, followed by Rypticus, then Grammistes plus Pogonoperca). The absence in adult Jeboehlkia of several derived features shared by Grammistops, Aporops, Pseudogramma and Suttonia is incongruous with our hypothesis but may be attributable to paedomorphosis. -
Annual Report 2010–2011
Australian Museum 2010–2011 Report Annual Australian Museum Annual Report 2010–2011 Australian Museum Annual Report 2010 – 2011 ii Australian Museum Annual Report 2010 –11 The Australian Museum Annual Report 2010 –11 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. A limited number of copies have been printed for statutory purposes. © Australian Museum Trust 2011 This report is available at: ISSN 1039-4141 www.australianmuseum.net.au/Annual-Reports. Editorial Further information on the research and education Project management: Wendy Rapee programs and services of the Australian Museum Editing and typesetting: Brendan Atkins can be found at www.australianmuseum.net.au. Proofreading: Lindsay Taaffe Design and production: Australian Museum Environmental responsibility Design Studio Printed on Sovereign Offset, an FSC- certified paper from responsibly grown fibres, made under an All photographs © Australian Museum ISO 14001– accredited environmental management 2011, unless otherwise indicated. system and without the use of elemental chlorine. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w www.australianmuseum.net.au www.facebook.com/australianmuseum www.twitter.com/austmus www.youtube.com/austmus front cover: The Museum's after-hours program, Jurassic Lounge, attracted a young adult audience to enjoy art, music and new ideas. Photo Stuart Humphreys. iii Minister The Hon. George Souris, MP and Minister for the Arts Governance The Museum is governed by a Trust established under the Australian Museum Trust Act 1975. -
Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Museums As Sources of Information and Learning
Museums as Sources of Information and Learning: The 1 Decision Making Process Much has been written about the educational and learning role of museums (Falk and Dierking, 1992, 1995, 2000; Hein, 1998; Hooper-Greenhill, 1994) and their roles in community development and access (Gurian, 1995, 2001; Kelly and Gordon, 2002). Yet, in this increasingly rich and complex information age, less emphasis has been given to the roles that museums have as credible sources of information (Booth, 1998; Lake Snell Perry and Associates, 2001). Access to information and knowledge is probably at the greatest point now in our history than it has ever been. Therefore the resulting problems and stresses that this brings, coupled with how to actually use information are core issues that museums need to urgently address. Further to this there is a view that museums need to move from being suppliers of information to facilitators, providing tools for visitors to explore their own ideas and reach their own conclusions. This is because increasing access to technologies, such as the Internet, ‘… have put the power of communication, information gathering, and analysis in the hands of the individuals of the world’ (Freedman, 2000: 299). In this sense, the museum needs to become a mediator of information and knowledge for a range of users to access on their own terms, through their own choice and within their own place and time, a ‘… multifaceted, outward- looking role as hosts who invite visitors inside to wonder, encounter and learn’ (Schauble, et al., 1997: 3). How information is used, and by who, is another key issue for museums: ‘The role of museums in the future … lies in legitimising information and information processes and in being an advocate for knowledge as the province of the people, not the sole property of the great institutions’ (Freedman, 2000: 303). -
GLAM Innovation Study
Australian Chris Winter’s presentation on the Society of Archivists GLAM Innovation Study NSW Branch Newsletter Report by Chris Winter & Barbara Hoffman OCTOBER 2015 16 September 2015 THIS ISSUE CONTAINS: David Roberts (Newington College Archivist) welcomed Chris Winter to the Branch • Chris Winter – GLAM Study meeting. David described how as a 15 year • A&D Workshop old in 1971, he was listening to Chris Winter’s ABC Radio music program ‘Room to Move’ • Recordkeeping Roundtable event and was introduced to Prog Rock, in particular • 2016 Parramatta Conference King Crimson. A lifelong passion was born. The NSW Branch was delighted to have a • Visit to UNSW Archives ‘fan’ introduce our speaker for the evening. • DOCAM Conference Chris Winter began his presentation by giving • Open Palace Program us the background of his interest in the world of collections. • Queen Mary Building In 2008 while he was still at the ABC, he was approached by the National Library of public space naming project Australia who were seeking access to the ABC’s archival metadata that they were • Digital Preservation Meetup keen to add to the datasets already searchable through TROVE. The outcome is that the NLA is now able to automatically harvest and index a large number of • Creativity in Wartime – GCS Gallery weekly Radio National programs with current programs being available for search • Public Service / War Service through Trove within 24 hours of broadcast. • NSW Branch Information Continues on page 2… NOTICE OF THE NEXT ASA NSW BRANCH MEETING OCTOBER 2015 Date Wednesday 21 October 2015 Time 5.30pm refreshments for 6.00pm start Donation $5 to cover drinks and nibbles. -
2019-20 Annual Report of the Australian Museum Trust.Pdf
2019-20 Annual report A prefabricated section of the main stairwell is maneuvered into position by the crane. Photograph by James Alcock. 2019–20 Annual report Australian Museum 1 William Street Sydney, NSW, 2010 Australia Australian Museum Annual Report 2019-20 Minister The Australian Museum Annual Report 2019-20 The Hon Don Harwin, MLC is published by the Australian Museum Trust, 1 William Street Sydney NSW 2010. Special Minister of State, and Minister for the © Australian Museum Trust 2020 Public Service and Employee Relations, Aboriginal ISSN 2206-8473 Affairs and the Arts. Acknowledgements Governance The Australian Museum acknowledges and pays respect to The Australian Museum was established under the the Gadigal people of the Eora Nation as the First Peoples Australian Museum Trust Act 1975 and is governed by and Traditional Custodians of the land and waterways on a Board of Trustees. The objectives of the Australian which the Australian Museum stands. Museum are to propagate knowledge about the natural environment of Australia and to increase that Compiled by Jacinta Spurrett and Jacqueline Soars knowledge, particularly in the natural sciences of biology, Design & Production by Mark Joseph anthropology and geology. The Board of Trustees has Editing by Catherine Marshall and Alice Gage 11 members, one of whom must have knowledge of, or All images © Australian Museum experience in, science; one of whom must have knowledge unless otherwise indicated. of, or experience in, education; and one of whom must have knowledge of, or experience in, Australian Contact Indigenous culture. Australian Museum Trustees are appointed by the Governor on the 1 William Street Sydney NSW 2010 recommendation of the Minister for a term of up to Open daily 9.30am – 5pm three years. -
Patterns of Evolution in Gobies (Teleostei: Gobiidae): a Multi-Scale Phylogenetic Investigation
PATTERNS OF EVOLUTION IN GOBIES (TELEOSTEI: GOBIIDAE): A MULTI-SCALE PHYLOGENETIC INVESTIGATION A Dissertation by LUKE MICHAEL TORNABENE BS, Hofstra University, 2007 MS, Texas A&M University-Corpus Christi, 2010 Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in MARINE BIOLOGY Texas A&M University-Corpus Christi Corpus Christi, Texas December 2014 © Luke Michael Tornabene All Rights Reserved December 2014 PATTERNS OF EVOLUTION IN GOBIES (TELEOSTEI: GOBIIDAE): A MULTI-SCALE PHYLOGENETIC INVESTIGATION A Dissertation by LUKE MICHAEL TORNABENE This dissertation meets the standards for scope and quality of Texas A&M University-Corpus Christi and is hereby approved. Frank L. Pezold, PhD Chris Bird, PhD Chair Committee Member Kevin W. Conway, PhD James D. Hogan, PhD Committee Member Committee Member Lea-Der Chen, PhD Graduate Faculty Representative December 2014 ABSTRACT The family of fishes commonly known as gobies (Teleostei: Gobiidae) is one of the most diverse lineages of vertebrates in the world. With more than 1700 species of gobies spread among more than 200 genera, gobies are the most species-rich family of marine fishes. Gobies can be found in nearly every aquatic habitat on earth, and are often the most diverse and numerically abundant fishes in tropical and subtropical habitats, especially coral reefs. Their remarkable taxonomic, morphological and ecological diversity make them an ideal model group for studying the processes driving taxonomic and phenotypic diversification in aquatic vertebrates. Unfortunately the phylogenetic relationships of many groups of gobies are poorly resolved, obscuring our understanding of the evolution of their ecological diversity. This dissertation is a multi-scale phylogenetic study that aims to clarify phylogenetic relationships across the Gobiidae and demonstrate the utility of this family for studies of macroevolution and speciation at multiple evolutionary timescales.