2019-20 Annual Report of the Australian Museum Trust.Pdf
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Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Annual Report
-- 1~ OEC 19 95 ANNUAL REPORT A U S T R A L I A N M l l S E U M s ,. d n c .' A s 11 ISSN 1039- IJl41 - ANNUAL REPORT CONTENTS 4 Introduction and Highlights s Mission 7 Premier's Message 9 President's Message 11 Director's Message 1 3 Public Programs and Marketing 17 Science in the Museum 2 9 Commercial Activities 31 Administration 34 Financial Statements Appendices 47 Trust 48 Management Structure 51 Staff 55 Publications 63 Sponsors 64 Index 3 INTRODUCT ION AND H IGHLI G HTS The Australian Museum finds itse lf in the fortunate position of being located in the city of Sydney, host of HIGHLI GHTS OF THE Y EAR IN CL UDE: the Olympic Games in the ye ar 2000. Our plan s are influenced by the goal of full participation in the Games • 'Rediscovering Pompeii' exhibition received over lead -up program. the Cultural Olympiad. Sydney can 15o,ooo visitors; ga in from the creativity and expertise which Museum staff offer in both exhibition developm ent and • 'Search & Discover' resource centre In its first six environmental management. These are the two distinct, months, received 35,000 visitors an d over 4,000 yet interacting sides : the public face of the Museum and telephone enquiries; the expertise which lies behind the scenes. Over the years. ma ny changes have occurred in the Museum, just • Outreach Programs reached over 550,ooo people in as concepts of science. nature and humanity have regional centres and schools; changed and tech nological adva nce s have been forged. -
ANZAC Memorial Visit
ANZAC Memorial Hyde Park June 2013 On Thursday 27th June the Scouts from 1st Ermington had the opportunity to visit the ANAZ Memorial at Hyde Park in the city. We caught the train from Eastwood station for the journey into Sydney - alighting from the train at Town Hall station. Fortunately the weather was kind and we had a nice walk up to the memo- rial through Hyde park. Although it was early evening and dark the memo- rial looked terrific. The curator for the evening introduced himself to the troop and there was much interest in his background as he was both a Vietnam veteran and a former scout. The evening started with a short video and the scouts were surprised at the footage of the opening because at the time the memorial was the tallest building in the city and the opening was attending by 100,000 people. We were given a tour of the different parts of the memorial (inside and out). Learning about the different parts of the memorial was extremely in- teresting. The Scouts were invited to release a Commemorative star representing an Australian service man or woman killed while serving their country or since deceased - a very humbling experience Another highlight of the evening was the Scouts being able to see a banner signed by Baden Powell. We departed the memorial at 8:20 for our return trip, arriving back into Eastwood at 9:10pm. A big thank you to the Scouts and Leaders that were able to participate in this activity. The ANZAC War Memorial, completed in 1934, is the main commemorative military monument of Sydney, Australia. -
EXPLORE > WONDER > BEWARE > DISCOVER >
© James Horan BEWARE > DISCOVER > EXPLORE > WONDER > SURVIVING Just what is it that makes Australia so INDIGENOUS Indigenous Australians takes you beyond DINOSAURS From carnivorous killers to plant-browsing THE LONG The Long Gallery appeals to the sense of different? Follow the true stories of Australia’s the art and artefacts to explore the diverse giants, Dinosaurs uses life-sized models, giant curiosity in all of us – a wondrous place to LEVEL 2 AUSTRALIA astonishing native animals and see how AUSTRALIANS beliefs and cultures of Australia’s first peoples. skeletons and realistic animations to tell the GALLERY discover mysterious, impressive and inspiring LEVEL 2 they’ve adapted and survived over millions LEVEL G Through authentic Indigenous voices, it shows real story behind the demise of the dinosaurs. LEVEL G objects that help us understand the world of years. the impacts of the past 200 years of European and our place in it. Watch the story of Australia’s ancient past settlement on traditional cultures: their losses, Only in the Surviving Australia exhibition can including a deadly encounter between a small Alongside the collections and specimens, hardships, struggles and – ultimately – their you safely get up close to some of Australia’s herbivorous dinosaur and a hungry carnivore. you’ll find quirky stories about the Museum’s survival. deadliest creatures from the Outback, the earliest curators, through to its latest scientific beach and even the urban backyard with The Garrigarrang: Sea Country exhibition discoveries. realistic specimens of: displays the Museum’s rare and unique GEMSTONES Exquisite colours and unusual formations of ● Australia’s top 10 venomous snakes Indigenous collections and features the voices gemstones, rocks and minerals are on show in ● sharks, crocodiles and blue-ringed of NSW Indigenous communities through & MINERALS these two stunning displays that capture the SKELETONS The strange beauty of animal skeletons make octopuses video and oral history. -
Kelson Nor Mckernan
Vol. 5 No. 9 November 1995 $5.00 Fighting Memories Jack Waterford on strife at the Memorial Ken Inglis on rival shrines Great Escapes: Rachel Griffiths in London, Chris McGillion in America and Juliette Hughes in Canberra and the bush Volume 5 Number 9 EURE:-KA SJRE:i:T November 1995 A magazine of public affairs, the arts and th eology CoNTENTS 4 30 COMMENT POETRY Seven Sketches by Maslyn Williams. 9 CAPITAL LETTER 32 BOOKS 10 Andrew Hamilton reviews three recent LETTERS books on Australian immigration; Keith Campbell considers The Oxford 12 Companion to Philosophy (p36); IN GOD WE BUST J.J.C. Smart examines The Moral Chris McGillion looks at the implosion Pwblem (p38); Juliette Hughes reviews of America from the inside. The Letters of Hildegard of Bingen Vol I and Hildegard of Bingen and 14 Gendered Theology in Ju dea-Christian END OF THE GEORGIAN ERA Tradition (p40); Michael McGirr talks Michael McGirr marks the passing of a to Hugh Lunn, (p42); Bruce Williams Melbourne institution. reviews A Companion to Theatre in Australia (p44); Max T eichrnann looks 15 at Albert Speer: His Battle With Truth COUNTERPOINT (p46); James Griffin reviews To Solitude The m edia's responsibility to society is Consigned: The Journal of William m easured by the code of ethics, says Smith O'BTien (p48). Paul Chadwick. 49 17 THEATRE ARCHIMEDES Geoffrey Milne takes a look at quick changes in W A. 18 WAR AT THE MEMORIAL 51 Ja ck Waterford exarnines the internal C lea r-fe Jl ed forest area. Ph oto FLASH IN THE PAN graph, above left, by Bill T homas ructions at the Australian War Memorial. -
Australian Museum, the Nation’S First the Australian Museum Pays Respect and Acknowledges Museum
Welcome Visitor information Welcome to the Australian Museum, the nation’s first The Australian Museum pays respect and acknowledges museum. Here you will unearth the natural and cultural the Gadigal people of the Eora Nation as the First Peoples wonders from around the world. There is always plenty and Traditional Custodians of the land and waterways on to see and do with special exhibitions, programs, events which the Australian Museum stands. and permanent galleries. Australian Museum Highlights LEVEL G LEVEL 1 LEVEL 2 Museum Westpac Long Gallery Westpac Long Gallery Search & Discover Dinosaurs 200 Treasures of the 200 Treasures of the Search & Discover will See, hear, touch and even Australian Museum Australian Museum be closed from 29 July smell the world of Dinosaurs. Map The magnificently restored Uncover the hidden stories in preparation for A self-guided audio tour Westpac Long Gallery of 100 of Australia’s our upcoming major is available on the showcases 100 museum most-influential people. renovation, Project Discover. Australian Museum App. treasures alongside Treasures Illuminated the stories of 100 Kidspace See the 200 Treasures of Westpac Long Gallery influential Australians. A place for under 5s to the Australian Museum Celebrate Australia’s explore and investigate their Download the Australian exhibition burst to life abundant bird life in this own ‘mini museum’. Museum App and take a with this spectacular exhibition Birds of Australia. self-guided audio tour storytelling projection. Pacific Spirit LEVEL 4 through 200 Teasures. Daily, 11am & 2pm Experience the colour, No. 1 William Kids treasure hunt game culture and artistry of one of Learn more about the the world’s most diverse Enjoy gorgeous views in 100 Treasures of the Westpac regions: the Pacific. -
Annual Report 2012–13
Australian Museum ANNUAL REPORT 2012–13 Australian Museum ANNUAL REPORT 2012–13 ii Australian Museum Annual Report 2012–13 The Australian Museum Annual Report 2012 –13 Availability is published by the Australian Museum Trust, This annual report has been designed for accessible 6 College Street Sydney NSW 2010. online use and distribution. This report is available at australianmuseum.net.au/Annual-Reports. © Australian Museum Trust 2013 Further information on the research and education ISSN 1039-4141 programs and services of the Australian Museum Editorial can be found at australianmuseum.net.au. Brendan Atkins Cost of production Design and production The production cost of this report is estimated Australian Museum Design Studio at $550. Contact Australian Museum 6 College Street Sydney NSW 2010 Open daily 9.30 am – 5.00 pm t 02 9320 6000 f 02 9320 6050 e [email protected] w australianmuseum.net.au facebook.com/australianmuseum twitter.com/austmus instagram.com/austmus youtube.com/austmus pinterest.com/austmus iii Minister Admission charges The Hon. George Souris, MP and Minister for General Museum entry: the Arts Adult $12 Governance Child (5–15 years) $6 The Museum is governed by a Trust established Concession $8 under the Australian Museum Trust Act 1975. Family (one adult, two children) $18 The Trust has 11 members, one of whom must Family (two adults, two children) $30 have knowledge of, or experience in, science; each additional child $3 one of whom must have knowledge of, or Children under five years, Australian Government experience in, education; and one of whom must DVA Gold Cardholders, Australian Government have knowledge of, or experience in, Australian ‘Blue’ Pensioner Concession Cardholders and Indigenous culture. -
Museums As Sources of Information and Learning
Museums as Sources of Information and Learning: The 1 Decision Making Process Much has been written about the educational and learning role of museums (Falk and Dierking, 1992, 1995, 2000; Hein, 1998; Hooper-Greenhill, 1994) and their roles in community development and access (Gurian, 1995, 2001; Kelly and Gordon, 2002). Yet, in this increasingly rich and complex information age, less emphasis has been given to the roles that museums have as credible sources of information (Booth, 1998; Lake Snell Perry and Associates, 2001). Access to information and knowledge is probably at the greatest point now in our history than it has ever been. Therefore the resulting problems and stresses that this brings, coupled with how to actually use information are core issues that museums need to urgently address. Further to this there is a view that museums need to move from being suppliers of information to facilitators, providing tools for visitors to explore their own ideas and reach their own conclusions. This is because increasing access to technologies, such as the Internet, ‘… have put the power of communication, information gathering, and analysis in the hands of the individuals of the world’ (Freedman, 2000: 299). In this sense, the museum needs to become a mediator of information and knowledge for a range of users to access on their own terms, through their own choice and within their own place and time, a ‘… multifaceted, outward- looking role as hosts who invite visitors inside to wonder, encounter and learn’ (Schauble, et al., 1997: 3). How information is used, and by who, is another key issue for museums: ‘The role of museums in the future … lies in legitimising information and information processes and in being an advocate for knowledge as the province of the people, not the sole property of the great institutions’ (Freedman, 2000: 303). -
AMS112 1900.Pdf
1901. L EGI SLA'l'IVE A SSEMBLY. N EW SO U TH -nrA L ES. AUSTRALIAN MUSEUl\i. (REPOR1' OF THE 'l'RUS'l'Ei<:S FOR THE YEAR 1000.) -- -------- --- tJ ret~c n lcb lo ~Jarlinmcnt pnromml ta J\d 17 ~(.}ic ~o. 2, .sec. 9. Printed under Ko. 7 Rf'port j,·om Prinli.ti!J Oommillce, 17 October, 1001. T o H 1s ExcELLENC\' TH~: Oov~:n:o;on AND ExECUTIVE CouNC'II.,- Tht> Tm:.tees of tilt' Ausb'lliian )[u ~eum J. nve t.he honor to submit to your Excellency their Forty·SC\'Cnth Annual Repo1·t. 1. lt ill with deep 1·egrd thab we ha,·c to rc>cnrcl the death of Dr. ,J. DclisLu·io, one of t.J.c Elective Trustees, who occupied a :;eat. on lllc Board since Novc'mbc1·, 18i3. J Le wa~ I'C' gu l ;~r in his ;~ttonclance at the mcet.ings, and evinced gn•;Lt inlr·rest. in the management of the ~ l u se utH. The vacancy has been filled by the clecLion of CrilcheU, " 'alker, Esq., C.)l.G., Lhc Pt·incipal Under. 'ccrelary. L M\C of ahsence Wtls gin•11 to Colonel " '· D. Cumpbell 'Yilliam ~, P.)l.O., on a<;count of his departut·e for • 'outh .\frica in t·luuw• n£ thr Nrw Houth Wale>; ..-u·my 1lcdicnl Co1·ps. 2. The M ut~rum continurtl nJWn to visitor:; during thr usual hours, '·iz., from 2 to 5 p.m. on Sunday:i, <tnd f1·orn 10 1t.m. -
Australian Museum 1997-98 Annual Report
Australian Museum 1997-98 annual report A M 6 College Street Sydney zooo lexcept Christmas Day) www.au51 mus.gov.au 9·.. wam to s.oopm (o2l 9320 6ooo Fdrnily $12. Child $2, Adult Ss. Concession $3 lo2i 9320 6oso Seniors card holders. TAMS members and chtldren ,..,[email protected] under s free ··.·.. Australian Museum 1997-98 annual report A M l • To the Hon Bob Carr MP, Premier, Minister for the Arts and Minister for Ethnic Affairs Sir, In accordance with the provisions of the Annual Reports {Statutory Bodies) Act 1984, and the Public Finance all(f Audit Act 1983, we have pleasure in submitting this report of the activities of the Australian Museum Trust for the firwncial year ended 30june 1998 for presentation to Parliament. On behalf of the Australian Museum Trust, Mr Malcolm Low~ Dr Gary Morgan President of thf: Trust Secretary of the Trust contents M ission 3 Values 3 Objectives 4 Highlights 4 Premier's Message 5 President's Message 6 Director's Message 7 Corporate Sb·ategies 9 Appendices • Access 12 Corpomte Governance so Equal Employment Opportunity s6 Actions Taken to Achieve Year Compliance Au::.tralian Mu::.eum Trust so Fmedom oflnforrnation Statistics 57 :woo 61 • The Physical Experience 17 Management Structure 52 Consumer Response 59 Accounts Payable Performance fo r the Year Ended 30 J une 1998 61 Ethnic Affairs Priorities Starcment 53 Sponsor:. 59 • Virtual Access 20 Artion Taken to Implement the Implementation of Recommendations Funds Gr;~nted to Non-Government Government's Action Plan for Women 61 • Science 2020 22 -
Avenues of Honour, Memorial and Other Avenues, Lone Pines – Around Australia and in New Zealand Background
Avenues of Honour, Memorial and other avenues, Lone Pines – around Australia and in New Zealand Background: Avenues of Honour or Honour Avenues (commemorating WW1) AGHS member Sarah Wood (who has toured a photographic exhibition of Victoria’s avenues) notes 60,000 Australian servicemen and women did not return from World War 1. This was from a population then of just 3 million, leaving lasting scars. Avenues of Honour were a living way of remembering and honouring these lives and sacrifices. Australia vigorously embraced them. As just one tangent, in 1916 the Anzac troops’ landing at Gallipoli, Turkey led the Victorian Department of Education to encourage all Victorian schools to use Arbor Day that year (and subsequent years, including after 1918) to plant native tree species such as gums and wattles to celebrate the Anzac landing. A number of these early plantings, some of which were avenues, others groves, groups, scattered and single trees, remain. More research is needed to confirm which survive. Treenet, a not-for-profit organisation based in Adelaide launched ‘The Avenues of Honour 1915-2015 Project’ in 9/2004 as part of the 5th National Street Tree Symposium. It is a national initiative aiming to honour with a tree the memory of every individual who has made the supreme sacrifice on behalf of all Australians, by documenting, preserving and reinstating the original and establishing new Avenues of Honour by the 2015 Gallipoli Centenary. Treenet combines under the name ‘Avenues of Honour’ Boer War memorial, WW1 and WW2 memorial avenues. This is a different to the approach AGHS has taken, distinguishing: a) Avenue of Honour = WW1; b) Memorial Avenue =WW2 (and sometimes subsequent wars); c) Other memorial avenue (other wars, e.g. -
Australia's Military Heritage
N6 www.philly.com THE PHILADELPHIA INQUIRER Sunday, December 4, 2011 The Inquirer Sydneysites that salute theAussie military AUSTRALIA from N1 one of the finest historic barracks Battery system keeps Ataste of old-world in the world. Free tours are offered on Thurs- iPhone in power. N4 Belgium on abudget. N5 days by the Victoria Barracks Corps of Guides, retired veterans wearing khaki army slouch hats A and blue blazers. Our guide, David, had been stationed at the barracks Sunday, Dec.4,2011 ★ Section N during the Vietnam Warsoheknew the place well. The tour starts in the Guard House with avisit to the four cells that held “drunken and outrageous persons.” This being an army base with young soldiers away from home, the cells were eventually expanded into another building. While leaving the Guard House, David pointed out ametal badge on his cap and explainedthe signifi- canceofthe crown in the center of the Australian army symbol. The Family flying current logo contains afemale crown (yes, male and female crowns are different) representing the reigning monarch, Queen Eliza- Folks flying with kids seldom feel special on airlines beth II. He said that after “Lizzie goes” the logo will be updated to these days. And any perks are likely to come at extra cost. show amale crown for King Charles, or perhaps King William. Loyalty to the monarchy lives on in By Michelle Higgins It was the low point of an arduous trip. the Australian army. NEW YORK TIMES NEWS SERVICE The misery of air travel is no surprise The tour of the barracks includes urely they could spare alittle to anyone who has boarded adomestic the Army Museum of New South milk, right? flight in the last five years.