The Fred Gaisberg Diaries Part 2
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A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Ships!), Maps, Lighthouses
Price £2.00 (free to regular customers) 03.03.21 List up-dated Winter 2020 S H I P S V E S S E L S A N D M A R I N E A R C H I T E C T U R E 03.03.20 Update PHILATELIC SUPPLIES (M.B.O'Neill) 359 Norton Way South Letchworth Garden City HERTS ENGLAND SG6 1SZ (Telephone; 01462-684191 during my office hours 9.15-3.15pm Mon.-Fri.) Web-site: www.philatelicsupplies.co.uk email: [email protected] TERMS OF BUSINESS: & Notes on these lists: (Please read before ordering). 1). All stamps are unmounted mint unless specified otherwise. Prices in Sterling Pounds we aim to be HALF-CATALOGUE PRICE OR UNDER 2). Lists are updated about every 12-14 weeks to include most recent stock movements and New Issues; they are therefore reasonably accurate stockwise 100% pricewise. This reduces the need for "credit notes" and refunds. Alternatives may be listed in case some items are out of stock. However, these popular lists are still best used as soon as possible. Next listings will be printed in 4, 8 & 12 months time so please indicate when next we should send a list on your order form. 3). New Issues Services can be provided if you wish to keep your collection up to date on a Standing Order basis. Details & forms on request. Regret we do not run an on approval service. 4). All orders on our order forms are attended to by return of post. We will keep a photocopy it and return your annotated original. -
« ^ T « £ M ? ^ I CHANGES in BRITISH CABINET
THE A/ ^T^JW^-^^SK? BERMUDA COMMERCIAL AH* GENERAL ADVERTISER AND RECORDER. Vol LXXXIV—No. 129 HAMILTON, BERMUDA., THURSDAY, OCTOBER 26. 1911. 20s. PER ANNUM THE FEMALE OF THE SPECIES. A SEA VOLCANO. Moving Pictures Theatres The «^T«£m?^ i CHANGES IN BRITISH A STUDY n* NATURAL HISTORY : BY RUDYARD KIPLING. a^mong the most curious phenomena World Over. ,eas of New Zealand is its sea volcano. This condition owing to long usage elsewhere, When the Himalayan peasant meets the he-bear in his pride, fe a great mountain of black scoria 830 but the moderate-priced houses take CABINET. lie shouts to scare the monster who will often turn aside; feet high, from the top of which, with As far as caa be ascertained there are none but the best films, whkh have But the .she-bear tins accosted reads the peasant tooth and nail, much force, rise white clouds of vapor at least 30,000 moving pkture shows cost a good deal to produce, in which For the female of the species is more deadly than thc male. to a height of fally 2,000 feet. It fe not scattered ©ver the civilised world. In actors aad actresses understand charact- easy travelliag oa che island, for ia places the United States there are over 12,- erizatioa—the real secret of tbe natural BIRREL AND CHURCHILL SWAP. When Nag, the wayside cobra, hears the careless foot of man, the black pebbles of the beach are all 000, where 5,000,000 people, of whom ness of a film. I doubt if a public He wiH .sometimes wriggle sideways and avoid it if he can; astir with water boiling up thiough one-fifth are children, are present every fed on "rush" pictures which purport But his mate makes no such motion where she camps beside the trail— them—water so hot that a misstep might day, spending yearly at least $100,000,- to show in tbe evening the principal scald the foot serioasly. -
2019-2020 Middle School Zone
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O Du Mein Österreich: Patriotic Music and Multinational Identity in The
O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 ABSTRACT O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 Copyright by Jason Stephen Heilman 2009 Abstract As a multinational state with a population that spoke eleven different languages, the Austro-Hungarian Empire was considered an anachronism during the age of heightened nationalism leading up to the First World War. This situation has made the search for a single Austro-Hungarian identity so difficult that many historians have declared it impossible. Yet the Dual Monarchy possessed one potentially unifying cultural aspect that has long been critically neglected: the extensive repertoire of marches and patriotic music performed by the military bands of the Imperial and Royal Austro- Hungarian Army. This Militärmusik actively blended idioms representing the various nationalist musics from around the empire in an attempt to reflect and even celebrate its multinational makeup. -
The Delius Society Journal Spring 2001, Number 129
The Delius Society Journal Spring 2001, Number 129 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £20 per year UK students £10 per year US/\ and Canada US$38 per year Africa, Aust1alasia and far East £23 per year President Felix Aprahamian Vice Presidents Lionel Carley 131\, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon l Iandley MA, FRCM, D Univ (Surrey) Richard I Iickox FRCO (CHM) Lyndon Jenkins Tasmin Little f CSM, ARCM (I Ions), I Jon D. Lilt, DipCSM Si1 Charles Mackerras CBE Rodney Meadows Robc1 t Threlfall Chain11a11 Roge1 J. Buckley Trcaswc1 a11d M11111/Jrrship Src!l'taiy Stewart Winstanley Windmill Ridge, 82 Jlighgate Road, Walsall, WSl 3JA Tel: 01922 633115 Email: delius(alukonlinc.co.uk Serirta1y Squadron Lcade1 Anthony Lindsey l The Pound, Aldwick Village, West Sussex P021 3SR 'fol: 01243 824964 Editor Jane Armour-Chclu 17 Forest Close, Shawbirch, 'IC!ford, Shropshire TFS OLA Tel: 01952 408726 Email: [email protected] Website: http://www.dclius.org.uk Emnil: [email protected]. uk ISSN-0306-0373 Ch<lit man's Message............................................................................... 5 Edilot ial....................... .... .. .. .. .. .. .. .. .. .. .. .. ... 6 ARTICLES BJigg Fair, by Robert Matthew Walker................................................ 7 Frede1ick Delius and Alf1cd Sisley, by Ray Inkslcr........... .................. 30 Limpsficld Revisited, by Stewart Winstanley....................................... 35 A Forgotten Ballet ?, by Jane Armour-Chclu -
Vol. 14, No. 4 March 2006
Cockaigne (In London Town) • Concert Allegro • Grania and D • May Song • Dream Children • Coronation Ode • Weary Wind West • Skizze • Offertoire • The Apostles • In The South (Ala Introduction and Allegro • EveningElgar Scene Society • In Smyrna • The Kin • Wand of Youth • How Calmly the Evening • Pleading • Go, S Mine • Elegy • Violin Concerto in B minor • Romance • Sym No.2 • O Hearken Thouournal • Coronation March • Crown of India • G the Lord • Cantique • The Music Makers • Falstaff • Carissima • S • The Birthright • The Windlass • Death on the Hills • Give Un Lord • Carillon • Polonia • Une Voix dans le Desert • The Sta Express • Le Drapeau Belge • The Spirit of England • The Frin the Fleet • The Sanguine Fan • Violin Sonata in E minor • Quartet in E minor • Piano Quintet in A minor • Cello Concer minor • King Arthur • The Wanderer • Empire March • The H Beau Brummel • Severn Suite • Soliloquy • Nursery Suite • A Organ Sonata • Mina • The Spanish Lady • Chantant • Reminisc • Harmony Music • Promenades • Evesham Andante • Ros (That's for Remembrance) • Pastourelle • Virelai • Sevillana Idylle • Griffinesque • Gavotte • Salut d'Amour • Mot d'Am Bizarrerie • O Happy Eyes • My Love Dwelt in a Northern Froissart • Spanish Serenade • La Capricieuse • Serenade • The Knight • Sursum Corda • The Snow • Fly, Singing Bird • Fro Bavarian Highlands • The Light of Life • King Olaf • Imperial M The Banner of St George • MARCHTe Deum and 2006 Benedictus Vol.14, No.4 • Caract Variations on an Original Theme (Enigma) • Sea Pictures • Ch d N it Ch d -
FORGIVEN but NOT FORGOTTEN Memoirs of A
FORGIVEN BUT NOT FORGOTTEN Memoirs of a Teenage Girl Prisoner of the Japanese in China First edition: Forgiven But Not Forgotten Joyce Bradbury (nee Cooke) was born 1928 in China with British citizenship. Following the declaration of war by the Allies on Japan First published in 2000 by Joyce Bradbury, 100 Cox's after the Japanese bombing of Pearl Harbor in Road, North Ryde, New South Wales, Australia 2113. Te- 1941, she was interned by the Japanese Army lephone + 61 2 9878 3694. at Wei-Hsien (now called Weifang) northern China with 2000 other Allied nationals for al- E-mail address: [email protected] Body most four years. typeset in Times 12 point. In this book she tells the amazing story Copyright Joyce Bradbury Australia 2000. All rights re- of her family's long involvement in China, her served. life growing up in China, the disturbing experi- The intellectual rights of Barry Tucker, Gianni Frinzi, ences of the Japanese internment camp, libera- Georgie Perry and Marie Mansbridge for their contribu- tion from the camp by the US military, post-war China, migration to Australia, and then employ- tions to this book are acknowledged by the copyright hol- ment with the Singaporean police. der. She describes her later life in Australia, Subject to statutory exception agreements, no part of her return to China to visit the former Japa- this publication may be reproduced, transmitted, trans- nese camp and reflects on the approach of the cribed, stored in a retrieval system, or translated in any Japanese to the barbarities its wartime regime form without the written permission of the publisher. -
THE LIFE-BOAT. JOURNAL of the National Xffe^Boat Jnstitution, (ISSUED QUARTERLY.)
THE LIFE-BOAT. JOURNAL OF THE National Xffe^Boat Jnstitution, (ISSUED QUARTERLY.) VOL. XXI.—No. 245.] IST AUGUST, 1912. [PRICE 3d. LIGHTING THE BEACH. SAILORS have always been famous for between walls or gate-posts for the the keenness of their vision, and more carriage to pass. Sometimes it lies over especially for a power, beyond that of a rough foreshore, where the greatest the average man of seeing clearly at care must be taken to avoid hummocks night; but of those who serve the sea, of rock or large boulders, and sometimes none perhaps has this gift in larger over a sandy beach full of deep pools, or measure than the coast fisherman, who " lows," as they are called colloquially ; forms so much the largest proportion or with patches of soft mud where the of the crews of our Life-boats. The wheels of the carriage may sink. nature of his -work will account for The larger types of boats, launched this. Long hours of. toil -with net or on what are known as " roller-skids," line, through moonless nights, have require even more careful manipulation developed the faculty; and the way than those which are small enough for he will take his boat into harbour on a transporting carriage. A couple of a dark night, or steer her through a inches too much to the right or left and narrow channel with only the black the keel misses the roller and buries water between the white of the breakers itself in sand or shingle. As these on either hand to guide him, always boats often weigh from 8 to 10 tons, strikes the landsman with astonishment the hoisting of one of them on to the and admiration. -
Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings Of
UNIVERSITY OF CINCINNATI Date: 5-May-2010 I, Mary L Campbell Bailey , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Oboe It is entitled: Léon Goossens’s Impact on Twentieth-Century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen Student Signature: Mary L Campbell Bailey This work and its defense approved by: Committee Chair: Mark Ostoich, DMA Mark Ostoich, DMA 6/6/2010 727 Léon Goossens’s Impact on Twentieth-century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen A document submitted to the The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 24 May 2010 by Mary Lindsey Campbell Bailey 592 Catskill Court Grand Junction, CO 81507 [email protected] M.M., University of Cincinnati, 2004 B.M., University of South Carolina, 2002 Committee Chair: Mark S. Ostoich, D.M.A. Abstract Léon Goossens (1897–1988) was an English oboist considered responsible for restoring the oboe as a solo instrument. During the Romantic era, the oboe was used mainly as an orchestral instrument, not as the solo instrument it had been in the Baroque and Classical eras. A lack of virtuoso oboists and compositions by major composers helped prolong this status. Goossens became the first English oboist to make a career as a full-time soloist and commissioned many British composers to write works for him. -
Aryan Nations Deflates
HATE GROUP MAP & LISTING INSIDE PUBLISHED BY SPRING 2016 // ISSUE 160 THE SOUTHERN POVERTY LAW CENTER PLUS: ARYAN NATIONS DEFLATES ‘SOVEREIGNS’ IN MONTANA EDITORIAL A Year of Living Dangerously BY MARK POTOK Anyone who read the newspapers last year knows that suicide and drug overdose deaths are way up, less edu- 2015 saw some horrific political violence. A white suprem- cated workers increasingly are finding it difficult to earn acist murdered nine black churchgoers in Charleston, S.C. a living, and income inequality is at near historic lev- Islamist radicals killed four U.S. Marines in Chattanooga, els. Of course, all that and more is true for most racial Tenn., and 14 people in San Bernardino, Calif. An anti- minorities, but the pressures on whites who have his- abortion extremist shot three people to torically been more privileged is fueling real fury. death at a Planned Parenthood clinic in It was in this milieu that the number of groups on Colorado Springs, Colo. the radical right grew last year, according to the latest But not many understand just how count by the Southern Poverty Law Center. The num- bad it really was. bers of hate and of antigovernment “Patriot” groups Here are some of the lesser-known were both up by about 14% over 2014, for a new total political cases that cropped up: A West of 1,890 groups. While most categories of hate groups Virginia man was arrested for allegedly declined, there were significant increases among Klan plotting to attack a courthouse and mur- groups, which were energized by the battle over the der first responders; a Missourian was Confederate battle flag, and racist black separatist accused of planning to murder police officers; a former groups, which grew largely because of highly publicized Congressional candidate in Tennessee allegedly conspired incidents of police shootings of black men. -
The Other Sheep Volume 38 Number 10
Olivet Nazarene University Digital Commons @ Olivet Other Sheep Church of the Nazarene 10-1-1951 The Other Sheep Volume 38 Number 10 Remiss Rehfeldt (Editor) Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_os Part of the Christian Denominations and Sects Commons, Christianity Commons, History of Christianity Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Rehfeldt (Editor), Remiss, "The Other Sheep Volume 38 Number 10" (1951). Other Sheep. 38. https://digitalcommons.olivet.edu/cotn_os/38 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Other Sheep by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. The Other Sheep OCTOBER 1951 —“For their rock is not as our Rock . (Deut. 32:31) 'JpHis picture shows our Indian worker, Rev. Decker Yazzie, a full blood Navajo who is stationed at Low Mountain in northern Ari zona. The rock is supposed to be the image of a giant who lived long ago. Since they believe certain death will come to them before the day is over to punish them for going near it, the Navajos fear the awesome stone. Brother Yazzie tried to convince the people of the folly of believ- irig this old story and climbed on the rock. The day passed and nothing happened. The Indians were greatly puzzled. Then an old, wise man found the answer. He said, “The Chindee [the evil spirit | fears this man of God and he has no power over him." But he continued, “If I or someone else had done this, we would have died that same day.” Yes, this happened in the United States of America, not in a heathen land far away.