The Delius Society Journal Spring 2001, Number 129
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In Concert AUGUST–SEPTEMBER 2012
ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer. -
Xrades. (Lincolnshire
784 FAR XRADES. (LINCOLNSHIRE. FARVERS-Continued. Drust George, South Kelsey,Lincoln; Edwards Thomas, Wombwell house,. Drakes Daniel, Morton, Lincoln & at Swallow Fishtaft Toad, Skirbeck, Boston Drakes Daniel (exors. of),The Grange, Drust James, Brandy whaTf, Kirton- Edwards William, Bridge end, Horb- Ludford Magna, Linooln in-Lindsey ling, Folkingham Drakes Ezra, Kingerby, Lincoln Ducker Benj. Barrow Haven, Bull Edwards Wm. Riley, Wrangle, BostoD Drakes James, Bracon, Doncaster Thtcker Herbert, Langholme, West- Edwardson C. Heapham, Gainsboro' Drakes John, Brooklyn house, Lud- woodside, Doncaster Effield John, ~lareham-le-l"en, BostuD ford Parva, Lmcoln Duckering A. West Barkwiih, Wragby Eggleston W. Theddlethorpe S~- Drakes John, Tathwell grange, Tath- Duckering H. Northorpe,Gainsboro' Helen, Louth well, Louth Duckering N. East Barkwith, Lincoln Eggleton Benjamin, Fen, Holbeach Drakes Joseph, Panton, Wragby Duckering Mrs. S. Martin. Lincoln Elding Joseph, Sibsey, Boston Drakes Joseph, Stainton hall, Market Dudding H. (exors. of), Riby,Grmsby Eley George, Roman bank, Skegnes!§ Rasen Duddles Mrs. A. Woodside, Tumby, Eley John Thos. Fulletby, Horncastle- Drakes Mrs. Mildred, Cold Hanworth, Boston Elkington Miss .Ann, Tumby, Boston J..incoln Dudley Hem·y, Sudbrook, Grantham Elkington John, Quad•ring, Spalding Drakes U. West Rasen, Market Rasen Duffield Geo. Owston Ferry,Doncaster Ellerby Fred, Muckton, Louth Drakei Thomas, Beltoft, Doncaster Duffield William, Owston, Owston Ellerby George, Carr lane, Ulceby D1·akes William, Tealby, Lincoln Ferry, Doncaster Ellerby George, Claxby, Lincoln Drakes William, Waddingham, Kir- Duffin G. Croft, Wainfleet .All Saints Ellerby Harry,West .Ashby,Horncastle- ton-in-Lindsey Duffin George, Kelby, Grantham Ellerby John, Northfi.eld, Ulceby Drakes William Wade, Swinhope, Duffin William, Fen, Billingborough, Elletson Job, Habrough, Grimsby :Sorth Thoresby Folkingham Ellinitt W. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Percy Grainger, Frederick Delius and the 1914–1934 American ‘Delius Campaign’
‘The Art-Twins of Our Timestretch’: Percy Grainger, Frederick Delius and the 1914–1934 American ‘Delius Campaign’ Catherine Sarah Kirby Submitted in total fulfilment of the requirements of the degree of Master of Music (Musicology) April 2015 Melbourne Conservatorium of Music The University of Melbourne Produced on archival quality paper Abstract This thesis explores Percy Grainger’s promotion of the music of Frederick Delius in the United States of America between his arrival in New York in 1914 and Delius’s death in 1934. Grainger’s ‘Delius campaign’—the title he gave to his work on behalf of Delius— involved lectures, articles, interviews and performances as both a pianist and conductor. Through this, Grainger was responsible for a number of noteworthy American Delius premieres. He also helped to disseminate Delius’s music by his work as a teacher, and through contact with publishers, conductors and the press. In this thesis I will examine this campaign and the critical reception of its resulting performances, and question the extent to which Grainger’s tireless promotion affected the reception of Delius’s music in the USA. To give context to this campaign, Chapter One outlines the relationship, both personal and compositional, between Delius and Grainger. This is done through analysis of their correspondence, as well as much of Grainger’s broader and autobiographical writings. This chapter also considers the relationship between Grainger, Delius and others musicians within their circle, and explores the extent of their influence upon each other. Chapter Two examines in detail the many elements that made up the ‘Delius campaign’. -
Central Lincolnshire Five Year Land Supply Report January 2019 Inc
Central Lincolnshire Five Year Land Supply Report 1 April 2019 to 31 March 2024 (Published January 2019) Contents 1. INTRODUCTION ............................................................................................................ 1 2. POLICY CONTEXT ........................................................................................................ 1 NATIONAL CONTEXT ................................................................................................ 1 THE LOCAL CONTEXT .............................................................................................. 2 3. THE FIVE YEAR REQUIREMENT ................................................................................. 3 PAST COMPLETIONS AND SHORTFALL/SURPLUS ................................................ 3 ADDING BUFFERS .................................................................................................... 5 4. THE FIVE YEAR SUPPLY .............................................................................................. 6 SITES IN THE SUPPLY .............................................................................................. 6 WINDFALL ALLOWANCE .......................................................................................... 7 Small Sites in the Lincoln Urban Area .................................................................. 8 Small Sites in Smaller Settlements and the Rural Area........................................ 8 Other small sites ................................................................................................. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
Discography Percy Grainger Compiled by Barry Peter Ould Mainly Piano
Discography Percy Grainger compiled by Barry Peter Ould mainly piano Percy Grainger (Percy Grainger, piano) – includes: PRELUDE AND FUGUE IN A MINOR (Bach); TOCCATA AND FUGUE IN D MINOR (Bach); FANTASY AND FUGUE IN G MINOR (Bach); SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); ETUDE IN B MINOR op. 25/10 (Chopin); SONATA NO.3 IN B MINOR op. 58 (Chopin). Biddulph Recordings LHW 010 (12 tracks – Total Time: 76:08) Percy Grainger (Percy Grainger, piano) – includes: SONATA NO.2 IN G MINOR op.22 (Schumann); ROMANCE IN F-SHARP op. 28/2 (Schumann); WARUM? (from op. 12) (Schumann); ETUDES SYMPHONIQUES (op. 13) (Schumann); WALTZ IN A-FLAT op. 39/15 (Brahms); SONATA NO.3 IN F MINOR op. 5 (Brahms). Biddulph Recordings LHW 008 (25 tracks – Total Time: 69:27) Percy Grainger plays (Percy Grainger, piano) – includes: TOCCATA & FUGUE IN D MINOR (Bach); PRELUDE & FUGUE IN A MINOR (Bach); FANTASIA & FUGUE IN G MINOR (Bach); ICH RUF ZU DIR (Bach arr. Busoni); SONATA NO.2 IN G MINOR op. 22 (Schumann); ETUDE IN B MINOR op. 25/10 (Chopin); ETUDE IN C MINOR op. 25/12 (Chopin); WEDDING DAY AT TROLDHAUGEN (Grieg); POUR LE PIANO [Toccata only](Debussy) (Grainger talks on Pagodes, Estampes [Pagodes only]); GOLLIWOG'S CAKEWALK (Debussy); MOLLY ON THE SHORE. Pavilion Records PEARL GEMM CD 9957 (19 tracks – Total Time: 78:30) Percy Grainger plays – Volume II (Percy Grainger, piano) – includes: PIANO SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); PIANO SONATA NO.1 IN B MINOR op. 58 (Chopin); ETUDES SYMPHONIQUES op. -
Vol. 14, No. 4 March 2006
Cockaigne (In London Town) • Concert Allegro • Grania and D • May Song • Dream Children • Coronation Ode • Weary Wind West • Skizze • Offertoire • The Apostles • In The South (Ala Introduction and Allegro • EveningElgar Scene Society • In Smyrna • The Kin • Wand of Youth • How Calmly the Evening • Pleading • Go, S Mine • Elegy • Violin Concerto in B minor • Romance • Sym No.2 • O Hearken Thouournal • Coronation March • Crown of India • G the Lord • Cantique • The Music Makers • Falstaff • Carissima • S • The Birthright • The Windlass • Death on the Hills • Give Un Lord • Carillon • Polonia • Une Voix dans le Desert • The Sta Express • Le Drapeau Belge • The Spirit of England • The Frin the Fleet • The Sanguine Fan • Violin Sonata in E minor • Quartet in E minor • Piano Quintet in A minor • Cello Concer minor • King Arthur • The Wanderer • Empire March • The H Beau Brummel • Severn Suite • Soliloquy • Nursery Suite • A Organ Sonata • Mina • The Spanish Lady • Chantant • Reminisc • Harmony Music • Promenades • Evesham Andante • Ros (That's for Remembrance) • Pastourelle • Virelai • Sevillana Idylle • Griffinesque • Gavotte • Salut d'Amour • Mot d'Am Bizarrerie • O Happy Eyes • My Love Dwelt in a Northern Froissart • Spanish Serenade • La Capricieuse • Serenade • The Knight • Sursum Corda • The Snow • Fly, Singing Bird • Fro Bavarian Highlands • The Light of Life • King Olaf • Imperial M The Banner of St George • MARCHTe Deum and 2006 Benedictus Vol.14, No.4 • Caract Variations on an Original Theme (Enigma) • Sea Pictures • Ch d N it Ch d -
Permit: Holmefield Farm Services Limited
Permit with introductory note The Environmental Permitting (England & Wales) Regulations 2016 Holmefield Farm Services Limited Brandy Wharf Piggery Waddingham Road South Kelsey Market Rasen LN7 6PN Permit number EPR/MP3133QD Permit number EPR/MP3133QD 1 Brandy Wharf Piggery Permit number EPR/MP3133QD Introductory note This introductory note does not form a part of the notice. The main features of the permit are as follows. Brandy Wharf Piggery is situated approximately two kilometres south west of the village of South Kelsey in Lincolnshire. The installation is approximately centred on National Grid Reference TF 02200 97675. The installation is operated by Holmefield Farm Services Limited and is a farrowing to finish operation, comprising of seven pig houses, referenced A, B, C, D, 1, 2 and 3, with a capacity for 650 sows, 2,240 pigs reared up to 30kg, 4,000 production pigs > 30kg and 2 boars. All seven pig houses are ventilated by roof fans with an emission point higher than 5.5 metres above ground level and an efflux speed greater than 10 metres per second. All the houses are fully slatted with slurry stored in underground sealed tanks to a depth of no more than 800mm with frequent removal at least every 10 weeks, to a slurry store or via an exterior valve on the tanks allowing removal of slurry via pumps and an umbilical system. The slurry is spread on neighbouring land owned by a third party. Dirty water from the wash out of pig houses is channelled to underground slurry tanks. Roof water from all houses is collected via gutters and downpipes and directed to a nearby dyke to the east of the installation boundary which is heavily vegetated, and ultimately drains to the Old River Ancholme. -
Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings Of
UNIVERSITY OF CINCINNATI Date: 5-May-2010 I, Mary L Campbell Bailey , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Oboe It is entitled: Léon Goossens’s Impact on Twentieth-Century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen Student Signature: Mary L Campbell Bailey This work and its defense approved by: Committee Chair: Mark Ostoich, DMA Mark Ostoich, DMA 6/6/2010 727 Léon Goossens’s Impact on Twentieth-century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen A document submitted to the The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 24 May 2010 by Mary Lindsey Campbell Bailey 592 Catskill Court Grand Junction, CO 81507 [email protected] M.M., University of Cincinnati, 2004 B.M., University of South Carolina, 2002 Committee Chair: Mark S. Ostoich, D.M.A. Abstract Léon Goossens (1897–1988) was an English oboist considered responsible for restoring the oboe as a solo instrument. During the Romantic era, the oboe was used mainly as an orchestral instrument, not as the solo instrument it had been in the Baroque and Classical eras. A lack of virtuoso oboists and compositions by major composers helped prolong this status. Goossens became the first English oboist to make a career as a full-time soloist and commissioned many British composers to write works for him. -
FARMERS Continued. Teasdale E
TRADES DIRECTORY. 387 FARMERS continued. Teasdale E. Swineshead, Spalding Thorlby J. Fen, Helpringham, Sleaford Talton J. Altoft end, Friestonl Boston Teat T. Ancaster, Grantham Thorlby W. Helprin~ham, Sleaford Tasker R. Vawthorpe, Gainsborough Tebb M. Fen .Algarkirk, Spalding Thornbury D. Washmgborough,Lincoln Tasker T. Mablethorpe, Alford Tebb T. North end,Swineshead,Spalding Thorndike T. Sloothby Willoughby, Tasker W. Seremby, Spilsby Tebbutt E. Woodhall, Horncastle Spilsby 1 Tatam H. H. Moulton, Holbeach Tebbutt Miss J. Thimbleby, Horncastle ThornhiU R. ~le, Newark Tatam J. Moulton, Holbeacb TebbuttJ. Baumber, Horncastle Thornton G. Ealand, Crowle Tatam T. Dales, Blankney, Sleaford Teesdale I. Fen, Fosdyke, Spaldmg Thornton J, Dorrington, Sleaford Tatam W. Langrick ville, Boston Teesdale I. Hacconby, Bourn Thornton J. Ealand, Crowle Tate J. Tattershall road, Boston Teesdale J. Bilsby, Alford Thornton S. B. Crowle Tateson Charles, offices, King street, Teesdale J. Holbeach marsh, Holbeach Thornton W. jun. Burringham, Bawtry }larket Rasen Teesdale J. Moulton, Holbeach Thornton W. sen. Burringham, Bawtry' Ta teson C. W elton, Lincoln Temperton J. W estgate, Bel ton Thorogood J. Quadring~ Spalding Tawn A. Moulton, Holbeach Temperton J. West Butterwick Thorp I. Holme, Kirton, Boston Tayles W. Fiskerton, Lincoln Temperton R. Woodhouse, Belton Thorp J. Whaplode, Holbeach Taylor J. & G. Gunby,nearColsterwortb Tempest T. Cowbit, Spalding Thorp T. Ewerby Sleaford Taylor A. C. Horbling, Falkingham TempleJ. Crossgate, Algarkirk, Spaldng Thorp W. Fen, ilgarkirk, Spalding Taylor B. SuttonSt.Edmund's,Crowland Temple S. Cowbridge, Boston Thorpe D. Fen, Heckington, Sleafol'd Taylor E. Cove, Ha.uy Temple S. Fishtoft, Boston Thorpe F. Moulton chapel, Holbeach Taylor E. Alvingham, Louth TempleS. -
Percy Grainger and Ralph Vaughan Williams
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2009-01-01 Percy Grainger and Ralph Vaughan Williams: A Comparative Study of English Folk-Song Settings for Wind Band Shawna Meggan Holtz University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Folklore Commons, and the Music Commons Recommended Citation Holtz, Shawna Meggan, "Percy Grainger and Ralph Vaughan Williams: A Comparative Study of English Folk-Song Settings for Wind Band" (2009). Open Access Theses & Dissertations. 2710. https://digitalcommons.utep.edu/open_etd/2710 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. PERCY GRAINGER AND RALPH VAUGHAN WILLIAMS: A COMPARATIVE STUDY OF ENGLISH FOLK-SONG SETTINGS FOR WIND BAND SHAWNA MEGGAN HOLTZ Department of Music APPROVED: _________________________________ Ron Hufstader, Ph. D., Chair ________________________________ David Ross, D.M.A. _________________________ Kim Bauer, M.F.A. ________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © By Shawna Holtz 2009 To Joshua Coleman PERCY GRAINGER AND RALPH VAUGHAN WILLIAMS: A COMPARATIVE STUDY OF ENGLISH FOLK-SONG SETTINGS FOR WIND BAND by SHAWNA MEGGAN HOLTZ, B.M.E. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS AT EL PASO December 2009 TABLE OF CONTENTS Page TABLE OF CONTENTS.……...………………………………………………………………..…v LIST OF FIGURES………………………………………………………………………………..vi CHAPTER I.