In Concert AUGUST–SEPTEMBER 2012
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
In Concert OCTOBER–NOVEMBER 2012
ABOUT THE MUSIC SCHUBERT QUINTET /IN CONCERT OCTOBER–NOVEMBER 2012 ROMEO AND JULIET 1 AND 2 NOVEMBER PRESENTED IN ASSOCIATION WITH THE SOLDIER’S TALE 11 NOVEMBER DURUFLÉ REQUIEM 15–17 NOVEMBER MEET YOUR MSO MUSICIANS: ELEANOR MANCINI AND ROBERT CLARKE JOHN BELL ON SHAKESPEARE AND MUSIC BENJAMIN NORTHEY’S INCREDIBLE MONTH OF MUSIC-MAKING JONATHAN GRIEVES- SMITH ON PREPARING DURUFLÉ twitter.com/melbsymphony facebook.com/melbournesymphony Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WElcOME As I write this I’m in the middle trombonist Michael Bertoncello as of my busiest period with the soloist, as well as daytime concerts Orchestra so far, as we offer a for schools. snapshot of the diverse life of a The month began with music for modern symphony orchestra, with the whole family (even across a concerts for all ages and musical range of species!) as the MSO tastes, in venues from Melbourne brought Saint-Saëns’ magical Zoo to the Capital in Bendigo, and Carnival of the Animals to Melbourne featuring spoken word, film and Zoo, with Nick Enright’s wonderful the mighty MSO Chorus. verse narrated by Noni Hazlehurst. The unique collaboration with This is the kind of event that gives Bell Shakespeare promises to so many young people their first be a perfect marriage of classic taste of live orchestral music. -
Benjamin Grosvenor, Piano
BENJAMIN GROSVENOR, PIANO a formidable technician and a thoughtful, coolly assured interpreter - Allan Kozinn, New York Times, ...a skill and talent not heard since Kissins teenage Russian debut - Bryce Morrison, Gramophone Magazine British pianist Benjamin Grosvenor is internationally recognized for his electrifying performances and penetrating interpretations. An exquisite technique and ingenious flair for tonal colour are the hallmarks which make Benjamin Grosvenor one of the most sought-after young pianists in the world. His virtuosic command over the most strenuous technical complexities never compromises the formidable depth and intelligence of his interpretations. Described by some as a Golden Age pianist (American Record Guide) and one almost from another age (The Times), Benjamin is renowned for his distinctive sound, described as poetic and gently ironic, brilliant yet clear-minded, intelligent but not without humour, all translated through a beautifully clear and singing touch (The Independent). Benjamin first came to prominence as the outstanding winner of the Keyboard Final of the 2004 BBC Young Musician Competition at the age of eleven. Since then, he has become an internationally regarded pianist performing with orchestras including the London Philharmonic, RAI Torino, New York Philharmonic, Philharmonia, Tokyo Symphony, and in venues such as the Royal Festival Hall, Barbican Centre, Singapores Victoria Hall, The Frick Collection and Carnegie Hall (at the age of thirteen). Benjamin has worked with numerous esteemed conductors including Vladimir Ashkenazy, Jií Blohlávek, Semyon Bychkov and Vladimir Jurowski. At just nineteen, Benjamin performed with the BBC Symphony Orchestra on the First Night of the 2011 BBC Proms to a sold-out Royal Albert Hall. -
2003-2004 Amernet String Quartet: Strings of the Heart Series
I CONSERVATORY OF Music presents Al\1ERNET STRING QUARTET Strings of the Heart Series with Sergiu Schwartz ~ violin Sylvia Kim~ violin Dmitry Pogorelov ~viola Johanne Perron ~ cello and Tao Lin ~ harpsichord Friday, October 17, 2003 7:30p.m. Amamick-Goldstein Concert Hall de Hoemle International Center Program String Quartet No. 19 in C Major, K 465 "Dissonance" ..... W. A. Mozart (1756-1791) Adagio-Allegro Andante Cantabile Menuetto-Allegro Allegro Amernet String Quartet Misha Vitenson - violin Marsha Littley- violin Michael Klotz- viola Javier Arias- cello Concerto ind minor for Two Violins, BWV 1043 .............. J. S. Bach (1685-1750) Vivace Largo ma non tanto Allegro Sergiu Schwartz-violin Misha Vitenson - violin Marcia Littley, Sylvia Kim-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Tao Lin - harpsichord INTERMISSION 1 Octet, Op. 20 .................................................................... Felix Mendelssohn (1809-1847) Allegro moderato Andante Scherzo -Allegro leggierissimo Presto Misha Vitenson, Sergiu Schwartz, Sylvia Kim, MarciaLittley-violin Michael Klotz, Dmitry Pogorelov -viola Javier Arias, Johanne Perron-cello Biographies r Amernet String Quartet The Amernet String Quartet, Ensemble-in-Residence at Northern .,_ Kentucky University, has garnered worldwide praise and recognition as one of today's exceptional young string quartets. i It rose to international attention after only one year of existence, after winning the Gold Medal at the 7th Tokyo International Music Competition in 1992. Three years later the group was the First Prize winner of the prestigious 5th Banff International String Quartet Competition. The Amernet String Quartet has been described by The New York Times as "an accomplished and intelligent ensemble," and by the Niirnberger Nachrichten (Germany) as "fascinating with flawless intonation, extraordinary beauty of sound, virtuosic brilliance and homogeneity of ensemble." The Amernet String Quartet formed in 1991, while two of its members were students at The Juilliard School. -
Download Booklet
PROGRAMME NOTE While America’s culture of performance VIOLIN CONCERTOS inevitably turned to Europe for its models, it ROY HARRIS • JOHN ADAMS Among the enduring transformations that gradually gathered strands of American identity coursed through the United States in the – complete with works by native musicians – to decades following the Civil War, one stands set alongside classics by Handel, Mozart and proud in the history of the nation’s musical life. Beethoven and more recent scores from It concerns what the scholar and critic Joseph the Old World. The New York-born composer Horowitz calls the “culture of performance”, Edward MacDowell, for instance, directed his Concerto for Violin and Orchestra (1949) Roy Harris (1898-1979) the creation of civic institutions devoted to thoroughly European training in France and 1 Section One [8.46] the making of music and the rise of a new Germany to the intentional cultivation of a 2 Section Two [9.53] generation of American musicians determined distinct brand of musical nationalism, “a 3 Section Three [6.05] to build their own traditions of ‘classical music which should be American”, as he 4 Section Four [3.24] music’. The process was already in train put it. The nature of what ‘American’ meant, before the war in many east coast cities, as so often with debates about cultural Concerto for Violin & Orchestra (1993) John Adams (b. 1947) where orchestral and choral societies arose identity, varied according to perspective. Many 5 I – [15.51] to meet the needs of a growing middle-class Americans at -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
Maurizio Pollini
REVISTA DE MÚSICA Año XX - Nº 196 - Abril 2005 - 6,30 DOSIER Don Quijote y la música Nº 196 - Abril 2005 SCHERZO ENTREVISTA Miguel Sánchez ENCUENTROS Ofelia Sala ACTUALIDAD Maurizio Pollini ANIVERSARIO Karl Amadeus Hartmann 9778402 134807 9100 6 AÑO XX Nº 196 Abril 2005 6,30 € 2 OPINIÓN Don Quijote y los libros de caballerías CON NOMBRE Arturo Reverter 118 PROPIO Un singular encuentro 6 Maurizio Pollini entre Falla y Cervantes Yvan Nommick 122 Carmelo di Gennaro La discoteca del hidalgo 10 AGENDA Juan Manuel Viana 126 18 ACTUALIDAD ENCUENTROS NACIONAL Ofelia Sala “Espero no perder nunca la 44 ACTUALIDAD capacidad de ilusionarme” 132 INTERNACIONAL Rafael Banús Irusta 60 ENTREVISTA ANIVERSARIO Miguel Sánchez Karl Amadeus Hartmann “No podríamos sentir la música Francisco Ramos 138 sin el concierto” EDUCACIÓN Juan Antonio Llorente Pedro Sarmiento 140 64 Discos del mes EL CANTAR DE LOS CANTARES SCHERZO DISCOS Arturo Reverter 142 65 Sumario JAZZ Pablo Sanz 144 DOSIER 113 Don Quijote y la música LIBROS 146 114 Música para unos papeles LA GUÍA 148 y cartapacios CONTRAPUNTO Alfonso de Vicente Norman Lebrecht 152 Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, David Armendáriz Moreno, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, José Luis Carles, Jacobo Cortines, Carmelo Di Gennaro, Giacomo Di Vittorio, Fernando Fraga, Joaquín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Leopoldo Hontañón, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan -
Rezension Für: Deutsches Symphonie-Orchester Berlin
Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin. -
Never Has Our Performance Been So Reliant Upon One Person. You
Never has our performance been so reliant upon one person. You. “Our people have invested a lifetime to bring you a truly inspiring orchestra. Together we can rise to meet this challenge With a history dating back to 1947 and As Queensland’s largest professional after becoming a fully independent performing arts company, we are seizing corporation, QSO has never been so reliant a bright new future in a new home in Will you repay their on your support as we embark on raising Queensland’s arts precinct at South Bank. Greg Wanchap Queensland Symphony Orchestra Chairman $4 million by the end of 2011. I hope you We will be co-locating with the ABC. This will support us by making a donation to our new home will enable the Orchestra to fundraising campaign. create more innovative performances and collaborations to better promote Queensland You name it, we do it, educating children, on the world stage. dedication with your mentoring aspiring performers, touring regional centres, performing with state, The Federal and State Government have national and international ballet and opera made a significant contribution to the cost companies, rock, pop and country artists, of our new home and now it is up to us to festivals, radio broadcasts, cd recordings… raise $4 million to make it the best creative support?” and on top of all that, we also present our centre it can be for a diverse and vibrant annual program of symphony performances. Queensland community. With the impending sale and re- I urge you to read more about the Orchestra development of the Orchestra’s home in the following pages and pledge your gift since 1977 in the ABC owned West End to invest in a creative and dynamic premises, we must relocate to a new home Queensland Symphony Orchestra, the at the end of 2011. -
Boston Symphony Orchestra Concert Programs, Summer, 2005
Tanglewood sum, ; JAMES LEVINE MUSIC DIRECTOR m ^ ^* ml/ «o*<-^- -*»5i^^ i>iim T-. ORIGINS GflUCIW formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 41 3-298-0002 Stockbridge, MA 01262 urnmg lree Estates is pleased to offer an inviting opportunity in the Berkshires: [ Comforts ofHome] our exclusive community of fifteen [ Quality of Life ] tastefully unique homes. Classic New [ Sense England designs, abundant with of Community ] luxury amenities, are built with the discerning homeowner in mind. Each is majestically sited on private wooded acres along tranquil streets. Please schedule an appointment to explore our distinctive designs and the remaining lots available at Burning Tree Estates. For more information please call or visit Burning Tree Road, Great Barrington, MA BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty-Fourth Season, 2004-05 TANGLEWOOD 2005 g^± Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Edward Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Eric D. Collins Edmund Kelly Edward I. Rudman George D. Behrakis Diddy Cullinane, George Krupp Hannah H. Schneider Gabriella Beranek ex-officio R. Willis Leith, Jr. Thomas G. Sternberg Mark G. Borden William R. Elfers Nathan R. Miller Stephen R. Weber Jan Brett Nancy J. Fitzpatrick Richard P. Morse Stephen R. Weiner Samuel B. Bruskin Charles K. Gifford Ann M. Philbin, Robert C. Winters Paul Buttenwieser Thelma E. Goldberg ex-officio James F. -
N E W S R E L E A
N E W S R E L E A S E Contacts: Michael Hogue 215.545.5451 x26 [email protected] FOR IMMEDIATE RELEASE DATE: November 14, 2016 The Chamber Orchestra of Philadelphia (COP) announces the appointment of Stephen Tavani as Concertmaster and Matthew Cohen as Section Violist. COP will feature the music of Rossini, Gounod, and new works by NJ native Raphael Fusco and star French-Lebanese pianist and composer Rami Khalifé. intersect series opens with a polystylistic exploration of exoticism in music - a collaboration between COP Music Director Dirk Brossé, Singer/Songwriter Andrew Lipke, and Rami Khalifé. A founding resident company of The Kimmel Center for the Performing Arts, The Chamber Orchestra of Philadelphia (COP) will perform music by Rossini and Gounod, premiere a new arrangement by New Jersey composer, Raphael Fusco and present the U.S. premiere of Stories for piano and orchestra by French-Lebanese pianist and rising-star composer Rami Khalifé. Raphael Fusco is no stranger to COP, having premiered Alternate Routes with saxophonist BranfordMarsalis and the Chamber Orchestra on Marsalis’ “Well-Tempered” tour during COP’s 2014/2015 season. “All the instruments share the original solo saxophone line,” Fusco explains about the newly arranged work, “resulting in a concerto for chamber orchestra.” Star Lebanese pianist, Rami Khalifé, described as “positively brand new” and “musician of extreme caliber” by the Daily Star (Lebanon), is making his Chamber Orchestra debut with the American Premiere of his work Stories for piano and orchestra. Khalifé describes Stories as “a series of soundscapes that stand alone just as resolutely as they bind together. -
Mark-Anthony Turnage Mambo, Blues and Tarantella Riffs and Refrains | Texan Tenebrae on Opened Ground | Lullaby for Hans
Mark-anthony turnage MaMbo, blues aND TaraNTella riffs aND refraiNs | TexaN TeNebrae oN opeNeD GrouND | lullaby for HaNs vladiMir jurowski, Marin alsop and Markus stenZ conductors Christian tetZlaFF violin MiChael Collins clarinet lawrenCe power viola london philharMoniC orChestra LPO-0066 Turnage booklet.indd 1 7/26/2012 11:35:49 AM Mark-anthony turnage advocate. He continued his studies at the senior College with Knussen and Knussen’s own teacher John Lambert, and at the Tanglewood summer school in New England with Gunther Schuller. Through Tanglewood, he also came into contact with Hans Werner Henze, who kick-started Turnage’s international career by commissioning an opera for the 1988 Munich Biennale festival, an adaptation of Steven Berkoff’s play Greek. AL Turnage’s subsequent career has been defined largely by collaborations, both with enaP Ar / improvising jazz performers and in a series of d ar residencies, which have allowed him to develop tw pieces under the workshop conditions he Ga prefers. These have included associations with Philip the City of Birmingham Symphony Orchestra, © leading to several high-profile premières under Simon Rattle; with English National Opera, Mark-Anthony Turnage is a composer widely culminating in 2000 in his second full-length admired for his distinctive blending of jazz and opera, The Silver Tassie; with the BBC Symphony contemporary classical traditions, high energy Orchestra in London; and with the Chicago and elegiac lyricism, hard and soft edges. Born Symphony Orchestra. He was the London in Essex, he began inventing music to enliven Philharmonic Orchestra’s Composer in Focus his childhood piano practice.