Never Has Our Performance Been So Reliant Upon One Person. You
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
In Concert AUGUST–SEPTEMBER 2012
ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer. -
Season 2017 Brochure
QUEENSLAND SYMPHONY ORCHESTRA SEASON 2017 VENGEROV RAY CHEN PIERS LANE CARMEN ANNIVERSARY IN-CONCERT CELEBRATION ALONDRA DE LA PARRA Music Director QSO, ALONDRA + VENGEROV 18 NOVEMBER 2017 7.30PM Concert Hall, QPAC Join us for an end of season spectacular. Conductor Alondra de la Parra Hear Brahms’ great Violin Concerto in QSO Music Director the hands of the unique Vengerov, and witness a truly unsurpassable event. Violin Maxim Vengerov ADD TO This grand evening concludes with the QSO Artist-in-Residence SUBSCRIPTION exhilarating sounds of Daphnis et Chloé, a full- Brahms Violin Concerto BUY NOW & blooded performance featuring the might of the Dutilleux Métaboles SAVE 26%* QSO and The Australian Voices. Ravel Daphnis et Chloé Suites 1 & 2 The Artist-in-Residence program is supported by the T & J St Baker Charitable Trust. The QSO Music Director is proudly supported by Timothy Fairfax AC. *Saving based on A Reserve single ticket price Co-presented by QSO and QPAC qso.com.au INON BARNATAN CONTENTS 4 Maestro Series 11 Carmen In-Concert 12 Morning Masterworks Series 16 Choral Series 19 Vengerov In Recital 19 QSO Chamber Players 20 Music on Sundays Series 24 WorldBeat Concerts 26 QSO Community 28 The QSO Advantage 30 Composers and Artists 31 2017 Concert Calendar 32 Meet the Musicians 34 How to Book 36 Subscription Pricing 37 Booking Form COVER Alondra de la Parra, QSO Music Director Photography Oscar Turco VESSELINA Wardrobe MaxMara KASAROVA Makeup Estėe Lauder qso.com.au EST. 1947 It’s our 70thBIRTHDAY celebrate with us! In this special year, join us for an exciting range of events and activities to remember and honour QSO’s proud history. -
New on Naxos | September 2013
NEW ON The World’s Leading ClassicalNAXO Music LabelS SEPTEMBER 2013 © Grant Leighton This Month’s Other Highlights © 2013 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | SEPTEMBER 2013 8.572996 Playing Time: 64:13 7 47313 29967 6 Johannes BRAHMS (1833–1897) Ein deutsches Requiem (A German Requiem), Op. 45 Anna Lucia Richter, soprano • Stephan Genz, baritone MDR Leipzig Radio Choir and Symphony Orchestra Marin Alsop Brahms’s A German Requiem, almost certainly triggered by the death of his mother in 1865, is one of his greatest and most popular works, quite unlike any previous Requiem. With texts taken from Luther’s translation of the Bible and an emphasis on comforting the living for their loss and on hope of the Resurrection, the work is deeply rooted in the tradition of Bach and Schütz, but is vastly different in character from the Latin Requiem of Catholic tradition with its evocation of the Day of Judgement and prayers for mercy on the souls of the dead. The success of Marin Alsop as Music Director of the Baltimore Symphony Orchestra was recognized when, in 2009, her tenure was extended to 2015. In 2012 she took up the post of Chief Conductor of the São Paulo Symphony Orchestra, where she steers the orchestra in its artistic and creative programming, recording ventures and its education and outreach activities. Marin Alsop © Grant Leighton Companion Titles 8.557428 8.557429 8.557430 8.570233 © Christiane Höhne © Peter Rigaud MDR Leipzig Radio Choir MDR Leipzig Radio Symphony Orchestra © Jessylee Anna Lucia Richter Stephan Genz 2 NEW ON NAXOS | SEPTEMBER 2013 © Victor Mangona © Victor Leonard Slatkin Sergey RACHMANINOV (1873–1943) Symphony No. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Since its launch in 1982, the Marco Polo label has for twenty years sought to draw attention to unexplored repertoire.␣ Its main goals have been to record the best music of unknown composers and the rarely heard works of well-known composers.␣ At the same time it aspired, like Marco Polo himself, to bring something of the East to the West and of the West to the East. For many years Marco Polo was the only label dedicated to recording rare repertoire.␣ Most of its releases were world première recordings of works by Romantic, Late Romantic and Early Twentieth Century composers, and of light classical music. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again, particularly those whose careers were affected by political events and composers who refused to follow contemporary fashions.␣ Of particular interest are the operas by Richard Wagner’s son Siegfried, who ran the Bayreuth Festival for so many years, yet wrote music more akin to that of his teacher Humperdinck. To Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich, Schwarzschwanenreich (The Kingdom of the Black Swan), and Bruder Lustig, which further explores the mysterious medieval world of German legend.␣ Other German operas included in the catalogue are works by Franz Schreker and Hans Pfitzner. Earlier Romantic opera is represented by Weber’s Peter Schmoll, and by Silvana, the latter notable in that the heroine of the title remains dumb throughout most of the action. Marschner’s Hans -
Key Personnel Bios
2018 TMO COMPOSER DEVELOPMENT PROGRAM KEY PERSONNEL BIOS a) THE METROPOLITAN ORCHESTRA Under the Baton of Founding Artistic Director & Chief Conductor Sarah-Grace Williams, The Metropolitan Orchestra(TMO) is recognised as one of the country’s most versatile orchestras delivering accessiBle, first-class and viBrant concert experiences. TMO’s annual season includes a variety of events tailored to different demographics from their highly acclaimed and regularly sold-out Met Concert series, to audience outreach programs, development programs for composers and performers, performances for young audiences and newly arrived refugees, interstate tours, free concerts and more. The orchestra’s sparkling eight year history includes a star-studded array of special events including performances with Sumi Jo (Opera House), David Helfgott (City Recital Hall), Elaine Paige (State Theatre), John Farnham with Olivia Newton-John (Entertainment Centre and Tempus Two), James Morrison (The Concourse), Kate CeBerano (Opera House); special events such as BBC’s Blue Planet and Planet Earth in Concert (Opera House), Doctor Who Symphonic Spectacular (Opera House and Entertainment Centre), Opera in the Vineyards (Wyndham Estate and Roche Estate), the National RugBy League Grand Final and sailing the South Pacific annually as resident orchestra aboard the Bravo! Cruise of the Performing Arts. Other renowned artists who have appeared with TMO include Jose Carreras, Kiri Te Kanawa, Anthony Warlow, Teddy Tahu Rhodes, Antoinette Halloran, David HoBson, Marina Prior, -
1 Montag, 02.09.2019 00:00 01:00 1LIVE Fiehe
Montag, 02.09.2019 09:40 WDR 2 Stichtag Sonate D-Dur, KV 448; (Wiederholung um 18:40) Christina und Michelle 2. September 1949 - Pfanni Naughton, Klavier kommt auf den Markt Jean Cras: 10:50 WDR 2 - Wilfried Âmes d'enfants; Orchestre Schmickler Philharmonique du 13:00 WDR 2 Das Luxembourg, Leitung: Jean- 00:00 1LIVE Fiehe Mittagsmagazin François Antonioli Freestylesendung mit Klaus Darin: Felix Mendelssohn Fiehe zur vollen Stunde WDR Bartholdy: seit 22:00 Uhr aktuell Sonate D-Dur, op. 58; 01:00 Die junge Nacht der ARD zur halben Stunde WDR Danjulo Ishizaka, Mit Benni Bauerdick aktuell und Lokalzeit auf Violoncello; Martin Darin: WDR 2 Helmchen, Klavier zur vollen Stunde WDR 15:00 WDR 2 Der Nachmittag Wilhelm Friedemann Bach: aktuell Darin: Konzert Es-Dur; Michael Behringer und Robert Hill, 05:00 1LIVE mit Olli Briesch und zur vollen Stunde WDR Cembalo; Freiburger dem Imhof aktuell Barockorchester, Leitung: Die tägliche, aktuelle zur halben Stunde bis 17:30 Gottfried von der Goltz Morgen-Show in 1LIVE WDR aktuell und Lokalzeit auf WDR 2 Peter Tschaikowsky: 10:00 1LIVE mit Simon Beeck Konzertfantasie G-Dur, op. Der Vormittag in 1LIVE 18:40 WDR 2 Stichtag (Wiederholung von 09:40) 56; Konstantin Scherbakov, 14:00 1LIVE mit Larissa Rieß 19:00 WDR 2 Jörg Thadeusz Klavier; Russisches und Philipp Isterewicz Philharmonisches Der Nachmittag in 1LIVE Darin: zur vollen Stunde WDR Orchester, Leitung: Dmitri 18:00 1LIVE mit Maike Greine aktuell Jablonskij Die Themen des Tages im 20:00 WDR 2 POP! ab 04:03: Sektor Darin: Alban Berg: 20:00 1LIVE Plan B zur vollen Stunde WDR Violinkonzert "Dem Der Abend in 1LIVE - im Andenken eines Engels"; aktuell Zeichen der Popkultur Renaud Capuçon; 23:30 WDR 2 Berichte von heute Mit Tilmann Köllner Symphonieorchester des 23:00 1LIVE Soundstories Bayerischen Rundfunks, Bitmemiş - Not Finished Yet Leitung: Daniel Harding Antonio Vivaldi: Von Ralf Haarmann Mit Zitaten aus "Die Konzert g-Moll; Concerto Deutsche Ayşe" von Tuğsal Köln Moğul 00:00 WDR aktuell Georges Bizet: Regie: der Autor 00:05 Das ARD Nachtkonzert Carmen Suite Nr. -
Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet -
Download Booklet
Xiaogang YE Mount E’mei Scent of Green Mango Lamura Cuo The Silence of Mount Minshan Wei Lu, Dan Zhu, Violin Shengnan Hu, Percussion Xiaotang Tan, Piano Royal Scottish National Orchestra Gilbert Varga Deutsche Staatsphilharmonie Rheinland-Pfalz Stefan Malzew Franck Ollu Xiaogang Ye (b. 1955) Mount E’mei • Scent of Green Mango • Lamura Cuo • The Silence of Mount Minshan Born in Shanghai in 1955, Xiaogang Ye is regarded as development of China’s modern music, and the exchange Ensemble Utopik, New European Ensemble, the Mount E’mei for Violin, Percussion and Orchestra, one of China’s leading contemporary composers. From of Chinese and foreign music cultures. Chamber Music Society of Lincoln Center, and the Op. 74 (2015–16) 1978 until 1983, he studied at the composition Ye has composed a large number of works in a NZTrio. In August 2008, his piano concerto Starry Sky department of the Central Conservatory of Music in variety of genres, including symphonic, chamber, dance was premiered during the opening ceremony of the This work was co-commissioned by the Beijing Symphony China, and after graduation was appointed resident drama and opera pieces, as well as film and TV music. Olympic Games in Beijing by Lang Lang. Accompanied Orchestra and Sichuan Philharmonic Orchestra. It was composer and lecturer at the Conservatory. From 1987, His important works include Horizon , The Last Paradise , by dance and light shows, the live broadcast was watched premiered in Beijing in October 2016 as a part of Sichuan he studied at the Eastman School of Music, University of The Song of the Earth , Twilight of the Himalayas , Scent of by three billion people worldwide. -
The Marriage of Figaro Overture PHILADELPHIA ORCHESTRA Piano Concerto No. 20 in D Minor K.46
GUILD MUSIC GHCD 2405 Stokowski GHCD 2405 2013 Guild GmbH © 2013 Guild GmbH Guild GmbH Switzerland Wolfgang Amadeus MOZART (1756-1791) 1 The Marriage of Figaro Overture 4:12 PHILADELPHIA ORCHESTRA 12 February 1960 – ‘Live’ broadcast from the Academy of Music, Philadelphia STEREO Piano Concerto No. 20 in D minor K.466 2 I. Allegro 14:52 4 III. Allegro assai 7:46 3 II. Romanze 7:53 MARIA ISABELLA DE CARLI, piano THE INTERNATIONAL FESTIVAL YOUTH ORCHESTRA 31 August 1969 – Non-commercial ‘souvenir’ recording made in the ballroom of the Hotel Reine Victoria, St. Moritz, Switzerland STEREO 5 Sleigh Ride (German Dance No. 3, K.605) 3:06 LEOPOLD STOKOWSKI AND HIS SYMPHONY ORCHESTRA 2 March 1949 – RCA recording made in New York and issued on LM-1238 Piano Concerto No. 24 in C minor K.491 6 I. Allegro 13:42 8 III. Allegretto 8:21 7 II. Larghetto 7:07 EZRA RACHLIN, piano HOUSTON SYMPHONY ORCHESTRA 24 October 1960 – ‘Live’ broadcast from the Music Hall, Houston 9 Turkish March (Rondo alla Turca from Piano Sonata No. 11 in A, K.331) 2:44 (Orchestrated by Stokowski) NBC SYMPHONY ORCHESTRA 9 February 1955 – RCA recording made in New York and issued on LM-2042 but labelled as being by ‘Leopold Stokowski and his Symphony Orchestra’ GUILD MUSIC GHCD 2405 Stokowski A GUILD HISTORICAL RELEASE • Master source: Recordings from the collection of Enno Riekena • Remastering: Peter Reynolds • Final master preparation: Reynolds Mastering, Colchester, England • Photographs: Edward Johnson • Design: Paul Brooks, Design and Print, Oxford • Art direction: Guild GmbH • Executive co-ordination: Guild GmbH ■ Guild GmbH, Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 (0) 52 742 85 00 Fax: +41 (0) 52 742 85 09 (Head Office) ■ Guild GmbH, PO Box 5092, Colchester, Essex CO1 1FN, Great Britain ■ e-mail: [email protected] World WideWeb-Site: http://www.guildmusic.com WARNING: Copyright subsists in all recordings under this label. -
VIOLINIST / Zhi-Jong Wang
扫描关注微信订阅号 VIOLINIST / Zhi-jong Wang ARTISTIC ACHIEVEMENTS Remarked by Yehudi Menuhin at an early age, Zhi-Jong Wang is considered one of the most promising violinists of her generation and receiving increasing international attention. Her achievements have attracted world-wide attention, in 2006 the China edition of Gramophone magazine featured her in a full- pagereport, and musical critics acclaimed her as “a rare new star in Asia”. Zhi-Jong is currently Associate Professor at the Shanghai Conservatory of Music. PERFORMANCES Zhi-Jong’s recent accomplishments include a tour with Warsaw Philharmonic under Maestros Yoel Levi and Antoni Wit; her debutrecital at the Lucerne Festival and a tour with the Orchestre National des Pays de la Loire under Pascal Rophé. Engagements in 2013/14 have also taken her to Japan where she gave highly acclaimed performances with the Osaka Century Orchestra and with the NHK Symphony Orchestra under Tadaaki Otaka, and earlier in the season she gave concerts in Hanoi for the first time. As well as performing the standard violin repertoire, Zhi-Jong is a passionate exponent of contemporary music, performing works by Gubaidulina, Weil, Lutoslawski, Schnittke, Ligeti, Schonberg, etc. Forth-coming premieres in the 2013/14 season include Ana Sokolovic’s Commedia dell'arte III and Nikolai Badinski’s Violin Concerto No.2. Following her first concert leading the orchestra from the violin with Ensemble Orchestral de Paris performing Mozart’s Violin Concerto no. 5 at the Cité de la Musique in Paris, ‘play-conducting’ has attracted Zhi-Jong’s interest and in recent seasons she has played/conducted Vivaldi/Piazzolla’s Four Seasons and several of the Mozart concerti. -
1 Bright Sheng Is Respected As One of the Foremost Composers of Our Time
Bright Sheng is respected as one of the foremost composers of our time, whose stage, orchestral, chamber and vocal works are performed regularly throughout North America, Europe and Asia. Sheng’s music is noted for its lyrical and limpid melodies, a Shostakovich sense of breath in music phrases, a Bartokian sense of rhythmic propulsion, and dramatic and theatrical gestures. Many of Sheng’s works has strong Chinese and Asian influences, a result of his diligent study of Asian musical cultures for over three decades. He was proclaimed by the MacArthur Foundation in 2001 as “an innovative composer who merges diverse musical customs in works that transcend conventional aesthetic boundaries.” The Foundation predicts that “Bright Sheng will continue to be an important leader in exploring and bridging musical traditions.” Sheng’s music has been widely commissioned and performed by many of the world’s most prestigious institutions, including in North America by the San Francisco Opera, the Lyric Opera of Chicago, Santa Fe Opera, New York City Opera, New York City Ballet, San Francisco Ballet, the New York Philharmonic, Boston Symphony, Chicago Symphony, the Cleveland Orchestra, the Philadelphia Orchestra, San Francisco Symphony, the Los Angeles Philharmonic, Minnesota Orchestra, St. Louis Symphony Orchestra National Symphony Orchestra, Detroit Symphony Orchestra, Houston Symphony Orchestra, Atlanta Symphony Orchestra, Dallas Symphony Orchestra, Seattle Symphony Orchestra, Baltimore Symphony Orchestra, San Diego Symphony Orchestra, Toronto Symphony Orchestra, Vancouver Symphony Orchestra; in Europe by the Orchestra de Paris, Royal Concertgebouw Orchestra, Orchestra Sinfonica dell'Accademia Nazionale di Santa Cecilia, BBC Symphony Orchestra, G.B., London Sinfonietta, Royal Liverpool Philharmonic Orchestra, Hamburg Radio Symphony (NDR), Frankfurt Radio Symphony, Dusseldorf Symphony Orchestra, Duisburg Philharmonic, Dortmund Philharmonic Orchestra, Branderburg Stage Opera Orchestra (Cottbus), St.