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Acknowledgments
Albany Symphony | David Alan Miller, conductor Tessa Lark, violin | Peter Kolkay, bassoon Ryan Roberts, oboe | Weixiong Wang, clarinet ACKNOWLEDGMENTS Producer: Silas Brown, Michael Torke Session Producer for West, East, South: Doron Schachter Mastering: Silas Brown Recorded at the Troy Savings Bank Music Hall Michael Torke March 6, 2017 (West, South, and East) SKY January 7, 2019 (Sky) Publisher: Adjustable Music; Bill Holab Music, Modern Works Music Publishing, agents. West, South, and East commissioned by Paul Underwood. This recording was made possible by a generous gift from Marsha Nickerson, a former member of the Albany Symphony Photo of Michael Torke: Bryan Hainer WWW.ALBANYRECORDS.COM TROY1784 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. for less obvious solo instruments. This collection of concertos is my attempt to explore those THE COMPOSER options. Michael Torke’s music has been commissioned by such orchestras as For Sky, a concerto for violin, I took Bluegrass, a style I was not familiar with, studied its The Philadelphia Orchestra, the New York Philharmonic, and the San vernacular, and then imposed classical forms onto it. In the solo part, you hear banjo picking, Francisco Symphony; by such ballet companies as New York City Ballet, a slow Irish reel (harkening back to the music of those who settled Kentucky), and triple time Alvin Ailey, and the National Ballet of Canada; by such opera companies fiddle licks. -
From the Podium
R e p o rScott t Hanna, editor Summer 2010 review of proposals for research sessions. (The deadline From the Podium of submissions is November 1.) The conference will include discussions on CBDNA’s evolving relationship I have been thinking about the relationship be- with educational issues. tween our national organization and its members. Elisabeth Charles and Barbara Lambrecht are Albert Einstein’s The World As I See It, begins putting together the Small College Intercollegiate with a quote attributed to Friedrich Nietzsche: “Only band. I am pleased that our colleague Lowell Graham individuals can have a sense of responsibility.” The has agreed to conduct the SCIB. Jim Latten’s summer quote seemed to complement my favorite cartoon, which efforts have produced a flurry of interest and activity shows a CEO at the Christmas party punch bowl with his from CBDNA members (and potential members) who arm around the shoulder of an employee, saying, “Frank, work in small colleges and universities. you are such a valuable employee. I don’t know what this company would do without you…or somebody just As you know from my emails, I was to have like you.” Nietzsche’s sentiment disallows that CBDNA, gone to Florida A & M University in October to present as an organization, could have a sense of or mandate to William Foster with the CBDNA Lifetime Achievement responsibility. CBDNA commitments and actions in Award (he was the fifth person to receive this rare dis- the areas of education, inclusiveness, artistry, expansion tinction). Past-president Foster passed away before that of knowledge, and new initiatives reflect the ideals and could happen. -
Never Has Our Performance Been So Reliant Upon One Person. You
Never has our performance been so reliant upon one person. You. “Our people have invested a lifetime to bring you a truly inspiring orchestra. Together we can rise to meet this challenge With a history dating back to 1947 and As Queensland’s largest professional after becoming a fully independent performing arts company, we are seizing corporation, QSO has never been so reliant a bright new future in a new home in Will you repay their on your support as we embark on raising Queensland’s arts precinct at South Bank. Greg Wanchap Queensland Symphony Orchestra Chairman $4 million by the end of 2011. I hope you We will be co-locating with the ABC. This will support us by making a donation to our new home will enable the Orchestra to fundraising campaign. create more innovative performances and collaborations to better promote Queensland You name it, we do it, educating children, on the world stage. dedication with your mentoring aspiring performers, touring regional centres, performing with state, The Federal and State Government have national and international ballet and opera made a significant contribution to the cost companies, rock, pop and country artists, of our new home and now it is up to us to festivals, radio broadcasts, cd recordings… raise $4 million to make it the best creative support?” and on top of all that, we also present our centre it can be for a diverse and vibrant annual program of symphony performances. Queensland community. With the impending sale and re- I urge you to read more about the Orchestra development of the Orchestra’s home in the following pages and pledge your gift since 1977 in the ABC owned West End to invest in a creative and dynamic premises, we must relocate to a new home Queensland Symphony Orchestra, the at the end of 2011. -
LIU Post Chamber Music Festival 2014 33Rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL with the PIERROT CONSORT July 14 to July August 1, 2014
LIU Post Chamber Music Festival 2014 33rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL WITH THE PIERROT CONSORT July 14 to July August 1, 2014 SUSAN DEAVER & MAUREEN HYNES, FESTIVAL FOUNDERS SUSAN DEAVER, FESTIVAL DIRECTOR DALE STUCKENBRUCK, ASSISTANT DIRECTOR chamber ensembles ♦ chamber orchestras festival artists & participants concert series ♦ conducting program concerto competition ♦ master classes DEPARTMENT OF MUSIC LIU Post 720 Northern Blvd., Brookville, New York 11548-1300 www.liu.edu/post/chambermusic Phone: (516) 299-2103 • Fax: (516) 299-2884 e-mail: [email protected] TABLE OF CONTENTS Mission Statement & History of the LIU Post Chamber Music Festival 3 Descriptions of Festival Programs 4-5 Credit Programs – Undergraduate, Graduate & High School Enrichment Artistry Program for young professionals & preformed chamber ensembles Performance Program for college & conservatory musicians Music Educator’s Program for Advancement of Chamber Music Advanced Program for students ages 15 to 18 Seminar Program for students ages 9 to 14 Conducting Program Classes Offered at the Festival 5 Musicianship Classes, Individual Master Classes, Chamber Music Performance Classes, Master Classes with Special Guest Artists and Educational Residencies Chamber Orchestras and Larger Ensembles 6-7 Concerto Competition 7 Festival Concerts 8 General Information 9 Facilities, Housing, Transportation, Food Service, Student and Faculty ID, Distribution of Orchestral and Chamber Music, Orientation and the Festival Office Tuition and Program -
Richard O'neill
Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society -
Interview with David Alan Miller
The Classical Beat By Stephen Dankner INTERVIEW WITH MAESTRO DAVID ALAN MILLER Looking as if a few choice, slightly seedy blocks were snatched up from Greenwich Village and plunked down in Albany’s central city district, Lark Street is a fascinating, hip place. With a row of laid-back watering holes, eateries and latte dens, it was a good place to sit down for awhile with David Alan Miller, the conductor and Music Director of the Albany Symphony Orchestra over a cup of coffee. Miller is a young and energetic man, charming and likeable, irrepressible and ardent. He has the same messianic zeal that Leonard Bernstein had – a mission to convince you of his love for music – all kinds of it – and to prove to you, through the force of his high strung but always cheerful personality, that classical music is really important – it’s not just entertainment or an indulgence for an elite class of sedate listeners. No, it’s absolutely necessary. Listen to him for just a few minutes and you’ll be convinced; I have rarely encountered a more articulate spokesman for the cause. Miller has a talent for speaking off the cuff; his knowledge of music history and the full repertoire of classical music enable him to fire off facts, figures and opinions at his popular pre-concert conversations. It’s clear that audiences love him, judging by the filled seats for the talks one hour before the ASO concerts. Right about now he’s thinking seriously about next season. All orchestras have to schedule their programs at least a year in advance. -
DEREK BERMEL: VOICES DUST DANCES | THRACIAN ECHOES | ELIXIR DEREK BERMEL B
DEREK BERMEL: VOICES DUST DANCES | THRACIAN ECHOES | ELIXIR DEREK BERMEL b. 1967 DUST DANCES [1] DUST DANCES (1994) 9:26 THRACIAN ECHOES [2] THRACIAN ECHOES (2002) 19:23 ELIXIR [3] ELIXIR (2006) 7:21 VOICES, FOR SOLO CLARINET AND ORCHESTRA VOICES, FOR SOLO CLARINET AND ORCHESTRA (1997) [4] I. Id 6:43 DEREK BERMEL clarinet [5] II. She Moved Thru the Fair 5:46 BOSTON MODERN ORCHESTRA PROJECT [6] III. Jamm on Toast 6:12 GIL ROSE, CONDUCTOR TOTAL 54:54 2 COMMENT idea in the orchestral realm by writing myself a clarinet concerto. My thoughts immediately turned to two of my favorite musicians, bass clarinetist Eric Dolphy and bassist Charles Mingus. Their conversational rapport inspired the first movement—called “Id”—and the rest of the concerto followed from there. I dedicated Voices to my father, who taught me By Derek Bermel an enormous amount about theatre. The outer movements more fully embrace my jazz From an early age, I was obsessed with the orchestra. During my preteen years I would background—using techniques including glissandi, growl tones, and flutter tongue—with return from the public library with armfuls of LP records—Stravinsky, Bartok, Debussy, a nod to the bittersweet “keening” of Irish folksong in the middle movement. Berg, Mussorgsky, Ravel, Copland, Britten, Webern, Messiaen, Ives. During the same Another tradition that had always fascinated me was Bulgarian folk music. In August period my knowledge of jazz was deepening. When my grandmother bought me a beat- 2001, I traveled to Plovdiv, Bulgaria, where I spent six months learning the Thracian folk up piano for $300 (she overpaid), I immediately began to reenact the works of Thelonious style with clarinetist Nikola Iliev. -
Program Book Final 1-16-15.Pdf
4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries. -
Guitarist Sharon Isbin to Star with Santa Rosa Symphony
Guitarist Sharon Isbin to star with Santa Rosa Symphony By DIANE PETERSON THE PRESS DEMOCRAT Published: Thursday, January 20, 2011 at 3:00 a.m. WWW.SHARONISBIN.COM/ J. HENRY FAIR Sharon Isbin serves as the American ambassador of the classical guitar, performing everywhere from the concert hall to the White House. It's a job that no one else really wanted. That's because most Americans are exposed to the guitar through rock and folk music and then fall in love with classical guitar by accident. “That's changing now, but that certainly has been part of the history of classical guitar in this country,” Isbin said in a phone interview from her home in New York City. “Europe has a much longer tradition of classical guitar, going back to Spain and Italy and the U.K., so that the roots have had time to blossom and flourish.” For the Santa Rosa Symphony's fourth concert set this weekend, Isbin will whisk the audience off to the gardens of Spain during a performance of Joaquin Rodrigo's passionate “Concierto de Aranjuez.” “The Rodrigo is one of the most popular works of any works for orchestra,” she said. “The second movement is so powerfully moving and emotionally raw, with great nuances and musical inspiration. It's something that really touches people in unusual ways.” Led by guest conductor and Mexico native Enrique Arturo Diemecke, the south-of-the- border program also includes Astor Piazzolla's seductive “Tangazo, Variations on Buenos Aires” and the Fourth Symphony of composer Carlos Chavez, considered to be the founder of modern Mexican music. -
James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P
James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P. Bolstad, conductor Symphony Band – Stephen P. Bolstad, conductor Concert Band – Scott D. Rikkers, conductor Wind Symphony, Stephen P. Bolstad, conductor October 7, 2007 Wiener Philharmoniker Fanfare (1924) – Richard Strauss Serenade in E flat major, Op. 7 (1881) – Richard Strauss Dance of the Jesters (1868) – Tchaikovsky/Cramer Prelude in E flat minor, Op. 34, No. 14 (1933) – Shostakovich/Reynolds Redline Tango (2004) – John Mackey Fantasia in G Major (ca. 1705) – Bach/Goldman & Leist Bells for Stokowski (2003) – Michael Daugherty Symphonic Band & Concert Band Stephen P. Bolstad & Scott Rikkers, conductors October 11, 2007 Concert Band Alleluia! Laudamus Te (1973) – Alfred Reed Be Thou My Vision (1998) – David Gillingham Rakes of Mallow (1947) – Leroy Anderson Symphonic Band Esprit De Corps (1985) – Robert Jager A Movement for Rosa (1992) – Mark Camphouse Illyrian Dances (1986) – Guy Woolfenden Russian Sailor’s Dance (1927) – Gliere/ Leidzen Wind Symphony, Stephen P. Bolstad, conductor JMU Chorale, Patrick M. Walders, conductor & JMU Symphony Orchestra Strings, Robert D. McCashin, conductor October 26, 2007 Portraits in Bluestone (2007) – Brian Balmages World Premiere Wind Symphony, Stephen P. Bolstad, conductor November 11, 2007 (Veteran’s Day) The Star Spangled Banner – Arr. by Luigi Zaninelli Profanation from “Jeremiah, Symphony No. 1” (1942) – Bernstein/Bencriscutto The Leaves Are Falling (1964) – Warren Benson Lincolnshire Posy (1937) – Percy Grainger J’ai été au bal (1999) – Donald Grantham Battle Hymn of the Republic – Arr. by Luigi Zaninelli All-Bands Concert, Stephen P. Bolstad, Scott Rikkers, conductors December 9, 2007 Concert Band Marche Des Parachutistes Belges (1945) – Leemans/Wiley Blessed Are They from “German Requiem” (1865) – Brahms/Buehlman Escape from “Plato’s Cave!” (1993) – Stephen Melillo Symphonic Band Second Suite in F for Military Band (1911) – Gustav Holst La Fiesta Mexicana (1949) – H. -
Aaron Copland: a Catalogue of the Orchestral Music
AARON COPLAND: A CATALOGUE OF THE ORCHESTRAL MUSIC 1922-25/32: Ballet “Grogh”: 30 minutes 1922-25: Dance Symphony: 18 minutes 1923: “Cortege macabre” for orchestra: 8 minutes 1923-28: Two Pieces for String Orchestra: 10 minutes 1924: Symphony for Organ and orchestra: 24 minutes 1925: Suite “Music for the Theater” for small orchestra: 21 minutes 1926: Piano Concerto: 16 minutes 1927-29/55: Symphonic Ode for orchestra: 19 minutes 1928: Symphony No.1 (revised version of Symphony for Organ) 1930/57: Orchestral Variations: 12 minutes 1931-33: Short Symphony (Symphony No.2): 15 minutes 1934/35: Ballet “Hear Ye! Hear Ye!”: 32 minutes 1934-35: “Statements” for orchestra: 18 minutes 1936: “El salon Mexico” for orchestra: 10 minutes 1937: “Prairie Journal” (“Music for Radio”) for orchestra: 11 minutes 1938: Ballet “Billy the Kid”: 32 minutes (and Ballet Suite: 22 minutes) (and extracted Waltz and Celebration for concert band: 6 minutes) 1940/41: “An Outdoor Overture” for orchestra or concert band: 10 minutes 1940: Suite “A Quiet City” for trumpet, cor anglais and strings: 10 minutes 1940/52: “John Henry” for orchestra: 4 minutes 1942: “A Lincoln Portrait” for narrator and orchestra or concert band: 15 minutes Ballet “Rodeo”: 23 minutes (and Four Dance Episodes: 19 minutes) “Fanfare for the Common Man” for brass and percussion: 2 minutes “Music for the Movies” for orchestra: 17 minutes 1942/44: “Danzon Cubano” for orchestra: 6 minutes 1943: “Song of the Guerillas” for orchestra 1944: Ballet “Appalachian Spring” for orchestra or chamber orchestra: -
Ross Bauer, Composer Portrait Celebrating His Sixtieth Birthday
Mika Pelo and Kurt Rohde, co-directors PeRFoRMeRS Hrabba atladottir, violin ellen Ruth Rose, viola Mary artmann, cello Michael Seth orland, piano Peter Josheff, clarinet eric Zivian, piano Jean-Michel Fonteneau, cello Ross Bauer, Composer Portrait Celebrating His Sixtieth Birthday 7:00 pm, Sunday, JanuaRy 22, 2012 Vanderhoef Studio Theatre, Robert and Margrit Mondavi Center for the Performing arts 6:15pm pre-ConCert TalK with composers Ross Bauer, Martha Horst, and Harold Meltzer EmpyRean enSemble Co-directors Mika Pelo Kurt Rohde PERFORMERS Hrabba Atladottir, violin Ellen Ruth Rose, viola Mary Artmann, cello Michael Seth Orland, piano Peter Josheff, clarinet Eric Zivian, piano Jean-Michel Fonteneau, cello adMinistraTiVe & PRoduction STaff Christina Acosta, editor Philip Daley, publicity manager Rudy Garibay, designer Joshua Paterson, production manager THe dePartmenT oF MuSiC preSents The empyrean ensemble Mika Pelo and Kurt Rohde, co-directors Ross Bauer Composer Portrait Program The Near Beyond for Clarinet and String Trio Ross Bauer (b. 1951) Pink Angels for Violin, Viola, and Violoncello Harold Meltzer (world premiere, in honor of Ross Bauer’s sixtieth birthday) (b. 1966) Riff Tides for Violin, Cello, Viola, Bass Clarinet Martha Horst (world premiere, in honor of Ross Bauer’s sixtieth birthday) (b. ) Tribute for Cello and Piano Ross Bauer intermission Sequenza IX for Solo Clarinet Luciano Berio (1925–2003) Piano Quartet Ross Bauer Moderato Adagio Allegro giocoso Please join us for a reception following the concert in the Bartholomew Room Sunday, January 22, 2012 • 7:00 pm Vanderhoef Studio Theatre, Mondavi Center We ask that you be courteous to your fellow audience members and the performers.