This Land Sings: Inspired by the Life and Times of Woody Guthrie

Total Page:16

File Type:pdf, Size:1020Kb

This Land Sings: Inspired by the Life and Times of Woody Guthrie This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Welcome to the Albany Symphony’s 2020-21 Season Re-Imagined! The one thing I have missed more than anything else during the past few months has been spending time with you and our brilliant Albany Symphony musicians, discovering, exploring, and celebrating great musical works together. Our musicians and I are thrilled to be back at work, bringing you established masterpieces and gorgeous new works in the comfort and convenience of your own home. Originally conceived to showcase triumph over adversity, inspired by the example of Beethoven and his big birthday in December, our season’s programming continues to shine a light on the ways musical visionaries create great art through every season of life. We hope that each program uplifts and inspires you, and brings you some respite from the day-to-day worries of this uncertain world. It is always an honor to stand before you with our extraordinarily gifted musicians, even if we are now doing it virtually. Thank you so much for being with us; we have a glorious season of life- affirming, deeply moving music ahead. David Alan Miller Heinrich Medicus Music Director This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 | 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Michael Daugherty (B. 1954) This Land Sings I. Overture II. The Ghost and Will of Joe Hill III. Perpetual Motion Man IV. Marfa Lights V. Hear the Dust Blow VI. Graceland VII. Forbidden Fruit VIII. Hot Air IX. Bread and Roses X. This Land Sings XI. Silver Bullet XII. This Trombone Kills Fascists XIII. Don’t Sing Me a Love Song XIV. My Heart is Burning XV. I’m Gonna Walk That Lonesome Valley XVI. Mermaid Avenue XVII. Wayfaring Stranger / 900 Miles This concert is generously sponsored by: Concert Talks Sponsor: THIS LAND SINGS ORCHESTRA ROSTER Violin - Jamecyn Morey Bassoon – Steven Palacio Bass – Brad Aikman Trumpet / Flugelhorn – Eric Berlin Clarinet / Bass Clarinet – Hector Noriega and Trombone – Greg Spiridopoulos Manuel Othon Percussion – Richard Albagli and Mark Foster MICHAEL DAUGHERTY Multiple GRAMMY Award-winning composer Michael Daugherty has achieved international recognition as one of the ten most performed American composers of concert music, according to the League of American Orchestras. His orchestral music, recorded by Naxos over the last two decades, has received six GRAMMY Awards, including Best Contemporary Classical Composition in 2011 for Deus ex Machina for piano and orchestra and in 2017 for Tales of Hemingway for cello and orchestra. Current commissions for 2020 include new orchestral works for the Pittsburgh Symphony Orchestra and the Omaha Symphony and a concerto for violinist Anne Akiko Meyers who will give the world premiere with the National Symphony at the Kennedy Center in 2021. Michael Daugherty was born in Cedar Rapids, Iowa in 1954 and is the son of a dance-band drummer and the oldest of five brothers, all professional musicians. As a young man, Daugherty studied composition with many of the preeminent composers of the 20th century including Pierre Boulez at IRCAM in Paris (1979), Jacob Druckman, Earle Brown, Bernard Rands and Roger Reynolds at Yale (1980-82), and György Ligeti in Hamburg (1982-84). Daugherty was also an assistant to jazz arranger Gil Evans in New York from 1980-82. In 1991, Daugherty joined the University of Michigan School of Music, Theatre and Dance as Professor of Composition, where he is a mentor to many of today’s most talented young composers. He is also a frequent guest of professional orchestras, festivals, universities and conservatories around the world. Daugherty’s music is published by Peermusic Classical/Faber Music, Boosey & Hawkes and Michael Daugherty Music. For more information on Michael Daugherty and his music, see his publisher’s websites. KARA DUGAN Mezzo-soprano Kara Dugan has been praised by The New York Times for her “vocal warmth and rich character.” Recent highlights include her Los Angeles Philharmonic and Carnegie Hall debuts with Michael Tilson Thomas conducting his new work, Four Preludes on Playthings of the Wind with poetry by Carl Sandburg. Ms. Dugan's work with living composers also includes performances in the roles of Amadora and Stelladora in John Musto's opera Bastianello for Festival Napa Valley, and a final workshop performance as Mrs. Van Buren in Ricky Ian Gordon’s new opera, Intimate Apparel commissioned by the Metropolitan Opera and Lincoln Center Theater. Additional orchestral work includes three international tours with Juilliard415 and conductors Ton Koopman, Masaaki Suzuki, and Nicholas McGegan, culminating in a performance as the Soprano II soloist in Bach's Mass in B minor. Ms. Dugan also enjoys recital work with her husband, pianist Peter Dugan. The husband and wife duo perform together at festivals throughout the United States. Recent guest artist appearances include the Joye in Aiken Festival, Portland Chamber Music Festival, and Moab Music Festival. In her 2020-2021 season she will make her debut with the Chicago Symphony Orchestra with Michael Tilson Thomas conducting. Ms. Dugan has sung with the San Francisco Symphony, Philadelphia Orchestra, Buffalo Philharmonic, New World Symphony, Marlboro Music Festival, Ravinia Steans Institute, Boston Early Music Festival, Wolf Trap Opera, Alice Tully Hall, and Aspen Music Festival. Ms. Dugan earned her Bachelor’s and Master’s degrees from The Juilliard School. MICHAEL MALIAKEL Indian-American actor and singer MICHAEL MALIAKEL enjoys a diverse career spanning theater, classical music, and television. He is currently touring North America in the 25th Anniversary production of The Phantom of the Opera as the understudy for Raoul, Vicomte de Chagny. Michael made his Off-Broadway debut in Anything Can Happen: The Songs of Maury Yeston at the Triad Theatre, produced by the Tony Award-winning composer himself. Other recent performances include Georg in She Loves Me (PlayMakers Repertory Company), Bernstein’s MASS with the Chicago Symphony (Ravinia Festival), Britten’s Curlew River with the Mark Morris Dance Group (Brooklyn Academy of Music), and the record-breaking world premiere of Mira Nair's Monsoon Wedding (Berkeley Repertory Theatre). Michael recently made his network TV debut on FBI, a new CBS crime drama from acclaimed Law & Order producer Dick Wolf. Michael has performed as a soloist with orchestras and ensembles across the country including the Savannah Philharmonic, the New Jersey Festival Orchestra, the Orchestra of St. Luke’s, the Sebastians, the Aeolus String Quartet, the Greenwich Choral Society, and the Long Island Choral Society. He has received top awards from several prestigious organizations including First Prize in the American Traditions Competition, First Prize in the NATS National Music Theater Competition, Third Prize in the Lotte Lenya Competition, and a grant from the Gerda Lissner Foundation. An avid ensemble singer, Michael performs regularly with New York City’s top vocal ensembles including the Choir of Trinity Church - Wall Street, the St. Thomas Choir of Men and Boys, Musica Viva of NY, Voices of Ascension, and Musica Sacra. A native of New Jersey, Michael received his earliest musical training at the American Boychoir School and did his undergraduate studies at Georgetown University and the Peabody Institute of Music. Michael lives in Manhattan with his wife and their beloved, spunky betta fish, Buzz. Michael is a proud member of Actor's Equity Association and is represented by Harden Curtis Kirsten Riley Agency. Follow @michaelmaliakel on Instagram! F. MURRAY ABRAHAM Mr. Abraham has appeared in more than 80 films including Amadeus, for which he received the Academy Award® for 'Best Actor,' as well as Golden Globe® and L.A. Film Critics Awards. His other films include House Of Geraniums, The Bridge Of San Luis Rey, Where Love Begins, The Name Of The Rose, Finding Forrester, Scarface, The Bonfire Of The Vanities, The Ritz, Star Trek: Insurrection, The Grand Budapest Hotel and Inside Llewyn Davis, also Robin Hood and How To Train Your Dragon 3. Mr. Abraham's television appearances have included Dead Lawyers, Noah's Ark, Dead Man's Walk, Largo Desolato, A Season Of Giants, Excellent Cadavers, Quiet Flows The Don, The Betrothed, Journey To The Center Of The Earth, Marco Polo, The Good Wife, The Good Fight, Louis CK, Curb Your Enthusiasm, Homeland, Shakespeare Uncovered, and Chimerica for the BBC. A veteran of the stage, F. Murray Abraham has appeared in more than 90 plays, among them Chekhov's Uncle Vanya (Obie Award), Trumbo, Standup Shakespeare, the Italian tour of Notturno Pirandelliano, Susan Stroman's A Christmas Carol, the musical Triumph Of Love, A Month In The Country, the title roles in Cyrano de Bergerac, King Lear, Macbeth, Richard III, The Jew of Malta, The Seagull, Oedipus Rex, Creon, Angels In America (Broadway), The Ride Down Mt. Morgan, Waiting For Godot, The Caretaker, The Ritz, Sexual Perversity In Chicago, Duck Variations, A Life In The Theatre, Paper Doll The Threepenny Opera, The Mentor, and in Terrence McNally's It's Only A Play (Drama Desk Award nomination). He made his LA debut in Ray Bradbury's The Wonderful Ice Cream Suit and his NY debut as a Macy's Santa Claus, soon thereafter to Broadway in The Man In The Glass Booth, directed by Harold Pinter. Mr. Abraham’s book A Midsummer Night's Dream: Actors On Shakespeare, is published by Faber & Faber. Honors include The Moscow Art Theatre Stanislavsky Award, The Sir John Gielgud Award for Excellence in Shakespeare, Obie Award for Lifetime Achievement, and a member of The Theater Hall of Fame.
Recommended publications
  • Acknowledgments
    Albany Symphony | David Alan Miller, conductor Tessa Lark, violin | Peter Kolkay, bassoon Ryan Roberts, oboe | Weixiong Wang, clarinet ACKNOWLEDGMENTS Producer: Silas Brown, Michael Torke Session Producer for West, East, South: Doron Schachter Mastering: Silas Brown Recorded at the Troy Savings Bank Music Hall Michael Torke March 6, 2017 (West, South, and East) SKY January 7, 2019 (Sky) Publisher: Adjustable Music; Bill Holab Music, Modern Works Music Publishing, agents. West, South, and East commissioned by Paul Underwood. This recording was made possible by a generous gift from Marsha Nickerson, a former member of the Albany Symphony Photo of Michael Torke: Bryan Hainer WWW.ALBANYRECORDS.COM TROY1784 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. for less obvious solo instruments. This collection of concertos is my attempt to explore those THE COMPOSER options. Michael Torke’s music has been commissioned by such orchestras as For Sky, a concerto for violin, I took Bluegrass, a style I was not familiar with, studied its The Philadelphia Orchestra, the New York Philharmonic, and the San vernacular, and then imposed classical forms onto it. In the solo part, you hear banjo picking, Francisco Symphony; by such ballet companies as New York City Ballet, a slow Irish reel (harkening back to the music of those who settled Kentucky), and triple time Alvin Ailey, and the National Ballet of Canada; by such opera companies fiddle licks.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 68, 1948-1949
    W fl'r. r^S^ BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON ^r /^:> ,Q 'iiil .A'^ ^VTSOv H SIXTY-EIGHTH SEASON 1948-1949 Carnegie Hall, New York Boston Symphony Orchestra [Sixty-eighth Season, 1948-1949] SERGE KOUSSEVITZKY, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin, Joseph de Pasquale Raymond Allard Concert-master Jean Cauhape Ernst Panenka Alfred Krips Georges Fourel Ralph Masters Gaston Elcus Eugen Lehner Roll and Tapley Albert Bernard Contra-Bassoon Norbert Lauga Emil Kornsand Boaz Piller George Zazofsky George Humphrey Horns Paul Cherkassky Louis Arti^res Harry Dubbs Charles Van Wynbergen Willem Valkenier James Stagliano Vladimir ResnikofiE Hans Werner Principals Joseph Leibovici Jerome Lipson Harry Shapiro Siegfried Gerhardt Einar Hansen Harold Meek Daniel Eisler Violoncellos Paul Keaney Norman Carol Walter Macdonald Carlos P infield Samuel Mayes Osbourne McConathy Alfred Zighera Paul Fedorovsky Harry Dickson Jacobus Langendoen Trumpets Mischa Nieland Minot Beale Georges Mager Hippolyte Droeghmans Roger Voisin Karl Zeise Clarence Knudson Prijicipals Pierre Mayer Josef Zimbler Marcel La fosse Manuel Zung Bernard Parronchi Harry Herforth Samuel Diamond Enrico Fabrizio Ren^ Voisin Leon MarjoUet Victor Manusevitch Trombones James Nagy Flutes Jacob Raichman Leon Gorodetzky Georges Laurent Lucien Hansotte Raphael Del Sordo James Pappoutsakis John Coffey Melvin Bryant Phillip Kaplan Josef Orosz John Murray Lloyd Stonestreet Piccolo Tuba Henri Erkelens George Madsen
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • LIU Post Chamber Music Festival 2014 33Rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL with the PIERROT CONSORT July 14 to July August 1, 2014
    LIU Post Chamber Music Festival 2014 33rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL WITH THE PIERROT CONSORT July 14 to July August 1, 2014 SUSAN DEAVER & MAUREEN HYNES, FESTIVAL FOUNDERS SUSAN DEAVER, FESTIVAL DIRECTOR DALE STUCKENBRUCK, ASSISTANT DIRECTOR chamber ensembles ♦ chamber orchestras festival artists & participants concert series ♦ conducting program concerto competition ♦ master classes DEPARTMENT OF MUSIC LIU Post 720 Northern Blvd., Brookville, New York 11548-1300 www.liu.edu/post/chambermusic Phone: (516) 299-2103 • Fax: (516) 299-2884 e-mail: [email protected] TABLE OF CONTENTS Mission Statement & History of the LIU Post Chamber Music Festival 3 Descriptions of Festival Programs 4-5 Credit Programs – Undergraduate, Graduate & High School Enrichment Artistry Program for young professionals & preformed chamber ensembles Performance Program for college & conservatory musicians Music Educator’s Program for Advancement of Chamber Music Advanced Program for students ages 15 to 18 Seminar Program for students ages 9 to 14 Conducting Program Classes Offered at the Festival 5 Musicianship Classes, Individual Master Classes, Chamber Music Performance Classes, Master Classes with Special Guest Artists and Educational Residencies Chamber Orchestras and Larger Ensembles 6-7 Concerto Competition 7 Festival Concerts 8 General Information 9 Facilities, Housing, Transportation, Food Service, Student and Faculty ID, Distribution of Orchestral and Chamber Music, Orientation and the Festival Office Tuition and Program
    [Show full text]
  • Richard O'neill
    Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society
    [Show full text]
  • Interview with David Alan Miller
    The Classical Beat By Stephen Dankner INTERVIEW WITH MAESTRO DAVID ALAN MILLER Looking as if a few choice, slightly seedy blocks were snatched up from Greenwich Village and plunked down in Albany’s central city district, Lark Street is a fascinating, hip place. With a row of laid-back watering holes, eateries and latte dens, it was a good place to sit down for awhile with David Alan Miller, the conductor and Music Director of the Albany Symphony Orchestra over a cup of coffee. Miller is a young and energetic man, charming and likeable, irrepressible and ardent. He has the same messianic zeal that Leonard Bernstein had – a mission to convince you of his love for music – all kinds of it – and to prove to you, through the force of his high strung but always cheerful personality, that classical music is really important – it’s not just entertainment or an indulgence for an elite class of sedate listeners. No, it’s absolutely necessary. Listen to him for just a few minutes and you’ll be convinced; I have rarely encountered a more articulate spokesman for the cause. Miller has a talent for speaking off the cuff; his knowledge of music history and the full repertoire of classical music enable him to fire off facts, figures and opinions at his popular pre-concert conversations. It’s clear that audiences love him, judging by the filled seats for the talks one hour before the ASO concerts. Right about now he’s thinking seriously about next season. All orchestras have to schedule their programs at least a year in advance.
    [Show full text]
  • December 2013 Newsletter 2
    Newsletter 2 December 2013 In ThisIN THISIssue: ISSUE Dates to Note 2 DWS News 3 Holiday Fair Photos 4 Holiday Fair Help Needed 5 Basketball Champs 6 Colorado Gives Day Results 7 DWS Spartans Middle School A Team Carolyn’s College Corner 10 Crowns Undefeated Season with Anthroposophy Notes 11 Parent Education 13 League Championship Title! Community Notes 14 1 UPCOMING DATES TO NOTE Dec. 20 Jan. 8, 9 am Shepherd’s Play at 9:30 & 11 am Epiphany Assembly Evening performance at 7pm Early Dismissal: 12 Noon for all Jan. 10, 6-8 pm students Parent Council Baked Potato Night NO AFTERCARE Jan. 11, 6-8 pm Dec. 21—Jan.5: Winter Break Family Friendly Improv Night Back to School on Monday, Jan. 6 No Winter Break Camp Available Jan. 13, 5:30 pm Wisdom of Waldorf Evening Dec. 28, 10:30-1:00 Mercury Group (Anthroposophical Youth Jan. 14, 7-9 pm Group) Art Project & Potluck with Turbo Teens Marielle Levin Parent Evening with Douglas Gerwin “Sometimes our fate resembles a fruit tree in winter. Who would think that those branches would turn green again and blossom? But we hope it, we know it.” —Johann Wolfgang von Goethe 2 TWO DWS STUDENTS SELECTED FOR ALL-STATE ORCHESTRA Sophomore Marley Aiu (cellist) and Junior Rachel Prendergast (violinist) have been accepted into the Colorado All-State Orchestra. Both girls sent in their applications and recorded auditions in November, along with hundreds of other high school music students from all over Colorado. Results were announced last Friday: not only were both Rachel and Marley accepted, but both were placed in the Symphony orchestra, which is the more advanced of the two All-State orchestras.
    [Show full text]
  • 5 Ann Ual Report
    �� ��� ���� ����������� FROM THE executiveFROMFROM TTHEHE notes ZOO DIRECTOR BOARD PRESIDENT 2005 provided a brief respite from all the construction In 2005 the Santa Barbara Zoo continued to reach out activity of 2004. It was a year devoted to preparing the to all segments of our community. The enthusiasm of fi nal documentation of the master plan for submission to our professional staff continues to improve the facility Santa Barbara’s City Planning Department. The review of and programs for all to enjoy. In addition, these talented the Zoo’s master plan and the preparation of the sections professionals hold leadership positions in national and of the plan began in 2003 after the Planning Department international conservation, research, and zoological changed the review process in order to comply with the organizations. California Environmental Quality Act - CEQA. This is the most comprehensive set of documents ever prepared in In April we received a new fi ve-year accreditation from the Zoo’s 42 years of operation. the Association of Zoos and Aquariums (AZA). The AZA sets the bar at a top level for its members, and we are one The Zoo has now completed its documentation of site of only 210 zoos and aquariums in the nation that qualify archaeology, hydrology (primarily run-off ), parking and for this honor. Our executive leaders expect very high traffi c, accessibility (compliance with the Americans with standards, and the entire Zoo staff is to be commended for Disabilities Act - ADA), biology, and the preliminary plans working tirelessly to achieve this goal. It’s not just the staff for the next phase of capital projects.
    [Show full text]
  • 559188 Bk Harbison US
    559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 8 John CORIGLIANO Conjurer Vocalise Evelyn Glennie, Percussion Hila Plitmann, Soprano Albany Symphony Bronze mask, Benin, David Alan Miller from the collection of John Corigliano Photo: Richard Howe 559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 2 John Corigliano (b. 1938) David Alan Miller Conjurer • Vocalise David Alan Miller has established a reputation as one of the leading The American John Corigliano continues to add to one of American conductors of his generation. Frequently in demand as a guest the richest, most unusual, and most widely celebrated conductor, he has conducted the orchestras of Baltimore, Detroit, bodies of work any composer has created over the last forty Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh, years. Corigliano’s numerous scores, including three San Francisco, Minnesota and Chicago as well as the New World symphonies and eight concertos among over one hundred Symphony and the New York City Ballet. He is also founder and Artistic chamber, vocal, choral, and orchestral works, have been Director of New Paths in Music, a festival in New York City dedicated to performed and recorded by many of the most prominent presenting the works of significant non-American composers who are not orchestras, soloists, and chamber musicians in the world. yet well known in the United States. As Music Director of the Albany Recent scores include One Sweet Morning (2011) written Symphony, a position he has held since 1992, David Alan Miller has for the tenth anniversary of 9/11 and performed by mezzo- proven himself a creative and compelling orchestra builder.
    [Show full text]
  • Orchestra Personnel
    FROM SUFFRAGE TO STONEWALL 2019 DAVID ALAN MILLER HEINRICH MEDICUS MUSIC DIRECTOR DAVID ALAN MILLER, HEINRICH MEDICUS MUSIC DIRECTOR Grammy®Award-winning conductor David Alan Miller has established a reputation as one of the leading American conductors of his generation. Music Director of the Albany Symphony since 1992, Mr. Miller has proven himself a creative and compelling orchestra builder. Through exploration of unusual repertoire, educational programming, community outreach and recording initiatives, he has reaffirmed the Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras. He and the orchestra have twice appeared at “Spring For Music,” an annual festival of America’s most creative orchestras at New York City’s Carnegie Hall. Other accolades include Columbia University’s 2003 Ditson Conductor’s Award, the oldest award honoring conductors for their commitment to American music, the 2001 ASCAP Morton Gould Award for Innovative Programming and, in 1999, ASCAP’s first-ever Leonard Bernstein Award for Outstanding Educational Programming. Frequently in demand as a guest conductor, Mr. Miller has worked with most of America’s major orchestras, including the orchestras of Baltimore, Chicago, Cleveland, Detroit, Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh and San Francisco, as well as the New World Symphony, the Boston Pops and the New York City Ballet. In addition, he has appeared frequently throughout Europe, Australia and the Far East as guest conductor. He made his first guest appearance with the BBC Scottish Symphony in March, 2014. Mr. Miller received his Grammy Award in January, 2014 for his Naxos recording of John Corigliano’s “Conjurer,” with the Albany Symphony and Dame Evelyn Glennie.
    [Show full text]
  • Download on to Your Computer Or Device
    Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival.
    [Show full text]
  • Recognized Among the Premier Current Interpreters of Choral Music, Critically Acclaimed Conductor Harold Rosenbaum Is a Singular Force in Vocal Ensemble Performance
    Recognized among the premier current interpreters of choral music, critically acclaimed conductor Harold Rosenbaum is a singular force in vocal ensemble performance. The award- winning founder and conductor of distinguished professional choir The New York Virtuoso Singers and celebrated volunteer choir The Canticum Novum Singers, Rosenbaum attracts the finest choral talent from New York City and around the country to his world-class productions. Inspiring singers and audiences alike with gripping interpretations of both contemporary and classical compositions, he brings a profound wealth of technical ability and expertise to the creation of rich musical experiences. The New Yorker—lauding The New York Virtuoso Singers—reported, "Mr. Rosenbaum's sixteen singers are virtuosi indeed, masters in a contemporary repertory that, but for them, we would seldom hear," while The New York Times praised him as "an astute programmer with an ear for the unusual" and commended The New York Virtuoso Singers for "an exquisitely blended sound." His book, A Practical Guide to Choral Conducting, has received much critical acclaim. Download Harold Rosenbaum's Press Kit > In 1973 Rosenbaum established The Canticum Novum Singers, one of New York City's premiere volunteer choirs. In its 46-year history CNS has performed over 600 concerts across Europe and the Americas. The New York Times commended The Canticum Novum Singers as an “elite chorus.” From the talented roster of amateur singers who have sung with CNS, over 100 have become professional choristers, soloists, conductors, and composers. CNS has premiered over sixty compositions, including works by Handel, J.C. Bach, Fauré, Bruckner, Harbison, Berio, Schnittke, Rorem, Schickele, Sierra, and Benjamin.
    [Show full text]