OCTOBER, 2012 Independent Presbyterian Church Birmingham
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Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Information, Pictures, and Our Audio Archive Online Mikkelsen (1979 Frobenius/Simon Peter's Church, Kolding, Denmark) Point CD-5104
PROGRAM NO. 0614 4/3/2006 SAMUEL SCHEIDT: Variations on Christ lag it JACOBUS KLOPPERS: Two Jigs, fr Celtic E. Power to the People . a continuing centennial Todesbanden -Elizabeth Harrison (1984 Impressions -Gayle Martin (2002 Casavant/ tribute to one of the most influential and effective Fisk/Memorial Church, Stanford University, CA) Mount Allison University Chapel, Sackville, New advocates for the pipe organ, the late, great E. Raven CD-540 Brunswick, Canada) GHM Productions CD-003 (Edward George) Power Biggs (March 29, 1906- BASIL HARWOOD: In Exitu Israel (Voluntary for CLAUDE DEBUSSY: Arabesque No. 2 -Wolfram March 10, 1977). Eastertide) -Jeremy Filsell (1986 Harrison/ Adolph (1899 Didier/Notre Dame Cathedral, Winchester Cathedral, England) Herald CD-162 Laon, France) IFO CD-999 With the cheery, trend-setting sounds of his LOWELL MASON (arr. Martin): When I survey EUGENE GIGOUT: Fugue in E -Gerard Brooks Flentrop organ at Harvard's Busch-Reisinger the wondrous cross -Modern Brass Quintet; Kirk (1899 Didier/Notre Dame Cathedral, Laon) Museum, Biggs championed the 'classic' organ and Choir/Gregory Norton, conductor; Daniel Kerr Priory CD-764 its solo repertoire. But he also explored other (1961 Aeolian-Skinner/ Pasadena Presbyterian SIGFRID KARG-ELERT: Sphärenmusik, Op. 66, music, including works with brasses, orchestras, Church, CA) Arkay CD-6158 no. 2 -Natalie Clifton-Griffith, soprano; Rachel choirs, and composers outside the classic canon. Gough, violin; Rupert Gough (1931 Compton/ Details tba. Downside Abbey, Bath, England) PROGRAM NO. 0616 4/17/2006 Lammas CD-186 Going On Record . a springtime review of some TALIVALDIS KENINS: Toccata on Beautiful PROGRAM NO. 0615 4/10/2006 interesting new CD releases of organ music from Savior -Vita Kalnciema (1883 Walcker/Riga Easter Uprising . -
An Historical and Analytical Study of Renaissance Music for the Recorder and Its Influence on the Later Repertoire Vanessa Woodhill University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1986 An historical and analytical study of Renaissance music for the recorder and its influence on the later repertoire Vanessa Woodhill University of Wollongong Recommended Citation Woodhill, Vanessa, An historical and analytical study of Renaissance music for the recorder and its influence on the later repertoire, Master of Arts thesis, School of Creative Arts, University of Wollongong, 1986. http://ro.uow.edu.au/theses/2179 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] AN HISTORICAL AND ANALYTICAL STUDY OF RENAISSANCE MUSIC FOR THE RECORDER AND ITS INFLUENCE ON THE LATER REPERTOIRE by VANESSA WOODHILL. B.Sc. L.T.C.L (Teachers). F.T.C.L A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Arts in the School of Creative Arts in the University of Wollongong. "u»«viRsmr •*"! This thesis is submitted in accordance with the regulations of the University of Wotlongong in partial fulfilment of the requirements for the degree of Master of Arts. I hereby certify that the work embodied in this thesis is the result of original research and has not been submitted for a higher degree at any other University or similar institution. Copyright for the extracts of musical works contained in this thesis subsists with a variety of publishers and individuals. Further copying or publishing of this thesis may require the permission of copyright owners. Signed SUMMARY The material in this thesis approaches Renaissance music in relation to the recorder player in three ways. -
Download Programme
TWICKENHAM5 CHORAL SOCIETY ISRAEL IN EGYPT Soprano: Mary Bevan Alto: Roderick Morris Tenor: Nathan Vale Brandenburg Baroque Sinfonia conducted by Christopher Herrick All Saints Church, Kingston Saturday 4 July 2015 Would you like to see your company here? . Take advantage of our competitive rates . Advertise with the TCS . Put your products and services before a large and discerning audience Email [email protected] for more details. A Catholic school warmly welcoming girls of all faiths, age 3 – 18 Visits to Prep and Senior Departments on alternate Wednesdays. Please call us on 020 3261 0139 Email: [email protected] www.stcatherineschool.co.uk THE FRAMING COMPANY Bespoke Picture Framing 6 FIFE ROAD KINGSTON KT1 1SZ 020 8549 9424 www.the-framing-company.com FUTURE CONCERTS AND EVENTS Thursday 10 September 2015, St Martin-in-the-Fields, 7pm MOZART: Requiem Brandenburg Sinfonia Sunday 11 October 2015, Landmark Arts Centre, Teddington, 7.30pm A concert as part of the Richmond Festival of Music and Drama, celebrating the borough hosting several matches of the Rugby World Cup 2015 VIVALDI: Gloria MOZART: Requiem Emily Vine, Freya Jacklin, Daniel Joy, Peter Lidbetter Brandenburg Sinfonia Saturday 12 December 2015, All Saints Church, Kingston, 7.30pm ROSSINI: Petite Messe Solennelle MENDELSSOHN: Hymn of Praise (arr Iain Farrington) Sarah Fox, Patricia Orr, Peter Auty, Jamie Hall Iain Farrington, piano and Freddie Brown, organ Saturday 9 April 2016, All Saints Church, Kingston, 7.30pm PIZZETTI: Missa di Requiem DURUFLÉ: Requiem Saturday 9 July 2016, St John’s Smith Square, 7.30pm ELGAR: Dream of Gerontius Miranda Westcott, Peter Auty, David Soar Brandenburg Sinfonia TCS is affiliated to Making Music, which represents and supports amateur performing and promoting societies throughout the UK Twickenham Choral Society is a registered charity, number 284847 The use of photographic video or audio recording equipment during the performance is not permitted without the prior approval of the Twickenham Choral Society. -
Walton - a List of Works & Discography
SIR WILLIAM WALTON - A LIST OF WORKS & DISCOGRAPHY Compiled by Martin Rutherford, Penang 2009 See end for sources and legend. Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Catalogue No F'mat St Rel A BIRTHDAY FANFARE Description For Seven Trumpets and Percussion Completion 1981, Ischia Dedication For Karl-Friedrich Still, a neighbour on Ischia, on his 70th birthday First Performances Type Date Orchestra Conductor Performers Recklinghausen First 10-Oct-81 Westphalia SO Karl Rickenbacher Royal Albert Hall L'don 7-Jun-82 Kneller Hall G E Evans A LITANY - ORIGINAL VERSION Description For Unaccompanied Mixed Voices Completion Easter, 1916 Oxford First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.03 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - FIRST REVISION Description First revision by the Composer Completion 1917 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel Hereford Cathedral 3.14 4-Jan-02 Stephen Layton Polyphony 01a HYP CDA 67330 CD S Jun-02 A LITANY - SECOND REVISION Description Second revision by the Composer Completion 1930 First Performances Type Date Orchestra Conductor Performers Unknown Recording Venue Time Date Orchestra Conductor Performers No. Coy Co Cat No F'mat St Rel St Johns, Cambridge ? Jan-62 George Guest St Johns, Cambridge 01a ARG ZRG -
The 2007 Edition Is Available in PDF Form By
VOX The new Chapter Secretary: Nick Gale [email protected] The Academy of St Cecilia Patrons: The Most Hon. The Marquess of Londonderry Dean and Education Advisor: Sir Peter Maxwell Davies CBE John McIntosh OBE Vice Patrons: James Bowman CBE, Naji Hakim, Monica Huggett [email protected] From the master Treasurer: Paula Chandler [email protected] elcome to the 2007 edition of Vox - the mouthpiece of the Academy of St Cecilia. Registrar: Jonathan Lycett We always welcome contributions from our members - [email protected] indeed without them Vox would not exist. In this edition we announce our restructured Chapter and its new members; feature a major article on Thomas Tallis Director of Communications: whose 500th anniversay falls at this time; and we Alistair Dixon review the Academy’s most major event to date, the [email protected] chant day held in June 2006. Our new address is: Composer in Residence: Nicholas O'Neill The Academy of St Cecilia Email: [email protected] C/o Music Department [email protected] Cathedral House Westminster Bridge Road Web site: LONDON SE1 7HY www.academyofsaintcecilia.com Archivist: Graham Hawkes Tel: 020 8265 6703 [email protected] ~ Page 1 ~ ~ Page 2 ~ Advisors to the Academy Thomas Tallis (c.1505 - 1585) Alistair Dixon, a member of the Chapter of the Academy, spent ten years studying and performing the music of Thomas Tallis. In 2005 Academic Advisor: he released the last in the series of recordings with his choir, Chapelle Dr Reinhard Strohm PhD (KU Berlin) FBA HonFASC. Heather Professor of Music Oxford University du Roi, of the Complete Works of Thomas Tallis in nine volumes. -
Stainer & Bell
STAINER & BELL INFORMATION SHEET ASK 63 MUNDY, William Library Volume: Latin Antiphons and Psalms edited by Frank Ll. Harrison. Stock No. EC2 (printed to demand: comb-bound) Works by William Mundy can also be found in: Consort Songs (edited Philip Brett). Stock No. MB22 Elizabethan Consort Music I (edited Paul Doe). Stock No. MB44 The Gyffard Partbooks I (transcribed and edited by David Mateer). Stock No. EC48 The Gyffard Partbooks II (transcribed and edited by David Mateer). Stock No. EC51 The Mulliner Book (newly transcribed and edited by John Caldwell). Stock No. MB1 Except where an asterisk is shown against a title, our archive and offprint service can usually provide authorised photocopies. Prices are available on application. Individual choral titles from the Early English Church Music series are also available for purchase as Adobe Acrobat PDF files through the secure Stainer & Bell online shop. Please see www.eecm.net for full details. Title Details No. of pages Notes Adhaesit Pavimento SATBB 11 in EC2 Adolescentulus Sum Ego SAATBB 12 in EC2 Alleluya [V. Per te dei genitrix] I 4-part 1 in EC48 Alleluya [V. Per te dei genitrix] II 4-part 1 in EC48 Beati Immaculati SAATB 11 in EC2 Domine, Non Est Exaltatum SATTBB 11 in EC2 Domine, Quis Habitabit SSAATB 25 in EC2 Eructavit Cor Meum SATTBB 24 in EC2 Exurge Christe 4-part 1 in MB1 Exurge Christe (attrib.) 4-part 2 in EC48 Fantasia 5-part 4 in MB44 Fie, fie, my fate Consort song 2 in MB22 In Aeternum SAA (or T) TBB 13 in EC2 In exitu Israel [with BYRD, William 4-part 15 in EC48 and SHEPPARD, -
559188 Bk Harbison US
559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 8 John CORIGLIANO Conjurer Vocalise Evelyn Glennie, Percussion Hila Plitmann, Soprano Albany Symphony Bronze mask, Benin, David Alan Miller from the collection of John Corigliano Photo: Richard Howe 559757 bk Corigliano US_559757 bk Corigliano US 22/07/2013 13:03 Page 2 John Corigliano (b. 1938) David Alan Miller Conjurer • Vocalise David Alan Miller has established a reputation as one of the leading The American John Corigliano continues to add to one of American conductors of his generation. Frequently in demand as a guest the richest, most unusual, and most widely celebrated conductor, he has conducted the orchestras of Baltimore, Detroit, bodies of work any composer has created over the last forty Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh, years. Corigliano’s numerous scores, including three San Francisco, Minnesota and Chicago as well as the New World symphonies and eight concertos among over one hundred Symphony and the New York City Ballet. He is also founder and Artistic chamber, vocal, choral, and orchestral works, have been Director of New Paths in Music, a festival in New York City dedicated to performed and recorded by many of the most prominent presenting the works of significant non-American composers who are not orchestras, soloists, and chamber musicians in the world. yet well known in the United States. As Music Director of the Albany Recent scores include One Sweet Morning (2011) written Symphony, a position he has held since 1992, David Alan Miller has for the tenth anniversary of 9/11 and performed by mezzo- proven himself a creative and compelling orchestra builder. -
This Land Sings: Inspired by the Life and Times of Woody Guthrie
This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. Murray Abraham, narrator Welcome to the Albany Symphony’s 2020-21 Season Re-Imagined! The one thing I have missed more than anything else during the past few months has been spending time with you and our brilliant Albany Symphony musicians, discovering, exploring, and celebrating great musical works together. Our musicians and I are thrilled to be back at work, bringing you established masterpieces and gorgeous new works in the comfort and convenience of your own home. Originally conceived to showcase triumph over adversity, inspired by the example of Beethoven and his big birthday in December, our season’s programming continues to shine a light on the ways musical visionaries create great art through every season of life. We hope that each program uplifts and inspires you, and brings you some respite from the day-to-day worries of this uncertain world. It is always an honor to stand before you with our extraordinarily gifted musicians, even if we are now doing it virtually. Thank you so much for being with us; we have a glorious season of life- affirming, deeply moving music ahead. David Alan Miller Heinrich Medicus Music Director This Land Sings: Inspired by the Life and Times of Woody Guthrie Saturday, October 24, 2020 | 7:30 PM Livestreamed from Universal Preservation Hall David Alan Miller, conductor Kara Dugan, mezzo soprano Michael Maliakel, baritone F. -
The Bell Spring 2011
SPRING 2011 THE BELL Although the musical archives of the world have yielded up their fair A CAMBRIDGE share of surprising ‘lost’ or forgotten early works by great MASS composers, few of these discoveries might be regarded with more wonder than the Mass of 1899 by Ralph Vaughan Williams. Submitted for the Cambridge degree of Doctor of Music shortly after his 27th birthday, and lasting around three quarters of an hour, it was by far the largest of the composer’s pieces to predate A Sea Symphony of 1909, and in any context would Photograph of Trinity College, Cambridge © Andrew Dunn be a remarkable achievement. In a sense, it was neither lost nor forgotten, merely overlooked for more than a century – though that omission is in itself remarkable, for the Mass was in Michael Kennedy’s catalogue of the composer’s work, and the score preserved in Cambridge University Library. It was there in 2007 that Alan Tongue first set eyes on it and, galvanised by the 155 pages of autograph manuscript, resolved to obtain permission from The Vaughan Williams Charitable Trust to undertake a transcription. There were no parts, for the piece had never been performed, and in places there were wrong notes, incorrect transpositions and missing dynamics that would surely have been corrected in due course by a professional copyist. Nonetheless, the composer’s intentions were entirely clear, as was the ambitious scope of the piece, which significantly extends our understanding of Vaughan Williams’ artistic development. Given the context, the title A Cambridge Mass (for SATB soloists, double chorus and orchestra) immediately suggested itself, and not just on account of Vaughan Williams receiving the university degree. -
GOLDBERG VARIATIONS - English Suite No
BHP 901 - BACH: GOLDBERG VARIATIONS - English Suite No. 5 in e - Millicent Silver, Harpsichord _____________________________________________________________________________________________________________________ This disc, the first in our Heritage Performances Series, celebrates the career and the artistry of Millicent Silver, who for some forty years was well-known as a regular performer in London and on BBC Radio both as soloist and as harpsichordist with the London Harpsichord Ensemble which she founded with her husband John Francis. Though she made very few recordings, we are delighted to preserve this recording of the Goldberg Variations for its musical integrity, its warmth, and particularly the use of tonal dynamics (adding or subtracting of 4’ and 16’ stops to the basic 8’) which enhances the dramatic architecture. Millicent Irene Silver was born in South London on 17 November 1905. Her father, Alfred Silver, had been a boy chorister at St. George’s Chapel, Windsor where his singing attracted the attention of Queen Victoria, who had him give special performances for her. He earned his living playing the violin and oboe. His wife Amelia was an accomplished and busy piano teacher. Millicent was the second of their four children, and her musical talent became evident in time-honoured fashion when she was discovered at the age of three picking out on the family’s piano the tunes she had heard her elder brother practising. Eventually Millicent Silver won a scholarship to the Royal College of Music in London where, as was more common in those days, she studied equally both piano and violin. She was awarded the Chappell Silver Medal for piano playing and, in 1928, the College’s Tagore Gold Medal for the best student of her year. -
Journal September 1988
The Elgar Society JOURNAL SEPTEMBER •i 1988 .1 Contents Page Editorial 3 Articles: Elgar and Fritz Volbach 4 -i Hereford Church Street Plan Rejected 11 Elgar on Radio 3,1987 12 Annual General Meeting Report and Malvern Weekend 13 News Items 16 Concert Diary 20 Two Elgar Programmes (illustrations) 18/19 Record Review and CD Round-Up 21 News from the Branches 23 Letters 26 Subscriptions Back cover The editor does not necessarily agree with the views expressed by contributors nor does the Elgar Society accept responsibility for such views. The cover portrait is reproduced by kind permission of RADIO TIMES ELGAR SOCIETY JOURNAL ISSN 0143-1269 2 /■ The Elgar Society Journal 104 CRESCENT ROAD, NEW BARNET, HERTS. EN4 9RJ 01-440 2651 EDITORIAL Vol. 5, no. 6 September 1988 The first weekend in June (sounds like a song-title!) was one of the most enjoyable for Society members for some years. At least it was greatly enjoyed by those who attended the various events. Structured round the AGM in Great Malvern, the committee were the first to benefit from the hospitality of Lawnside. We met in the Library, passing first the awful warning “No hockey sticks or tennis racquets upstairs” (and we didn’t take any), and we were charmingly escorted round the somewhat confusing grounds and corridors by some of the girls of the school. After a lunch in the drawing room where the famous grand piano on which Elgar & GBS played duets at that first Malvern Festival so long ago, was duly admired (and played on), we went to the main school buildings for the AGM.