DOCSLIB.ORG

Download Some Builders,IndustrialistsEtc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Some Builders,�Industrialists�Etc Prisoners of powwwererer I believe that all prisoners of the world are produced by power and are hostages of power. Strength, authority, brutality, assassinations, genocide, oppression, slavery, exploitation, destruction, torture, mistreatment, the sadistic delight in pain, racism, violation, money, corruption and abuse are examples of what is power. The same power that’s disguised as the absolute truth, as religion, as democracy, as other authoritarian systems, which continue their existence and the government of our lives. Power is an enemy of solidarity and freedom, that is why it is our enemy. An enemy that we need to fight until it has disappeared, because it keeps us all like prisoners and it is destroying humanity as well as our planet. Prisons are the power’s camps of concentration, exploitation and extermination. They are power’s most cruel spaces, were torture, mistreatments and assassinations are their basic principles. Prisons are the worst environment for the fight against power. The main fight of prisoners is the fight for the respect of human dignity. In prison, they destroy you as a person and they even get away from you any lust for living. Fighting inside prison is very difficult, but I believe that it is important to fight in those spaces. Fighting inside prison gives you strengh to continue living, or at least to die fighting power and defending solidarity and freedom. That is why I am against prisons, because I am against power. SOLIDARITY AND FREEDOM FOR ALL THE PRISONERS OF THE WORLD! DOWN WITH ALL PHYSICAL AND MENTAL WWWALLS! A revolutionary hug Laudelino Iglesias Martinez Ex-prisoner of the F.I.E.S isolation units in Spain #3 / 325collective.com [email protected] REPLICATE ORGANISE RESIST The reformist forces of Capital, as appears to us, to be the most well as the leftist variants, seek to effective. prevent the radical transforma- tion of society. These counter- We begin with specific situations of points of power and recuperation existing tension and struggle, are failing to prevent, in all areas within the conditions of our own of society, a general disdain and rebellion, and act with commit- hatred for hierarchy of all kinds. ment. This revolt which is more difficult to control, and is beyond The desperate situation of the reach of the familiar bodies of ongoing environmental collapse suppression and mediation, uses means there is a direct necessity the tools of decentralisation and for attacks on the institutions and autonomy, acting within the scope conduits of finance and industry, of the larger struggle. Welcome to the 3rd issue of 325, an occasional this necessity has never been so zine of incendiary images & text. Since the last vital and urgent. In the relentless Despite the growing technological issue we've had a few different problems with operations of the State against control of the State, in these the State, and added to the increase in social the social movements and the struggle across Europe, this has meant this issue precious few years before auto- has come out much later than expected. Most of Earth, we can see the exposure of mated surveillance by machines is the information regarding ongoing prisoner and its essentially militaristic anti-life a widespread reality, people are legal situations changes quickly, check out the qualities; people, animals and all fighting back; taking themselves websites mentioned within our pages for updates material are the economic into conflict with the increasingly and recent developments. If you want to help us components of a social-machine unstable dominant powers, acting out, rob a bank and send us the swag. Riotous which coerces profit for the immediately for the world they thanks to all our contributors, distributors and co- already rich. want right now. Capitalism and its conspirators across the world. murderous policy of self-preserva- As State terror increases across tion will never tolerate any threat the world, as anarchists & anti- to its power, but we have to Editorial, June 2006 mp capitalists, we need to intensify overcome seizure with determina- our activities and our critique tion and act against the prisons, immediately. We need to courthouses, and bodies of In a world of dwindling energy resources, ecological accelerate the spread of informa- finance and privilege. collapse and growing total entrenchment of poverty tion amongst anti-state, anti- and exploitation, global resistance to capitalism is a capitalist groups and the base "Every act of police brutality, every reality. population, by letting our visible death in detention, every raid and blow direct action act as a vehicle of only increases our compulsion to arm Economic, political and environmental changes are communication and method open ourselves for revenge." sparking uncontrollable moments of popular revolt. to all. At the same time, we must The loss of social cohesion and advanced state of broaden the information gap climate chaos means it looks like the best option is between the State and ourselves, to examine with determination what actions we can ANTI-COPYRIGHT NETWORK and that means, of the forms of take, and how to act our dreams in a world where struggle we prefer; Informal, face- all factors are in transformation. to-face communication, auto- organised structure and direction As people fight for a better life amongst the adjust- ****** ments of global power, points of breakdown are occurring. The infrastructures of finance and war are unstable, and the bloody role of State and Capital is most acutely revealed in these times of crisis, ruthlessly protecting private interest and hierarchy. We need to be conscious of these moments of collaboration and participation, which are day-to-day occurrences in the 21st century. As the governments bring forces to bear against the growing international movements of participa- tion and solidarity, our attempts to build a successful anti-market and anti-system critique and practice, alongside the suppression of traditional forms of dissent, assembly and expression, means that many previous leftist methods of struggle and organisation are redundant, along with the world that is rapidly aging with them. a data network for direct action . a media framework for social war . the refusal of fixed territory . Here we present some news of resistance and rebellion from the months November ‘05 to June‘06. June6,Brasilia,Brazil Around300 May29,SeineSaintDenis, contextwhichleadstomassivearrestsof protestorsbroketheirwayintoparliament France Arounda100youthsfought withoutpapers.Wepointoutthattheconditions demandingtheredistributionofland.They withpoliceandsetfiretocarsand ofthiscentreweredenouncedforthehuman brokeopenthedoorswithstones,sticksand dumpsters,inasuburbofParisinthe rightsabuses:arbitraryabuse,overpopulation, asmallFiatcarwasusedasabatteringram. northofthecapital.Therewerealso insalubrity,violences… Theattackwasbroadcastliveontelevision. incidentsintheneighbouringareaof Hundredsofdemonstratorsweredetained. ClichySousBois,wherelastyear'sriots May8,Athens,Greece Riotserupted Thepresidentcondemnedtheactionand beganaftertwoboysdiedwhilethey duringtheEuropeanSocialForummarchin accuseddemonstratorsof"committinga werefleeingpolice.Weknowthefire Athens.Foraperiodofthreehoursfollowinga seriousactofvandalismagainsttheparlia willburnagain! 2kmroute,2500anarchistsinsmallgroupsof ment." 4500attackedbanks,largedepartment May28,TitnoreWoods,UK - At stores,policecars,governmentbuildings,the June2,Cuneo,Italy Atnight,2 dawnpeopleoccupiedsomeendan policeheadquarters,riotpolice,riotpolice bombsexplodedwithin15minutesofeach geredwoodlandtodefenditfrom busesaswellas"Zteam"policemen(motor other,infrontofaCarabinieri(Militarypolice) destruction,inabidtohaltamassive cycleteam).TheyattackedtheUSembassy, headquartersandcollege.Thebombswere housebuildingandroadwidening theHiltonhotel,theItalianembassy,andthe timedtocausepossiblecausalitiestopolice operation.Thesquattersremainonsite, riotpoliceguardingthehouseofparliament.20 respondingtothescene.Theanarchistgroup vowingtodefendthewoods. peoplewerearrested17ofthemarecharged "20JulyBrigade"(dateofthemurderof withmultiplefelonycharges. CarloGiuliani)claimedresponsibility.Noone May21,Bern,Switzerland wasinjured. Incendiaryattacksagainstpolice May6,Burgos,Spain Sabotagein headquartersat11.40pminseveral solidaritywithRuben&Ignasiandallprisoners May29,Athens,Greece Apowerful locations.Nopolicewerehurtandthe inSpain.7'CaixaSabadell'Banksandtheir bombwasplacedunderacar200metres damagewascontained.Noonewas ATMSweredestroyed."Stonesagainstglass fromthehouseofGreekMinisterofCulture, arrestedandtherearenoleadsat andsulfuricacidagainsttheautomatictellers GeorgeVoulgarakis.Itcauseddamagesbut present.Thecentreaccommodatesthe havebeenthemethodusedthistimeinorder nofatalitieswhenitexploded.Voulgarakisis policecommandandtheregionalpolice totranslatetheangerfromthewordstothe despisedbytheanarchistsandtheleft,for barracks. facts,inordertotransmittoaluminosityand cooperatingwithBritishsecretagentsin concisemessage:'Therewillbenopeace'. orchestratingawaveofabductions,torture May18,Barcelona,Spain Theonlylanguagethatthemanagersofthe andinterrogationsagainstimmigrantsinthe GermanCulturalInstituteattackedin terrorandtherepressionareabletounder wakeofthe7JulyLondonbombs.Heisalso solidaritywithAachen4.Afirebomb standisoneofstonesandbenzine,the linkedtoawiretappingscandalwhichhas wasusedtodamagethe'Goethe' libertariandirectaction...Aneasylanguage, rockedGreece.Thegroup‘Revolutionary institute,itwasplacedatthefrontdoor thatanyonewhohasbloodintheirveinscan
Load more

Recommended publications
  • DT MAIN FILE 1/25/99 7:51 PM Page 1
    DT MAIN FILE 1/25/99 7:51 PM Page 1 COMINÕ ON STRONG WITH THE STRENGTH OF A HURRICANE! THE DEADLY TYPE! ISSUE #1 ISSUE #1 FREE FREE FOR ALL!L FOR ALL!L RE-DEFINING HARDCORE!p.4 YOUR PROPAGANDA DRUGGED AND CLASS FUTURE! HOSTILITY P.14 P.11 BURROUGHS/ PRAXIS GYSIN RECORD'S TOGETHER C. FRINGELLI AGAIN! P.6 INTERVIEWP.8 Y2K:THE THE ASTRO- MORPHING LOGICAL FORECAST CULTURE! P.10 P.5 TECHNO HARDCORE GENDER RECORD DE-CON- STRUCTION REVIEWS P.5 P.16 READ BEFORE INFORMTION YOU GO...A "JAIL WARFARE! PRIMER! P.12 P.13 THE DEADLY SYSTEMS NEWSLETTER EXPOSED! EVERYTHING IS THE OPPOSITE OF EVERYTHING YOU'VE EVER BEEN TAUGHT! P.29 1 DT MAIN FILE 1/25/99 7:51 PM Page 2 money. So you could say that the rave scene was truly assimilated on just about all fronts by the mainstream. This WHY THE aggravated a problem of mis-concep- tion for the music itself . Most people being introduced to Hardcore had no idea about the ideas surrounding it-or DEADLY that there even were any! To most peo- ple, even a few making music they claimed was “hardcore”, it was just fast, noizy, and supposed to piss you off. This is retarded. Nothing can be further TYPE? from the truth, and that is why “The Deadly Type” exists today, to re-define Hardcore. Firstly, “RE” as to do it again, -by Deadly Buda as people are not even aware of it’s influences, history or forgot the entire The original reason for this social context.
    [Show full text]
  • Origin Al Ar Ticle
    Journal of Nursing, Social Studies, Public Health and Rehabilitation 3–4, 2011, pp. 264–269 MOTIVATION FOR USING ILLEGAL DRUGS AT FREETEKNO PARTIES Alena Kajanová1, Aneta Klečacká2 1University of South Bohemia, Faculty of Health and Social Studies, České Budějovice, Czech Republic 2A student of MUNI in Brno, branch of study – social work, Czech Republic Submitted: 2011-03-02 Accepted: 2011-09-12 Published online: 2011-12-15 Abstract The knowledge acquired about the freetechno subculture by the general public in the Czech Republic has been obtained exclusively through its negative image associated with consumption of socially illegal drugs as it is depicted in the mass media and which has also been substantiated with results of addictological and sociological surveys. The objective of our paper is to identify whether there is a connection between the type of drugs used at freetekno parties and the freetekno subculture in the sense of subjectively perceived connection between the type of used drugs and the specific type of a dance party. Another objective is to outline whether the possibility to buy/use a drug represents the priority motivation for visiting a party or only makes the atmosphere of an even as such complete. We selected the qualitative research, techniques of semi-structured interviews and participant observation in the party environment as the research method. The research set comprised of participants in randomly selected freetekno parties (N=10). The results of the research show that music and the overall atmosphere of an event with an accent on its tribal character are stated by respondents as the principal motivation for visiting a party.
    [Show full text]
  • Czechtek 2005
    M A S A RY K O V A U N I V E RZ I T A Fakulta Sociálních studií Katedra politologie CzechTek 2005 Bakalářská práce Veronika Koubková (UČO 86041) Politologie – Sociologie Bakalářské studium Imatrikulační ročník 2003 Vedoucí práce: PhDr. Josef Smolík Ph.D. Brno 2008 Prohlášení o autorství práce Prohlašuji, že jsem bakalářskou práci na téma CzechTek 2005 vypracovala samostatně a použila jen zdroje uvedené v seznamu literatury. V Brně..................... podpis................................... 1 Obsah Úvod 1. Vymezení pojmů 2. Historie freetekna 2.1 Počátky freeparties 2.2 Freeparties v Evropě a ve světě 3. Situace v ČR 3.1 Počátky pořádání freeparties 3.2 Předchozí ročníky CzechTeku 3.3 Srovnání komerčních akcí a free teknivalů 4. CzechTek 2005 4.1 Politická situace v ČR v roce 2005 4.2 Průběh CzechTeku 4.3 Reakce na CzechTek 4.4 Mediální analýza reakcí na CzechTek 4.5 Politické důsledky 4.6 Prognóza vývoje v problematice tekno subkultury nejen v České republice Závěr Anotace Seznam pramenů a literatury Přílohy Počet znaků: 77 070 2 Úvod Ve své práci bych chtěla rozebrat průběh a následný policejní zásah proti největšímu českému free teknivalu Czechtek v roce 2005. Nejprve se ve své práci budu věnovat teoretické části týkající se subkultury lidí kolem freetekna a soundsystémů obecně, zejména pak vymezení a vysvětlení důležitých pojmů, které jsou s touto subkulturou spojeny. Dále se v práci zmíním o vzniku a historii freetekna se zaměřením na Českou republiku a zejména na legislativní úpravy pořádání teknivalů v jednotlivých zemích. Před popisem samotného průběhu CzechTeku v roce 2005 se zmíním o politické situaci v České republice, která CzechTeku předcházela.
    [Show full text]
  • Editorial: out of Phase by Fernando Iazzetta, Lílian Campesato and Rui Chaves
    Issue 6 Out of Phase Editorial: Out of Phase By Fernando Iazzetta, Lílian Campesato and Rui Chaves Figure 1 Contra Quem? / Against Whom? by André Damião (2017) (GiF) This special edition (6th issue) of Interference: A Journal of Audio Cultures, edited by Fernando Iazzetta, Lílian Campesato and Rui Chaves, comprises of a peer-reviewed1 selection of papers that were previously presented at the Sonologia 2016: Out of Phase conference2. This sound studies focused event took place in São Paulo, between the 22nd to the 25th of November (2016). The conference garnered a positive interest from a diverse set of researchers. In total, we had over 160 submissions in which we ended up selecting 40 presentations from 14 different countries that covered a wide array of areas and disciplines. The ‘Out of Phase’ theme was extended as the title for this issue. This cheeky metaphor was a humble attempt at promoting the emergence of other points of view that focused on particular, localised forms of knowledge that entailed material, political and cultural specificities. ‘Out of Phase’ was also an attempt to deal with the issues of authority and representation in regards to the ‘sonic’. Who says what? Whom are you speaking to? And why? Have you decided to speak in the name of? Have you left someone or somewhat behind? What has been left unspoken? These questions are targeted at us, both readers and tentative producers of knowledge in an academic setting (although these issues certainly extend to other remits). To be more precise, the above inquiry is focused, or if you prefer 'close miked', at the body of work that has emerged in the past few years under the name of sound studies.
    [Show full text]
  • Neotrance and the Psychedelic Festival DC
    Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.
    [Show full text]
  • Politizace Ceske Freetekno Subkultury
    MASARYKOVA UNIVERZITA FAKULTA SOCIÁLNÍCH STUDIÍ Katedra sociologie POLITIZACE ČESKÉ FREETEKNO SUBKULTURY Diplomová práce Jan Segeš Vedoucí práce: doc. PhDr. Csaba Szaló, Ph.D. UČO: 137526 Obor: Sociologie Imatrikulační ročník: 2009 Brno, 2011 Čestné prohlášení Prohlašuji, ţe jsem diplomovou práci „Politizace české freetekno subkultury“ vypracoval samostatně a pouze s pouţitím pramenů uvedených v seznamu literatury. ................................... V Brně dne 15. května 2011 Jan Segeš Poděkování Děkuji doc. PhDr. Csabovi Szaló, Ph.D. za odborné vedení práce a za podnětné připomínky, které mi poskytl. Dále děkuji RaveBoyovi za ochotu odpovídat na mé otázky a přístup k archivu dokumentů. V neposlední řadě děkuji svým rodičům a prarodičům za jejich podporu v průběhu celého mého studia. ANOTACE Práce se zabývá politizací freetekno subkultury v České Republice. Politizace je v nahlíţena ve dvou dimenzích. První dimenzí je explicitní politizace, kterou můţeme vnímat jako aktivní politickou participaci. Druhou dimenzí je politizace na úrovni kaţdodenního ţivota. Ta je odkrývána díky re-definici subkultury pomocí post- subkulturních teorií, zejména pak Maffesoliho konceptem neotribalismu a teorie dočasné autonomní zóny Hakima Beye. Práce se snaţí odkrýt obě úrovně politizace freetekno subkultury v českém prostředí pomocí analýzy dostupných dokumentů týkajících se teknivalů CzechTek, CzaroTek a pouličního festivalu DIY Karneval. Rozsah práce: základní text + poznámky pod čarou, titulní list, obsah, rejstřík, anotace a seznam literatury je 138 866 znaků. Klíčová slova: freetekno, politizace, dočasná autonomní zóna, DAZ, neo-kmen, neotribalismus, CzechTek, subkultura, post-subkultury ANNOTATION The presented work focuses on the politicization of the freetekno subculture in the Czech Republic. The politicization is perceived in two dimensions. The first dimension is the explicit politicization, which could be represented as the active political participation.
    [Show full text]
  • RUPTURE IS I Immediately Felt My Brain Push Back Will Be Absolutely fine Ms Moneypenny.” on the Periphery of My Vision
    PARTIES TEKNIVAL 15.09.06 – 11.11.06 after. www.sickandtwisted.org 09.10.06 20.10.06 THE PROJECTION www.globalwarninglondon.com SACK PARLIAMENT MORTAL BASS GALLERY Attempt to stop the MPs Breakcore, mashup jungle and Films and animation screenings, 30.09.06 returning to parliament after their ruffage. 10pm – morn. £5 all night. blood leaks from the derision send stuff to [email protected] installation, live and interactive UGLYFUNK + redZEROradio summer recess. 1pm – Houses of VENUE CHANGE... Now at a SEPTEMBER 2006 cross-media works as part of the Two rooms of free music. Full Parliament, London SW1 popular, but secret, East London Liverpool Biennial. lineup on www.redzeroradio.net location. Phone 07092 882498 or www.theprojectiongallery.com or www.uglyfunk.com 11 – 14.10.06 go to www.mortalbass.com for IF ONLY WE GOT ON WITH THE NEIGHBOURS 3pm to midnite. Free. TEMPORARY full venue details 22.09.06 The Foundry, 84-86 Great Eastern AUTONOMOUS the YARDCORE Street. London EC2A ART IN MANCHESTER * NEW DATE * Always up for a feeding frenzy, AUGUST BANK Breakbeats, hardcore and The open-access art free4all 04.11.06 mainstream press have recently all passed It was more of the same, i.e. more the story round that raving is making a gas and truncheons than actual raving electronica. 9pm – 6am. 06.10.06 heads up north for the fi rst SYNTHETIC CIRCUS HOLIDAY ROUNDUP The Telegraph, Brixton Hill. £10 BRAINDROP TAA in Manchester. Artists GUY FAWKES BALL comeback. In the usual pitiful scraping at a party in Gloustershire. Police 4 deck break-a-thon featuring The show your support! Email The annual and legendary for a scoop they are lamely attempting The most notorious of the bank there busted a shindig on the edge of 23.09.06 McMash Clan and guests.
    [Show full text]
  • Subkulturní Rysy Na Brněnské Scéně Populární Hudby. Srovnávací Studie O Publiku Popu, Techna a Metalu
    Masarykova univerzita Filozofická fakulta Ústav hudební vědy Hudební věda Martina Marešová Subkulturní rysy na brněnské scéně populární hudby. Srovnávací studie o publiku popu, techna a metalu. Bakalářská diplomová práce Vedoucí práce: doc. PhDr. Mikuláš Bek, Ph.D. Brno, 2013 Prohlašuji, že jsem bakalářskou diplomovou práci vypracovala samostatně s využitím uvedených pramenů a literatury. ................................................................................. Podpis autora práce Na tomto místě bych chtěla poděkovat mému vedoucímu práce doc. PhDr. Mikuláši Bekovi, Ph.D. za cenné náměty a připomínky. Dále bych chtěla poděkovat i všem ostatním, kteří mi poskytli rady a pomoc. OBSAH 1 ÚVOD ...................................................................................................................................................................................................2 2 SUBKULTURA ..................................................................................................................................................................................3 2.1 Subkultury v ................................................................................................... 4 3 POP MUSIC ................................České republice................................ a brněnská................................ scéna ........................................................................................5 3.1 ........................................................................................................ 5 4 METALStručná
    [Show full text]
  • Drug Use at Free Parties: Field Survey 2012
    2015/ 15 / 2 ORIGINAL ARTICLE Drug Use at Free Parties: Field Survey 2012 NOVOTNÁ, P.1, VACEK, J.2 1Prague College of Psychosocial Studies, Prague, Czech Republic 2Department of Addictology, First Faculty of Medicine, Charles University in Prague, and General University Hospital in Prague, Czech Republic Citation: Novotná, P., Vacek, J. (2015). Užívání návykových látek na freeparties: terénní dotazníkové šetøení 2012. Adiktologie, 15(2), 150–162. BACKGROUND: Standard quantitative research analys- recruited at four free parties in the period from April to Au- ing drug use at dance events (e.g. the “Dance and Drugs” gust 2012. RESULTS: Alcohol, tobacco, and marijuana had survey) does not provide specific information about drug been used by at least 70% of the respondents during the use at free parties. AIMS: The goal of this paper is to create past year. Other substances included hallucinogens (63%), a comprehensive survey of drug use at free parties sup- stimulants, ecstasy, GHB, and synthetic piperazine (59%), ported by the results of a questionnaire survey. DESIGN poppers (~12%), and opiates (~9%). CONCLUSIONS: AND MEASUREMENTS: The questionnaire was distrib- The prevalence rates identified by our survey are in many uted directly at free parties in order to collect data, which cases higher than those yielded by the “Dance and Drugs were subsequently analysed using standard mathematical 2007” survey. For example, major differences were found statistical techniques. PARTICIPANTS: The sample con- for the annual prevalence of LSD (53% vs. 21%) and magic sists of 127 non-randomly selected (available) respondents mushrooms (48% vs. 20%). KEY WORDS: DRUG USE – EPIDEMIOLOGY – FREE PARTY – FREETEKNO – PREVALENCE – YOUNG ADULTS Submitted: 19 / JUNE / 2014 Accepted: 26 / AUGUST / 2015 Grant support: This paper was made possible by institutional support from Charles University in Prague as part of the PRVOUK-P03/LF1/9 programme.
    [Show full text]
  • A Real Love Story Camila Batmanghelidjh, Founder of Kids Company, Talks About Neuroplasticity
    MUSE.09/10/12 A Real Love Story Camila Batmanghelidjh, founder of Kids Company, talks about neuroplasticity The Pride of the North How Gay Pride in York is changing perceptions Freshers’ Week 1964 What the crazy kids of York were up to in the Sixties M2 www.ey.com/uk/careers 09/10/12 Muse. M10 M12 M22 Features. Arts. Film. M4. Flamboyant psychotherapist Camila Bat- M18. Mary O’Connor speaks to poet and rap- M22. James Tyas interviews Sally El Hosaini, manghelidjh speaks to Sophie Rose Walker per Kate Tempest about love and we look back Director of My Brother the Devil, premiering at about the work of her charity Kids Company. at the legacy of Gustav Klimt. the BFI’s London Film Festival this October. M6. What is the frankly rather cool history of Freshers at York? Bella Foxwell investigates Fashion. Food & Drink. what’s changed and what hasn’t. M16. Ben Burns interviews fashion illustra- M23. Ward off Freshers Flu with Hana Teraie- M8. Gay Pride is out and thriving in York. tor Richard Kilroy, Miranda Larbi goes crazy for Wood’s delicous Ratatouille and Irish Coffee. Stefan Roberts and Tom Witherow looks at jacquard, and the ‘Whip-ma-Whop-ma’ shoot on Plus our review of Jamie Oliver’s new restaurant. the Northern scene’s dynamic. M12. M10. Young girls in Sri Lanka are prime Music. Image Credits. targets for terrorism training. Laura Hughes investigates why. M20. Death-blues duo Wet Nuns talk to Ally Cover: Kate Treadwell, Kids Company Swadling about facial hair, and there are stories Photoshoot: All photos credit to the marvellous from Pale Seas.
    [Show full text]
  • Sous-Culturelle '' Entretenue Dans L'univers Des
    Pourquoi raver ? Étude sur la dimension “ sous-culturelle ” entretenue dans l’univers des fêtes Techno face à leur récupération marchande Louise Walkden To cite this version: Louise Walkden. Pourquoi raver ? Étude sur la dimension “ sous-culturelle ” entretenue dans l’univers des fêtes Techno face à leur récupération marchande. Sciences de l’information et de la communication. 2018. dumas-03034174 HAL Id: dumas-03034174 https://dumas.ccsd.cnrs.fr/dumas-03034174 Submitted on 1 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright Master professionnel Mention : Information et communication Spécialité : Communication Marque Option : Marque, innovation et création « Pourquoi raver ? » Étude sur la dimension « sous-culturelle » entretenue dans l’univers des fêtes Techno face à leur récupération marchande Responsable de la mention information et communication Professeure Karine Berthelot-Guiet Tuteur universitaire : Antoine Bonino Nom, prénom : WALKDEN Louise Promotion : 2017-2018 Soutenu le : 05/06/2018 Mention du mémoire : Très bien École des hautes études en sciences de l'information et de la communication – Sorbonne Université 77, rue de Villiers 92200 Neuilly-sur-Seine I tél. : +33 (0)1 46 43 76 10 I fax : +33 (0)1 47 45 66 04 I celsa.fr Mes remerciements vont à Antoine Bonino et Guillaume Heuguet, pour m’avoir éclairée tout au long de ce mémoire.
    [Show full text]
  • Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures
    City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2010 Dancecult Bibliography: Books, Articles, Theses, Lectures, and Films About Electronic Dance Music Cultures Eliot Bates CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/408 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] archive.today Saved from http://www.dancecult.net/bibliography.php search 3 Sep 2013 05:47:40 UTC webpage capture history All snapshots from host www.dancecult.net Linked from en.wikipedia.org » Talk:Trance (music genre)/Archive 1 Webpage Screenshot share download .zip report error or abuse Electronic dance music cultures bibliography Help expand this bibliography by submitting new references to dancecult! Complete list [sort by document type] [printable] [new entries] Abreu, Carolina. 2005. Raves: encontros e disputas. M.A. Thesis (Anthropology), University of São Paulo. [view online] Albiez, Sean and Pattie, David (eds.). 2010. Kraftwerk: Music Non Stop. New York / London: Continuum. [view online] Albiez, Sean. 2003. "'Strands of the Future: France and the birth of electronica'." Volume! 2003(2), 99-114. Albiez, Sean. 2003. "Sounds of Future Past: from Neu! to Numan." In Pop Sounds: Klangtexturen in der Pop- und Rockmusik, edited by Phleps, Thomas & von Appen, Ralf. Bielefeld: Transcript Verlag, 129-152. Albiez, Sean. 2005. "Post Soul Futurama: African American cultural politics and early Detroit Techno." European Journal of American Culture 24(2), 131-152.
    [Show full text]