WARRING-STATES JAPAN, 1467-1600 Nicholas D. Anderson
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East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
KAWAGOE DISCOUNT PASS Ikebukuro / Kawagoe
The KAWAGOE DISCOUNT PASS offers discounted train fares on the Tobu Tojo Line with fantastic benefits at co-operating stores in Kawagoe city. These passes are Pass A multi -lingual concierge will respond great value for tousits from abroad. Where to buy the Discount KAWAGOE In addition to the special benefits of the KAWAGOE DISCOUNT PASS, we have also Approx. When compared with train% and 1 bus fares used on model course PASS released the KAWAGOE DISCOUNT PASS Premium, which enables holders to ride Passport is required when purchasing KAWAGOE DISCOUNT PASS with KAWAGOE DISCOUNT DISCOUNT PASS Premium What is KAWAGOE DISCOUNT PASS? buses in the city of Kawagoe.Choose either of these passes to stroll around and KAWAGOE DISCOUNT PASS premium. Kawagoe where you can experience an old town from the Edo period. Overview of 28 English Ikebukuro station OFF Kawagoeshi underground. Point Discount for round-trip train fare on Tobu Tojo Line from Point With KAWAGOE DISCOUNT Ikebukuro Station to Kawagoe Station or Kawagoeshi Station! Kawagoe PASS Premium, you can KAWAGOE DISCOUNT PASS Premium has unlimited rides also take buses in 1 3 Kawagoe City! between Kawagoe Station and Kawagoeshi Station! KAWAGOE DISCOUNT PASS Premium gives you free all- Ikebukuro you-can-ride Tobu bus services all day in designated sections, including the Tobu Koedo Loop Bus, which is very convenient for Point Special offers at 10 shops Premium KAWAGOE DISCOUNT PASS Show your KAWAGOE DISCOUNT PASS or KAWAGOE DISCOUNT PASS sightseeing! See central map for information on designated travel sections. Tobu Tourist Information Center IKEBUKURO KAWAGOE DISCOUNT PASS premium to recive special offers at 10 shops in the central shopping * Please note that you cannot ride the bus using Tobu Ikebukuro Station basement 1st floor. -
Itsnaturalenvironmentandpeople'slife
55 A Regional Geography of the Chikuhoku RegionRegion' : Its Its Natural Environment and People's Life TTakahikoa k ahik o YYo os shidhidaa AbAbstract:s tract: TThihi s reporeporrtta aimim s to mmakakec cl earear reg ional chhararac t er er of th e Chikuh oku reg ion by aannallyys sis o of it s hi stori ricalca l,, c ultu ulturra al,, a nd ph ys ica l envir ironmonm e nt aspec ts,, b ecaecauu se th e envir onm e nt in w hi ch we li ve is usuall y paparrtt natur al and ppartar t hum an-m a de. SoSo,, th e auautht h or ha s fococuuse d hi sa att enti on on th ep prr ocess ocess ofd deveevellopm e nt and trranansiti on of,, tr ansposporrttatio ation ac ti vit yy,, la nd u se of of ag ricultu ra rall and oth er ac ti vit yy,, aand nd w at er reso resoururc ce e and mmananage m e nt ac ti viitities ,, co nsid er erinin g th ee eff ec t of ph ys iicalca l envir onm e nnt.t. Di st in ct ctiive fea tllr tur es of tthheC Chihi kuh oku reg ion aarre,, t he fir st st,, lo cati cationon in th e hill y land. TThhe seco second ,, iin n aanny tim e of of hi sto story thi s C Chikuh oku reg iionon hhadad aandnd hha as s bee n always favoavur oured w iithth hi gh access ibilit y to th e tr tranansposport at atiion art e ry. -
[Articles] a Reconsideration of the Transmission of the Katana Swords Known As “Honsaku Chōgi” and “Yamanba-Giri” HARA Fumihiko ( 1 )
Kinko Sōsho Bulletin of The Tokugawa Reimeikai Foundation Kinko Sōsho 47 Contents March 2020 [Articles] A Reconsideration of the Transmission of the Katana Swords Known as “Honsaku Chōgi” and “Yamanba-giri” HARA Fumihiko ( 1 ) On the Subjects of the Portrait of Honda Heihachirō Folding Screen YOSHIKAWA Miho ( 35 ) Folding Screens with Birds and Flowers of the Four Seasons by Kanō Tan’yū KATO Shohei ( 57 ) The Illustrated Handscroll of True View of the Tsukiji Estate with Plants, Insects and Fish ANDŌ Kaori ( 85 ) [Introduction of Historical Material] Research Notes on “Sokui-no-ki” (II) NAMIKI Masashi ( 111 ) Kinko Sōsho 46 Contents March 2019 [Articles] Identifying Who Commissioned the Tokugawa Art Museum Collection’s Hōkoku Festival Screens KURODA Hideo ( 1 ) On the development of the Kanō Tsunenobu style: including an introduction to the Yoshino Screens (Tokugawa Art Museum Collection) USUDA Daisuke ( 23 ) A Study of the German Salt-Glazed Stoneware Water Jar in the Tokugawa Art Museum — From the viewpoint of “Oranda” ware as Daimyō properties NAGAHISA Tomoko ( 41 ) The Wartime Evacuation of the Tokugawa Art Museum Collection KŌYAMA-HAYASHI Rie ( 59 ) Kinko Sōsho 45 Contents March 2018 [Articles] Thoughts on the Illustrated Tale of Haizumi (Haizumi monogatari emaki) YOTSUTSUJI Hideki ( 1 ) History of the Katana Sword, signed “Muramasa,” and the Legend of the Muramasa Curse HARA Fumihiko ( 27 ) The Marriage of Shunkyōin Sachigimi and the Chrysanthemum-Stem Furnishings YOSHIKAWA Miho ( 59 ) “Items Connected to Hereditary Property” of -
Koedo Kawagoe Tourist Association 세이부철도의 Facebook 페이지는 연선 정보를 수시로 업데이트 중
Information & Map Tourist Information Centers Discount ticket for foreign visitors 1 Kawagoe Station Tourist Information Office Seibu Railway Kawagoe Access Ticket (discount on round trip fares) 049-222-5556 Inside Kawagoe Sta. Discount ticket set that includes round-trip regular and Limited Express Train Price: 9:00-17:00 (May be extended at times) tickets (Limited Express Train seats require both) for travel between Hon-Kawagoe Adult: ¥1,500 and Seibu Shinjuku or Takadanobaba Stations. Passenger may ride Limited Express Child: ¥750 2 Hon-Kawagoe Station Tourist Information Office Train “Red Arrow” with all seats reserved and the reclining seat equipped. Where to buy: Seibu-Shinjuku Station and Takadanobaba Station of Inside Hon-Kawagoe Sta. 9:00-17:00 (May be extended at times) Seibu Line or Bell Desk (Tourist Information Center) 3 Naka-cho Tourist Information Office at 1F of Shinjuku Prince Hotel 2-3 Naka-cho, Kawagoe City 9:30-17:00 (May be extended at times) Seibu Railway Facebook Page 西武鐵路Facebook 세이부철도 Facebook Seibu Railway Facebook page posts information on events and shops along the Seibu Website Line. Check before you visit! 西武鐵路的 Facebook 粉絲專頁時常更新沿線的最新資訊,出門之前請務必來看看哦! 4 Koedo Kawagoe Tourist Association 세이부철도의 Facebook 페이지는 연선 정보를 수시로 업데이트 중 . 외출하기 전에 꼭 체크해 볼 것 ! 049-227-8233 www.koedo.or.jp https://www.facebook.com/aremokoremo.pj.seiburailway/ Koedo Kawagoe Kawagoe F N 0 200m Hikawa Shrine 川越氷川神社 E-11 Toki no kane (Time Bell Tower) 4 時の鐘 Kawagoe City Art Museum Kawagoe City Kawagoe Festival Museum I 川越市立美術館 Museum E-17 川越まつり会館 -
K=O0 I. SONG- Part I INTRODUCTORY ESSAYS Mitsugu Sakihara
~1ASAT6 . MAISt;1 -- 1DMO¥ffiHI -KUROKAWA MINJ!K=o0 I. SONG- Part I INTRODUCTORY ESSAYS Mitsugu Sakihara Ryukyuan Resources at the University of Hawaii Okinawan Studies in the United St9-tes During the 1970s RYUKYUAN RESOURCES AT THE UNIVERSITY OF HAWAII Introduction The resources for Ryukyuan studies at the University of Hawaii, reportedly the best outside of Japan, have attracted many scholars from Japan and other countries to Hawaii for research. For such study Ryukyu: A Bibliographical Guide to Okinawan Studies (1963) and Ryukyuan Research Resources at the University of Hawaii (1965), both by the late Dr. Shunzo Sakamaki, have served as the best intro duction. However, both books have long been out of print and are not now generally available. According to Ryukyuan Research Resources at the University of Hawaii, as of 1965, holdings totalled 4,197 titles including 3,594 titles of books and documents and 603 titles on microfilm. Annual additions for the past fifteen years, however, have increased the number considerably. The nucleus of the holdings is the Hawley Collection, supplemented by the books personally donated by Dro Shunzo Sakamaki, the Satsuma Collection, and recent acquisitions by the University of Hawaii. The total should be well over 5,000 titles. Hawley Collection The Hawley Collection represents the lifetime work of Mr. Frank Hawley, an English journalist and a well-known bibliophile who resided in Japan for more than 30 yearso When Hawley passed away in the winter of 1961 in Kyoto, Dr. Sakamaki, who happened 1 utsu no shi oyobi jo" [Song to chastize Ryukyu with preface], com posed by Priest Nanpo with the intention of justifying the expedition against Ryukyu in 1609 and of stimulating the morale of the troops. -
Meisho Zue and the Mapping of Prosperity in Late Tokugawa Japan
Meisho Zue and the Mapping of Prosperity in Late Tokugawa Japan Robert Goree, Wellesley College Abstract The cartographic history of Japan is remarkable for the sophistication, variety, and ingenuity of its maps. It is also remarkable for its many modes of spatial representation, which might not immediately seem cartographic but could very well be thought of as such. To understand the alterity of these cartographic modes and write Japanese map history for what it is, rather than what it is not, scholars need to be equipped with capacious definitions of maps not limited by modern Eurocentric expectations. This article explores such classificatory flexibility through an analysis of the mapping function of meisho zue, popular multivolume geographic encyclopedias published in Japan during the eighteenth and nineteenth centuries. The article’s central contention is that the illustrations in meisho zue function as pictorial maps, both as individual compositions and in the aggregate. The main example offered is Miyako meisho zue (1780), which is shown to function like a map on account of its instrumental pictorial representation of landscape, virtual wayfinding capacity, spatial layout as a book, and biased selection of sites that contribute to a vision of prosperity. This last claim about site selection exposes the depiction of meisho as a means by which the editors of meisho zue recorded a version of cultural geography that normalized this vision of prosperity. Keywords: Japan, cartography, Akisato Ritō, meisho zue, illustrated book, map, prosperity Entertaining exhibitions arrayed on the dry bed of the Kamo River distracted throngs of people seeking relief from the summer heat in Tokugawa-era Kyoto.1 By the time Osaka-based ukiyo-e artist Takehara Shunchōsai (fl. -
Kären WIGEN, a Malleable Map: Geographies of Restoration in Central Japan, 1600-1912. Berkeley: University of California Press, 2010
Book Reviews / JESHO 54 (2011) 417-446 439 Kären WIGEN, A Malleable Map: Geographies of Restoration in Central Japan, 1600-1912. Berkeley: University of California Press, 2010. xviii + 322 pp. ISBN: 978-0-520-25918-8 (hbk.). $39.95 / £27.95. Kären Wigen’s A Malleable Map opens with a big question: ‘How did modern Japan acquire its regional architecture?’ The obvious answer would be to look at Tokyo in 1871, ‘for it was there and then [. .] that the mod- ern political map was essentially put in place’ (1). This approach, however, does not satisfy Wigen, who chooses to tackle the issue from a regional standpoint by examining the trajectory of early modern Shinano province— modern Nagano prefecture—over the span of more than three centuries (1600-1912). In particular, Wigen wants to map out the ways in which Nagano’s regional identity came to be, and at which historical junctions. Here is the novelty: this is a book that outlines the Tokugawa-Meiji transi- tion not from the viewpoint of the domain but from that of the province (kuni), because ‘provincial identities counted’ (19) as well. At the same time A Malleable Map tells much more than just the story of the transfor- mation of a province into a prefecture. One of the first anecdotes inA Malleable Map presents the readers with the 1890 story of an unconscious politician forcibly carried out of his hos- pital bed and brought before the local assembly hall to achieve a spurious quorum for a vote on the location of the prefectural headquarters (5). -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
Ws \\ I: I, I; I\ Si
x i: w s \\ i: i, i; i\ s i: FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 FOR IMMEDIATE RELEASE MAJOR EXHIBITION OF JAPANESE ART AT NATIONAL GALLERY OF ART Exhibition To Appear Only In Washington WASHINGTON, August 25, 1988- The art of the daimyo, feudal lords who ruled the provinces of Japan for nearly 700 years, will be the focus of a new exhibition, Japan: The Shaping of Daimyo Culture 1185 - 1868, opening this fall at the National Gallery of Art. The exhibition will bring together more than 450 Japanese-owned works of art that express the values that helped shape the aesthetic ideals and social character of the Japanese nation in its feudal age. An unprecedented number of objects officially designated by the Japanese government as National Treasures, Important Cultural Properties and Important Art Objects will be on view in what will be the largest exhibition of its kind ever presented in the West, or even in Japan. This exhibition will appear only in Washington. Japan: The Shaping of Daimyo Culture 1185 - 1868 will be in the East Building of the National Gallery of Art, Oct. 30, 1988 through Jan. 23, 1989. The exhibition is organized by the National Gallery of Art, The Agency for Cultural Affairs of Japan, and The Japan Foundation. The R.J. Reynolds Tobacco Company, The Yomiuri Shimbun and The Nomura Securities Co., Ltd. made the exhibition possible. Japan Air Lines provided transport. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. -
Vegetable Production and the Diet in Rural Villages by Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University)
Vegetables and the Diet of the Edo Period, Part 2 Vegetable Production and the Diet in Rural Villages By Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University) Introduction compiled by Tomita Iyahiko and completed in 1873, describes the geography and culture of Hida During the Edo period (1603–1868), the number of province. It contains records from 415 villages in villages in Japan remained fairly constant with three Hida counties, including information on land roughly 63,200 villages in 1697 and 63,500 140 years value, number of households, population and prod- later in 1834. According to one source, the land ucts, which give us an idea of the lifestyle of these value of an average 18th and 19th century village, with villagers at the end of the Edo period. The first print- a population of around 400, was as much as 400 to ed edition of Hidago Fudoki was published in 1930 500 koku1, though the scale and character of each vil- (by Yuzankaku, Inc.), and was based primarily on the lage varied with some showing marked individuality. twenty-volume manuscript held by the National In one book, the author raised objections to the gen- Archives of Japan. This edition exhibits some minor eral belief that farmers accounted for nearly eighty discrepancies from the manuscript, but is generally percent of the Japanese population before and during identical. This article refers primarily to the printed the Edo period. Taking this into consideration, a gen- edition, with the manuscript used as supplementary eral or brief discussion of the diet in rural mountain reference. -
Tokugawa Ieyasu, Shogun
Tokugawa Ieyasu, Shogun 徳川家康 Tokugawa Ieyasu, Shogun Constructed and resided at Hamamatsu Castle for 17 years in order to build up his military prowess into his adulthood. Bronze statue of Tokugawa Ieyasu in his youth 1542 (Tenbun 11) Born in Okazaki, Aichi Prefecture (Until age 1) 1547 (Tenbun 16) Got kidnapped on the way taken to Sunpu as a hostage and sold to Oda Nobuhide. (At age 6) 1549 (Tenbun 18) Hirotada, his father, was assassinated. Taken to Sunpu as a hostage of Imagawa Yoshimoto. (At age 8) 1557 (Koji 3) Marries Lady Tsukiyama and changes his name to Motoyasu. (At age 16) 1559 (Eiroku 2) Returns to Okazaki to pay a visit to the family grave. Nobuyasu, his first son, is born. (At age 18) 1560 (Eiroku 3) Oda Nobunaga defeats Imagawa Yoshimoto in Okehazama. (At age 19) 1563 (Eiroku 6) Engagement of Nobuyasu, Ieyasu’s eldest son, with Tokuhime, the daughter of Nobunaga. Changes his name to Ieyasu. Suppresses rebellious groups of peasants and religious believers who opposed the feudal ruling. (At age 22) 1570 (Genki 1) Moves from Okazaki 天龍村to Hamamatsu and defeats the Asakura clan at the Battle of Anegawa. (At age 29) 152 1571 (Genki 2) Shingen invades Enshu and attacks several castles. (At age 30) 豊根村 川根本町 1572 (Genki 3) Defeated at the Battle of Mikatagahara. (At age 31) 東栄町 152 362 Takeda Shingen’s151 Path to the Totoumi Province Invasion The Raid of the Battlefield Saigagake After the fall of the Imagawa, Totoumi Province 犬居城 武田本隊 (別説) Saigagake Stone Monument 山県昌景隊天竜区 became a battlefield between Ieyasu and Takeda of Yamagata Takeda Main 堀之内の城山Force (another theoried the Kai Province.