Les Contes D'hoffmann
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Guillaume Tell Guillaume
1 TEATRO MASSIMO TEATRO GIOACHINO ROSSINI GIOACHINO | GUILLAUME TELL GUILLAUME Gioachino Rossini GUILLAUME TELL Membro di seguici su: STAGIONE teatromassimo.it Piazza Verdi - 90138 Palermo OPERE E BALLETTI ISBN: 978-88-98389-66-7 euro 10,00 STAGIONE OPERE E BALLETTI SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO AL TURISMO SPORT E SPETTACOLI ALBO DEI DONATORI FONDAZIONE ART BONUS TEATRO MASSIMO TASCA D’ALMERITA Francesco Giambrone Sovrintendente Oscar Pizzo Direttore artistico ANGELO MORETTINO SRL Gabriele Ferro Direttore musicale SAIS AUTOLINEE CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) AGOSTINO RANDAZZO Presidente Leonardo Di Franco Vicepresidente DELL’OGLIO Daniele Ficola Francesco Giambrone Sovrintendente FILIPPONE ASSICURAZIONE Enrico Maccarone GIUSEPPE DI PASQUALE Anna Sica ALESSANDRA GIURINTANO DI MARCO COLLEGIO DEI REVISORI Maurizio Graffeo Presidente ISTITUTO CLINICO LOCOROTONDO Marco Piepoli Gianpiero Tulelli TURNI GUILLAUME TELL Opéra en quatre actes (opera in quattro atti) Libretto di Victor Joseph Etienne De Jouy e Hippolyte Louis Florent Bis Musica di Gioachino Rossini Prima rappresentazione Parigi, Théâtre de l’Academie Royale de Musique, 3 agosto 1829 Edizione critica della partitura edita dalla Fondazione Rossini di Pesaro in collaborazione con Casa Ricordi di Milano Data Turno Ora a cura di M. Elizabeth C. Bartlet Sabato 20 gennaio Anteprima Giovani 17.30 Martedì 23 gennaio Prime 19.30 In occasione dei 150 anni dalla morte di Gioachino Rossini Giovedì 25 gennaio B 18.30 Sabato 27 gennaio -
Los Puritanos
VINCENZO BELLINI LOS PURITANOS STREAMING METROPOLITAN OPERA HOUSE Presenta VINCENZO BELLINI LOS PURITANOS Ópera en tres actos Libreto de Cesar Pepoli, basado en el drama histórico “Têtes rondes et Cavaliers” de Jaques François Ancelot y Joseph Xavier Boniface. Reparto Elvira Anna Netrebko Arturo Eric Cutler Riccardo Franco Vassallo Giorgio John Relyea Enrichetta Maria Zifchak Gualtiero Valerian Ruminski Bruno Eduardo Valdes Coro y Orquesta del Metropolitan Opera House Dirección: Patrick Summers Producción escénica Dirección teatral Sandro Sequi Escenografía Ming Cho Lee Vestuario Peter J. Hall Dirección de TV Gary Halvorson Viernes 18 de septiembre de 2018 Transmisión vía streaming desde Metropolitan Opera House – New York, USA TEATRO NESCAFÉ DE LAS ARTES Temporada 2020 LOS PURITANOS ANTECEDENTES Toda información que se reciba con ante- cedentes sobre “Los puritanos” de Vincen- zo Bellini debe considerar que ésta es la décima y última ópera de este compositor, surgida en 1835, pocos meses antes de su temprana muerte, a los 33 años. A fines de marzo de 1833, poco después de estrenar “Beatrice di Tenda” en Vene- cia, Bellini viajó a Londres vía París, junto a la aclamada soprano Giuditta Pasta, quien encabezaría el estre- no de “Norma” en la capital inglesa. En otros teatros londinenses se presentarían también “La sonámbula” y “Capuletos y Montescos” en la misma temporada. Vincenzo Bellini Pero a Bellini le atraía mucho París, la ciu- dad más importante de Europa a la que Opera de París y encontrar una esposa, ya ya habían arribado Rossini y Donizetti, sus que hasta entonces había mantenido rela- grandes colegas belcantistas, a quienes ciones muy complejas con algunas mujeres quería seguir en la ruta geográfica y artís- casadas. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
NEWSLETTER > 2019
www.telmondis.fr NEWSLETTER > 2019 Opera Dance Concert Documentary Circus Cabaret & magic OPERA OPÉRA NATIONAL DE PARIS > Boris Godunov 4 > Don Pasquale 4 > Les Huguenots 6 SUMMARY > Simon Boccanegra 6 OPÉRA DE LYON DANCE > Don Giovanni 7 OPÉRA NATIONAL DE PARIS TEATRO LA FENICE, VENICE > Thierrée / Shechter / Pérez / Pite 12 > Tribute to Jerome Robbins 12 > Tannhäuser 8 > Cinderella 14 > Orlando Furioso 8 > Norma 9 MALANDAIN BALLET CONCERT > Semiramide 9 > Noah 15 OPÉRA NATIONAL DE PARIS DUTCH NATIONAL OPERA MARIINSKY THEATRE, ST. PETERSBURG > Tchaikovsky Cycle (March 27th and May 15th) 18 > Le Nozze de Figaro 10 > Petipa Gala – 200th Birth Anniversary 16 > The 350th Anniversary Inaugural Gala 18 > Der Ring des Nibelungen 11 > Raymonda 16 BASILIQUE CATHÉDRALE DE SAINT-DENIS > Processions 19 MÜNCHNER PHILHARMONIKER > Concerts at Münchner Philharmoniker 19 ZARYADYE CONCERT HALL, MOSCOW > Grand Opening Gala 20 ST. PETERSBURG PHILHARMONIC > 100th Anniversary of Gara Garayev 20 > Gala Concert - 80th Anniversary of Yuri Temirkanov 21 ALHAMBRA DE GRANADA > Les Siècles, conducted by Pablo Heras-Casado 22 > Les Siècles, conducted by François-Xavier Roth 22 > Pierre-Laurent Aimard’s Recital 23 OPÉRA ROYAL DE VERSAILLES > La Damnation de Faust 23 DOCUMENTARY > Clara Haskil, her mystery as a performer 24 > Kreativ, a study in creativity by A. Ekman 24 > Hide and Seek. Elīna Garanča 25 > Alvis Hermanis, the last romantic of Europe 25 > Carmen, Violetta et Mimi, romantiques et fatales 25 CIRCUS > 42nd international circus festival of Monte-Carlo 26 -
Summer Will Never Be the Same with the Metropolitan Opera Summer Series at Cineplex Entertainment Theatres Children Ages 3-13 Get in FREE!
For Immediate Release Summer Will Never Be the Same with The Metropolitan Opera Summer Series at Cineplex Entertainment Theatres Children ages 3-13 get in FREE! TORONTO, ON, June 16, 2009 (CGX.UN) – Cineplex Entertainment is pleased to present for the first time The Metropolitan Opera Summer Series, featuring six of the most popular performances shown at Cineplex Entertainment theatres from past seasons of The Met: Live in HD series. The Metropolitan Opera Summer Series opens on Saturday, June 27th with Bellini’s I Puritani starring Anna Netrebko with all six performances shown in High Definition (HD) and digital surround sound at 12 pm EST/CST, 11 am MST and 10 am PST at select Cineplex Entertainment theatres across the country. “Presenting the first-ever Metropolitan Opera Summer Series offers our guests across the country the unique chance to see and hear some of the most celebrated performers working in opera today in some of the most popular performances from The Met: Live in HD seasons,” said Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment. “The Metropolitan Opera Summer Series provides great value for our guests, offering them the opportunity to experience some of the Met’s most successful performances again or for the first time as well as the ability to take their kids to experience the performances for free.” Advance tickets are available on Friday, June 19th online at www.cineplex.com/events as well as at participating theatre box offices. General admission is $9.95 + tax and children ages 3-13 are FREE! Beginning Saturday, June 27th, Cineplex Entertainment theatres will show the following six performances across the country: Saturday, June 27, 2009: I PURITANI – International sensation Anna Netrebko sings Elvira Walton in Bellini’s I Puritani, tenor Eric Cutler is Arturo, Franco Vassallo is Riccardo and John Relyea is Giorgio. -
Lucia Di Lammermoor
2 La Fenice prima dell’Opera 2011 2 2011 Fondazione Stagione 2011 Teatro La Fenice di Venezia Lirica e Balletto Gaetano Donizetti LuciaDi ammermoor l Lammermoor ucia di ucia di l onizetti d aetano aetano G FONDAZIONE TEATRO LA FENICE DI VENEZIA foto © Michele Crosera Visite a Teatro Eventi Gestione Bookshop e merchandising Teatro La Fenice Gestione marchio Teatro La Fenice® Caffetteria Pubblicità Sponsorizzazioni Fund raising Per informazioni: Fest srl, Fenice Servizi Teatrali San Marco 4387, 30124 Venezia Tel: +39 041 786672 - Fax: +39 041 786677 [email protected] - www.festfenice.com FONDAZIONE AMICI DELLA FENICE STAGIONE 2011 Incontro con l’opera lunedì 24 gennaio 2011 ore 18.00 ANGELA IDA DE BENEDICTIS Intolleranza 1960 martedì 22 febbraio 2011 ore 18.00 LUCA MOSCA La bohème martedì 22 marzo 2011 ore 18.00 GIORGIO PESTELLI Rigoletto lunedì 16 maggio 2011 ore 18.00 LORENZO ARRUGA Lucia di Lammermoor venerdì 17 giugno 2011 ore 18.00 GIORGIO PESTELLI Das Rheingold martedì 5 luglio 2011 ore 18.00 GIANNI GARRERA Sogno di una notte di mezza estate mercoledì 31 agosto 2011 ore 18.00 PAOLO COSSATO Il barbiere di Siviglia martedì 13 settembre 2011 ore 18.00 GIOVANNI BIETTI Don Giovanni martedì 11 ottobre 2011 ore 18.00 GIORGIO PESTELLI Clavicembalo francese a due manuali copia dello strumento di Goermans-Taskin, costruito attorno Le nozze di Figaro alla metà del XVIII secolo (originale presso la Russell lunedì 24 ottobre 2011 ore 18.00 Collection di Edimburgo). MICHELE DALL’ONGARO Opera del M° cembalaro Luca Vismara di Seregno Acis and Galatea (MI); ultimato nel gennaio 1998. -
LA VESTALE GASPARE SPONTINI Alessandro De Marchi & Eric Lacascade
PRESS FILE OPERA LA VESTALE GASPARE SPONTINI Alessandro de Marchi & Eric Lacascade 13, 15, 17, 20, 22 October 2015 20:00 25 October 2015 15:00 CIRQUE ROYAL / KONINKLIJK CIRCUS Opéra en trois actes, version française Livret de Victor-Joseph Etienne de Jouy Premiere Salle Montsansier, Paris, 15/12/1807 NEW PRODUCTION I – INTRODUCTION WITH BIOGRAPHIES THE FLAMES OF THE VESTAL ALTAR SET THE SCORE ALIGHT Since La Vestale, not a note of music has been written that wasn’t stolen from my scores!’ Gaspare Spontini was himself aware of how innovative and influential his score was. He turned opera in a new direction by conceiving the whole score on the basis of a compelling dramatic conception involving naturalistic effects, orchestration, and musical form, thereby pointing the way for such opera composers as Rossini, Wagner, Berlioz, and Meyerbeer. As a grand opera it was ahead of its time and was full of spectacular scenes showing a Vestal Virgin’s forbidden love for a Roman general; it made Spontini the most important composer of the Napoleonic period. Here directing his first opera, the French stage director Éric Lacascade focuses on a highly topical subject: ‘More than passionate love, what is at stake in this opera is the liberation of a woman who frees herself from the power of religious authority.’ COMPOSER & WORK Born in 1774 in Italy, Gaspare Spontini (1774-1851) imposed a new style to French music, mixing his Neapolitan inspiration to the genre of French lyric tragedy and thus creating what may be termed as Grand Historic Opera. The Italian composer, who became French in 1817, began a brilliant career in Rome and Venice after his studies at the Royal Conservatory of Naples. -
Curriculum Vitae Update Spring 2012
Edwin Andereck Cover page for Curriculum Vitae update Spring 2012 My teaching interests and responsibilities at Luther are primarily collaborative, in that I teach 5 ½ of my six course load equivalents in one on one contact with approximately 28 students through applied voice lessons. This spring I have worked with eight of those students in preparations for their individual degree recitals or full senior recitals in anticipation of graduate school studies in music. As head of voice and opera I am responsible for coordinating and facilitating the Brudos Family Prize in Opera Performance, a high profile annual auditions and a recital with the donors, Al and Sally Brudos, in attendance. That scholarship is in its eleventh year, and students from my voice studio have been winners six of those years. Each week the students in my studio meet together for a voice class/seminar in which selected performances are critiqued by peers in the class and work is done by the performer in front of the class. The rest of my faculty load is taken by teaching a half course (2 credits) survey of vocal literature for voice. The two non-required vocal literature courses, Mus 267 and Mus 268, are taught in alternating years in the spring, and afford me the opportunity of engaging the students in conversation concerning poetry (in English, German, Italian, Spanish, and French), compositional styles, great recorded performances, and historical and cultural perspective. There is a seven page writing assignment that is primarily subjective in nature, but formal in writing style, that provides students opportunity to practice writing skills. -
Lawrence Brownlee and Eric Owens Craig Terry, Piano Friday, March 8, 2019 7:30 Pm Photo: © Dario Acosta © Dario Photo
Photo: Shervin Lainez Photo: Lawrence Brownlee and Eric Owens Craig Terry, Piano Friday, March 8, 2019 7:30 pm Photo: © Dario Acosta © Dario Photo: 2018/2019 SEASON Great Artists. Great Audiences. Hancher Performances. LAWRENCE BROWNLEE, TENOR ERIC OWENS, BASS-BARITONE CRAIG TERRY, PIANO Friday, March 8, 2019, at 7:30 pm Hancher Auditorium, The University of Iowa PROGRAM “Se vuol ballare,” from Le Nozze di Figaro Wolfgang Amadeus Mozart Eric Owens “Il mio tesoro,” from Don Giovanni Wolfgang Amadeus Mozart Lawrence Brownlee “Infelice! E tuo credevi,” from Ernani Giuseppe Verdi Eric Owens “Voglio dire, lo stupendo elisir,” from L'elisir d'amore Gaetano Donizetti Lawrence Brownlee, Eric Owens “Una furtiva lagrima,” from L'elisir d'amore Gaetano Donizetti Lawrence Brownlee “Le veau d'or,” from Faust Charles Gounod Eric Owens “Ah! mes amis, quel jour de fête!,” from La fille du regiment Gaetano Donizetti Lawrence Brownlee “Au fond du temple saint,” from Les Pêcheurs de Perles Georges Bizet Lawrence Brownlee, Eric Owens INTERMISSION Traditional Spirituals “All Night, All Day” arr. Damien Sneed Lawrence Brownlee “Deep River” arr. Hall Johnson Eric Owens “Come By Here, Good Lord” arr. Damien Sneed Lawrence Brownlee “Give Me Jesus” Traditional Eric Owens “He's Got the Whole World In His Hand” arr. Margaret Bonds / Craig Terry Lawrence Brownlee, Eric Owens American Popular Songs “Song of Songs” Harold Vicars and Clarence Lucas Lawrence Brownlee, Eric Owens arr. Craig Terry “Lulu's Back In Town” Harry Warren and Al Dubin Lawrence Brownlee arr. Craig Terry “Dolores” Frank Loesser and Louis Alter Lawrence Brownlee, Eric Owens arr. Craig Terry “Some Enchanted Evening,” from South Pacific Richard Rodgers Eric Owens & Oscar Hammerstein II “Through the Years” Vincent Youmans and Edward Heyman Lawrence Brownlee, Eric Owens arr. -
Biographies / Biografieën
Biographies / Biografieën (Christian Jost) à l’Opernhaus de Zurich, dirigé Manon Lescaut (Puccini) au Bayerische Staatsoper, le double Tchaïkovski Iolanta et Casse-Noisette à l’Opéra de Paris et de nouvelles productions de Macbeth de Verdi (Wiener Staatsoper), Salomé de Strauss (Deutsche Oper de Berlin) et Pelléas et Mélisande ALAIN ALTINOGLU de Debussy (Opernhaus de Zurich, Direction musicale / Muzikale leiding Wiener Staatsoper). Il dirige en outre régulièrement d’éminents orchestres FR Né en 1975 à Paris, Alain Altinoglu comme le Chicago Symphony, le étudie au Conservatoire national Philadelphia Orchestra, le Wiener supérieur de musique de sa ville natale, Philharmoniker, l’Orchestre National où il enseigne actuellement. Après avoir de France, l’Orchestre de Paris, la dirigé l’Orchestre de la Monnaie dans Staatskapelle Dresden, le Tonhalle Cendrillon (Massenet) et différents Orchester Zürich. Il vient de faire ses concerts, il en est devenu le directeur débuts avec le Berliner Philharmoniker. musical en 2016. Depuis lors, il a dirigé En sa qualité de pianiste, Alain Altinoglu « son » orchestre dans des interprétations se consacre au répertoire du lied avec applaudies du Coq d’Or (Rimski-Korsakov) la mezzo-soprano Nora Gubisch. Il aime et d’Aida (Verdi), ainsi que dans un vaste également faire découvrir l’univers de la répertoire symphonique : Brahms, Berlioz, musique classique aux enfants, notamment Fauré, Janáček, Stravinsky, Ravel… avec son livre Maestro, à vous de jouer ! Ces dernières saisons, le chef Cette saison, il dirigera également d’orchestre français a également à la Monnaie Lohengrin (Wagner), fait ses débuts à Bayreuth avec Le Mandarin merveilleux et Le Château Lohengrin (Wagner) et à Covent Garden de Barbe-Bleue (Bartók), et les concerts avec Don Giovanni (Mozart). -
Der Rosenkavalier
Richard Strauss Der Rosenkavalier CONDUCTOR Comedy for music in three acts Edo de Waart Libretto by Hugo von Hofmannsthal PRODUCTION Nathaniel Merrill Saturday, January 9, 2010, 1:00–5:25 pm SET AND COSTUME DESIGNER Robert O’Hearn STAGE DIRECTOR Robin Guarino The production of Der Rosenkavalier was made possible by a generous gift from the late Mrs. John D. Rockefeller, Jr. The restoration of this production was made possible by a gift from The Sybil B. Harrington Endowment Fund. The revival of this production was made possible by gifts from Mr. and Mrs. Howard Solomon and The Dr. M. Lee Pearce Foundation. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2009–10 Season The 376th Metropolitan Opera performance of Richard Strauss’s Der This performance is being broadcast Rosenkavalier live over The Toll Brothers– Metropolitan Opera Conductor International Radio Network, Edo de Waart sponsored by Toll Brothers, in o r d e r o f a p p e a r a n c e America’s luxury homebuilder®, Octavian with generous Susan Graham long-term support from Princess von Werdenberg The Annenberg Renée Fleming Foundation, the Vincent A. Stabile Mohammed Endowment for Nicholas Crawford Broadcast Media, and contributions The Princess’s Major-Domo from listeners Bernard Fitch worldwide. Baron Ochs auf Lerchenau This performance Kristinn Sigmundsson is also being broadcast live Lackeys and Waiters on Metropolitan Craig Montgomery Opera Radio on Kenneth Floyd SIRIUS channel 78 Marty Singleton and XM channel 79. Robert Maher Saturday, January 9, 2010, 1:00–5:25 -
Enea Scala Is Now Considered a Reference Name in the Belcanto Baritenor Repertoire
Saverio Clemente Andrea De Amici Luca Targetti Sicilian tenor with a rich and extensive voice, remarkable scenic qualities and an extremely versatile repertoire, Enea Scala is now considered a reference name in the Belcanto baritenor repertoire. After graduating from classical studies, he studied singing at the Conservatory of Bologna and later he specialized with Fernando Cordeiro Opa with whom he is still working. Since his debut in Bologna in 2006 he has ranged from Mozart (Così fan tutte, Don Giovanni, La finta giardiniera) to brilliant Rossini, the Italian Belcanto, works such as Il cappello di paglia di Firenze, L'heure espagnole, L’amico Fritz, Die Fledermaus, La Juive/Leopold to get to his first Verdi titles (Falstaff and Traviata). In the belcanto repertoire beyond Bellini (Sonnambula, Zaira, Puritani, Adelson e Salvini) he is particularly interested in exploring the vast Donizetti’s repertoire (from Don Pasquale, Elisir, Convenienze teatrali to Caterina Cornaro, Lucia di Lammermoor, Maria Stuarda, Le Duc d'Albe). A close relationship links him to Rossini: after a debut in the brilliant genre (Italiana, Barbiere, Cenerentola, Il viaggio a Reims/Belfiore, Pietra del paragone) and the experience in Guillaume Tell (both as Arnoldo/Arnolde and Roudi) he reached now his repertoire of choice, starting with Armida/Rinaldo, later with Ermione/Pilade e Pirro and recently with Tancredi, Mosè in Egitto, Semiramide and La donna del lago/Rodrigo. Enea Scala In 2021 he will return at ROF, where he performed before in Tenore Sigismondo, Viaggio/Libenskof, Mosè in Egitto and Occasione fa il ladro. Enea Scala has sung on the stages of Turin, Florence, Naples, Palermo, Geneve, Marseille, Montecarlo, Lyon, Paris / Champs Elysees, Munich, Brussels, Antwerp, of the Festivals of Martina Franca, Montpellier and Glyndebourne, of Moscow (Bolshoi and Tchaikovsky Concert Hall), London (ROH and Barbican Center), Muscat, Toronto collaborating with conductors such as Bartoletti, Battistoni, Bisanti, Carignani, Ettinger, Haïm, López-Cobos, Luisi, Mariotti, Mazzola, Muti, Noseda, C.