Cast Amendment for Guillaume Tell

Total Page：16

File Type：pdf, Size：1020Kb

24 JUNE 2015 CAST AMENDMENT GUILLAUME TELL (Gioachino Rossini ) Due to illness, Spanish tenor Mikeldi Atxalandabaso has withdrawn from singing the role of Ruodi. The role will now be shared between Italian tenor Enea Scala (29 June; 2 and 5 July) and Korean tenor and former Jette Parker Young Artist Ji Hyun Kim (8, 10, 14 and 17 July). Enea Scala makes his Royal Opera debut singing the role of Ruodi. He has previously sung this role for Bavarian State Opera and Munich Opera Festival, and he will sing the role for Geneva Opera in September 2015. His other recent engagements include Don Ottavio ( Don Giovanni ) for São Paulo Opera, Nemorino ( L’elisir d’amore ) in Brescia, Cremona, Como and Pavia, and Belfiore ( La finta giardiniera ) for Glyndebourne on Tour. Ji Hyun Kim was a member of the Jette Parker Young Artists programme 2010–12. His roles for The Royal Opera during this time included First Prisoner ( Fidelio ), Gastone de Letorières ( La traviata ), Helenus ( Les Troyen s) and Roderigo ( Otello ). His recent engagements elsewhere include Bastien (Bastien und Bastienne ) at Sejong Arts Centre in Seoul, and Major Domo (Der Rosenkavalier ) for Marseilles Opera. The rest of the cast remains unchanged, with Canadian baritone Gerald Finley as Guillaume Tell, American tenor John Osborn as Arnold Melcthal, Swedish soprano Malin Byström as Mathilde, Russian bass Alexander Vinogradov as Walter Furst, Russian soprano Sofia Fomina as Jemmy, Albanian mezzo-soprano Enkelejda Shkosa as Hedwige, French bass Nicolas Courjal as Gesler, American bass Eric Halfvarson as Melcthal, Irish-Canadian tenor Michael Colvin as Rodolphe, Australian baritone and Jette Parker Young Artist Samuel Dale Johnson as Leuthold and Music Director of The Royal Opera Antonio Pappano conducting. For all Royal Opera House press releases visit www.roh.org.uk/press PRESS OFFICE CONTACTS Ann Richards/ David Brownlie-Marshall/ Celia Moran/Emily Meredith Opera Press Office, The Royal Opera Tel: 020 7212 9132/9504/9149 [email protected] / [email protected] / [email protected] /[email protected] For all Royal Opera House press releases visit www.roh.org.uk/press .

Copy Link

Recommended publications

Guillaume Tell Guillaume
1 TEATRO MASSIMO TEATRO GIOACHINO ROSSINI GIOACHINO | GUILLAUME TELL GUILLAUME Gioachino Rossini GUILLAUME TELL Membro di seguici su: STAGIONE teatromassimo.it Piazza Verdi - 90138 Palermo OPERE E BALLETTI ISBN: 978-88-98389-66-7 euro 10,00 STAGIONE OPERE E BALLETTI SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO AL TURISMO SPORT E SPETTACOLI ALBO DEI DONATORI FONDAZIONE ART BONUS TEATRO MASSIMO TASCA D’ALMERITA Francesco Giambrone Sovrintendente Oscar Pizzo Direttore artistico ANGELO MORETTINO SRL Gabriele Ferro Direttore musicale SAIS AUTOLINEE CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) AGOSTINO RANDAZZO Presidente Leonardo Di Franco Vicepresidente DELL’OGLIO Daniele Ficola Francesco Giambrone Sovrintendente FILIPPONE ASSICURAZIONE Enrico Maccarone GIUSEPPE DI PASQUALE Anna Sica ALESSANDRA GIURINTANO DI MARCO COLLEGIO DEI REVISORI Maurizio Graffeo Presidente ISTITUTO CLINICO LOCOROTONDO Marco Piepoli Gianpiero Tulelli TURNI GUILLAUME TELL Opéra en quatre actes (opera in quattro atti) Libretto di Victor Joseph Etienne De Jouy e Hippolyte Louis Florent Bis Musica di Gioachino Rossini Prima rappresentazione Parigi, Théâtre de l’Academie Royale de Musique, 3 agosto 1829 Edizione critica della partitura edita dalla Fondazione Rossini di Pesaro in collaborazione con Casa Ricordi di Milano Data Turno Ora a cura di M. Elizabeth C. Bartlet Sabato 20 gennaio Anteprima Giovani 17.30 Martedì 23 gennaio Prime 19.30 In occasione dei 150 anni dalla morte di Gioachino Rossini Giovedì 25 gennaio B 18.30 Sabato 27 gennaio
[Show full text]
Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
[Show full text]
Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’S Message
Société d' Opéra National Capital de la Capitale Nationale Opera Society Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’s Message It is March 15, 2021 and I am starting to feel viding a virtual Ring festival throughout optimistic that our jail sentences are coming March. The four operas, recorded in 2018, to an end. Spring is in the air and we saw a are streamed each weekend free of charge. In high of 16 C last week. The vaccines are on addition they offer a series of one hour pre- their way!! Phew! It is about time. sentations on subjects such as the History of We have postponed the next Brian Law The Ring, Dining on the Rhine, Feminism, Opera Competition until October 2022 and Grace Bumbry breaking the colour barrier at will start the planning in the fall. Also we Bayreuth etc. The fee to watch all 16 presen- decided to waive membership fees for this tations is US$99. As always, big thanks year. So do not worry about your member- for contributions from David Williams and ship. However, if you would like to make a his team for the newsletter and to Jim Bur- donation to the society, it will be gratefully gess for our website. received. I will provide you a receipt for As soon as everyone feels safe, we Income Tax purposes. should plan on a special face-to-face meet- I have some sad news to share, that one ing where we can embrace, watch opera, eat, of our long-time supporters passed away re- drink and be merry! cently, Tom McCool.
[Show full text]
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
[Show full text]
NEWSLETTER > 2019
www.telmondis.fr NEWSLETTER > 2019 Opera Dance Concert Documentary Circus Cabaret & magic OPERA OPÉRA NATIONAL DE PARIS > Boris Godunov 4 > Don Pasquale 4 > Les Huguenots 6 SUMMARY > Simon Boccanegra 6 OPÉRA DE LYON DANCE > Don Giovanni 7 OPÉRA NATIONAL DE PARIS TEATRO LA FENICE, VENICE > Thierrée / Shechter / Pérez / Pite 12 > Tribute to Jerome Robbins 12 > Tannhäuser 8 > Cinderella 14 > Orlando Furioso 8 > Norma 9 MALANDAIN BALLET CONCERT > Semiramide 9 > Noah 15 OPÉRA NATIONAL DE PARIS DUTCH NATIONAL OPERA MARIINSKY THEATRE, ST. PETERSBURG > Tchaikovsky Cycle (March 27th and May 15th) 18 > Le Nozze de Figaro 10 > Petipa Gala – 200th Birth Anniversary 16 > The 350th Anniversary Inaugural Gala 18 > Der Ring des Nibelungen 11 > Raymonda 16 BASILIQUE CATHÉDRALE DE SAINT-DENIS > Processions 19 MÜNCHNER PHILHARMONIKER > Concerts at Münchner Philharmoniker 19 ZARYADYE CONCERT HALL, MOSCOW > Grand Opening Gala 20 ST. PETERSBURG PHILHARMONIC > 100th Anniversary of Gara Garayev 20 > Gala Concert - 80th Anniversary of Yuri Temirkanov 21 ALHAMBRA DE GRANADA > Les Siècles, conducted by Pablo Heras-Casado 22 > Les Siècles, conducted by François-Xavier Roth 22 > Pierre-Laurent Aimard’s Recital 23 OPÉRA ROYAL DE VERSAILLES > La Damnation de Faust 23 DOCUMENTARY > Clara Haskil, her mystery as a performer 24 > Kreativ, a study in creativity by A. Ekman 24 > Hide and Seek. Elīna Garanča 25 > Alvis Hermanis, the last romantic of Europe 25 > Carmen, Violetta et Mimi, romantiques et fatales 25 CIRCUS > 42nd international circus festival of Monte-Carlo 26
[Show full text]
3. Temporada Artística J Pág 113 J Pág 6 8.1 Alquiler De Espacios J Pág 114
Memoria de actividad 2018/19 1 J 1. Nuestro Liceu 7. Actos de mecenazgo Índice J pág 3 J pág 110 2. Mecenazgo 8. Otras líneas J pág 4 de actividad comercial 3. Temporada artística J pág 113 J pág 6 8.1 Alquiler de espacios J pág 114 3. 1 Ópera J pág 8 8.2 Conciertos de otros programadores J pág 115 3. 2 Danza J pág 48 8.3 Visitas J pág 118 3. 3 Recitales y conciertos J pág 58 9. Información económica 3. 4 El Petit Liceu J pág 82 J pág 119 4. Giras fuera del Liceu 10. Estadísticas J pág 90 J pág 121 4.1 El Petit Liceu J pág. 91 10.1 Oferta y ocupación J pág 122 4.2 Orquesta y Coro del Gran Teatre del Liceu J pág. 92 10.2 Impacto en medios y redes sociales J pág 128 5. Audiovisuales J pág 93 6. La institución J pág 97 6.1 El proyecto social J pág. 98 6.2 El proyecto educativo J pág. 101 6.3 Liceu en el territorio J pág. 104 6.4 Liceu a la Fresca J pág. 105 6.5 Compromiso ambiental y energético J pág. 106 6.6 Las publicaciones del Liceu J pág. 108 2 J Volver al Índice Nuestro Liceu Una nueva temporada que cierra busca también romper barreras geográficas con otras iniciativas, como el Liceu con buenas noticias, pues el Gran en el Territorio, que ha aumentado un 21,27 % el número de personas de fuera de Teatre del Liceu se encamina con Barcelona y el área metropolitana que han venido al Teatre, o el Liceu a la Fresca, entusiasmo hacia el 20 aniversa- que, un año más, ha permitido que cerca de 100 000 personas de España, Fran- rio de la reapertura, una esperada cia y Andorra hayan podido disfrutar al aire libre y de forma gratuita de la ópera celebración que ha servido para Tosca de Puccini.
[Show full text]
Les Contes D'hoffmann
Les contes d'Hoffmann JACQUES OFFENBACH Temporada 2020-2021 Temporada Con el apoyo de: Les contes d’Hoffmann - Jacques Offenbach Volver al índice Patronato de la Fundación del Gran Teatre del Liceu Comisión ejecutiva de la Fundación del Gran Teatre del Liceu Presidente de honor Presidente President de la Generalitat de Catalunya Salvador Alemany Mas Presidente del patronato Vocales representantes de la Generalitat de Catalunya Salvador Alemany Mas Àngels Ponsa Roca, Lluís Baulenas Cases Vicepresidenta primera Vocales representantes del Ministerio de Cultura y Deporte Àngels Ponsa Roca Amaya de Miguel Toral, Antonio Garde Herce Vicepresidente segundo Vocales representantes del Ayuntamiento de Barcelona Andrea Gavela Llopis Joan Subirats Humet, Marta Clarí Padrós Vicepresidente tercero Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta cuarta Vocales representantes de la Societat del Gran Teatre del Liceu Núria Marín Martínez Javier Coll Olalla, Manuel Busquet Arrufat Vocales representantes de la Generalitat de Catalunya Vocales representantes del Consejo de Mecenazgo Lluis Baulenas Cases, Irene Rigau Oliver, Rosa Tubau LLorià, Luis Herrero Borque, Elisa Durán Montolío Angels Barbara Fondevila Secretario Vocales representantes del Ministerio de Cultura y Deporte Joaquim Badia Armengol Javier García Fernández, Amaya de Miguel Toral, Joan Francesc Director General Marco Conchillo, Santiago de Torres Sanahuja Valentí Oviedo Cornejo Vocales representantes del Ayuntamiento de Barcelona
[Show full text]
Programme De La Saison 2019/2020
C ercle Richard Wagner Annecy- Savoie 14 rue des Tilleuls – 74000 Annecy Tel : 06 88 97 68 56 e-mail : [email protected] Site : www.cerclewagner74.com Programme de la saison 2019/2020 Dimanche 13 Octobre 2019 15h OPÉRA Opéra de Lyon Guillaume Tell (Gioacchino Rossini) Orchestre et Choeurs de l’Opéra de Lyon Daniele Rustioni (dm) / Tobias Kratzer (ms) Nicola Alaimo/Enkeledja Shkoza/John Osborn/ Jane Archibald Samedi 19 Octobre 15h CONFÉRENCE Espace Y. Martinet, Annecy « De Wagner à Brecht : les racines de la mise en scène à l’opéra » Par Guy CHERQUI - Entrée non adhérent : 5€ Dimanche 20 Octobre 15h OPÉRA Grand Théâtre, Genève Aïda (Giuseppe Verdi) Orchestre de la Suisse Romande – Chœurs du Grand Théâtre Antonino Fogliani (dm) / Phelim Mc Dermott (ms) Yonghoon Lee/Serena Farnocchia/Marina Prudesnskaya Samedi 16 Novembre Salle Pierre Lamy, Annecy 15h ASSEMBLÉE GÉNÉRALE 17h SPECTACLE : « TEA TIME ! » Récital lyrique par les artistes de la compagnie « Brins de Voix » « Le Clos du Château », Pringy 19h30 APÉRITIF & DÎNER Samedi 7 Décembre 15h PROJECTION Espace Y. Martinet, Annecy Salomé (Richard Strauss) Entrée non adhérent : 5€ Wiener Philarmoniker Karl Böhm (dm) / Götz Friedrich (ms) Teresa Stratas/Bernd Weikel/Astrid Varnay/Hans Beirer Dimanche 15 Décembre 16h OPÉRA Opéra de Lyon Le Roi Carotte (Jacques Offenbach) Orchestre et chœurs de l’Opéra de Lyon Adrien Perruchon (dm) / Laurent Pelly (ms) Christophe Mortagne/Julie Boulianne/Yann Beuron/Christoffe Gay Dimanche 29 Décembre 15h OPÉRA-BALLET Grand Théâtre, Genève Les Indes galantes (Jean-Philippe Rameau) Orchestre Cappella Mediterranea – Ballet du Grand Théâtre Leonardo Garcia Alarcon (dm) / Lydia Steier (ms) Kristina Mkhitaryan/Roberta Mameli/Claire de Sévigné/Amina Edris Samedi 18 Janvier 2020 15h CONFÉRENCE Espace Y.
[Show full text]
Enea Scala Is Now Considered a Reference Name in the Belcanto Baritenor Repertoire
Saverio Clemente Andrea De Amici Luca Targetti Sicilian tenor with a rich and extensive voice, remarkable scenic qualities and an extremely versatile repertoire, Enea Scala is now considered a reference name in the Belcanto baritenor repertoire. After graduating from classical studies, he studied singing at the Conservatory of Bologna and later he specialized with Fernando Cordeiro Opa with whom he is still working. Since his debut in Bologna in 2006 he has ranged from Mozart (Così fan tutte, Don Giovanni, La finta giardiniera) to brilliant Rossini, the Italian Belcanto, works such as Il cappello di paglia di Firenze, L'heure espagnole, L’amico Fritz, Die Fledermaus, La Juive/Leopold to get to his first Verdi titles (Falstaff and Traviata). In the belcanto repertoire beyond Bellini (Sonnambula, Zaira, Puritani, Adelson e Salvini) he is particularly interested in exploring the vast Donizetti’s repertoire (from Don Pasquale, Elisir, Convenienze teatrali to Caterina Cornaro, Lucia di Lammermoor, Maria Stuarda, Le Duc d'Albe). A close relationship links him to Rossini: after a debut in the brilliant genre (Italiana, Barbiere, Cenerentola, Il viaggio a Reims/Belfiore, Pietra del paragone) and the experience in Guillaume Tell (both as Arnoldo/Arnolde and Roudi) he reached now his repertoire of choice, starting with Armida/Rinaldo, later with Ermione/Pilade e Pirro and recently with Tancredi, Mosè in Egitto, Semiramide and La donna del lago/Rodrigo. Enea Scala In 2021 he will return at ROF, where he performed before in Tenore Sigismondo, Viaggio/Libenskof, Mosè in Egitto and Occasione fa il ladro. Enea Scala has sung on the stages of Turin, Florence, Naples, Palermo, Geneve, Marseille, Montecarlo, Lyon, Paris / Champs Elysees, Munich, Brussels, Antwerp, of the Festivals of Martina Franca, Montpellier and Glyndebourne, of Moscow (Bolshoi and Tchaikovsky Concert Hall), London (ROH and Barbican Center), Muscat, Toronto collaborating with conductors such as Bartoletti, Battistoni, Bisanti, Carignani, Ettinger, Haïm, López-Cobos, Luisi, Mariotti, Mazzola, Muti, Noseda, C.
[Show full text]
Gioachino Rossini: 9
A Tribute to Gilbert Duprez DE 3532 John Osborn, tenor Constantine Orbelian, conductor Kaunas City Symphony Orchestra 1 Kaunas State Chorus DELOS DE 3532 JOHN OSBORN • DELOS DE 3532 JOHN OSBORN DELOS DE 3532 JOHN OSBORN • JOHN OSBORN A Tribute to Gilbert Duprez VERDI: Jérusalem — Je veux encore entendre ta voix ♦ Ô mes amis, mes frères d’armes DONIZETTI: La favorite — Ange si pur ♦ Les martyrs — Oui, j’irai dans leur temple ♦ Lucie de Lammermoor — Bientôt l’herbe des champs croîtra ♦ Dom Sébastien — Seul sur la terre A TRIBUTE TO GILBERT DUPREZ DUPREZ GILBERT A TRIBUTE TO A TRIBUTE TO GILBERT DUPREZ DUPREZ GILBERT A TRIBUTE TO HECTOR BERLIOZ: Benvenuto Cellini — La gloire était ma seule idole ♦ Sur les monts, les plus sauvages GIOACHINO ROSSINI: Guillaume Tell — Asile héréditaire John Osborn, tenor Constantine Orbelian, conductor Kaunas City Symphony Orchestra Kaunas State Chorus Total Playing Time: 61:31 DE 3532 © 2017 Delos Productions, Inc., ORIGINAL ORIGINAL DIGITAL P.O. Box 343, Sonoma, CA 95476-9998 DIGITAL (800) 364-0645 • (707) 996-3844 [email protected] • www.delosmusic.com JOHN OSBORN A TRIBUTE TO GILBERT DUPREZ GIUSEPPE VERDI: 1. Jérusalem — Je veux encore entendre ta voix (5:28) 2. Jérusalem — Ô mes amis, mes frères d’armes (4:33) GAETANO DONIZETTI: 3. La favorite — Ange si pur (5:26) 4. Les martyrs — Oui, j’irai dans leur temple (3:08) HECTOR BERLIOZ: 5. Benvenuto Cellini — La gloire était ma seule idole (6:26) 6. Benvenuto Cellini — Sur les monts, les plus sauvages (8:30) GAETANO DONIZETTI: 7. Lucie de Lammermoor — Bientôt l’herbe des champs croîtra (8:23) 8.
[Show full text]
Royal Ballet's
THE ROYAL BALLET’S BERNSTEIN CELEBRATION © Catherine Ashmore Catherine © Jonas Kaufmann in Giuseppe Verdi’s Otello 2 CONTENT OPERAS 3 BALLETS 5 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt Conducted by: Antonio Pappano Staged by: Àlex Ollé (La Fura dels Baus) Cat. No. A02050094 | Length: 154' | Year: 2008 BENJAMIN: LESSONS IN LOVE AND VIOLENCE © Stephen Cummiskey Stephen © Barbara Hannigan/Stéphane Degout/ Gyula Orendt/Peter Hoare DONIZETTI: LUCIA DI LAMMERMOOR Conducted by: George Benjamin Diana Damrau/Charles Castronovo/Artur Ruciński Staged by: Katie Mitchell Conducted by: Daniel Oren Cat. No. A02050124 | Length: approx. 100' | Year: 2018 Staged by: Brett Mitchell Cat. No. A02050089 | Length: 150' | Year: 2016 GIORDANO: ANDREA CHÉNIER Jonas Kaufmann/Eva-Maria Westbroek/Željko Lučić Conducted by: Antonio Pappano Staged by: David McVicar Cat. No. A02050073 | Length: 123' | Year: 2015 MASCAGNI: CAVALLERIA RUSTICANA LEONCAVALLO: PAGLIACCI Eva-Maria Westbroek/ Aleksandrs Antoņenko/ Dimitri Platanias/Carmen Giannattasio Conducted by: Antonio Pappano Staged by: Damiano Michieletto Cat. No. A02050086/87 | Length: 152' | Year: 2016 MOZART: COSÌ FAN TUTTE Corinne Winters/Angela Brower/Daniel Behle/ Alessio Arduini/Johannes Martin Kränzle Conducted by: Semyon Bychkov Staged by: Jan Philipp Gloger Cat. No. A02050123 | Length: 184' | Year: 2016 MUSSORGSKY: BORIS GODUNOV © Bill Cooper Bryn Terfel/John Graham-Hall/John Tomlinson/ Ain Anger/Vlada Borovko BIZET: CARMEN Conducted by: Antonio Pappano Staged by: Richard Jones Anna Goryachova/Francesco Meli/ Cat. No. A02050088 | Length: 136' | Year: 2016 Kostas Smoriginas/Kristina Mkhitaryan Conducted by: Jakub Hrůša Staged by: Barrie Kosky Cat. No. tba | Length: approx. 150' | Year: 2018 3 OFFENBACH: LES CONTES D’HOFFMANN Vittorio Grigolo/Sofia Fomina/Christine Rice/ Sonya Yoncheva/Thomas Hampson Conducted by: Evelino Pidò Staged by: John Schlesinger Cat.
[Show full text]
New on Naxos | JULY 2013
NEW ON The World’s Leading ClassicalNAXO Music LabelS JULY 2013 This Month’s Other Highlights © 2013 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | JULY 2013 Antonino Fogliani Gioachino ROSSINI (1792–1868) Semiramide Alex Penda, soprano (Semiramide) Marianna Pizzolato, contralto (Arsace) • Lorenzo Regazzo, bass (Assur) John Osborn, tenor (Idreno) • Andrea Mastroni, bass (Oroe) Marija Jokovic, soprano (Azema) • Vassilis Kavayas, tenor (Mitrane) Raffaele Facciolà, bass (Nino’s ghost) Camerata Bach Choir, Poznań • Virtuosi Brunensis • Antonino Fogliani Following his triumphant visit to Vienna in 1822, when several of his operas were extremely well received, international success beckoned for Rossini. First performed at La Fenice, Venice in 1823, Semiramide was Rossini’s last Italian opera, written at the height of his creative powers. Its subject is Greek tragedy for which librettist Gaetano Rossi drew on an adaptation by Voltaire. Instrumentally sophisticated and classically structured, the opera remains one of the most remarkable examples of Rossini’s cultivation of bel canto. Antonino Fogliani made his début in 2004 at ROSSINI IN WILDBAD, where his recordings for Naxos include Rossini’s Ciro in Babilonia, Mosè in Egitto, Otello, L’occasione fa il ladro, Vaccaj’s La sposa di Messina and Mercadante’s Don Chisciotte. In 2011 he was named Musical Director of the Festival. 8.660340-42 Playing Time: 3 CDs 3:41:44 7 30099 03407
[Show full text]