Programme De La Saison 2019/2020
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Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation. -
Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’S Message
Société d' Opéra National Capital de la Capitale Nationale Opera Society Spring 2021 NEWSLETTER : BULLETIN Printemps 2021 President’s Message It is March 15, 2021 and I am starting to feel viding a virtual Ring festival throughout optimistic that our jail sentences are coming March. The four operas, recorded in 2018, to an end. Spring is in the air and we saw a are streamed each weekend free of charge. In high of 16 C last week. The vaccines are on addition they offer a series of one hour pre- their way!! Phew! It is about time. sentations on subjects such as the History of We have postponed the next Brian Law The Ring, Dining on the Rhine, Feminism, Opera Competition until October 2022 and Grace Bumbry breaking the colour barrier at will start the planning in the fall. Also we Bayreuth etc. The fee to watch all 16 presen- decided to waive membership fees for this tations is US$99. As always, big thanks year. So do not worry about your member- for contributions from David Williams and ship. However, if you would like to make a his team for the newsletter and to Jim Bur- donation to the society, it will be gratefully gess for our website. received. I will provide you a receipt for As soon as everyone feels safe, we Income Tax purposes. should plan on a special face-to-face meet- I have some sad news to share, that one ing where we can embrace, watch opera, eat, of our long-time supporters passed away re- drink and be merry! cently, Tom McCool. -
3. Temporada Artística J Pág 113 J Pág 6 8.1 Alquiler De Espacios J Pág 114
Memoria de actividad 2018/19 1 J 1. Nuestro Liceu 7. Actos de mecenazgo Índice J pág 3 J pág 110 2. Mecenazgo 8. Otras líneas J pág 4 de actividad comercial 3. Temporada artística J pág 113 J pág 6 8.1 Alquiler de espacios J pág 114 3. 1 Ópera J pág 8 8.2 Conciertos de otros programadores J pág 115 3. 2 Danza J pág 48 8.3 Visitas J pág 118 3. 3 Recitales y conciertos J pág 58 9. Información económica 3. 4 El Petit Liceu J pág 82 J pág 119 4. Giras fuera del Liceu 10. Estadísticas J pág 90 J pág 121 4.1 El Petit Liceu J pág. 91 10.1 Oferta y ocupación J pág 122 4.2 Orquesta y Coro del Gran Teatre del Liceu J pág. 92 10.2 Impacto en medios y redes sociales J pág 128 5. Audiovisuales J pág 93 6. La institución J pág 97 6.1 El proyecto social J pág. 98 6.2 El proyecto educativo J pág. 101 6.3 Liceu en el territorio J pág. 104 6.4 Liceu a la Fresca J pág. 105 6.5 Compromiso ambiental y energético J pág. 106 6.6 Las publicaciones del Liceu J pág. 108 2 J Volver al Índice Nuestro Liceu Una nueva temporada que cierra busca también romper barreras geográficas con otras iniciativas, como el Liceu con buenas noticias, pues el Gran en el Territorio, que ha aumentado un 21,27 % el número de personas de fuera de Teatre del Liceu se encamina con Barcelona y el área metropolitana que han venido al Teatre, o el Liceu a la Fresca, entusiasmo hacia el 20 aniversa- que, un año más, ha permitido que cerca de 100 000 personas de España, Fran- rio de la reapertura, una esperada cia y Andorra hayan podido disfrutar al aire libre y de forma gratuita de la ópera celebración que ha servido para Tosca de Puccini. -
Les Contes D'hoffmann
Les contes d'Hoffmann JACQUES OFFENBACH Temporada 2020-2021 Temporada Con el apoyo de: Les contes d’Hoffmann - Jacques Offenbach Volver al índice Patronato de la Fundación del Gran Teatre del Liceu Comisión ejecutiva de la Fundación del Gran Teatre del Liceu Presidente de honor Presidente President de la Generalitat de Catalunya Salvador Alemany Mas Presidente del patronato Vocales representantes de la Generalitat de Catalunya Salvador Alemany Mas Àngels Ponsa Roca, Lluís Baulenas Cases Vicepresidenta primera Vocales representantes del Ministerio de Cultura y Deporte Àngels Ponsa Roca Amaya de Miguel Toral, Antonio Garde Herce Vicepresidente segundo Vocales representantes del Ayuntamiento de Barcelona Andrea Gavela Llopis Joan Subirats Humet, Marta Clarí Padrós Vicepresidente tercero Vocal representant de la Diputació de Barcelona Joan Subirats Humet Joan Carles Garcia Cañizares Vicepresidenta cuarta Vocales representantes de la Societat del Gran Teatre del Liceu Núria Marín Martínez Javier Coll Olalla, Manuel Busquet Arrufat Vocales representantes de la Generalitat de Catalunya Vocales representantes del Consejo de Mecenazgo Lluis Baulenas Cases, Irene Rigau Oliver, Rosa Tubau LLorià, Luis Herrero Borque, Elisa Durán Montolío Angels Barbara Fondevila Secretario Vocales representantes del Ministerio de Cultura y Deporte Joaquim Badia Armengol Javier García Fernández, Amaya de Miguel Toral, Joan Francesc Director General Marco Conchillo, Santiago de Torres Sanahuja Valentí Oviedo Cornejo Vocales representantes del Ayuntamiento de Barcelona -
Gioachino Rossini: 9
A Tribute to Gilbert Duprez DE 3532 John Osborn, tenor Constantine Orbelian, conductor Kaunas City Symphony Orchestra 1 Kaunas State Chorus DELOS DE 3532 JOHN OSBORN • DELOS DE 3532 JOHN OSBORN DELOS DE 3532 JOHN OSBORN • JOHN OSBORN A Tribute to Gilbert Duprez VERDI: Jérusalem — Je veux encore entendre ta voix ♦ Ô mes amis, mes frères d’armes DONIZETTI: La favorite — Ange si pur ♦ Les martyrs — Oui, j’irai dans leur temple ♦ Lucie de Lammermoor — Bientôt l’herbe des champs croîtra ♦ Dom Sébastien — Seul sur la terre A TRIBUTE TO GILBERT DUPREZ DUPREZ GILBERT A TRIBUTE TO A TRIBUTE TO GILBERT DUPREZ DUPREZ GILBERT A TRIBUTE TO HECTOR BERLIOZ: Benvenuto Cellini — La gloire était ma seule idole ♦ Sur les monts, les plus sauvages GIOACHINO ROSSINI: Guillaume Tell — Asile héréditaire John Osborn, tenor Constantine Orbelian, conductor Kaunas City Symphony Orchestra Kaunas State Chorus Total Playing Time: 61:31 DE 3532 © 2017 Delos Productions, Inc., ORIGINAL ORIGINAL DIGITAL P.O. Box 343, Sonoma, CA 95476-9998 DIGITAL (800) 364-0645 • (707) 996-3844 [email protected] • www.delosmusic.com JOHN OSBORN A TRIBUTE TO GILBERT DUPREZ GIUSEPPE VERDI: 1. Jérusalem — Je veux encore entendre ta voix (5:28) 2. Jérusalem — Ô mes amis, mes frères d’armes (4:33) GAETANO DONIZETTI: 3. La favorite — Ange si pur (5:26) 4. Les martyrs — Oui, j’irai dans leur temple (3:08) HECTOR BERLIOZ: 5. Benvenuto Cellini — La gloire était ma seule idole (6:26) 6. Benvenuto Cellini — Sur les monts, les plus sauvages (8:30) GAETANO DONIZETTI: 7. Lucie de Lammermoor — Bientôt l’herbe des champs croîtra (8:23) 8. -
Royal Ballet's
THE ROYAL BALLET’S BERNSTEIN CELEBRATION © Catherine Ashmore Catherine © Jonas Kaufmann in Giuseppe Verdi’s Otello 2 CONTENT OPERAS 3 BALLETS 5 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt Conducted by: Antonio Pappano Staged by: Àlex Ollé (La Fura dels Baus) Cat. No. A02050094 | Length: 154' | Year: 2008 BENJAMIN: LESSONS IN LOVE AND VIOLENCE © Stephen Cummiskey Stephen © Barbara Hannigan/Stéphane Degout/ Gyula Orendt/Peter Hoare DONIZETTI: LUCIA DI LAMMERMOOR Conducted by: George Benjamin Diana Damrau/Charles Castronovo/Artur Ruciński Staged by: Katie Mitchell Conducted by: Daniel Oren Cat. No. A02050124 | Length: approx. 100' | Year: 2018 Staged by: Brett Mitchell Cat. No. A02050089 | Length: 150' | Year: 2016 GIORDANO: ANDREA CHÉNIER Jonas Kaufmann/Eva-Maria Westbroek/Željko Lučić Conducted by: Antonio Pappano Staged by: David McVicar Cat. No. A02050073 | Length: 123' | Year: 2015 MASCAGNI: CAVALLERIA RUSTICANA LEONCAVALLO: PAGLIACCI Eva-Maria Westbroek/ Aleksandrs Antoņenko/ Dimitri Platanias/Carmen Giannattasio Conducted by: Antonio Pappano Staged by: Damiano Michieletto Cat. No. A02050086/87 | Length: 152' | Year: 2016 MOZART: COSÌ FAN TUTTE Corinne Winters/Angela Brower/Daniel Behle/ Alessio Arduini/Johannes Martin Kränzle Conducted by: Semyon Bychkov Staged by: Jan Philipp Gloger Cat. No. A02050123 | Length: 184' | Year: 2016 MUSSORGSKY: BORIS GODUNOV © Bill Cooper Bryn Terfel/John Graham-Hall/John Tomlinson/ Ain Anger/Vlada Borovko BIZET: CARMEN Conducted by: Antonio Pappano Staged by: Richard Jones Anna Goryachova/Francesco Meli/ Cat. No. A02050088 | Length: 136' | Year: 2016 Kostas Smoriginas/Kristina Mkhitaryan Conducted by: Jakub Hrůša Staged by: Barrie Kosky Cat. No. tba | Length: approx. 150' | Year: 2018 3 OFFENBACH: LES CONTES D’HOFFMANN Vittorio Grigolo/Sofia Fomina/Christine Rice/ Sonya Yoncheva/Thomas Hampson Conducted by: Evelino Pidò Staged by: John Schlesinger Cat. -
Cast Amendment for Guillaume Tell
24 JUNE 2015 CAST AMENDMENT GUILLAUME TELL (Gioachino Rossini ) Due to illness, Spanish tenor Mikeldi Atxalandabaso has withdrawn from singing the role of Ruodi. The role will now be shared between Italian tenor Enea Scala (29 June; 2 and 5 July) and Korean tenor and former Jette Parker Young Artist Ji Hyun Kim (8, 10, 14 and 17 July). Enea Scala makes his Royal Opera debut singing the role of Ruodi. He has previously sung this role for Bavarian State Opera and Munich Opera Festival, and he will sing the role for Geneva Opera in September 2015. His other recent engagements include Don Ottavio ( Don Giovanni ) for São Paulo Opera, Nemorino ( L’elisir d’amore ) in Brescia, Cremona, Como and Pavia, and Belfiore ( La finta giardiniera ) for Glyndebourne on Tour. Ji Hyun Kim was a member of the Jette Parker Young Artists programme 2010–12. His roles for The Royal Opera during this time included First Prisoner ( Fidelio ), Gastone de Letorières ( La traviata ), Helenus ( Les Troyen s) and Roderigo ( Otello ). His recent engagements elsewhere include Bastien (Bastien und Bastienne ) at Sejong Arts Centre in Seoul, and Major Domo (Der Rosenkavalier ) for Marseilles Opera. The rest of the cast remains unchanged, with Canadian baritone Gerald Finley as Guillaume Tell, American tenor John Osborn as Arnold Melcthal, Swedish soprano Malin Byström as Mathilde, Russian bass Alexander Vinogradov as Walter Furst, Russian soprano Sofia Fomina as Jemmy, Albanian mezzo-soprano Enkelejda Shkosa as Hedwige, French bass Nicolas Courjal as Gesler, American bass Eric Halfvarson as Melcthal, Irish-Canadian tenor Michael Colvin as Rodolphe, Australian baritone and Jette Parker Young Artist Samuel Dale Johnson as Leuthold and Music Director of The Royal Opera Antonio Pappano conducting. -
New on Naxos | JULY 2013
NEW ON The World’s Leading ClassicalNAXO Music LabelS JULY 2013 This Month’s Other Highlights © 2013 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | JULY 2013 Antonino Fogliani Gioachino ROSSINI (1792–1868) Semiramide Alex Penda, soprano (Semiramide) Marianna Pizzolato, contralto (Arsace) • Lorenzo Regazzo, bass (Assur) John Osborn, tenor (Idreno) • Andrea Mastroni, bass (Oroe) Marija Jokovic, soprano (Azema) • Vassilis Kavayas, tenor (Mitrane) Raffaele Facciolà, bass (Nino’s ghost) Camerata Bach Choir, Poznań • Virtuosi Brunensis • Antonino Fogliani Following his triumphant visit to Vienna in 1822, when several of his operas were extremely well received, international success beckoned for Rossini. First performed at La Fenice, Venice in 1823, Semiramide was Rossini’s last Italian opera, written at the height of his creative powers. Its subject is Greek tragedy for which librettist Gaetano Rossi drew on an adaptation by Voltaire. Instrumentally sophisticated and classically structured, the opera remains one of the most remarkable examples of Rossini’s cultivation of bel canto. Antonino Fogliani made his début in 2004 at ROSSINI IN WILDBAD, where his recordings for Naxos include Rossini’s Ciro in Babilonia, Mosè in Egitto, Otello, L’occasione fa il ladro, Vaccaj’s La sposa di Messina and Mercadante’s Don Chisciotte. In 2011 he was named Musical Director of the Festival. 8.660340-42 Playing Time: 3 CDs 3:41:44 7 30099 03407 -
MUSICWEB INTERNATIONAL Recordings of the Year 2017
MUSICWEB INTERNATIONAL Recordings Of The Year 2017 This is the fourteenth year that Musicweb International has asked its reviewing team to nominate their recordings of the year. Reviewers are not restricted to discs they had reviewed, but the choices must have been reviewed on MWI in the last 12 months (December 2016-November 2017). The 136 selections have come from 27 members of the team and 68 different labels, the choices reflecting as usual, the great diversity of music and sources. Of the selections, seven have received two nominations: Iván Fischer’s Mahler 3 on Channel Classics Late works by Elliott Carter on Ondine Tommie Haglund’s Cello concerto on BIS Beatrice Rana’s Goldberg Variations on Warner Unreleased recordings by Wanda Luzzato on Rhine Classics Krystian Zimerman’s late Schubert sonatas on Deutsche Grammophon Vaughan Williams London Symphony on Hyperion Two labels – Deutsche Grammophon and Hyperion – gained the most nominations, nine apiece, considerably more than any other label. MUSICWEB INTERNATIONAL RECORDING OF THE YEAR In this twelve month period, we published more than 2700 reviews. There is no easy or entirely satisfactory way of choosing one above all others as our Recording of the Year. In some years, there have been significant anniversaries of composers or performers to help guide the selection, but not so in 2017. Johann Sebastian BACH Goldberg Variations - Beatrice Rana (piano) rec. 2016 WARNER CLASSICS 9029588018 In the end, it was the unanimity of the two reviewers who nominated Beatrice Rana’s Goldberg Variations – “easily my individual Record of the Year” and “how is it possible that she can be only 23” – that won the day. -
Gioachino Rossini (1792–1868) Italian, Ingenious, Inspired
Gioachino Rossini (1792–1868) Italian, ingenious, inspired. Gioachino Rossini occupied an unrivalled position in the Italian musical world of his time, winning considerable success relatively early in his career. He was the first of the great 19th century Italian opera composers and brought opera into the public consciousness and even today his music still rings true. Rossini had already written ten operas before he was 21, and eventually composed 39 major stage works, though in his last thirty years he wrotcve nothing new. He did try to become a composer of serious operas, but it will always be his comic operas, The Barber of Seville (8.553436) and Cinderella (8.660191-92) that his fame will rest. Label Cat. No. Composer Title Feartured Artists UPC Ekaterina Sadovnikova, Miriam Zubieta, Soprano / Margarita Gritskova, Mezzo-soprano / Gheorghe Vlad, Yasushi Watanabe, Tenor / ROSSINI, Gioachino 1 Naxos 8.660401-02 Adelaide di Borgogna [2 CDs] Cornelius Lewenberg, Baritone / 0730099040174 (1792–1868) Baurzhan Anderzhanov, Bass-baritone / Camerata Bach Choir, Poznań / Virtuosi Brunensis / Luciano Acocella Digital Exclusive Arias for Contralto Ewa Podles, Contralto / ROSSINI, Gioachino The Barber of Seville • The Lady of the Lake • Hungarian State Opera Chorus / 2 Naxos 8.553543 0730099454322 (1792–1868) Tancredi • Semiramide • The Italian Girl in Algiers Hungarian State Opera Orchestra / • Cinderella • Maometto II Pier Giorgio Marandi Silvia Dalla Benetta, Soprano / Ana Victória Pitts, Marina Viotti, Mezzo-soprano / ROSSINI, Gioachino 3 Naxos -
BORIS GODOUNOV and DON PASQUALE in PARIS
BORIS GODOUNOV and DON PASQUALE in PARIS Amsterdam, Brussels, Paris visit Bruges and Versailles – 10 days Departure: June 03, 2018 Return: June 12, 2018 Here is an opportunity to hear the great bass singer Ildar Abdrazakov, who made his Metropolitan Opera debut in 2004 under James Levine, sing the part of BORIS GODOUNOV at the Palais Garnier in Paris. In Amsterdam you will hear THE TALES OF HOFFMAN, with sub/sur-titles in English, sung by the exceptional American tenor John Osborn, who made his Met debut in 1996. In Brussels, you will hear the bass singer Ante Jerkunica in BLUEBEARD’S CASTLE. We will stay in the deluxe hotels very near to the famous museums in each of these cites, to see Rembrandt’s masterpiece “The Night Watch” and Leonardo da Vinci’s “Mona Lisa”. Opera Performances In Amsterdam: June 06 – The Tales of Hoffman by Jacques Offenbach at the Dutch National Opera. In Brussels: June 08 – Bluebeard’s Castle by Bela Bartok at the La Monnaie De Munt Opera In Paris: June 09 – Don Pasquale by Gaetano Donizetti at Palais Garnier June 10- Boris Godounov by Modest Mussorgsky at Palais Garnier Sunday, June 03. (D)* DEPART FOR AMSTERDAM Depart this evening aboard any airline of your choice to Amsterdam, Holland. Dinner and light breakfast served on the plane. Monday, June 04. (B,D). AMSTERDAM Independent arrival at the Schippol International Airport. Take a taxi to the deluxe centrally located RADISSON BLU HOTEL, where we stay three nights. We will reimburse you the taxi fare. Briefing and Gala Welcome Dinner at the hotel. -
La Donna Del Lago
GIOACHINO ROSSINI la donna del lago conductor Opera in two acts Michele Mariotti Libretto by Andrea Leone Tottola, production Paul Curran based on the poem The Lady of the Lake by Sir Walter Scott set and costume designer Kevin Knight Saturday, March 14, 2015 lighting designer 1:00–4:10 PM Duane Schuler projection designer New Production Driscoll Otto Last time this season The production of La Donna del Lago was made possible by a generous gift from the Betsy and Edward Cohen/Areté Foundation Fund for New Productions and Revivals, and Dominique and Frédéric Laffont Additional funding was received from Mr. and Mrs. William R. Miller, and general manager Peter Gelb William and Helen Little music director James Levine Co-production of the Metropolitan Opera and principal conductor Fabio Luisi the Santa Fe Opera The 8th Metropolitan Opera performance of GIOACHINO ROSSINI’S This performance la donna is being broadcast live over The del lago Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Michele Mariotti America’s luxury in order of vocal appearance homebuilder®, with generous long-term elena, daughter of dugl as d’angus support from Joyce DiDonato The Annenberg giacomo v, king james of scotl and, disguised as uberto Foundation, The Juan Diego Flórez Neubauer Family Foundation, the malcolm groeme, in love with elena Vincent A. Stabile Daniela Barcellona Endowment for ser ano, servant to dugl as Broadcast Media, and contributions Eduardo Valdes from listeners dugl as d’angus, scot tish nobleman, worldwide. former tutor of king james Oren Gradus There is no Toll Brothers– rodrigo di dhu, chief of the highlanders Metropolitan Opera John Osborn* Quiz in List Hall today.