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Ερμούπολη, 15 Ιουλίου 2018 Αγαπητέ Φίλε του Φεστιβάλ Αιγαίου: Σε ευχαριστούμε που είσθε στο ιστορικό θέατρο Απόλλων απόψε για μία ακόμη παράσταση κατα τη διάρκεια του 14ου Ετησιου Διεθνούς Φεστιβάλ Αιγαίου. Οι συναυλίες και παρουσιάσεις που έχουν σχεδιαστεί για τη φετινή χρονιά του Φεστιβαλ οργανώνονται περισσότερο από ένα χρόνο και ξεπερνούν ό,τι έχουμε κάνει ποτέ στο παρελθόν. Αυτή τη χρονιά έχουμε περισσότερους από 350 καλλιτέχνες από 28 χώρες που βρίσκονται εδώ τουλάχιστον 14 ημέρες κάνοντας πρόβα, προετοιμαζόενοι και τελικά, παρουσιάζοντας μεγάλο κλασικό ρεπερτόριο: όπερα, συμφωνίες, κονσέρτα, τραγούδια, τζαζ, μπαλέτο και τους νεαρούς καλλιτέχνες του Greek Opera Studio. Πουθενά στην Ελλάδα το καλοκαίρι δεν υπάρχει ένα τόσο ποικιλόμορφο γεματό δράμα φεστιβάλ τέτοιου διεθνούς επιπέδου. Σχέδια έχουν ήδη φτιαχτεί για το 2019 (το 15ο Φεστιβάλ) και το 2020 (το 16ο Φεστιβάλ) με πολλές εκπλήξεις — τις οποιες θα ανακοινώσουμε μεσα στους επόμενους μήνες. Την επόμενη χρονιά, το Φεστιβάλ θα παρουσιάσει μία μεγάλη όπερα ξανά και υπαρχουν σκέ- ψεις για το εργο IL TROVATORE του Verdi, το έργο NORMA του Bellini και το έργο FIDELIO του Beethoven καθώς και μουσική των Mahler, Mozart, Beethoven, Gershwin, Bernstein, Schu- 2 bert, Schuman και Faure. Θα ήθελα να ευχαριστήσω τον Δήμαρχο Γιώργο Μαραγκό και την Αντιδήμαρχο Θωμαή Μενδρινού όπως επίσης και τον Δήμο Σύρου- Ερμούπολης για τη συνεχή στήριξή τους και τον ενθουσιασμό τους για αυτό που κάνουμε κάθε καλοκαίρι σε αυτό το ειδυλλιακό νησί. Πραγματικά, μετά απο 14 χρόνια, καποιος θα μπορούσε να πεί οτι σαφως και δικαίως το Φεστιβάλ Αιγαίου έχει διακριθέι ώς το «Salzburg του Αίγαίου». Η συνεχής σας υποστήριξη και το ενδιαφέρον σας είναι πολύ σημαντικό μέρος των ελπίδων μας και των ονείρων μας για το μέλλον. Με σεβασμό, Παναγιώτης Τιμπόρης Γενικός Μουσικός Διευθυντής MidAmerica Productions & MidAm International Επίτιμος πολίτης της Σύρου Hermoupolis, July 15, 2018 Dear Friends of the Festival of the Aegean: Thank you very much for coming to the historic Apollo Theater this evening for a perfor- mance during our 14th Annual International Festival of the Aegean; we have been planning the concerts and presentations for this year’s Festival for more than a year and this Festival will exceed everything and anything we have done in the past. This year we have more than 350 artists from 28 countries spending at least 14 days pre- paring, rehearsing and presenting major classical repertoire: opera, symphonies, concerti, lieder, jazz, ballet, and the Greek Opera Studio of young artists from throughout the music world. Nowhere during the summer in all of Greece is there a more dramatic and varied fes- tival on such an international scale. Plans are presently been made for 2019 (the 15th Festival) and 2020 (the 16th Festival) with many surprises — which we will announce during future months. For next year a number of operas are being seriously considered including Verdi’s IL TROVA- TORE, Bellini’s NORMA and Beethoven’s FIDELIO, to name several, as well as concert works by Mahler, Mozart, Beethoven, Gershwin, Bernstein, Schubert, Schuman and Faure. 3 I wish to pay tribute to Mayor George Marangos and vice-mayor Thomai Mendrinou as well as the Municipality for their continued support and enthusiasm for what we do each summer on this idyllic Island. Indeed, after 14 years, one can safely and confidently proclaim that the Festival of the Aege- an has emerged as the “Salzburg of the Aegean.” Your continued support and interest is a very important part of our hopes and dreams for the future. Warmly and respectfully, Peter Tiboris General Music Director MidAmerica Productions and MidAm International Honorary Citizen of Syros Με ευγνωμοσύνη ΣΤΟ ΔΉΜΟ ΣYΡΟY - ΕΡΜΟYΠΟΛΉΣ GEORGE MARANGOS 4 Δήμαρχος Σύρου - Ερμούπολης THOMAI MENDRINOU Αντιδήμαρχος Πολιτισμού PETER TIBORIS and EILANA LAPPALAINEN - TIBORIS 5 Principal Artistic and Financial Sponsors of the INTERNATIONAL FESTIVAL OF THE AEGEAN “The Salzburg of the Aegean” since July 1, 2005 The appearance of the PAN-EUROPEAN PHILHARMONIA OF WARSAW is made possible due to the generous support of the SCHWARZ FOUNDATION Munich, Germany “ΤΟ SALZBURG ΤΟΥ ΑΙΓΑΙΟΥ” 15 - 29 ΙΟYΛΙΟY, 2018 Πόλη της Ερμούπολης, Νησί της Σύρου, Ελλάδα ΠΑΡΟΥΣΙΑΖΕΤΑΙ ΑΠΟ ΤΗΝ MIDAMERICA PRODUCTIONS, INC. ΚΑΙ ΤΗΝ MIDAM INTERNATIONAL, INC. ΤΗΣ ΝΕΑΣ ΥΟΡΚΗΣ ΣΕ ΣΥΝΕΡΓΑΣΙΑ ΜΕ ΤΟΝ ΔΗΜΟ ΣΥΡΟΥ – ΕΡΜΟΥΠΟΛΗΣ ΓΕΏΡΓΙΟΣ ΜΑΡΑΓΚΟΣ, ΔΗΜΑΡΧΟΣ ΚΑΙ ΘΏΜΑΗ ΜΕΝΔΡΙΝΟΥ, ΑΝΤΙΔΗΜΑΡΧΟΣ ΠΟΛΙΤΙΣΜΟΥ PETER TIBORIS 6 Ιδρυτής, Γενικός Διευθυντής και Μουσικός Διευθυντής EILANA LAPPALAINEN Artistic Director of Festival Opera Productions General Director of Greek Opera Studio, Festival Manager PAN-EUROPEAN PHILHARMONIA ΑΠΟ ΤΗ ΒΑΡΣΟΒΙΑ Jakub Fiebig, Εκτελεστικός Διευθυντής 358 ΠΡΟΣΚΕΚΛΗΜΕΝΟΙ ΚΑΛΛΙΤΕΧΝΕΣ ΚΑΙ ΣΥΝΕΡΓΑΤΕΣ ΠΑΡΑΓΩΓΗΣ ΑΠΟ 22 ΧΩΡΕΣ GIOVANNI PACOR Κύριος Προσκεκλημένος Μαέστρος MARTA KLUCZYŃSKA Συνεργάτις Φιλοξενούμενη Μαέστρος RENATO ZANELLA Διευθυντής – Μπαλέτο & Χορός DETLEF SOELTER Σκηνοθέτης – H Σταχτοπούτα JENS HUEBNER Τεχνικός Διευθυντής, Σκηνογράφος και Σχεδιαστής Φωτισμού ZOE ZENIODI Ειδική Συνεργάτις του Peter Tiboris σε θέματα μουσικής Pre-Festival Events Γιορτάζοντας το 14Ο ΔΙΕΘΝΕΣ ΦΕΣΤΙΒΑΛ ΑΙΓΑΙΟΥ SATURDAY, JULY 7, 2018, 20:00 Έπαυλη Τσιροπινά - Ποσειδωνία Tsiropinas Mansion - Posidonia Φεστιβάλ Αιγαίου “Kick-Off!” Με τους συμμετέχοντες του Greek Opera Studio σε αριες όπερας και ντουέτα. Festival of the Aegean “Kick-Off!” Featuring Greek Opera Studio Artists in opera arias and duets Eilana Lappalainen, General and Artistic Director of GOS and Hostess of the Kickoff Manolis Papasifakis, Pianist FRIDAY, JULY 13, 2018, 21:00 Εκκλησία Παρθένου Μαρίας στο χωριό Χρούσσα 7 St. Mary the Virgin in the Village of Chroussa Solo a cappella performances by visiting American choirs: Rincon/University High School Concert Choir, Tucson, AZ (Mareena Boosamra Ball, Director) Bethel College Voices of Triumph, Mishawaka, IN (Jeshua Franklin, Director) Second Presbyterian Church Sanctuary Choir, Indianapolis, IN (Michelle L. Louer, Director) Northeast Louisiana Chorus, Monroe, LA (Deborah Chandler, Director) Winston-Salem Youth Chorus / Salem College, Choirs and Palmetto Voices, Winston-Salem, NC (Sonja Sepúlveda, Director) Hosted by Father Albescu Flavianos and his church community. SATURDAY, JULY 14, 2018, 21:00 Megaron Café Το Greek Opera Studio παρουσιάζει μια βραδιά Μουσικου Θεάτρου Greek Opera Studio performing an evening of Musical Theater Eilana Lappalainen, General and Artistic Director of Greek Opera Studio Markos Kotsias, Pianist These events are free and open to the public. SUNDAY, JULY 15, 2018, AT 20:30 Apollo Theater (“La piccola scala”) – 154th Season “ΦΕΣΤΙΒΑΛ ΑΙΓΑΙΟΥ – ΤΟ SALZBURG ΤΟΥ ΑΙΓΑΙΟΥ” The Genius of Rossini & Tchaikovsky Εναρκτήρια συναυλία του Φεστιβάλ PAN-EUROPEAN PHILHARMONIA OF WARSAW Peter Tiboris, Music Director Jakub Fiebig, Executive Manager Peter Tiboris, Conductor Eilana Lappalainen, Soprano Katerina Roussou, Mezzo-Soprano Alessandro Luciano, Tenor Daniel Borowski, Bass ROSSINI Stabat Mater (1841) Commemorating the 150th Anniversary of the Death of Gioachino Rossini (1792-1868) I. Stabat Mater dolorosa 8 II. Cujus animam III. Quis est homo IV. Pro peccatis V. Eja, Mater VI. Sancta Mater VII. Fac ut portem VIII. Inflammatus IX. Quando corpus morietur X. In sempiterna saecula. Amen intermission TCHAIKOVSKY Symphony No. 5 in E minor, Op. 64 (1888) I. Andante - Allegro con anima II. Andante cantabile, con alcuna licenza III. Valse. Allegro moderato IV. Finale. Andante maestoso - Allegro vivace Participating Choruses: Chœur d’Enfants d’Île-de-France, Paris, France (Francis Bardot, Director) Rincon/University High School Concert Choir, Tucson, AZ (Mareena Boosamra Ball, Director) Northeast Louisiana Chorus, Monroe, LA (Deborah Chandler, Director) Bethel College Voices of Triumph, Mishawaka, IN (Jeshua Franklin, Director) Second Presbyterian Church Sanctuary Choir, Indianapolis, IN (Michelle L. Louer, Director) Winston-Salem Youth Chorus / Salem College Choirs and Palmetto Voices, Winston-Salem, NC (Sonja Sepúlveda, Director) DAVID R. THYE, Chorus Master (United States) ☛ 120 minutes with one intermission ☚ MONDAY, WEDNESDAY, FRIDAY, SUNDAY, JULY 16, 18, 20, 22, 2018, AT 20:30 Apollo Theater (“La piccola scala”) – 154th Season “ΦΕΣΤΙΒΑΛ ΑΙΓΑΙΟΥ – ΤΟ SALZBURG ΤΟΥ ΑΙΓΑΙΟΥ” Rossini: La Cenerentola Η Σταχτοπούτα (Πρεμιέρα) (1817) Τιμώντας την 150η Επέτειο θανάτου του Gioachino Rossini (1792-1868) PAN-EUROPEAN PHILHARMONIA OF WARSAW Peter Tiboris, Music Director Jakub Fiebig, Executive Manager Giovanni Pacor, Principal Guest Conductor Detlef Soelter, Stage Director CAST Angelina ......................................................................................... Tamara Gura, Mezzo-Soprano Don Ramiro ................................................................................. Damir Zakirov, Tenor Dandini ........................................................................................... Jerome Boutillier, Baritone Don Magnifico .......................................................................... Costas Tsourakis, Bass 9 Clorinda ......................................................................................... Marilena Striftombola, Soprano Tisbe ................................................................................................. Miranda Makrynioti, Mezzo-Soprano Alidoro ............................................................................................ David Malis, Baritone Courtiers from Prince Ramiro’s Palace Members of Solartissimo Choir of Conservatory
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    LPs-Vocal Recitals All just about 1-2 unless otherwise described. Single LPs unless otherwise indicated. Original printed matter with sets should be included. 4208. LUCINE AMARA [s]. RECITAL. With David Benedict [pno]. Music of Donaudy, De- bussy, de Falla, Szulc, Turina, Schu- mann, Brahms, etc. Cambridge Stereo CRS 1704. $8.00. 4229. AGNES BALTSA [ms]. OPERA RECITAL. From Cenerentola, Il Barbiere di Siviglia, La Favorita, La Clemenza di Tito , etc. Digital stereo 067-64-563 . Cover signed by Baltza . $10.00. 4209. ROLF BJÖRLING [t]. SONGS [In Swedish]. Music of Widéem, Peterson-Berger, Nord- qvist, Sjögren, etc. The vocal timbre is quite similar to that of Papa. Odeon PMES 552. $7.00. 3727. GRACE BUMBRY [ms]. OPERA ARIAS. From Camen, Sappho, Samson et Dalila, Dr. Frieder Weissmann and Don Carlos, Cavalleria Rustican a, etc. Sylvia Willink-Quiel, 1981 Deut. Gram. Stereo SLPM 138 826. Sealed . $7.00. 4213. MONTSERAAT CABALLÉ [s]. ROSSINI RARITIES. Orch. dir. Carlo Felice Cillario. From Armida, Tancredi, Otello, Stabat Mater, etc. Rear cover signed by Caballé . RCA Victor LSC-3015. $12.00. 4211. FRANCO CORELLI [t] SINGS “GRANADA” AND OTHER ROMANTIC SONGS. Orch. dir Raffaele Mingardo. Capitol Stereo SP 8661. Cover signed by Corelli . $15.00. 4212. PHYLLLIS CURTIN [s]. CANTIGAS Y CANCIONES OF LATIN AMERICA. With Ryan Edwards [pno]. Music of Villa-Lobos, Tavares, Ginastera, etc. Rear cover signed by Curtin. Vanguard Stereolab VSD-71125. $10.00. 4222. EILEEN FARRELL [s]. SINGS FRENCH AND ITALIAN SONGS. Music of Respighi, Castelnuovo-Tedesco, Debussy. Piano acc. George Trovillo. Columbia Stereo MS- 6524. Factory sealed. $6.00.
  • Repertoire and Performance History Virginia Opera Repertoire 1974-2020

    Repertoire and Performance History Virginia Opera Repertoire 1974-2020

    Repertoire and Performance History Virginia Opera Repertoire 1974-2020 1974–1975 Initial Projects LA BOHÈME – January 1975 N LA TRAVIATA – June 1975 N 1975–1976 Inaugural Subscription Season TOSCA – October/November 1975 N LUCIA DI LAMMERMOOR – January 1976 N THE BARBER OF SEVILLE – March/April 1976 N 1976–1977 RIGOLETTO – October/November 1976 N IL TROVATORE – January 1977 N THE IMPRESARIO/I PAGLIACCI – March/April 1977 N 1977–1978 MADAMA BUTTERFLY – October/November 1977 N COSÌ FAN TUTTE – January/February 1978 N MARY, QUEEN OF SCOTS – American Premiere– April 1978 N 1978–1979 CARMEN – October/November 1978 N THE DAUGHTER OF THE REGIMENT – January 1979 N DON GIOVANNI – March/April 1979 N 1979–1980 LA BOHÈME – October/November 1979 N A CHRISTMAS CAROL – World Premiere – December 1979 N DON PASQUALE – January/February 1980 N THE TALES OF HOFFMAN – March 1980 N 1980–1981 PORGY AND BESS – October/November 1980 N, R HANSEL AND GRETEL – December 1980 N WERTHER – January/February 1981 N I CAPULETI E I MONTECCHI – March/April 1981 N 1981–1982 FAUST – October/November 1981 N CINDERELLA – December 1981 N LA TRAVIATA – January 1982 N THE MAGIC FLUTE – March 1982 N 1982–1983 DIE FLEDERMAUS – October/November 1982 N, R AMAHAL AND THE NIGHT VISITORS – December 1982 N MACBETH – January 1983 N THE ELIXIR OF LOVE – March 1983 N 1983–1984–Inaugural Subscription Season Richmond NORMA – October 1983 R GIANNI SCHICCHI/SUOR ANGELICA – December 1983 R RIGOLETTO – January 1984 N, R THE GIRL OF THE GOLDEN WEST – February/March 1984 N 1984–1985 THE MARRIAGE
  • Salome Nella Tradizione Letteraria a Pag 10

    Salome Nella Tradizione Letteraria a Pag 10

    Anno XII - Numero 1 - 16 gennaio 2007 L'intervista Parlano il regista Albertazzi il soprano Patanè ed il direttore Neuhold A Pag 2 La danza dei Sette Veli L’erotico e scandaloso cuore dell’opera A Pag 8 a 9 Metamorfosi del personaggio Salome nella tradizione letteraria A Pag 10 I tagli di Strauss Salome più casta e testo essenziale A pag. 14 di RichardSALOME Strauss Salome 2 Il Giornale dei Grandi Eventi Parlano il regista Albertazzi, il soprano Patanè ed il baritono Golesorkhi «Nel nostro “prologo” la fusione La Stagione 2007 tra opera letteraria e musicale» al Teatro Costanzi 8 - 14 Marzo WERTHER di Jules Massenet a Salome di Richard voce fuori campo di Jo- bre “Danza dei sette veli”, Direttore Alain Lombard chanaan. «I tre attori – la ‘Salomes Tanz’ di Interpreti Rolando Villazon, Beatrice Uria-Monzon, Strauss apre la sta- Natale De Carolis, Yvette Bonner gione 2007 del Tea- commenta Albertazzi - ci Strauss. «Il corpo di Salo- tro dell’Opera di Roma, conducono dentro il mondo me seduce perchè è schivo e 20 Aprile - 3 Maggio LA TRAVIATA con un’edizione molto di Strauss. Penso, infatti, sessualmente ambiguo – di Giuseppe Verdi L Direttore Gianluigi Gelmetti attesa per la regia di che lo sbocco naturale della sostiene Albertazzi - ap- Giorgio Albertazzi, alla tragedia di Wilde sia pro- passionato e cinico, pronto Interpreti Angela Gheorghiu, Vittorio Grigolo, Renato Bruson, Giuseppe Filianoti sua quarta esperienza li- prio la musica di Strauss». al riso e alle lacrime. Una rica. «Lavoro veramente «Quello del musicista - danza che è una dramma- 16 - 22 Maggio LA FILLE DU RÉGIMENT piacevole, la mia più impor- continua il Regista - è uno turgia, un racconto, il rac- di Gaetano Donizetti tante regia lirica.
  • Liszt Ferenc Hangversenyteremben

    Liszt Ferenc Hangversenyteremben

    1 / 90 2 / 90 Portfólió dr. habil Vas Bence 3 / 90 2014 FRANZ SCHUBERT (1797 - 1828) VAS BENCE (1971 -) G-dúr Szonáta – Sonata in G major D. 894 gitár – guitar 1. Molto Moderato e Cantabile 20’16 2. Andante 8’57 3. Menuetto: Allegro Moderato – Trio 5’34 4. Allegretto 12’19 Asaf Records 2014 ©& AS-02VB FRANZ SCHUBERT - VAS BENCE Made in EU G-dúr Szonáta – Sonata in G major D. 894 gitár – guitar Schubert 1826-ban komponált, Otto Erich Deutsch műjegyzékében 894-es számmal szereplő G-dúr szonátája nemcsak a zeneszerző, hanem akár a korai romantika világába is lényegi betekintést enged. A később Schubert nagyságának elismeréséért oly sokat tett ifjabb zeneszerző kolléga, Robert Schumann lelkesen méltatta e mű koncepcióját, tökéletességét. Bár Schubert Bécsben a már akkor zeneszerző- óriásnak tekintett Beethoven hírnevének árnyékában élte életét, zongoraszonátáinak köre oly eredeti és sokrétű, költészetük oly lebilincselő, hogy az igazán nagy pianisták mindig is fontos kihívásnak érezték titkaik megfejtését. Igen, titkok! A korai romantika a töredékek, a fél- behagyott kijelentések, a finom utalásokkal átszőtt költészet világa — Schubertnél: egy-egy intenzív pillanatot megragadó miniatűrök, sokféle különös okból és módon befejezetlenül maradt alkotás, a terjedelmes művekben meg az impulzív fantáziaszerűség és az intellek- tuális bravúrok lenyűgöző keveréke. A G-dúr szonáta korábbi, ma már elvetett feltevés sze-rint nem is szonáta, hanem fantázia, vagy akár négy önálló zongoramű. Az első kiadásban valóban önálló darabokként láttak napvilágot, az első tétel a kiadói önkényben épp a Fantasia megjelölést kapta. Az analízisben is járatos zeneértő előtt azonban feltárul a tételek erős koherenciája (például a h-moll/H-dúr hangnem ismétlődő felbukkanásai révén), s miközben a hallgató jó okkal engedi át magát a finomabbnál finomabb hangszínek, harmónia- és hangnemváltások álomszerűen kiszámíthatatlan áttűnéseinek, a háttérben a mű tökéletesen világos elrendezése tárul fel, Schubert zse- nialitását tükrözve.