Salome Nella Tradizione Letteraria a Pag 10

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Salome Nella Tradizione Letteraria a Pag 10 Anno XII - Numero 1 - 16 gennaio 2007 L'intervista Parlano il regista Albertazzi il soprano Patanè ed il direttore Neuhold A Pag 2 La danza dei Sette Veli L’erotico e scandaloso cuore dell’opera A Pag 8 a 9 Metamorfosi del personaggio Salome nella tradizione letteraria A Pag 10 I tagli di Strauss Salome più casta e testo essenziale A pag. 14 di RichardSALOME Strauss Salome 2 Il Giornale dei Grandi Eventi Parlano il regista Albertazzi, il soprano Patanè ed il baritono Golesorkhi «Nel nostro “prologo” la fusione La Stagione 2007 tra opera letteraria e musicale» al Teatro Costanzi 8 - 14 Marzo WERTHER di Jules Massenet a Salome di Richard voce fuori campo di Jo- bre “Danza dei sette veli”, Direttore Alain Lombard chanaan. «I tre attori – la ‘Salomes Tanz’ di Interpreti Rolando Villazon, Beatrice Uria-Monzon, Strauss apre la sta- Natale De Carolis, Yvette Bonner gione 2007 del Tea- commenta Albertazzi - ci Strauss. «Il corpo di Salo- tro dell’Opera di Roma, conducono dentro il mondo me seduce perchè è schivo e 20 Aprile - 3 Maggio LA TRAVIATA con un’edizione molto di Strauss. Penso, infatti, sessualmente ambiguo – di Giuseppe Verdi L Direttore Gianluigi Gelmetti attesa per la regia di che lo sbocco naturale della sostiene Albertazzi - ap- Giorgio Albertazzi, alla tragedia di Wilde sia pro- passionato e cinico, pronto Interpreti Angela Gheorghiu, Vittorio Grigolo, Renato Bruson, Giuseppe Filianoti sua quarta esperienza li- prio la musica di Strauss». al riso e alle lacrime. Una rica. «Lavoro veramente «Quello del musicista - danza che è una dramma- 16 - 22 Maggio LA FILLE DU RÉGIMENT piacevole, la mia più impor- continua il Regista - è uno turgia, un racconto, il rac- di Gaetano Donizetti tante regia lirica. Sono al- scenario fatto di passioni conto di una perdizione Direttore Bruno Campanella meno quindici anni che de- non corrisposte, dominato estetizzante e di una pas- Interpreti Carmela Remigio, Aldo Caputo, sideravo fare la Salome, dalla luna ed al cui centro sione necrofila». In merito Alberto Rinaldi, Anna Procleme per la sua carica erotica di- vi è un’eroina, Salome, alle caratteristiche cano- creatura adorabile e allo re della protagonista, 15 - 23 Giugno MANON LESCAUT rompente, per l’avanguar- di Giacomo Puccini dismo che in essa si respira: stesso tempo vergine fatale Francesca Patenè sostie- Direttore Donato Renzetti il Manifesto dell’Espressio- e necrofila. ‘Voglio’ è il suo ne che «Quello di Salome è Interpreti Norma Fantin, Marco Berti nismo del 1905, Schönberg, verbo: Salome è eccessiva, un ruolo difficile, nel mo- Kandinskij e Klee, tutto in preda a qualcosa di furi- nologo finale che segue la 27 Novembre - 2 Dicembre MOSÈ IN EGITTO questo è alle porte». Parla bondo. E’ bambina e ragaz- Danza così come all’inizio di Gioachino Rossini da innamorato Albertaz- zo insieme, forse un andro- con Jochanaan. Per fortuna Direttore Antonino Fogliani gino: è Alfred Douglas, il la natura mi ha dotata di Interpreti Michele Pertusi, Giorgio Surian, zi, che per l’occasione ha Anna Rita Taliento, Stefano Secco scritto un prologo in pro- bellissimo Bosie amato da una voce adatta a ruoli co- sa che introduce l’opera Wilde». me questo o quello di Tu- 21 - 30 Dicembre LA VEDOVA ALLEGRA di Strauss. «Il prologo di L’opera al Teatro Co- randot che è una delle figu- di Franz Lehàr circa venti minuti, in ita- stanzi Salome è stata rap- re da me più spesso inter- Direttore Daniel Oren liano, riassume il testo di presentata 10 volte, la pretate. Nel ruolo di Salo- Interpreti Fiorenza Cedolins, Vittorio Grigolo, Markus Werba Wilde introducendo lo spet- prima il 9 marzo 1908. me cerco di ottenere le sfu- tatore al musikdrama e Nel 1924 a dirigerla fu lo mature d’espressione, la ca- creando una fusione, senza stesso autore, mentre l’e- pacità di destreggiare con i La Stagione Estiva 2007 soluzione di continuità, tra dizione del 1977, con la colori, cosa nient’affatto alle Terme di Caracalla l’opera letteraria e quella regia di Margherita Wal- semplice che richiede una NABUCCO, TURANDOT, PAGLIACCI musicale», spiega il Regi- lmann, fece scandalo per tecnica particolare». sta collaboratore Tito il soprano Felicia La direzione dell’orche- ~ ~ La Locandina ~ ~ Schipa Jr, curatore del Weathers (Salome) che stra è affidata al Maestro commento sonoro con rimaneva nuda al termi- austriaco Günter Terme Costanzi, 16 - 21 gennaio 2007 Mario Distaso. Gli attori ne della danza dei sette Neuhold, scelto per so- Opera inaugurale della stagione 2007 in scena durante il prolo- veli. L’ultima volta è sta- stituire in extremis Alain SALOME go sono Maruska Alber- ta rappresentata nella Lombard, che ha dovuto Musikdrama in un atto tazzi (nella parte di Salo- stagione 1977/78. rinunciare all’incarico Libretto di Hedwig Lachmann (traduzione tedesca del dramma di Oscar Wilde) me), Anita Bartolucci In questa edizione è la per motivi di salute. «Il Musica di Richard Strauss (Erodiade) e Sergio Ro- stessa Francesca Patanè mio primo contatto con la Prima rappresentazione: Dresda, Konigliches.. Opernhaus, 9 dicembre 1905 mano (Erode). Giorgio (soprano nel ruolo di Sa- Salome – afferma il Di- Albertazzi interpreta la lome) ad eseguire la cele- rettore - è stato vari anni fa Maestro concertatore e Direttore Günter Neuhold Regia Giorgio Albertazzi al Teatro Regio di Parma. Regista collaboratore Tito Schipa Jr. ~ ~ La Copertina ~ ~ Questo nuovo allestimento Scene Lorenzo Fonda del Costanzi mi sembra Costumi Elena Mannini Movimenti coreografici Gabriella Borni A.C. da Gustav Klimt - Salome o Giuditta II (1909) molto bello e affascinante». Disegno Luci Alessandro Santini Appassionate anche le Coll. priv. Personaggi / Interpreti parole del Baritono An- Salome (S) Francesca Patanè / Morenike Fadayomi (17, 19/1) noshan Golesorkhi (nel Jochanaan (Bar) Annoshah Golesorkhi Il GiornaleG dei GrandiG EventiE Erode (T) Reiner Goldberg ruolo di Jochanaan): Erodiade (MS) Graciela Araya Direttore responsabile Narraboth (T) Mario Zeffiri «Questa produzione è ve- Paggio di Erodiade (A) Monica Minarelli Andrea Marini Primo Ebreo (T) Aldo Orsolini ramente bella, con un’or- Secondo Ebreo (T) Aldo Bottion Direzione Redazione ed Amministrazione Terzo Ebreo (T) Gianluca Floris chestra eccellente in un’o- Quarto Ebreo (T) Ulfried Haselsteiner Via Courmayeur, 79 - 00135 Roma pera così difficile non solo Quinto Ebreo (B) Carlo Di Cristoforo Primo Nazareno (T) Robert Holtzer e-mail: [email protected] per il canto ma anche per Secondo Nazareno (B) Christian Sist Primo Soldato (B) Markus Hollop Editore A. M. gli strumentisti, anche i Secondo Soldato (B) Danilo Serraiocco Uomo della Cappadocia (B) Fabio Tinalli / Francesco Luccioni Stampa Tipografica Renzo Palozzi costumi, di immaginario Una Schiava (B) Piera Lanciani / Susanna CristoFanelli / Arianna Morelli Via Vecchia di Grottaferrata, 4 - 00047 Marino (Roma) storico, sono molto belli. In- Danzatrici del Corpo di Ballo somma un nuovo allesti- del Teatro dell’Opera Alessandra Amato / Francesca Bertaccini / Registrazione al Tribunale di Roma n. 277 del 31-5-1995 Micaela Grasso / Daniela Lombardo mento davvero speciale». © Tutto il contenuto del Giornale è coperto da diritto d’autore ORCHESTRA DEL TEATRO DELL'OPERA «Abbiamo lavorato con In lingua originale con sovratitoli in italiano Le fotografie sono realizzate in digitale gioia. La musica – conclu- con fotocamera Kodak Easyshare V705 L’opera sarà preceduta da un Prologo da Oscar Wilde de Albertazzi – è insieme (traduzione e drammaturgia di Giorgio Albertazzi) rapimento e pitagorica ra- Personaggi / Interpreti Visitate il nostro sito internet zionalità, non ti lascia ed è Voce off Giorgio Albertazzi Erodiade Anita Bartolucci inafferrabile». Erode Sergio Romano www.giornalegrandieventi.it Salome Maruska Albertazzi dove potrete leggere e scaricare i numeri del giornale Si. Men. Salome Il Giornale dei Grandi Eventi 3 rano alcuni anni che “leone” del Teatro italiano, Salome è personaggio nar- che grande mutamento di Le Repliche nei corridoi del Tea- quel Giorgio Albertazzi, rato fin dai Vangeli, im- costumi, di gusti, conclu- tro dell’Opera di Ro- mai piegato ai compro- mortalato da numerose sione di un’epoca. mercoledì 17 gennaio, ore 20,30 ma si vociferava della Salo- messi, per la quarta volta opere pittoriche con il piat- A dirigere l’orchestra in giovedì 18 gennaio, ore 20,30 venerdì 19 gennaio, ore 20,30 me del compositore tede- alle redini di un’opera liri- to d’argento sul quale le questo atto unico, non è il E sabato 20 gennaio, ore 18,00 ca. In questa edizione la viene offerta da Erode la te- maestro Alain Lombard, sco Richard Strauss come domenica 21 gennaio, ore 16,30 titolo d’apertura di una musica di Strauss sarà pre- sta di San Giovanni Battista che purtroppo – come già stagione. Alla vigilia si da- ceduta da un “prologo” in da lei freddamente chiesta. altre volte – ha dovuto ri- va per certo nelle ultime prosa, della durata di una Un personaggio riportato nunciare all’ultimo mo- serie di ritratti di persona- due stagioni, superata poi, ventina di minuti, scritto in primo piano nella tradi- mento per motivi di salute, lità di altissimo livello (da per diversi motivi, dalla dallo stesso Albertazzi, zione letteraria da Oscar sostituito dal direttore au- Madonna a Re Hussein di Semiramide di Rossini e dal che vedrà in scena degli at- Wilde – cui si rifà il libretto striaco Günter Neuhold. Le Giordania), sta attualmente Don Giovanni di Mozart. tori accompagnati dalla di Strauss - come simbolo scene sono del pittore-sce- ultimando una grande pala Ora finalmente a lei spetta voce narrante fuori campo decadente di fine ‘800. E’ nografo Lorenzo Fonda , il d’altare per la chiesa di l’onore di aprire questa di Jochannan, interpretato un fantasma della fine di quale alterna l’attività in Santa Caterina d’Alessan- stagioneSalome, con la regia di un dellosimbolo stesso Albertazzi. quel decadente secolo, fine che è an- teatro con l’arte.di Dopo un’epocauna dria a San Pietroburgo.
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