De Documentaire Waarde Van De Kerkinterieurs Van De Antwerpse School in De Spaanse Tijd (1585-1713)

Total Page:16

File Type:pdf, Size:1020Kb

De Documentaire Waarde Van De Kerkinterieurs Van De Antwerpse School in De Spaanse Tijd (1585-1713) DE DOCUMENTAIRE WAARDE VAN DE KERKINTERIEURS VAN DE ANTWERPSE SCHOOL IN DE SPAANSE TIJD (1585-1713) door Claire Baisier Proefschrift ingediend ter verkrijging van de graad van Doctor in de Kunstwetenschappen Katholieke Universiteit Leuven 2008 BAND I Promotor : Professor-emeritus Dr. Hans Vlieghe Faculteit Letteren Departement Archeologie Kunstwetenschap en Musicologie INHOUDSOPGAVE Inhoudsopgave__________________________________________________ 2 Verantwoording _________________________________________________ 8 Dankbetuiging _________________________________________________ 12 Inleiding ______________________________________________________ 13 Antwerpse kerken in beeld gebracht ________________________________ 18 De Onze-Lieve-Vrouwekathedraal ______________________________ 18 Hendrik I van Steenwijck, 1593________________________________ 21 Peeter I Neeffs, 1610 ________________________________________ 28 Peeter I Neeffs, ca. 1610 _____________________________________ 38 Peeter I Neeffs, voor 1614 ____________________________________ 39 Anoniem, 1613_____________________________________________ 40 Bartholomeus van Bassen, 1616 _______________________________ 41 Hendrik II van Steenwijck, 1621 _______________________________ 46 Anoniem, ca. 1631 __________________________________________ 49 Peeter I Neeffs, 1648 ________________________________________ 53 Peeter II Neeffs, 1654 _______________________________________ 54 Peeter II Neeffs, 1654 _______________________________________ 57 Isaak van Nickelen, 1668 _____________________________________ 59 De Sint-Carolus Borromeuskerk (voormalige jezuïetenkerk) ________ 66 Hendrik II van Steenwijck, 1627 _______________________________ 70 Anton Gunther Ghering, 1665 _________________________________ 74 Willem Schubert von Ehrenberg, 1667 __________________________ 80 Jacob Balthazar Peeters, 1697 _________________________________ 88 Jacob Balthazar Peeters, 1721 _________________________________ 90 De Sint-Jacobskerk___________________________________________ 91 Peeter II Neeffs, 1653 _______________________________________ 94 Peeter II Neeffs, 1659 ______________________________________ 103 Willem von Ehrenberg, 1663 _________________________________ 111 Willem von Ehrenberg, 1666 _________________________________ 122 Willem von Ehrenberg, 1669 _________________________________ 134 Alexander II Casteels, 1716 __________________________________ 143 2 Sebastiaan Vrancx, circa 1625-1639 ___________________________ 144 Peeter I Neeffs, circa 1640___________________________________ 152 Peeter I Neeffs, na 1639_____________________________________ 154 Peeter I Neeffs, circa 1640-1653 ______________________________ 154 Isaak van Nickelen, 1670-72 _________________________________ 155 Jacobus Harrewijn, 1686 ____________________________________ 158 De Sint-Joriskerk ___________________________________________ 161 Peeter II Neeffs, 1659 ______________________________________ 164 Peeter I Neeffs, circa 1659-1660 ______________________________ 174 Anoniem, circa 1767 _______________________________________ 176 De Sint-Pauluskerk (voormalige dominicanenkerk) _______________ 179 Peeter I Neeffs, 1636 _______________________________________ 179 De Sint-Walburgiskerk ______________________________________ 201 Ambrosius I Francken, 1588 _________________________________ 202 Anoniem, 1613____________________________________________ 204 Abel Grimmer, 1608 _______________________________________ 205 Peeter I Neeffs, 1656 _______________________________________ 213 Peeter II Neeffs, 1659 ______________________________________ 216 Anton Gunther Ghering, 1661 ________________________________ 220 Peeter II Neeffs, voor 1656 __________________________________ 236 Peeter I Neeffs, 1656-1658 __________________________________ 237 De kerk van de Discalsen _____________________________________ 239 Sebastiaan Vrancx, 1647 ____________________________________ 239 De kerk van de Sint-Michielsabdij _____________________________ 253 Hendrik Causé, 1694 _______________________________________ 254 Peter I Neeffs, 1658 ________________________________________ 254 Hubert Quellin, na 1665_____________________________________ 256 Besluit_______________________________________________________ 275 Biografieën___________________________________________________ 280 Hendrick Aerts (Mechelen, circa 1565/75 - Dantzig, 1603) _________ 280 Alexander Casteels (Antwerpen, voor 1665 – na 1716) ____________ 282 Willem Schubert von Ehrenberg (Duitsland, 1637 – Antwerpen, ca 1676)______________________________________________________ 283 Anton Gunther Ghering (Duitsland, voor 1620 – Antwerpen, 1668) _ 286 3 Abel Grimmer (Antwerpen, circa 1565 – 1620 ?)_________________ 287 Jacob Lidts (Antwerpen, ca 1620 – 1658) _______________________ 288 Peter van Loon (Antwerpen, 1600 – 1660) ______________________ 288 Peeter I Neeffs (Antwerpen, ca 1578 – 1660)_____________________ 289 Lodewijck Neeffs (Antwerpen, 1617 – 1649)_____________________ 293 Peeter II Neeffs (Antwerpen, 1620 – na 1675)____________________ 294 Jacob Balthazar Peeters (Antwerpen, 1661 – 1732) _______________ 295 Wolfgang de Smet (Leuven, tweede helft 17de eeuw) _____________ 300 Hendrik I van Steenwijck (Kampen?, ca 1550 – Frankfurt, 1603) ___ 300 Hendrik II van Steenwijck (Antwerpen, 1580 – Londen, ca 1649) ___ 301 Sebastiaan Vrancx (Antwerpen, 1573 – Antwerpen, 1647) _________ 302 Hans Vredeman de Vries (Leeuwarden, 1527 – Antwerpen, voor 1609) __________________________________________________________ 305 Paul Vredeman de Vries (Antwerpen, 1567 – Amsterdam, 1617)____ 306 Bibliografie___________________________________________________ 307 Bronnen ___________________________________________________ 307 Onuitgegeven bronnen ______________________________________ 307 Uitgegeven bronnen ________________________________________ 309 Wetenschappelijke werken ___________________________________ 310 Boeken en artikels _________________________________________ 310 Museumcatalogi ___________________________________________ 335 Tentoonstellingscatalogi ____________________________________ 337 Afkortingen __________________________________________________ 339 Bijlagen _____________________________________________________ 340 Bijlagen: Antwerpen, Onze-Lieve-Vrouwekathedraal _____________ 340 BIJLAGE 1. ____________________________________________ 340 BIJLAGE 2. ____________________________________________ 340 BIJLAGE 3. ____________________________________________ 340 BIJLAGE 4. ____________________________________________ 341 Bijlagen: Antwerpen, Sint-Carolus Borromeuskerk_______________ 342 BIJLAGE 5. ____________________________________________ 342 BIJLAGE 6. ____________________________________________ 342 BIJLAGE 7. ____________________________________________ 344 BIJLAGE 8. ____________________________________________ 345 4 BIJLAGE 9. ____________________________________________ 345 BIJLAGE 10. ___________________________________________ 346 BIJLAGE 11. ___________________________________________ 347 BIJLAGE 12. ___________________________________________ 348 BIJLAGE 13. ___________________________________________ 349 BIJLAGE 14. ___________________________________________ 353 BIJLAGE 15. ___________________________________________ 355 BIJLAGE 16. ___________________________________________ 356 BIJLAGE 17. ___________________________________________ 357 BIJLAGE 18. ___________________________________________ 360 BIJLAGE 19. ___________________________________________ 361 BIJLAGE 20. ___________________________________________ 361 BIJLAGE 21. ___________________________________________ 363 Bijlagen: Antwerpen, Sint-Jacobskerk__________________________ 364 BIJLAGE 22. ___________________________________________ 364 BIJLAGE 23. ___________________________________________ 369 BIJLAGE 24. ___________________________________________ 380 BIJLAGE 25. ___________________________________________ 382 BIJLAGE 26. ___________________________________________ 382 BIJLAGE 27. ___________________________________________ 383 BIJLAGE 28. ___________________________________________ 385 BIJLAGE 29. ___________________________________________ 385 BIJLAGE 30. ___________________________________________ 386 BIJLAGE 31. ___________________________________________ 387 BIJLAGE 32. ___________________________________________ 389 BIJLAGE 33. ___________________________________________ 389 BIJLAGE 34. ___________________________________________ 391 BIJLAGE 35. ___________________________________________ 392 BIJLAGE 36. ___________________________________________ 393 BIJLAGE 37. ___________________________________________ 393 BIJLAGE 38. ___________________________________________ 394 Bijlagen: Antwerpen, Sint-Joriskerk ___________________________ 395 BIJLAGE 39. ___________________________________________ 395 BIJLAGE 40. ___________________________________________ 397 5 BIJLAGE 41. ___________________________________________ 398 Bijlagen: Antwerpen, Sint-Pauluskerk__________________________ 399 BIJLAGE 42. ___________________________________________ 399 BIJLAGE 43. ___________________________________________ 399 Bijlagen: Antwerpen, Sint-Walburgiskerk ______________________ 400 BIJLAGE 44. ___________________________________________ 400 BIJLAGE 45. ___________________________________________ 401 BIJLAGE 46. ___________________________________________ 402 BIJLAGE 47. ___________________________________________ 402 BIJLAGE 48. ___________________________________________ 403 BIJLAGE 49. ___________________________________________
Recommended publications
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data van Eikema Hommes, M.H. Publication date 2002 Link to publication Citation for published version (APA): van Eikema Hommes, M. H. (2002). Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 Listt of Selected Documentary Sources AA selection of the documentary sources referred to in this dissertation is found in the table below. Thesee sources contain information either on the material-technical aspects of painting or on the disolorationn of paintings and are listed by country and thereupon in chronological order.
    [Show full text]
  • The People's Republic Of
    THE PEOPLE’S REPUBLIC OF CHINA 17 > 22 November 2019 BELGIAN ECONOMIC MISSION, PRESIDED BY HRH PRINCESS ASTRID, REPRESENTATIVE OF HIS MAJESY THE KING PARTICIPANTS BROCHURE PUBLICATION DATE: 22 OCTOBER 2019 This publication contains information on all the participants who have registered before its publication date. The profiles of all participants and companies, including the ones who have registered at a later date, are however published on the website of the mission www.belgianeconomicmission.be and on the app of the mission “Belgian Economic Mission” in the App Store and Google Play. Besides this participants brochure, other publications, such as economic studies, a useful information guide, etc. Are also available on the above-mentioned website and app. 2 BELGIAN ECONOMIC MISSION 17 > 22 November 2019 BELGIAN ECONOMIC MISSION THE PEOPLE’S REPUBLIC OF CHINA Organized by the regional agencies for the promotion of Foreign Trade & Investment (Flanders Investment & Trade [FIT], Hub.Brussels, Wallonia Export-Investment Agency [AWEX]), FPS Foreign Affairs and the Belgian Foreign Trade Agency. THE PEOPLE’S REPUBLIC OF CHINA 4 BELGIAN ECONOMIC MISSION BELGIAN ECONOMIC MISSION CALENDAR 2020 SENEGAL 7-10 June AUSTRALIA 18-24 October (The dates are subject to change) THE PEOPLE’S REPUBLIC OF CHINA 6 BELGIAN ECONOMIC MISSION TABLE OF CONTENTS p.8 HRH PRINCESS ASTRID AND MINISTERS p.20 COMPANIES p.286 HIGHER EDUCATION INSTITUTIONS p.300 FEDERATIONS AND CHAMBERS OF COMMERCE p.320 DIRECTORY OF COMPANIES p.328 OFFICIAL ORGANIZATIONS p.362 HOTELS OF
    [Show full text]
  • 12, 13 Y 14 DE JUNIO 2018 Detalle Lote 1177 PINTURA ANTIGUA Y SIGLO XIX, CAMBIO DE SIGLO Y ARTE CONTEMPORÁNEO
    ALCALÁ SUBASTAS 12, 13 Y 14 DE JUNIO 2018 detalle lote 1177 PINTURA ANTIGUA Y SIGLO XIX, CAMBIO DE SIGLO Y ARTE CONTEMPORÁNEO IMPORTANTE COLECCIÓN MADRILEÑA DE PINTURA, MUEBLES Y OBJETOS ARTES DECORATIVAS, ESCULTURA Y MUEBLES JOYAS, MONEDAS Y RELOJES Subasta: martes 12 de junio de 2018 a las 18:30h Joyas, Monedas y Relojes en Núñez de Balboa, 9 miércoles 13 de junio de 2018 a las 18:30h Pintura Antigua y Siglo XIX, Cambio de Siglo, Artes Decorativas, Escultura y Muebles en Núñez de Balboa, 9 jueves 14 de junio de 2018 a las 18:30h Importante colección madrileña de Pintura, Muebles y objetos Artes Decorativas, Escultura y Muebles, Arte Moderno y Contemporáneo, en Núñez de Balboa, 9 Exposición: del 1 al 11 de junio de 2018 en Núñez de Balboa, 9 Horario de exposición: de lunes a viernes de 10:30 a 14:00h y de 16:30 a 20:00h sábados de 10:30 a 14:30h ALCALÁ SUBASTAS Núñez de Balboa, 9 - 28001 Madrid TELÉFONO 91 577 87 97 MÓVIL 717 791 739 FAX 91 432 47 55 www.alcalasubastas.es · [email protected] Lote 736 Depósito Legal: M-16265-2018 Fotomecánica e Impresión: MEDIUM GRAPHICS D.S.SL Encuadernación: MEDIUM GRAPHICS D.S.SL Fotografía: Óscar Fernández Martín www.alcalasubastas.es 1ª SESIÓN MARTES 12 DE JUNIO DE 2018 a las 18:30 horas JOYAS, MONEDAS Y RELOJES Lotes 1 – 458 2ª SESIÓN MIÉRCOLES 13 DE JUNIO DE 2018 a las 18:30 horas PINTURA ANTIGUA Y SIGLO XIX Lotes 459 – 568 PINTURA CAMBIO DE SIGLO Lotes 569 – 585 LIBROS Y MANUSCRITOS Lotes 586 - 590 ARTES DECORATIVAS, ESCULTURA Y MUEBLES Lotes 591 - 885 3ª SESIÓN JUEVES 14 DE JUNIO DE 2018 a las 18:30 horas IMPORTANTE COLECCIÓN MADRILEÑA DE PINTURA, MUEBLES Y OBJETOS Lotes 886 – 1068 ARTES DECORATIVAS, ESCULTURA Y MUEBLES Lotes 1069 – 1107 ARTE MODERNO Y CONTEMPORÁNEO Lotes 1108 – 1283 461 459 460 459 ESCUELA ANGLOINDIA, 460 ESCUELA ANGLOINDIA, 461 ESCUELA ANGLOINDIA, SIGLO SIGLO XIX SIGLO XIX XIX Taj Mahal Retrato de un sultán Taj Mahal Miniatura sobre marfil.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Anton Veľký - (356); tiež Anton z Komy, Anton Egyptský, Anton Pustovník, Anton opát; v angl. umení označovaný ako Anton opát; používaný opát, kresťanský svätec a pustovník, narodený v Egypte, kde potom, čo rozdal svoj majetok, strávil veľa rokov na púšti; zakladateľ asketického života; uzdravoval chorých počas epidémií v 11.st. (epidémia ruže známa ako oheň sv. Antonína); otec mníšstva; zobrazovaný ako fúzatý starec v mníšskej kutne s kapucňou, palicou v tvare písmena tau (pozri kríž egyptský antonský), tau sa objavuje v bielej alebo modrej aj na vrchnej strane jeho plášťa; v ruke drží zvonček a sprevádza ho prasa, ktoré má niekedy zvonček zavesený na krku (bravčová masť vraj používaná ako liek proti ohňu sv. Antona; v inom výklade zvonček na odháňanie zlých duchov a nepriamo odkaz na pokušenie sv. Antona; neskorokeltské reliéfy na krížoch s výjavmi zo života sv. Antona ovplyvnené koptským umením (abstrahovanie reálneho tvaru v spojení so symbolikou významu a kompozíciou horor vacui); postava Antonína jednou z postáv na stĺpe morovom; hlavným námetom so sv. Antonom je Pokušenie sv. Antona; pozri Pavol Pustovník; sviňa (Biedermann); koptské umenie; kríž antonský http://be.wikipedia.org/wiki/%D0%90%D0%BD%D1%82%D0%BE%D0%BD%D1%96%D0%B 9_%D0%92%D1%8F%D0%BB%D1%96%D0%BA%D1%96 http://www.flickr.com/photos/28433765@N07/8602834641/in/photostream/ http://www.adolphus.nl/xus/antongameriknmusea.html C. Crivelli: Sv. Anton Veľký, sv. Hieronymus a sv. Ondrej (predela oltárneho triptychu, 1482) Heslo ANTON VEĽKÝ - AP Strana 1 z 55 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Sv.
    [Show full text]
  • An ABC of Heritage Libraries 3 Krant // Newspaper Heritage Libraries Often Hold Extensive Collections of Newspapers and Periodicals
    AN b OF HERITAGE LIBRARIESC ACQUISITIE // ACQUISITION Each heritage library has its individual thematic or regional profile. Collections are expanded and enriched via carefully considered acquisitions and a well thought-out donation policy. BIBLIOFIEL // BIBLIOPHILE Many heritage libraries owe thanks to the zeal of bibliophile collectors. They also preserve modern bibliophile editions, books executed in exceptional formats. CATALOGUS // CATALOGUE A library’s assets are described in a catalogue according to strict rules. This used to be done on index cards kept in special cabinets. Today, online catalogues are used, allowing readers to locate publications from home. DIGITALISERING // DIGITISATION Important, vulnerable or frequently used titles are digitised to protect them and make them more available. Originals no longer need to be manipulated and digital copies can be accessed globally via the internet. Automatic character recognition allows ‘paper’ text to be searched. EX LIBRIS // EX LIBRIS Collectors often paste or stamp an ex libris with their name and a figurative, emblematic image in their books. Such provenance marks are also found in historical books and serve as a primary source for researchers of the reading cultures of the past. 2 FLANDERS HERITAGE LIBRARY FORMAAT // FORMAT Printed books are made up of quires, which can have varying formats. The largest ‘folio’ format consist of four pages. It is created by folding a sheet of paper once. An additional fold results in a ‘quarto’ format of eight pages and a third fold in an ‘octavo’ format of sixteen pages. GOUDSTEMPELING // GOld TOOLING Books used to be bound in leather or parchment. The binding was sometimes tooled, using gold leaf to give books their characteristic sparkle.
    [Show full text]
  • HNA Apr 2015 Cover.Indd
    historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 32, No. 1 April 2015 Peter Paul Rubens, Agrippina and Germanicus, c. 1614, oil on panel, National Gallery of Art, Washington, DC, Andrew W. Mellon Fund, 1963.8.1. Exhibited at the Academy Art Museum, Easton, MD, April 25 – July 5, 2015. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President – Amy Golahny (2013-2017) Lycoming College Williamsport PA 17701 Vice-President – Paul Crenshaw (2013-2017) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Treasurer – Dawn Odell Lewis and Clark College 0615 SW Palatine Hill Road Portland OR 97219-7899 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 Obituary/Tributes ................................................................. 1 Lloyd DeWitt (2012-2016) Stephanie Dickey (2013-2017) HNA News ............................................................................7 Martha Hollander (2012-2016) Personalia ............................................................................... 8 Walter Melion (2014-2018) Exhibitions ...........................................................................
    [Show full text]
  • Old Master, British and European Art
    OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 | 10.30am Coming Up at Dreweatts Auctions 5 May | Live Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 1 6 May | Live Online Piet Jonker | Garden Statuary and Ornament 6 May | Timed Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 2 12 May | Live Online Interiors to include the selected contents of Berwick House, Shropshire and other properties 13 May | Timed Online Hambridge Sale 19 May | Live Online Chinese Ceramics and Works of Art (Part 1) 20 May | Live Online Japanese & Chinese (Part 2) and Indian & Islamic Ceramics & Works of Art 27 May | Live Online Old Master, British and European Art 8 June | Live Online Interiors Day 1: to include Decorative Arts since 1860 9 June | Live Online Interiors Day 2 30 June | Live Online Fine Furniture, Sculpture, Carpets, Ceramics and Works of Art 1 July | Live Online Fine and Rare Wine and Spirits 2 July | Timed Online Hambridge Sale We hold regular auctions of fine art, antiques, jewellery and other collectibles. Our specialists carry out valuations nationwide so if you are unable to attend one of our valuation days, please request a valuation via our website or call us to discuss a home visit. NOW INVITING ENTRIES FOR OUR 2021 AUCTIONS CHINESE AND JAPANESE WORKS OF ART INCLUDING ISLAMIC AND INDIAN ART 19 & 20 MAY 2021 | 10.30am NEWBURY LONDON HAMBRIDGE LANE ENQUIRIES Dreweatts Dreweatts / Bloomsbury Auctions
    [Show full text]
  • De Vlaamse Kunstenaar in Het 17E -Eeuwse Rome
    Augustus 2010 MASTERSCRIPTIE RENAISSANCESTUDIES DE VLAAMSE KUNSTENAAR IN HET UNIVERSITEIT 17E -EEUWSE ROME. UTRECHT Beschrijving van de economische, sociale en historische context. Pauline Rebel Begeleider: dr. G.J.P. Kieft De Vlaamse kunstenaar in het 17e-eeuwse Rome. Afbeelding titelpagina: Jan Asselijn, Schilder en tekenaar in de natuur, roodbruin en zwart krijt, penseel in grijs, 187 x 237mm, Staatliche Museen zu Berlin, Berlijn. 2 De Vlaamse kunstenaar in het 17e-eeuwse Rome. “Want Room is de stadt, daer voor ander plecken, Der Schilders reyse haer veel toe wil strecken.” Karel van Mander (1604) 3 De Vlaamse kunstenaar in het 17e-eeuwse Rome. 4 De Vlaamse kunstenaar in het 17e-eeuwse Rome. Inhoud Voorwoord .............................................................................................................................................. 7 1. Inleiding ............................................................................................................................................... 9 2. De Identiteit van de Vlaamse kunstenaar ......................................................................................... 15 Opleiding ........................................................................................................................................... 15 Een plek op de arbeidsmarkt ............................................................................................................. 17 3. De reis naar Italië ..............................................................................................................................
    [Show full text]
  • Munuscula Amicorum / K
    I. A TRIBUTE TO HANS VLIEGHE Katlijne Van der Stighelen Preface 3 Justus Müller Hofstede Ad Honorem viri Doctissimi Optimique Collegae Hans Vlieghe 5 Katlijne Van der Stighelen Bibliography of Hans Vlieghe 1960-2005 13 David Freedberg Prologue: Why Connoisseurship Matters 29 II. ASPECTS OF RUBENS'S ART ILL RUBENS: THE LEGEND REVISITED Christine Göttler Affectionate Gifts: Rubens's Small Curiosities on Metallic Supports 47 Nils Büttner Aristocracy and Noble Business. Some Remarks on Rubens's Financial Affaires 67 Ulrich Heinen 'Con ogni fervore'. Love and Lust in Rubens's Library, Life and Work 79 Elizabeth McGrath Garlanding the Great Mother: Rubens, Jan Breughel and the Celebration of Nature's Fertility 103 Karolien De Clippel 'Bacchanaal' of Vastenavond': What's in a name? Receptie en classificatie van Rubens' bacchische voorstellingen in de zeventiende eeuw 123 Carl Van de Velde Rubens' brieven in het Nederlands 147 Filip Vermeylen Adulterous Woman on the Loose: Rubens's Paintings Sold at Auction in Antwerp 185 during the Eigthteenth Century Frans Baudouin Architecturale motieven op schilderijen van Rubens: enkele voorbeelden 199 Bernard Aikema Rubens's 'meraviglia' 213 V II.2. RUBENS: PAINTINGS AT THE EASEL, DRAWINGS IN THE CHEST Cynthia Lawrence Rubens and De Rincón in Valladolid: A Reconsideration of the First Spanish Sojourn and a New Source for the Antwerp 'Raising of the Cross' 235 Anne-Marie Logan A Noble Genoese Lady: by or attributed to Rubens? 249 Jeremy Wood Rubens and Raphael: The Designs for the Tapestries in the Sistine Chapel 259 Justus Müller Hofstede Rubens' 'Bethlehemitischer Kindermord' von ca 1610: Die Clavis Interpretandi 283 Christopher Brown Rubens's Coronation of Henri IV 293 Kristin Lohse Belkin 'La belle Helene' and her Beauty Aids: A New Look at 'Het Pelsken' 299 Nora De Poorter Verloren werk van De Crayer en Rubens van naderbij bekeken.
    [Show full text]
  • Labastide Laborde, Jean-Joseph De Storia Dell'arte Einaudi
    L Labastide La grotta di L (Alti Pirenei) è uno dei rari santuari paleo- litici in cui gli scavi archeologici hanno portato alla luce numerose lamine incise e sagome tagliate a forma di testa di stambecco. La decorazione parietale (in più punti assai rovinata da vandali), annunciata da una serie di bastoncel- li dipinti in nero, ha inizio con una zona di incisioni so- vrapposte, nella quale possono distinguersi un cavallo, un bisonte e due palchi di corna di cervo. Un bellissimo ca- vallo dipinto in nero e ocra ricorda i cavalli di Altamira, ed essendo assai vicino al Cavallo cinese del diverticolo as- siale di Lascaux, presenta tutte le caratteristiche dello stile IV antico. Di fronte ad esso un fregio di cavalli ac- compagnati da un bisonte attesta un’evoluzione nello stile IV verso il realismo. La composizione è conclusa da una figura umana frontale, da una testa di felino con zanne minacciose e da una sorprendente figura di animale dal lungo collo. I bisonti incisi, come quelli delle lamine, sono trattati nello stile IV recente. Il complesso della decora- zione sembra appartenere al Magdaleniano medio e recen- te. (yt). Laborde, Jean-Joseph de (Jaca (Aragona) 1721 - Parigi 1794). Proveniente da una famiglia di negozianti di Berna emigrati in Aragona, tornò giovanissimo a Bayonne, dove, associatosi a un pa- rente banchiere, mise insieme una grande fortuna dive- nendo, secondo i contemporanei, l’uomo più ricco di Francia. Nel 1758 si stabilì a Parigi accettando la carica di banchiere di corte, e nello stesso tempo seguì i propri Storia dell’arte Einaudi affari privati (in particolare lo sfruttamento di piantagio- ni di canna da zucchero a Santo Domingo).
    [Show full text]
  • Winning En Toepassing Van Diestiaanijzerzandsteen in Het Hageland Van De Middeleeuwen Tot De 20Ste Eeuw
    Relicta 13 (2015), 7-124 7 ‘van goeden koerliken Rotcelaerstene wel ende reynlic ghehouwen’ Winning en toepassing van Diestiaanijzerzandsteen in het Hageland van de middeleeuwen tot de 20ste eeuw Thomas Van Driessche1 1 Inleiding2 Bij de Vlaamse Overheid worden momenteel verschillende pistes onderzocht om het acute tekort aan ijzerzandsteen op te lossen, 1.1 Diestiaanijzerzandsteen zoals het openen van een nieuwe steengroeve, het hergebruiken Het bouwkundig erfgoed van het Hageland en de Zuiderkempen van oude bouwstenen afkomstig van sloop of het systematisch wordt in hoge mate gekenmerkt door het gebruik van Diestiaan- bergen van ijzerzandsteen die bij infrastructuurwerken aan het ijzerzandsteen. Deze roestbruine steen werd van de volle middel- licht komt. eeuwen tot de 19de eeuw gebruikt in kerken, kapellen, kastelen, watermolens, bruggen, sluizen, kaaimuren, enz. De meeste van In 2010 heeft de Afdeling Land en Bodembescherming, Onder- deze gebouwen en constructies zijn vandaag beschermd als grond, Natuurlijke Rijkdommen (ALBON) van de Vlaamse monument of opgenomen in de Inventaris van het Bouwkundig Overheid acht proefboringen laten uitvoeren op vier locaties in Erfgoed. het Hageland4. Deze boorkernen werden vervolgens door het Koninklijk Instituut voor het Kunstpatrimonium onderzocht op Bij restauratiewerkzaamheden aan deze gebouwen moet regel- dichtheid, porositeit en vorstbestendigheid, en druksterkte5. Het matig verweerde ijzerzandsteen vervangen worden. Nieuwe doel van het onderzoek was inzicht te krijgen in de geo logische ijzerzandsteen is echter niet meer voorhanden. De laatste com- kenmerken van de steenbanken en kwaliteitscriteria te bepalen mercieel geëxploiteerde steengroeve werd in 1950 buiten gebruik voor het gebruik van ijzerzandsteen bij restau ratie projecten. gesteld. Bij gebrek aan ijzerzandsteen nemen monumentenzor- gers sindsdien hun toevlucht tot vervangende steensoorten of Parallel aan het geologische en materiaaltechnische onderzoek restauratiemortels.
    [Show full text]
  • Volume XXXVI, No. 1, Cumulative Issue 70
    The Communicator Volume 36 Issue 70 Article 1 2020 Volume XXXVI, No. 1, Cumulative Issue 70 Follow this and additional works at: https://digitalcommons.snc.edu/communicator Part of the Catholic Studies Commons, and the Christianity Commons Recommended Citation (2020) "Volume XXXVI, No. 1, Cumulative Issue 70," The Communicator: Vol. 36 : Iss. 70 , Article 1. Available at: https://digitalcommons.snc.edu/communicator/vol36/iss70/1 This Article is brought to you for free and open access by Digital Commons @ St. Norbert College. It has been accepted for inclusion in The Communicator by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. COMMUNICATOR Volume XXXVI, Number June 2020 Cumulative Issue 70 The English Speaking Circary of the Order of Prémontré Editor: V. Rev. John C. Zagarella, O. Praem. (Daylesford) Assistant Editor: Rev. Joseph McLaughlin, O. Praem. (Daylesford) Canonry Correspondents: Albuquerque: Rt. Rev. Joel Garner: [email protected] Bayview: V. Rev. James Herring: [email protected] Chelmsford: Rt. Rev. Hugh Allan: [email protected] Daylesford: Rev. Joseph McLaughlin: [email protected] DePere: Rev. Michael Brennan: [email protected] Jamtara: G. Christopher: [email protected] Mananthavady: [email protected] Muston: Rt. Rev. Andrew Smith: [email protected] Orange: V. Rev. Chrysostom Baer: [email protected] Queens Park: Rev. Peter Stiglich: [email protected] Tehachapi: Mother
    [Show full text]