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Discoloration in Renaissance and Baroque Oil . Instructions for Painters, theoretical Concepts, and Scientific Data van Eikema Hommes, M.H.

Publication date 2002

Link to publication

Citation for published version (APA): van Eikema Hommes, M. H. (2002). Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data.

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Download date:01 Oct 2021 Listt of Selected Documentary Sources

AA selection of the documentary sources referred to in this dissertation is found in the table below. Thesee sources contain information either on the material-technical aspects of or on the disolorationn of paintings and are listed by country and thereupon in chronological order.

NetherlandishNetherlandish sources

Titlee description Generall information Selectedd literature

lncipiuntlncipiunt quaedam dicta de divtrsis ColoribusFlanders ,, presumably 2nd half 15fh C. Transcriptt of the recipes on painting PicturisPicturis et Tincturis, London, British andd (Dutch) translation published by Library,, MS Sloane 345. Danrzig(1936). .

Anonymouss MS (c. 1496-98), Leiden, Universityy Library, MS Codex Vossius Chymicuss Octavo 6.

Anonymouss MS (16fh C), Amsterdam, Economischh Historische Bibliotheek, MSPehPl. .

'Diverschee verven te maken,' in 16thh C. The first part of the manuscript Forr an introduction to the manuscript, TraktaatTraktaat om kleuren te bereiden, iss written in Latin. The Netherlandish aa transcription of its art-technological Antwerpen,, Plantin-Moretus Museum, sectionn named Diverscbe verwen te maken, recipe maken,ss and a list, and brief discussion MSS 253. ff.. 12-35, contains art-technological off books of 'secrets' printed in information. . Antwerpp and in the United Provinces inn the 16th and early 17rh centuries: Vandammee (1974).

Baten,, C. van., Secreet boeck, waerin vele Onn Carel Baten and a biliography of diverscbediverscbe secreten ende beerticke consten in hiss Secreet Boeck: Velde (1933). veelderleyeveelderleye verscheydtn materien uut seker LatijnscheLatijnsche Fransoysche Hoochduytsche ende NederlantscheNederlantsche authoren te samen ende by een ghebrachtghebracht %ijn..., Dordrecht 1600.

Mander,, K. Van, 'Den grondt der edel AA commented, translated edition with vryy schilder-const:waer in haer ghestalt, aa photomechanical reprint of the 1st aerdtt ende wesen de leer-lustighe jeught ed.. has been published by Miedema inn verschyden deelen in rijm-dicht (1973). . wordtt voorghedraghen,' in: Het schilder- boeck,boeck, Haarlem 1604, ff. 1-55.

Mander,, K. van., 'Het leven der AA commented, translated edition with doorluchtighee Nederlandtsche en aa photomechanical reprint of the 1sr Hooghduytschee schilders...' in: Het ed.. has been published by Miedema shilder-boeck,H^t\emshilder-boeck,H^t\em 1604, ff. 197-301. (1994). .

170 0 Brugghen,, G. mx,Verlichtery kunst-boeck indeinde welke de rechte fondamenten en het volcomenvolcomen gebruyck der illuminatie met alle harehare eygenschappen klaerUjcken werden voor oogengestelt,oogengestelt, Amsterdam 1616.

Lint,, P. van, Paris, Archive of the Fromm 1624 to 1631 Pieter van Lint's Onn Van Lint's notebook: Vlieghe Institutt Néerlandais, MS 433. describedd his duties as an apprentice in (1979).. For a transcription of Van thee workshop of the painter Lint'ss duties in the workshop of Armss Wolffort, ff. 1,4-11. Wolfort:: Vlieghe (1977), p. 136.

Biens,, C.P., De teecken-const: ofte een korte Thee contents of this treatise, of which Thee treatise was reprinted by Klerk endeende klaere aen-ltydinghe tot die lofeËjcken oo original example has been found, (1982),, pp. 48-56. For a discussion of constconst van teeckenen tot dienst ende behulpar vanee know n by means of a transcript by Biens'' literary activities and the dede eerstbeghinnende jeucht ende liefhebbers, Cin.. Muller Hofstede. contentss of De teecken-const. pp. 16-48. elfelf capittelen vervat, Amsterdam 1636.

Angel,, Ph., Lofderschilderkonst, Leiden Onn Angel's life and a discussion of the 1642. . contentss of his Lof der schilderkonst: Miedemaa (1989).

Behrens,, J., Hand-boeck van de Heer Heer JacobThee information on oil painting is Behrens,Behrens, Miniatuur Schilder en Mathematicusdatedd 1661 . terter Gedagtenis te Bewaartn 1747.dHaagc, London,, British Library, MS Shelfmark 7866 a 47.

Goeree,, W., Verbgterie-kvnde ofregt Remarkss on oil painting referred to in AA bibliography on Goeree and a gebruikgebruik der water-verwen. In welk desselfsthiss dissertation are not yet included in bibliographyy of the Verlichtery-konst kennis,kennis, en gebruik tot de schilder-kunde,earlie en derr editions. wass published by Kwakkelstein (1998). illuminatieilluminatie of verhgterie noodigh zynde, korttlijkkorttlijk geleerd word..., Amsterdam 1697 (3rill ed., lsred. Middelburg 1668).

Hoogstraten,, S. Van, Inleyding tot de hooge schooleschoole der schilderkonst, anders de qichtbaere werelt:werelt: verdeelt in negen leerwinkels, j/der bestiertbestiert door ene der zanggodinnen, Rotterdamm 1678.

Witgeest,, S., Het nieuw toneel der Photomechanicall reprint of the 1sr ed.: konsten...konsten... uyt verscheyde autheuren by een Leidenn (1967). See Landwehr (1967) vergadert,vergadert, Amsterdam 1679. forr an introduction to the treatise.

Beurs,, W., Degroote watreld in 't kleen Forr an introduction to Beurs' treatise geschildertgeschildert of of schilderagtig tafereel van 's andd an overview of its content: weertldsweertlds schilderyen, korttlijk vervat in sts Eikemaa Hommes et al. (1999)1, pp. boeken:boeken: verklarende de hooftverwen, haare 32-36. . verscheideverscheide mengelingen in obf, en der i*ebcr gebruik,gebruik, Amsterdam 1692.

Pekstok,, P., Memoriael tot verfbereiding, Thee manuscript contains dated extracts Forr an introduction to the Pekstok Amsterdamm Municipal Archives, MS coveringg the periode 1674-89. paperss and a transcript and translation N09-23. . off the manufacture of red and yellow lakee pigments: Hermenss & Wallert (1998).. A transcript and translation of thee manufacture of vermilion was publishedd by Schendel (1972).

171 1 Eikelenberg,, S., Aantekeningen over Forr an introduction to Eikelenberg's schilderkunstschilderkunst (1679-1704), Alkmaar, life,, and his artistic, scientific and Regionaall Archief, acquisitions literaryy activities, and a short collectionn nos. 390-94. discussionn of his manuscripts: Goedingss (1985-86).

Lairesse,, G. de, Het groot schilderboek, Amsterdamm 1707, 2 vols.

Sylva,, J. de., Konst-boeck ofte schat der wetemchap...wetemchap...,, Kortryk 1735.

Sprong,, U., Kabinet der verfstoffen: waarin Seee Eikema Hommes et al. (1999)1, p. korteJykkorteJyk de natuur en hoedanigheden, der 37,, for an introduction to Sprong's voornaamstevoornaamste verfstoffen, in oly gebruikelyk, treatise. . werdtwerdt aangeivesen: als ook de wyse, hoe^e gemaaktgemaakt worden..., Amsterdam 1738.

Verly,, P.J., Verhandeling over de schilderkunstschilderkunst in miniatuur om gemakke/yk te ZeerenZeeren schilderen ponder meester..., Utrecht 1744. .

Delormois,, De volmaakte verwer, of nieuwe Inn the lsf Dutch ed. the Byvoegsel on enen algemene onderwysing om de wol en wolUu-oill painting is not yet included. manufacturen,manufacturen, ...uit 't Fransch in 't NederduitschNederduitsch vertaald Vermeerdert met een byvoegsel,byvoegsel, handelende wegens het bereiden en klaarklaar maken van aldtrhande oly-verwen..., Amsterdamm 1753 (1st Dutch ed. 1733). huik,huik, vernis en verf-konst, om alk sporten van lakken,lakken, vernisse en verven te bereyden door een liefhebberliefhebber beschreven, Amsterdam 1767.

I.I.H.,, De alleruijtgesoghten kunstten en weetenschappen,weetenschappen, door een liefhebber van weetenschappenweetenschappen I.I.H... uijtgevonden en bey eeneen versaamelt, Library, 1772-84, Amsterdam,, University of Amsterdam, MSS II* E 19.

EnglishEnglish sources

TheThe art of limning, London, British Thee main part of this book is AA short description of the manuscript Library,, MS Sloane 680. concernedd with coat of arms and was iss given by Harley (1969). writtenn during the early 17th century. Thee information on painting, ff. 131r- 134v,, probably dates from an earlier period. .

172 2 AA booke of secrets, shewing divers waies to makemake and prepart all sorts ofinke, and colours:colours: as black, white, blew, green, red, yellowyellow and other colours..., London 1596.

AA collection for mixtuers of coulters togeatherTh ee manuscript was probably written AA short description of the manuscript byby mr. mr. rogers the graver, in: London, aroundd 1603. The part on colours is ff. iss given by Harley (1969). Britishh Library, MS Additional 6284. 109r-113v. .

Peacham,, H., The art of drawing with the AA photomechanical reprint of the 1st pen,pen, London 1606. edn.. was published in Amsterdam & Neww York 1970. On Henry Peacham's treatise:: Harley (1970; 1982), pp. 6-8.

AnAn exact and compendious discours concerning The manucript contains the most Forr a discussion of the various thethe art ofminiatura or limning, the names, accuratee copy of the 1 * version of manuscriptt copies of Norgate's naturenature and proporties of of the coullours,Norgate' the ss Miniatura or the art of limning treatise:: Muller & Murrell (1997); ordersorders to be observed in preparing and usingthatt appears to have been written Hardiee (1919). See also Harley (1970; themthem both f or picture by the life, landscapebetwee and nn c. 1621-26. 1982),, pp. 10-13. See Talley (1981), pp. historyes,historyes, London, British Library, MS 156-70,, for a discussion of the recipes Harleyy 6000. onn portrait painting.

Mayerne,, T. de., Pictoria, sculptoria, Thee manuscript contains dated extracts Forr a complete transcription of the tinctoriatinctoria et quae subalkternarum subalkternarumcoveringg th Artiume period e 1620-46. It manuscript:: Berger (1901; 1973). An spectantia...spectantia...,, British Library, MScontain Sloaness information by many painters annotatedd edition was published by 2052. . a.o.. Rubens, Anthony van Dyck, Paulus Vann de Graaf (1958). See also Talley vann Somer. (1981),, pp. 72-149. For De Mayerne himself:: Trevor-Roper (1993).

Mayerne,, T. de., London, British Thee first part of the manuscript (up to Forr an introduction to the manuscript Library,, MS Sloane 1990. f.. 131) contains dated extracts covering andd a brief discussion of its content: thee periode 1623-44 and is largely Wernerr (1964). writtenn in De Mayeme's own hand; withh interpolations in three different hands,, f. 131 to the end of the manuscriptt contains extracts as late as 16744 and was probably written by John Colladon. .

Marshal],, T., 'Observat. D. Ant... Thiss information was probably noted Thee notes on Van Dyck's painting Dykii,'' in Commonplace-book, Oxford, downn by Thomas Marshall during the techniquee were transcriped and Bodleiann Library, MS Marshall 80, no 1640's. . translatedd into German by Vey (1960). 8661,, ff. llr-12v. Seee also the English translation in Talleyy (1981), pp. 150-55.

'Off limning in oyle colours (c. 1650),' in Thee main part of the manuscript is a Thee Tanner 326 manuscript and other MiniaturaMiniatura or the Art of Limning ... copyy of the 2nd version of Edward manuscriptt copies of the Miniatura Oxford,, Bodleian Library, MS Tann. Norgate'ss Miniatura or the art of weree published by Muller & Murrell 326,, pp. 87-95. limningg (1648-50). The recipes on oil- (1997);; Hardie (1919). See Hardie pp. paintingg are written by another hand 91-1077 for recipes for oil colours. For thann that of the Miniatura copy. ann introduction to the manuscript pp.

Thee art of painting in oyle by the Life Thee manual The art of painting in oyle by Forr a description of the manuscript: (1664),'' in Henry Gyles booke, London, thethe kfe, is dated '1664' on f. 109. MS Harleyy (1970; 1982), pp. 12-13; Kirby Britishh Museum, MS Harley 6376, ff. Harleyy 6376 also contains a variant of (1999),, p.. 42. 86-109. . thee Is' version of Norgate's treatise.

173 3 Symonds,, R., Secrete intorno Lapittura Seee Beal (1984) fora transcription of vedutevedute e sentite dallaprattica dei sig Gio: thee manuscript and a discussion of AngelaAngela Cantni in Koma A° 1650 1651. Richardd Symonds' life, his artistic 16521652 discepolo delfamoso Dominico Zampieri activities,, his manuscript and aUiévoaUiévo de' Carraccj non sen^a una intrinseca commentss on its content. See also favortfavort e^* amicitia cht esso sig GA. protava a Talleyy (1981), pp. 191-206; Harley RicardoRicardo Symonds, 1650-1652, London, (1970;; 1982), pp. 14-15. Britishh Library, MS Egerton 1636.

King,, D., Secrets in in the noble arts of Daniell King compiled his Secrets Forr an introduction to the manuscript miniaturaminiatura or limning, London, Britisbetweeh nn c. 1653-57. The lsr part of the andd an overview of its contents: Talley Library,, MS Additional 12.461. manuscriptt is copied form Norgate. ff. (1982),, pp. 207-27; Harley (1969); 38r-54vv include information on oil Eikemaa Hommes et al. (1999)1, pp. 28- techniquee that is said to have arrived 30. . fromm a.o. Van Dyck, Peter Lely and De Heem. .

Salmon,, W., Polygraphice or the arts of drawing,drawing, engraving, etching, hming, painting, washing,washing, London 1675.

Smith, , .,, The art of painting, London Forr an introduction to the treatise and 1676. . ann overview of its content: Talley (1981),, pp. 262-29; Harley (1970), p. 19. .

TheThe excellency of the pen and pencil: Forr an introduction to the treatise: exemplifyingexemplifying the uses of them in the most Harleyy (1970), p. 18. exquisiteexquisite and mysterious arts of drawing, etching,etching, limning, painting in oyl, washing of mapsmaps & pictures..., London 1668.

Bogdani,, j., (dated 1691), in Humphrey, Thee manuscriptwas copied c. 1777-97 Forr an introduction to the manuscript, O.,, Memorandum book ofO^ias Humphrey, fromm a 17rh century original. The ann overview of its contents and a London,, British Library MS Additional: earliestt entries date 1673 and the last transcriptionn of the remarks by 22950,, ff. 41v-43v. datee is 1698. The manuscript contains Vereist,, Seghers and Bogdani: Rajnai informationn by Lely, Soest, Bombelli, (1993).. See also Eikema Hommes et al. Kneller,, Van Dyck, Jan Looten, Simon (1999)1,, pp. 31-32. The information Vereist,, Daniel Seghers and Jacob onn portrait painting is dealt with by Bogdani. . Talleyy (1981), pp. 306-58.

Smith,, M., The art art of painting according to Forr an introduction to Smith's treatise thethe theory and practise of the best Italian, Italian, andd a discussion of its content: Talley FrenchFrench and Germane masters..., London (1981),, pp. 375-96; Harley (1970), pp. 1692. . 19-20. .

Bardwell,, T., The Practice of painting, Forr an introduction to Bardwell's Londonn 1756. treatisee and a comparison of the paintingg techniques described by Bardwelll with those «identified in his paintings:: Talley & Groen (1975).

Dossie,, R., The handmaid to the arts, Forr an introduction to this book: Londonn 1758. Harleyy (1970), pp. 22-23.

174 4 ItalianItalian sources

ReceittsReceitts and directions in curing diseases,Origina ll compendium of recipes: Forr an introduction to the dyeing,dyeing, making glass, sope, &c, mostVenice pari in ?? lsr half of the 14th century. The manuscript:: Eastlake (1847; 1960), Italian;Italian; medicina' Roberti Theoronici, copyy in the British library was compiled vol.. l,pp. 90-93. London,, Brtish Library, MS Sloane byy an English traveller during the 16* 416. . century. .

Cennini,, C. d'A., lllibro deU'ark, Thee original manuscript is not known to Sincee the early 19th century there have Florence,, Bilbiotheca Mediceo- exist.. It was probably written after 1396 beenn several publications and Laurenziana,, MS 23. andd cetainly finished before 1437, for a translationss of the manuscript. The copyy of the text (now in the bibliotheca mostt recent transcript was published Mediceaa Laurenziana) was completed byy Thompson (1932). For an English thatt year. translation:: Thompson (1933; 1960).

SegretiperSegretiper colon or Bolognese manuscript,Northern ?? Italy, lsr quarter or middle of Transcriptt of the manuscript and an Bologna,, Bibliotheca Universitaria, MS thee 15th century. Englishh translation published by 1536. . Merrifieldd (1967), vol. 2, pp. 340-599. Forr an introduction to the manuscript:: pp. 325-39.

Leonardo,, Libro di Pittura di. M. Thee Codex Latinus 1270 was probably AA photomechanical reprint of the Lionardo.Lionardo. Da Vinci. Pittore. et Scultorecompile dd c. 1550 by Leonardo's pupil Vaticann Library MS Codex Latinus FioretitinoFioretitino (c. 1550), Vatican LibraryFrancesc, MS oo Melzi. from texts taken from 1270,, with an English translation was Codexx Latinus 1270. Leonardo'ss original manuscripts that publishedd by McMahon (1956). See Melzii had inherited. Pedrettii (1965) for Leonardo's originall manuscipts used for the Libroo di Pittura.

Leonardo,, Manuscript (1483-1518), AA compilation of Leonardo's original Milan,, Ambrosian Gallery, MS C.A. manuscriptss with an English translationn was published by Richter Leonardo,, Manuscript (1492); Paris, (1883;; 1970). A commentary on Institutt de France, MS B.N. 2038 Leonardo'ss literary works, as compiledd by Richter, was published Leonardo,, Manuscript (1504,1508, byy Pedretti (1977). afterr 1516), London, British Library, MSS M.

Leonardo,, Manuscript (1508-09), Paris, Institutt de France, MS F.

Leonardo,, Manuscript (c. 1510-16), Paris,, Institut de France, MS G.

SecretiSecreti diversi or Maricana manuscript,Probabl yy written between 1503-27. The Extractss from the manuscript and Venice,, Marciana Library MS I tal. IV artistss mentioned in the manuscript Englishh translation were published by 48. . showw that the recipes were probably Merrifieldd (1849; 1967), vol. 2, pp. employedd by painters active in or 608-40.. For an introduction to the Florencee during the 1st quarter of the manuscriptt pp. 601-07. 16rhh century.

Alessio,, De secreti... nuovamentt raccotti, && con diUgen^a sampaü.. sampaü...,., Milano 1558.

175 5 Lomazzo,, G.P., Trattato dell'arte de la Photomechanicall reprint of the lsted.: pittura,pittura, di Gio. Paolo Loma^o Milanese Hildesheimm (1968). For a discussion pittore.pittore. diviso in sette libri. Ne'quaa si off the sections on light and colour in contienecontiene tutta la theorica, & laprattica d'essa thee Trattato: Barash (1978). See Ckrdi pittura,pittura, Milano 1584. (1973)) and Cassimatis (1985) for Lomazzo'ss life and his literary activities. .

Lomazzo,, G. P., Idea deltempio della Photomechanicall reprint of the 1st ed.: pitturapittura di Gio. Paolo Lama^pv pittore. Nella Hildesheimm (1965). For a discussion qualequale egli discom discom dell'origine, & fondamento off the sections on light and colour in delledelle cose contenute nel sua trattato dell'arte thee Idea. Barash (1978). See Ciardi delladella pittura..., Milano 1590. (1973)) and Cassimatis (1985) for Lomazzo'ss life and his literaty activities. .

Armenini,, G.B., De' periPrecetti della Photomechanicall reprint of the Is'ed.: Pittura...,Pittura..., Ravenna 1587. Hildesheimm & New York 1971. An Englishh annotated translation was publishedd by Olszewski (1977). For ann introduction to Armenini's life, his artisticc background and literaty activities:: pp. 1-63.

Btrelli,, G., Opere, Florence 1601.

Scanelli,, F., II Microcosmo della pittura, Cesenaa 1657.

Malvasia,, C.C., Felsinapittrice, vite de' AA annotated and illustrated version pittoripittori Bolognesi..., Bologna 1677-78. withh a photomechanical reprint of the Bolognaa 1686 ed. was published by Emiliani(1969). .

Baldinucci,, F., Vocabolario Toscano dell' Onn Baldinucci's career and his artearte del disegno, nel quale si si esplicano ipropri treatises:: Goldberg (1988). terminitermini e vod non sob della pittura, scultura, ee architettura; ma ancora di altre arü a quelle subordinate...,subordinate..., Firenze 1681.

RicetteperRicetteper far ogni sorte di colori or PaduaVenice ,, middle or last half 17rh century. Transcriptt with an English translation manuscript,manuscript, Padua, Biblioteca wass published by Merrifield (1849; dell'Universita,, MS 992. 1967),, vol. 2, pp. 649-717. For an introductionn to the manuscript pp. 643-46. .

Volpato,, G. B., Modo da Tener nel nel Endd of the 17rh century or early 18rh Transcriptt and an English translation DipingerDipinger or Volpato manuscript, Publicenturyc . . wass published by Merrifield (1849; Library,, Bassano. 1968),, vol. 2, pp. 726-55. For an introductionn to the manuscript: pp. 721-25. .

176 6 FrenchFrench sources

Binet,, É. (or R. Francois), Essay des Forr an introduction to the treatise: MerveillesMerveilles de Nature et des plus Nobles Massingg (1998), p. 337. Artifices...,Artifices..., Rouen 1621,

LeBrun,, P., Recueuil des essaises des AA transcription and an English merveillesmerveilles de lapeinture or translationn was published in manuscriptmanuscript (1635), Brussels, Biliothèque Merrifieldd in (1849; 1967), vol. 2, pp. Royalee Albert I», MS . 15.552. 765-841.. For an introduction to Pierree LeBrun and an overview of the contentss of his treatise: pp. 795-64; Massingg (1998), p. 328.

Blondd de la Tour, A. Ie, Lettre du Sieur le Forr an introduction to Blond de la BlondBlond de la Tour a uu de ses amis. Contenant Tour'ss life and treatise and a short quelquesquelques instructions touchant lapeinture..., overvieww of its content: Massing Bordeauxx 1669. (1998),, p. 332.

Felibien,, A-, Des principes de l'architecture, Photomechanicall reprint of the 3th ed. dede la sculpture, de lapeinture, et des autrts Pariss 1699: Farnborough 1966. A artsarts qui en dependent avec un dictionuaire des shortt introduction to Felibien's life termesproprtstermesproprts a chacun de ces arts, Paris andd his treatise is given by Massing 1676. . (1998),, pp. 329-30. For a discussion off Felibien's writings: Pace (1981).

Fontaine,, de la, J-H., L academie de la Thee practical session on oil painting peinture,peinture, nouvellement mis aujour pour inn De la Fontaine's treatise was instruireinstruire lajeunesse a bienpeindre en huile & publishedd by Massing (1998), pp. 377- enen mignature, Paris 1679, 2 vols. 90.. A description of De la Fontaine's lifee and a summary of the theoretical informationn of his treatise is given on pp.. 319-27.

Piles,, R. de, Les premiers élêmens de la Photomechanicall reprint op the 1st peinturepeinture pratique, Paris 1684 ed.:: Geneve 1973. For an introductionn to De Piles' Les Premiers ElementsElements de la Peinture Pratique. Massing (1998),, p. 331. For the writings of De Piless and the art theory of the periode:: Puttfarken (1985).

L'Emery,, A., Recueildes curiosite^ rares & nouvellesnouvelles des plus admirables effets de k naturenature e£" de I art..., Paris 1676.

Pomet,, P., Histoiregenerale des drogues, trattanttrattant desplantes, des animaux and des mineraux...mineraux...,, Paris 1694.

Dupuyy Du Grez, B., Traite sur la Photomechanicall reprint of the lsred.: peinture,peinture, pour en apprendre la theorie et se Genevee 1972. For an introduction to perfecüonnerperfecüonner dans la pratique, Toulouse Dupuyy du Grez's treatise: Massing 1699. . (1998),, pp. 332-33

177 7 Hire,, P. de la, Traite de la practique de Dee La Hire's text was read as a lecture Forr Philippe de la Hire's (or Hyre's) lala peinture,' in Oeuvres diverse* de M. de latoo a session of the Paris' Académie des fatherr Laurent de la Hyre and the De HireHire de 1'Academie Royale des Sciences, Sciencess in 1709, but was probably lala Hyre family: Rosenberg & Thuillier depuisdepuis 1666jusqu'd 1699, Paris 1730, ppwritte. nn at the end of the 17th century. (1988),, esp. p.11. For an introduction 635-730. . too De La Hire's life and a short overvieww of the content of his Traite dee la practique de la peinture: Massing (1998),, p. 333; Pinault (1988). See also Vinee eta/. (1993).

Diderot,, D., Rond d'Alembert, J.le., Encyclopédie,Encyclopédie, ou dictionnaire raisouné des sciences,sciences, des arts, et des metyiers, par une SociétiSociéti de Gens de Lettres, Paris 1751-80, 355 vols.

Pernety,, A.]., Dictionnaire portatif de Seee Massing (1998), p. 334, for a peinture,peinture, sculpture et gravure: avec uu uu traite shortt introduction to the Dictionnaire. pratiquepratique des differentes manieres depeiudre... Pariss 1756.

JJ ombert, C.A., Les premiers elemens de la Jombert'ss edition of Roger de Piles' Forr an introduction to Jombert's peinture,peinture, par Roger De De Piles, nouvelletreatis editionee i s augmented with information treatise:: Massing (1998), pp. 333-34 entieremententierement refondue et augmentie obtainedd from other books on the art cottsidérablement,cottsidérablement, Amsterdaomff painting&. Leibzi. Althougg h published in 1766. . 1766,, the text includes most 17th- and earlyy 18th-century painters' techniques.

Watin,, J.F., L'Art dupeintre, dortur, AA photomechanical reprint of the vernisseur.vernisseur. Ouvrage utile aux artistes & aux Liégee 1778 ed. was published in Paris amateursamateurs qui veulent entreprendre depeiudre, 1976. . dorerdorer & vernir toutes sortes de sufets, en bdtimens,bdtimens, meubles, bijoux, equipages, &c, Pariss 1772.

GermanGerman sources

StrasburgStrasburg manuscript, London, NationaTheel original manuscript that was AA transcription of the manuscipt and Galleryy Library, MS. A VI 19. writtenn in Germany during the 15th ann English translation was published century,, has been lost by fire. There is a byy Borradaille (1967). For an transcriptt made in the 19th century for introductionn to the manuscript: pp. 8- thee translation by Charles Eastlake in 17. . 1847. .

NürnbergerNürnberger Kunstbucb, Nürnberg, Presumablyy written during the 2nd half AA transcription was published by Stadtbibhothek,, MS Gent VI 89. off the 15th century. Plosss (1962; 1989), pp. 130-54. Forr an introduction to the manuscript pp.. 129-29.

Boltzz von Ruffach, V., Illuminier Buch, Thee text of the Basel 1549 ed. was wiewie man allerley Farben bereitte, mischen, publishedd by Benziger (1913; 1988). schattieren,schattieren, unnd ufftragen soil.., Basel Forr an introduction to the treatise: pp. 1549. . 5-38. .

178 8 Pictorius,, ]. B., Die miet vielen raren unci curiösencuriösen Geheim/tussen augejullu ïlluminierkunstïlluminierkunst worinnen enthalten: Wit alle FarbenFarben künstUch %u btreiten und nüt^kch %y gebrauchen...,gebrauchen..., Nürnberg 1713.

Cröker,, J.M., Der wohlanführendeMahler, AA photomechanical reprint of the ed. welcherwelcher curiöse Liebbaber lehret me man sich JJ ena 1736, with an introduction and i*urMahlereni*urMahleren ^ubereiten, mit Oel-Farbeii bibliographyy was published by Schiefil umgehen,umgehen, Griinde, Fiirnisse und und andere dar^u (1982). . nötbigenötbige Sachen verferügen..., Frankfurt & Leipzigg 1719.

Gütle,, J.C., Gründhcher Unterricht ^ur ^ur VerfertigungguterVerfertigungguter Firnisse nebst der Kunst %u%u Lakiren und ^u Vergolden: Nachricbügen GrundsassenGrundsassen und eigener Erfahrungjur Künstler,Künstler, Fabrikanten und Handwerker, Nürnbergg 1793.

WienerWiener Farbenkabintt: oder Volistandiges MusterbuchMusterbuch aller Natur- Grurtd- und Zusammenset^ungsfarben,Zusammenset^ungsfarben, me solche seit ErfmdungErfmdung der Malerei bis auf auf gegenwartige ZettenZetten gesehen worden.... Wien & Prag 1794. .

SpanishSpanish sources

Nunes,, F., Arte poëtica, e dapintura e AA translation of almost the entire symetriasymetria comprincipio da perspecüva, Lisboa sectionn on painting has been 1615. . publishedd by Veliz (1986), pp. 3-19. Forr a short introduction to the treatise:: p. 1.

Carducho,, V., Dialogos de lapintura, su AA commented edition of Carducho's defensa,defensa, origen, esencia, definition modosy treatisee was published by Serraller diferencias...diferencias...,, Madrid 1633. (1979).. For an introduction to Carducho'ss live and his treatise: pp. xiii-cxxxiii,, and Veliz (1998). An Englishh translation of the sections in thee treatise dealing with artist's materialss and their use was published byy Veliz (1986), pp. 25-29.

Pacheco,, F., Arte de lapintura, su Pacheco'ss Arte de la Pintura was Thee 3* ed. of Pacheco's treatise was anüguedadyanüguedady grande^as, Sevüla 1649complete. dd in 1638 but only published publishedd by Sanchez Canton (1956). inn 1649. Forr an introduction to Pacheco's life, artisticc and literary activity; see pp. vii- xlvi.. See also Veliz (1998); Veliz (1986),, p. 31-33.

179 9 TractateTractate del arte tie lapintura (f.1656), in: AA transcript of the manuscript was Libroo autograft) dc Don Mariano publishedd by Sanz (1978). An English Farinass del Corral..., Madrid, translationn was published by Veliz Bibliotecaa Nacinal, MS 5917. (1986),, pp. 109-27. For an introductionn to the treatise: Sanz (1978);; Veliz (1986), p. 107.

Hidalgo,, J.C., Principospara estudiarel Photomechanicall reprint of the lsred.: HobliiisimoyHobliiisimoy real arte de bputtura, Madrid Madridd 1965. This edition includes an 1693. . introductionn to Hidalgo's treatise and aa bibliography. See also Veliz (1986), pp.. 129-31.

Palominoo Y Velasco, A., Elmttseo Forr an introduction to Palomino's ptctoricóyptctoricóy la tscala optica, Madrid 1715- treatise:: Veliz (1986), pp. 141-42 and 24,, 2 vols. referencess included in the text.

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