Uva-DARE (Digital Academic Repository)
Total Page：16
File Type：pdf, Size：1020Kb
UvA-DARE (Digital Academic Repository) Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data van Eikema Hommes, M.H. Publication date 2002 Link to publication Citation for published version (APA): van Eikema Hommes, M. H. (2002). Discoloration in Renaissance and Baroque Oil Paintings. Instructions for Painters, theoretical Concepts, and Scientific Data. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 Listt of Selected Documentary Sources AA selection of the documentary sources referred to in this dissertation is found in the table below. Thesee sources contain information either on the material-technical aspects of painting or on the disolorationn of paintings and are listed by country and thereupon in chronological order. NetherlandishNetherlandish sources Titlee description Generall information Selectedd literature lncipiuntlncipiunt quaedam dicta de divtrsis ColoribusFlanders ,, presumably 2nd half 15fh C. Transcriptt of the recipes on painting PicturisPicturis et Tincturis, London, British andd (Dutch) translation published by Library,, MS Sloane 345. Danrzig(1936). Anonymouss MS (c. 1496-98), Leiden, Universityy Library, MS Codex Vossius Chymicuss Octavo 6. Anonymouss MS (16fh C), Amsterdam, Economischh Historische Bibliotheek, MSPehPl. 'Diverschee verven te maken,' in 16thh C. The first part of the manuscript Forr an introduction to the manuscript, TraktaatTraktaat om kleuren te bereiden, iss written in Latin. The Netherlandish aa transcription of its art-technological Antwerpen,, Plantin-Moretus Museum, sectionn named Diverscbe verwen te maken, recipe maken,ss and a list, and brief discussion MSS 253. ff.. 12-35, contains art-technological off books of 'secrets' printed in information. Antwerpp and in the United Provinces inn the 16th and early 17rh centuries: Vandammee (1974). Baten,, C. van., Secreet boeck, waerin vele Onn Carel Baten and a biliography of diverscbediverscbe secreten ende beerticke consten in hiss Secreet Boeck: Velde (1933). veelderleyeveelderleye verscheydtn materien uut seker LatijnscheLatijnsche Fransoysche Hoochduytsche ende NederlantscheNederlantsche authoren te samen ende by een ghebrachtghebracht %ijn..., Dordrecht 1600. Mander,, K. Van, 'Den grondt der edel AA commented, translated edition with vryy schilder-const:waer in haer ghestalt, aa photomechanical reprint of the 1st aerdtt ende wesen de leer-lustighe jeught ed.. has been published by Miedema inn verschyden deelen in rijm-dicht (1973). wordtt voorghedraghen,' in: Het schilder- boeck,boeck, Haarlem 1604, ff. 1-55. Mander,, K. van., 'Het leven der AA commented, translated edition with doorluchtighee Nederlandtsche en aa photomechanical reprint of the 1sr Hooghduytschee schilders...' in: Het ed.. has been published by Miedema shilder-boeck,H^t\emshilder-boeck,H^t\em 1604, ff. 197-301. (1994). 170 0 Brugghen,, G. mx,Verlichtery kunst-boeck indeinde welke de rechte fondamenten en het volcomenvolcomen gebruyck der illuminatie met alle harehare eygenschappen klaerUjcken werden voor oogengestelt,oogengestelt, Amsterdam 1616. Lint,, P. van, Paris, Archive of the Fromm 1624 to 1631 Pieter van Lint's Onn Van Lint's notebook: Vlieghe Institutt Néerlandais, MS 433. describedd his duties as an apprentice in (1979).. For a transcription of Van thee workshop of the Antwerp painter Lint'ss duties in the workshop of Armss Wolffort, ff. 1,4-11. Wolfort:: Vlieghe (1977), p. 136. Biens,, C.P., De teecken-const: ofte een korte Thee contents of this treatise, of which Thee treatise was reprinted by Klerk endeende klaere aen-ltydinghe tot die lofeËjcken oo original example has been found, (1982),, pp. 48-56. For a discussion of constconst van teeckenen tot dienst ende behulpar vanee know n by means of a transcript by Biens'' literary activities and the dede eerstbeghinnende jeucht ende liefhebbers, Cin.. Muller Hofstede. contentss of De teecken-const. pp. 16-48. elfelf capittelen vervat, Amsterdam 1636. Angel,, Ph., Lofderschilderkonst, Leiden Onn Angel's life and a discussion of the 1642. contentss of his Lof der schilderkonst: Miedemaa (1989). Behrens,, J., Hand-boeck van de Heer Heer JacobThee information on oil painting is Behrens,Behrens, Miniatuur Schilder en Mathematicusdatedd 1661 . terter Gedagtenis te Bewaartn 1747.dHaagc, London,, British Library, MS Shelfmark 7866 a 47. Goeree,, W., Verbgterie-kvnde ofregt Remarkss on oil painting referred to in AA bibliography on Goeree and a gebruikgebruik der water-verwen. In welk desselfsthiss dissertation are not yet included in bibliographyy of the Verlichtery-konst kennis,kennis, en gebruik tot de schilder-kunde,earlie en derr editions. wass published by Kwakkelstein (1998). illuminatieilluminatie of verhgterie noodigh zynde, korttlijkkorttlijk geleerd word..., Amsterdam 1697 (3rill ed., lsred. Middelburg 1668). Hoogstraten,, S. Van, Inleyding tot de hooge schooleschoole der schilderkonst, anders de qichtbaere werelt:werelt: verdeelt in negen leerwinkels, j/der bestiertbestiert door ene der zanggodinnen, Rotterdamm 1678. Witgeest,, S., Het nieuw toneel der Photomechanicall reprint of the 1sr ed.: konsten...konsten... uyt verscheyde autheuren by een Leidenn (1967). See Landwehr (1967) vergadert,vergadert, Amsterdam 1679. forr an introduction to the treatise. Beurs,, W., Degroote watreld in 't kleen Forr an introduction to Beurs' treatise geschildertgeschildert of of schilderagtig tafereel van 's andd an overview of its content: weertldsweertlds schilderyen, korttlijk vervat in sts Eikemaa Hommes et al. (1999)1, pp. boeken:boeken: verklarende de hooftverwen, haare 32-36. verscheideverscheide mengelingen in obf, en der i*ebcr gebruik,gebruik, Amsterdam 1692. Pekstok,, P., Memoriael tot verfbereiding, Thee manuscript contains dated extracts Forr an introduction to the Pekstok Amsterdamm Municipal Archives, MS coveringg the periode 1674-89. paperss and a transcript and translation N09-23. off the manufacture of red and yellow lakee pigments: Hermenss & Wallert (1998).. A transcript and translation of thee manufacture of vermilion was publishedd by Schendel (1972). 171 1 Eikelenberg,, S., Aantekeningen over Forr an introduction to Eikelenberg's schilderkunstschilderkunst (1679-1704), Alkmaar, life,, and his artistic, scientific and Regionaall Archief, acquisitions literaryy activities, and a short collectionn nos. 390-94. discussionn of his manuscripts: Goedingss (1985-86). Lairesse,, G. de, Het groot schilderboek, Amsterdamm 1707, 2 vols. Sylva,, J. de., Konst-boeck ofte schat der wetemchap...wetemchap...,, Kortryk 1735. Sprong,, U., Kabinet der verfstoffen: waarin Seee Eikema Hommes et al. (1999)1, p. korteJykkorteJyk de natuur en hoedanigheden, der 37,, for an introduction to Sprong's voornaamstevoornaamste verfstoffen, in oly gebruikelyk, treatise. werdtwerdt aangeivesen: als ook de wyse, hoe^e gemaaktgemaakt worden..., Amsterdam 1738. Verly,, P.J., Verhandeling over de schilderkunstschilderkunst in miniatuur om gemakke/yk te ZeerenZeeren schilderen ponder meester..., Utrecht 1744. Delormois,, De volmaakte verwer, of nieuwe Inn the lsf Dutch ed. the Byvoegsel on enen algemene onderwysing om de wol en wolUu-oill painting is not yet included. manufacturen,manufacturen, ...uit 't Fransch in 't NederduitschNederduitsch vertaald Vermeerdert met een byvoegsel,byvoegsel, handelende wegens het bereiden en klaarklaar maken van aldtrhande oly-verwen..., Amsterdamm 1753 (1st Dutch ed. 1733). huik,huik, vernis en verf-konst, om alk sporten van lakken,lakken, vernisse en verven te bereyden door een liefhebberliefhebber beschreven, Amsterdam 1767. I.I.H.,, De alleruijtgesoghten kunstten en weetenschappen,weetenschappen, door een liefhebber van weetenschappenweetenschappen I.I.H... uijtgevonden en bey eeneen versaamelt, Library, 1772-84, Amsterdam,, University of Amsterdam, MSS II* E 19. EnglishEnglish sources TheThe art of limning, London, British Thee main part of this book is AA short description of the manuscript Library,, MS Sloane 680. concernedd with coat of arms and was iss given by Harley (1969). writtenn during the early 17th century. Thee information on painting, ff. 131r- 134v,, probably dates from an earlier period. 172 2 AA booke of secrets, shewing divers waies to makemake and prepart all sorts ofinke, and colours:colours: as black, white, blew, green, red, yellowyellow and other colours..., London 1596. AA collection for mixtuers of coulters togeatherTh ee manuscript was probably written AA short description of the manuscript byby mr. mr. rogers the graver, in: London, aroundd 1603. The part on colours is ff. iss given by Harley (1969). Britishh Library, MS