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The People's Republic Of
THE PEOPLE’S REPUBLIC OF CHINA 17 > 22 November 2019 BELGIAN ECONOMIC MISSION, PRESIDED BY HRH PRINCESS ASTRID, REPRESENTATIVE OF HIS MAJESY THE KING PARTICIPANTS BROCHURE PUBLICATION DATE: 22 OCTOBER 2019 This publication contains information on all the participants who have registered before its publication date. The profiles of all participants and companies, including the ones who have registered at a later date, are however published on the website of the mission www.belgianeconomicmission.be and on the app of the mission “Belgian Economic Mission” in the App Store and Google Play. Besides this participants brochure, other publications, such as economic studies, a useful information guide, etc. Are also available on the above-mentioned website and app. 2 BELGIAN ECONOMIC MISSION 17 > 22 November 2019 BELGIAN ECONOMIC MISSION THE PEOPLE’S REPUBLIC OF CHINA Organized by the regional agencies for the promotion of Foreign Trade & Investment (Flanders Investment & Trade [FIT], Hub.Brussels, Wallonia Export-Investment Agency [AWEX]), FPS Foreign Affairs and the Belgian Foreign Trade Agency. THE PEOPLE’S REPUBLIC OF CHINA 4 BELGIAN ECONOMIC MISSION BELGIAN ECONOMIC MISSION CALENDAR 2020 SENEGAL 7-10 June AUSTRALIA 18-24 October (The dates are subject to change) THE PEOPLE’S REPUBLIC OF CHINA 6 BELGIAN ECONOMIC MISSION TABLE OF CONTENTS p.8 HRH PRINCESS ASTRID AND MINISTERS p.20 COMPANIES p.286 HIGHER EDUCATION INSTITUTIONS p.300 FEDERATIONS AND CHAMBERS OF COMMERCE p.320 DIRECTORY OF COMPANIES p.328 OFFICIAL ORGANIZATIONS p.362 HOTELS OF -
An ABC of Heritage Libraries 3 Krant // Newspaper Heritage Libraries Often Hold Extensive Collections of Newspapers and Periodicals
AN b OF HERITAGE LIBRARIESC ACQUISITIE // ACQUISITION Each heritage library has its individual thematic or regional profile. Collections are expanded and enriched via carefully considered acquisitions and a well thought-out donation policy. BIBLIOFIEL // BIBLIOPHILE Many heritage libraries owe thanks to the zeal of bibliophile collectors. They also preserve modern bibliophile editions, books executed in exceptional formats. CATALOGUS // CATALOGUE A library’s assets are described in a catalogue according to strict rules. This used to be done on index cards kept in special cabinets. Today, online catalogues are used, allowing readers to locate publications from home. DIGITALISERING // DIGITISATION Important, vulnerable or frequently used titles are digitised to protect them and make them more available. Originals no longer need to be manipulated and digital copies can be accessed globally via the internet. Automatic character recognition allows ‘paper’ text to be searched. EX LIBRIS // EX LIBRIS Collectors often paste or stamp an ex libris with their name and a figurative, emblematic image in their books. Such provenance marks are also found in historical books and serve as a primary source for researchers of the reading cultures of the past. 2 FLANDERS HERITAGE LIBRARY FORMAAT // FORMAT Printed books are made up of quires, which can have varying formats. The largest ‘folio’ format consist of four pages. It is created by folding a sheet of paper once. An additional fold results in a ‘quarto’ format of eight pages and a third fold in an ‘octavo’ format of sixteen pages. GOUDSTEMPELING // GOld TOOLING Books used to be bound in leather or parchment. The binding was sometimes tooled, using gold leaf to give books their characteristic sparkle. -
Winning En Toepassing Van Diestiaanijzerzandsteen in Het Hageland Van De Middeleeuwen Tot De 20Ste Eeuw
Relicta 13 (2015), 7-124 7 ‘van goeden koerliken Rotcelaerstene wel ende reynlic ghehouwen’ Winning en toepassing van Diestiaanijzerzandsteen in het Hageland van de middeleeuwen tot de 20ste eeuw Thomas Van Driessche1 1 Inleiding2 Bij de Vlaamse Overheid worden momenteel verschillende pistes onderzocht om het acute tekort aan ijzerzandsteen op te lossen, 1.1 Diestiaanijzerzandsteen zoals het openen van een nieuwe steengroeve, het hergebruiken Het bouwkundig erfgoed van het Hageland en de Zuiderkempen van oude bouwstenen afkomstig van sloop of het systematisch wordt in hoge mate gekenmerkt door het gebruik van Diestiaan- bergen van ijzerzandsteen die bij infrastructuurwerken aan het ijzerzandsteen. Deze roestbruine steen werd van de volle middel- licht komt. eeuwen tot de 19de eeuw gebruikt in kerken, kapellen, kastelen, watermolens, bruggen, sluizen, kaaimuren, enz. De meeste van In 2010 heeft de Afdeling Land en Bodembescherming, Onder- deze gebouwen en constructies zijn vandaag beschermd als grond, Natuurlijke Rijkdommen (ALBON) van de Vlaamse monument of opgenomen in de Inventaris van het Bouwkundig Overheid acht proefboringen laten uitvoeren op vier locaties in Erfgoed. het Hageland4. Deze boorkernen werden vervolgens door het Koninklijk Instituut voor het Kunstpatrimonium onderzocht op Bij restauratiewerkzaamheden aan deze gebouwen moet regel- dichtheid, porositeit en vorstbestendigheid, en druksterkte5. Het matig verweerde ijzerzandsteen vervangen worden. Nieuwe doel van het onderzoek was inzicht te krijgen in de geo logische ijzerzandsteen is echter niet meer voorhanden. De laatste com- kenmerken van de steenbanken en kwaliteitscriteria te bepalen mercieel geëxploiteerde steengroeve werd in 1950 buiten gebruik voor het gebruik van ijzerzandsteen bij restau ratie projecten. gesteld. Bij gebrek aan ijzerzandsteen nemen monumentenzor- gers sindsdien hun toevlucht tot vervangende steensoorten of Parallel aan het geologische en materiaaltechnische onderzoek restauratiemortels. -
Volume XXXVI, No. 1, Cumulative Issue 70
The Communicator Volume 36 Issue 70 Article 1 2020 Volume XXXVI, No. 1, Cumulative Issue 70 Follow this and additional works at: https://digitalcommons.snc.edu/communicator Part of the Catholic Studies Commons, and the Christianity Commons Recommended Citation (2020) "Volume XXXVI, No. 1, Cumulative Issue 70," The Communicator: Vol. 36 : Iss. 70 , Article 1. Available at: https://digitalcommons.snc.edu/communicator/vol36/iss70/1 This Article is brought to you for free and open access by Digital Commons @ St. Norbert College. It has been accepted for inclusion in The Communicator by an authorized editor of Digital Commons @ St. Norbert College. For more information, please contact [email protected]. COMMUNICATOR Volume XXXVI, Number June 2020 Cumulative Issue 70 The English Speaking Circary of the Order of Prémontré Editor: V. Rev. John C. Zagarella, O. Praem. (Daylesford) Assistant Editor: Rev. Joseph McLaughlin, O. Praem. (Daylesford) Canonry Correspondents: Albuquerque: Rt. Rev. Joel Garner: [email protected] Bayview: V. Rev. James Herring: [email protected] Chelmsford: Rt. Rev. Hugh Allan: [email protected] Daylesford: Rev. Joseph McLaughlin: [email protected] DePere: Rev. Michael Brennan: [email protected] Jamtara: G. Christopher: [email protected] Mananthavady: [email protected] Muston: Rt. Rev. Andrew Smith: [email protected] Orange: V. Rev. Chrysostom Baer: [email protected] Queens Park: Rev. Peter Stiglich: [email protected] Tehachapi: Mother -
KANE, PAMELA MEYS, D.M.A. the 1927 Longwood Sketches of Firmin Swinnen: Replica of a Scenic Film Score. (2013) Directed by Dr. John Salmon and Dr
KANE, PAMELA MEYS, D.M.A. The 1927 Longwood Sketches of Firmin Swinnen: Replica of a Scenic Film Score. (2013) Directed by Dr. John Salmon and Dr. Joan Titus, 99 pp. In his Longwood Sketches: Suite for Organ in Four Parts (Theodore Presser, 1927), Belgian-American organist Firmin Swinnen provides the vicarious traveler with an aural travelogue of gunpowder magnate Pierre S. du Pont’s Longwood Gardens outside Kennett Square, Pennsylvania. Swinnen relays his impressions of landscapes, waterscapes, and the Lenni Lenape Indian provenance of the estate in a composition that stylistically resembles music that accompanied silent travel films of the early 1900’s known as Scenics. As organist at Broadway’s Rialto and Rivoli Theatres between 1916 and 1921 and Philadelphia’s Aldine Theatre in 1922, Swinnen accompanied Scenics with titles like Tropical Nights (Robert C. Bruce, 1920), Lake Tahoe, Land of the Sky (Essanay, 1916), Geysers of the Yellowstone (Paramount, 1917), and Trails that Lure (U.S. Department of Agriculture, 1920). These films have been archived and preserved to allow for viewing by modern-day audiences. Absent from the films, however, is the sound of musical accompaniment which, during the silent era, was provided either by an orchestra or organist who through-played one or two composed orchestral compositions or by an organist who improvised an accompaniment that was informed by changing scenery on the screen. By referring to period film music columns like Montville Morris Hansford’s “Preparing Music for Photoplay Accompaniments” (New York Dramatic Mirror) and George W. Beynon’s “Music for the Picture” (Moving Picture World), where documentation can be found that indicates which orchestral selections were paired with given Scenics, it is possible for contemporary musicians to replicate authentic orchestral accompaniments. -
Village Formation in the Netherlands During the Middle Ages (AD 800 - 1600) an Assessment of Recent Excavations and a Path to Progress
Nederlandse Archeologische Rapporten 056 Village Formation in the Netherlands during the Middle Ages (AD 800 - 1600) An assessment of recent excavations and a path to progress J.P.W. Verspay, A.M.J.H. Huijbers, H. van Londen, J. Renes and J. Symonds Village Formation in the Netherlands during the Middle Ages (AD 800 – 1600) An assessment of recent excavations and a path to progress J.P.W. Verspay, A.M.J.H. Huijbers, H. van Londen, J. Renes and J. Symonds Colophon Nederlandse Archeologische Rapporten 56 Village Formation in the Netherlands during the Middle Ages (AD 800 – 1600) An assessment of recent excavations and a path to progress Project management: H. van Londen (University of Amsterdam) Authors: J.P.W. Verspay (University of Amsterdam/University of West Bohemia), A.M.J.H. Huijbers (BAAC), J. Renes (Utrecht University), J. Symonds (University of Amsterdam), H. van Londen (University of Amsterdam) Authorisation: M. Groothedde & H.A.C. Fermin (Bureau Archeologie, gemeente Zutphen) Illustrations: J.P.W. Verspay (University of Amsterdam/University of West Bohemia), unless otherwise stated Cover: The old village square of Wassenaar with figures from Pieter Breughel the Elder (painted ca. 1560-1569) Editors: J. Symonds & H. van Londen (University of Amsterdam) Proofreading: Andrea Travaglia (University of Amsterdam) Layout & production: Xerox OBT, The Hague Print: Xerox OBT, The Hague ISBN/EAN: 9789057992940 © Cultural Heritage Agency of the Netherlands, Amersfoort, 2018 Cultural Heritage Agency of the Netherlands Postbus 1600 3800 BP -
Bike Holidays in Flanders
Bike holidays in Flanders An ecological Flanders, a city Partners for How to develop Cycling along the discovery at trip trough your bike a bike holiday node network your own pace nature holiday Content Content Content Route 1 Route 2 Beer route Flemish Masters route Read more Angle-Right Flanders: Cycling in Read more Angle-Right I Craftsmanship IIFlanders along at the heart of the node Route 3 Europe network: Attractive, safe The Best of A compendium Read more Angle-Right and comfortable Flanders route of regional cycling routes Read more Angle-Right Read more Angle-Right Read more Angle-Right Cycling holidays IIIin Flanders: a strong project B2B platform: IVPractical, useful Read more Angle-Right and inspiring Accessible Partner tourism overview Read more Angle-Right V VI Read more Angle-Right Read more Angle-Right 2 3 I. Flanders: Craftsmanship at the heart of Europe Flanders: I Craftsmanship Flanders is a tale of impressive at the heart of Flemish people, ground-breaking craftsmanship, historic heritage, Europe astonishing landscapes and an unparalleled gastronomic, drinking and dining culture. Angle-Right Art, heritage and the Flemish Masters Angle-Right Flavourful Flanders Angle-Right In Flanders Fields Angle-Right A wide array of landscapes and monuments 5 I. Flanders: Craftsmanship at the heart of Europe I. Flanders: Craftsmanship at the heart of Europe Art, heritage and the “In Flanders, we enjoy Flemish Masters life and we love good Flanders is able to draw on a centuries-old cultural food. You'll continue heritage that is as rich as it is varied. Its host of world-famous museums, galleries and art centres to experience that any put this heritage on display, and special events time you’re in Flanders are organised in its honour all year round. -
* Book Singing Bronze ED2 170X230mm
luc rombouts Singing Bronze A History of Carillon Music Singing Bronze luc rombouts Singing Bronze A History of Carillon Music With the support of The Guild of Carillonneurs In North America Lipsius Leuven is an imprint of Leuven University Press Original title Zingend Brons. 500 jaar beiaardmuziek in de Lage Landen en de Nieuwe Wereld Authorized translation from the Dutch language edition published by Davidsfonds / Leuven © 2010 Dutch language edition by Davidsfonds / Leuven (Belgium) © 2014 English language edition by Leuven University Press / Universitaire Pers Leuven / Presses Universitaires de Louvain. Minderbroedersstraat 4, B-3000 Leuven All rights reserved. Except in those cases expressly determined by law, no part of this publication may be multiplied, saved in an automated datafile or made public in any way whatsoever without the express prior written consent of the publishers. isbn 978 90 5867 956 7 d/ 2014 / 1869 / 31 nur 667 Translation Communicationwise Design Korpershoek Ontwerpen Front cover illustration Carillon bells in the St. John’s Tower in Gouda (the Netherlands) Contents 11 Introduction part 1 – bell cultures in antiquity and the middle ages chapter 1 – The magic of old bells 15 A fruit with pith 17 A world of sounds 18 Made in China 21 Jingle Bells 24 Bellmen chapter 2 – The time of God 27 The daily call to prayer 28 Europe of Bells 30 The appearance of the medieval bell 32 Church doctrine and popular belief 35 Tolling for political ends chapter 3 – The time of man 39 A day in the city 40 Tolling for special events -
1 Pm 16 . 03 . 2013
VEILING BOEKEN & PRENTEN VENTE PUBLIQUE 50 LIVRES & ESTAMPES AUCTION BOOKS & PRINTS Vrijdag - Vendredi - Friday 15 . 03 . 2013 - 13 h/u - 1 p.m. Zaterdag - Samedi - Saturday 16 . 03 . 2013 - 13 h/u - 1 p.m. TENTOONSTELLING - EXPOSITION - VIEWING Vrijdag 08-03 van 10 u tot 18 u Vendredi 08-03 de 10 h à 18 h Friday 8 March Zaterdag 09-03 van 10 u tot 18 u Samedi 09-03 de 10 h à 18 h Saturday 9 March Maandag 11-03 van 10 u tot 20 u Lundi 11-03 de 10 h à 20 h Monday 11 March Dinsdag 12-03 van 10 u tot 18 u Mardi 12-03 de 10 h à 18 h Tuesday 12 March Woensdag 13-03 van 10 u tot 18 u Mercredi 13-03 de 10 h à 18 h Wednesday 13 March Donderdag 14-03 van 10 u tot 18 u Jeudi 14-03 de 10 h à 18 h Thursday 14 March of na afspraak - ou sur rendez-vous - or by appointment Aquaductstraat 40 Rue de l’Aqueduc BRUSSEL B - 1060 BRUXELLES TEL 32(0)2 544 10 55 FAX 32(0)2 544 10 57 [email protected] www.romanticagony.com 1 RomAgony_bnw_50_ok.indd 1 1/02/13 12:10 Vendredi 15 mars à 13 h Vrijdag 15 maart om 13u Dessins et gravures anciens 1 - 100 Oude tekeningen en gravures Arts graphiques XIXe-XXe s. 101 - 219 Grafiek 19de-20ste eeuw Hergé 220 - 356 Hergé Figurines 220 - 347 Figuurtjes Varia 348 - 356 Varia Images populaires 357 - 387 Volksprenten Images pieuses 388 - 423 Devotieprenten Livres populaires 424 - 459 Volksboeken Archives 460 - 487 Archiefstukken Littérature néerlandaise 488 - 541 Nederlandstalige literatuur Autographes XVIIe-XXe s. -
De Documentaire Waarde Van De Kerkinterieurs Van De Antwerpse School in De Spaanse Tijd (1585-1713)
DE DOCUMENTAIRE WAARDE VAN DE KERKINTERIEURS VAN DE ANTWERPSE SCHOOL IN DE SPAANSE TIJD (1585-1713) door Claire Baisier Proefschrift ingediend ter verkrijging van de graad van Doctor in de Kunstwetenschappen Katholieke Universiteit Leuven 2008 BAND I Promotor : Professor-emeritus Dr. Hans Vlieghe Faculteit Letteren Departement Archeologie Kunstwetenschap en Musicologie INHOUDSOPGAVE Inhoudsopgave__________________________________________________ 2 Verantwoording _________________________________________________ 8 Dankbetuiging _________________________________________________ 12 Inleiding ______________________________________________________ 13 Antwerpse kerken in beeld gebracht ________________________________ 18 De Onze-Lieve-Vrouwekathedraal ______________________________ 18 Hendrik I van Steenwijck, 1593________________________________ 21 Peeter I Neeffs, 1610 ________________________________________ 28 Peeter I Neeffs, ca. 1610 _____________________________________ 38 Peeter I Neeffs, voor 1614 ____________________________________ 39 Anoniem, 1613_____________________________________________ 40 Bartholomeus van Bassen, 1616 _______________________________ 41 Hendrik II van Steenwijck, 1621 _______________________________ 46 Anoniem, ca. 1631 __________________________________________ 49 Peeter I Neeffs, 1648 ________________________________________ 53 Peeter II Neeffs, 1654 _______________________________________ 54 Peeter II Neeffs, 1654 _______________________________________ 57 Isaak van Nickelen, 1668 _____________________________________ -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Building materials and trade: changes in the building organisation between North and South (1500-1650) van Tussenbroek, G. Publication date 2007 Document Version Author accepted manuscript Published in Unity and discontinuity: architectural relations between the Southern and Northern Low Countries, 1530-1700 Link to publication Citation for published version (APA): van Tussenbroek, G. (2007). Building materials and trade: changes in the building organisation between North and South (1500-1650). In K. De Jonge, & K. Ottenheym (Eds.), Unity and discontinuity: architectural relations between the Southern and Northern Low Countries, 1530-1700 (pp. 299-327). (Architectura Moderna; No. 5). Brepols. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 Chapter I: Building Materials and Trade. -
November 2013 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 30, No. 2 November 2013 Michiel Coxcie, Saint Cecilia. Museo Nacional del Prado, Madrid In the exhibition Michiel Coxcie. De Vlaamse Rafael. Museum M, Leuven, October 31, 2013 – February 23, 2014. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President – Amy Golahny (2013-2017) Lycoming College Williamsport PA 17701 Vice-President – Paul Crenshaw (2013-2017) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Treasurer – Dawn Odell Lewis and Clark College 0615 SW Palatine Hill Road Portland OR 97219-7899 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 Lloyd DeWitt (2012-2016) Stephanie Dickey (2013-2017) HNA News ............................................................................1 Martha Hollander (2012-2016) Personalia ............................................................................... 2 Henry Luttikhuizen (2009 and 2010-2014) Exhibitions ............................................................................ 3 Shelley Perlove (2008-2009 and 2010-2014) Museum News .....................................................................